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197 articles
Book Review
Roma medievale: Il volto perduto della città
03/2025 | 1464 | 167
Pages: 290–91
related names
Reviewer:
Doherty, Hugh (Doherty, Hugh)
Subjects
art literature:
museums and institutions:
places:
Reviewed Items
subjects:
Roma medievale: Il volto perduto della città Edited by Marina Righetti and Anna Maria D’Achille. 300 pp. incl. 310 col. ills. (De Luca Editori d’Arte, Rome, 2022), €48. ISBN 978–88–6557–531–4. | :
Illustrations
Attributed works:
2. Detail of Fig.3.
Attributed works:
of the 13th century. Silk embroidered with gold thread, 140 by 325 cm. (Museo della Cattedrale, Anagni).
Western art unattributed:
1. Pilgrim. France, probably Limoges, 13th century. Embossed and gilded copper, 13.7 by 6 cm. (Museo Nazionale del Bargello, Florence).
Exhibition Review
Paris through the Eyes of Saint-Aubin
12/2024 | 1461 | 166
Pages: 1249–50
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Paris through the Eyes of Saint-Aubin Metropolitan Museum of Art, New York 26th September 2024–5th February 2025 | :
Illustrations
Attributed works:
13. Statue of Louis XV seen through the arcade of the Garde-Meuble, by Gabriel de Saint-Aubin. 1763. Pen, ink and grey wash over black chalk on paper, 17 by 11.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Allegory of Louis XV as patron of the arts with paintings and sculpture from the Salon of 1769, by Gabriel de Saint-Aubin. 1769. Oil over black chalk on paper mounted on pasteboard, 21.3 by 14.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
15. Macartney, governor of the Island of Grenada, surrendering his sword to the comte d’Estaing, by Gabriel de Saint-Aubin. 1779. Pen, black ink and grey and blue wash over black chalk on paper, 16.5 by 21.5 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Silver City: 500 Years of Portsmouth’s History
10/2022 | 1435 | 164
Pages: 1015-1017
related names
Reviewer:
Parton, Frances (Parton, Frances)
Subjects
dates:
places:
Reviewed Items
subjects:
Silver City: 500 Years of Portsmouth’s History Portsmouth Museum and Art Gallery 28th May 2022–26th February 2023 | :
Illustrations
Attributed works:
10. The Bodkin Cup, attributed to Robert Amadas. London, 1525. Gilded silver, height 12 cm. (Portsmouth City Council).
Attributed works:
11. The Lord Mayor and Lady Mayoress with the Bodkin Cup in the ruins of the Guildhall, 1941. (Portsmouth History Centre).
Western art unattributed:
12. The Lee Cup. London, 1590. Silver-gilt, height 40 cm. (Portsmouth City Council).
Exhibition Review
Walter Sickert
08/2022 | 1433 | 164
Pages: 288-292
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Walter Sickert Tate Britain, London 28th April–18th September | :
Illustrations
Attributed works:
1. Bonnet et claque. Ada Lundberg at the Marylebone Music Hall, by Walter Sickert. c.1887. Oil on canvas, 41.9 by 59.7 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
2. Self-portrait, by Walter Sickert. c.1896. Oil on canvas, 45.7 by 35.6 cm. (Leeds Museums and Galleries; exh. Tate Britain, London; Bridgeman Images).
Attributed works:
3. The Prussians in Belgium, by Walter Sickert. c.1912. Oil on canvas, 50.5 by 40.5 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
4. Self-portrait in grisaille, by Walter Sickert. 1935. Oil on canvas, 68.5 by 25.4 cm. (National Portrait Gallery, London; exh. Tate Britain, London).
Book Review
Boom Cities: Architect Planners and the Politics of Radical Urban Renewal in 1960s Britain
12/2021 | 1425 | 163
Pages: 1212-1213
related names
Reviewer:
Calder, Barnabas (Calder, Barnabas)
Subjects
Reviewed Items
subjects:
Boom Cities: Architect Planners and the Politics of Radical Urban Renewal in 1960s Britain By Otto Saumarez Smith. 208 pp. incl. 37 b. & w. ills. (Oxford University Press, 2020), £22.99. ISBN 978–0–19–883640–7. | :
Illustrations
Attributed works:
6. Central area redevelopment, Blackburn, Lancashire: the car park access stair tower on Lord Square. 1970. (Photograph Peter Baistow; Architectural Press Archive / RIBA Collections).
Book Review
Why Cities Look the Way They Do
12/2021 | 1425 | 163
Pages: 1212-1213
related names
Reviewer:
Calder, Barnabas (Calder, Barnabas)
Subjects
Reviewed Items
subjects:
Boom Cities: Architect Planners and the Politics of Radical Urban Renewal in 1960s Britain By Otto Saumarez Smith. 208 pp. incl. 37 b. & w. ills. (Oxford University Press, 2020), £22.99. ISBN 978–0–19–883640–7. | :
subjects:
Why Cities Look the Way They Do By Richard J. Williams. 192 pp. incl. numerous ills. (Polity, Cambridge and Medford MA, 2019), £15.99. ISBN 978–0–7456–9181–7. | :
Illustrations
Attributed works:
6. Central area redevelopment, Blackburn, Lancashire: the car park access stair tower on Lord Square. 1970. (Photograph Peter Baistow; Architectural Press Archive / RIBA Collections).
Book Review
An Elephant in Rome
05/2021 | 1418 | 163
Pages: 484
related names
Reviewer:
Kämpf, Tobias (Kämpf, Tobias)
Subjects
places:
subjects:
Reviewed Items
subjects:
An Elephant in Rome By Loyd Grossman. 320 pp. incl. over 130 col. ills. (Pallas Athene, London, 2020),  19.99. ISBN 978–1–84368–193–9. | :
Article
Peregrinating Rome and Jerusalem in Enguerrand Quarton’s ‘Coronation of the Virgin’
05/2020 | 1406 | 162
Pages: 372-387
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Rome.
Attributed works:
10. Calvary with a Carthusian monk, by Jean de Beaumetz. 1389–95. Oil on panel, 60 by 48.5 cm. (Mus e du Louvre, Paris).
Attributed works:
11. Map of Jerusalem. Twelfth century. Pen on parchment, 32.5 by 22.5 cm. (British Library, London; MS Cotton Tiberius E IV., fol.143r; Bridgeman Images).
Attributed works:
12. Map of Jerusalem, from Peregrinatio in Terram Sanctam by Bernhard von Breydenbach, by Erhard Reuwich. 1486. Handcoloured woodcut on vellum, 27 by 127 cm. (British Library, London; Bridgeman Images).
Attributed works:
13. Rome, from the Très Riches Heures de Duc de Berry, by the Limbourg brothers. Before 1416. Illumination on parchment, folio 29 by 21 cm. (Musée Condé, Chantilly; MS 65, fol.141v).
Attributed works:
14. Detail of Rome, from Cosmographia by Claudius Ptolomaeus, by Pietro del Massaio. c.1470–c.1480. Painting on parchment, folio 61 by 45 cm. (Bibliothèque nationale de France, Paris; MS Latin 4802, fol.133r.
Attributed works:
2. Detail of Fig.3, showing Jerusalem.
Attributed works:
3. Coronation of the Virgin, by Enguerrrand Quarton. 1453–54. Oil(?) and tempera on panel, 183 by 220 cm. (Musée Pierre de Luxembourg, Villeneuve-lès-Avignon).
Attributed works:
4. Detail of the Virgin of Chancellor Rolin, by Jan van Eyck. c.1435. Oil on panel, 66 by 62 cm. (Musée du Louvre, Paris).
Attributed works:
5. Detail of Fig.3, showing a square outside St Peter’s, Rome.
Attributed works:
6. Detail of Fig.3, showing S. Croce in Gerusalemme, Rome.
Attributed works:
7. Detail of Fig. 3, showing Jean de Montagnac and Antoine de Montagny at the tomb of the Virgin.
Attributed works:
8. Detail of Fig.3, showing the Crucifixion.
Attributed works:
9. Detail of Fig.9. showing Guillaume de Montjoie, Bishop of Bézier, at the tomb of Christ.
Article
Changed locations: the Habsburg cityscapes in Palazzo Vecchio, Florence
07/2019 | 1396 | 161
Pages: 544-555
related names
Author:
Concin, Adriana (Concin, Adriana)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. The first courtyard of Palazzo Vecchio, Florence, looking south, showing the frescos of Konstanz and (behind the column) Wiener Neustadt. (Photograph Francesco Guazzelli).
Attributed works:
10. Kaiserebersdorf and Sterzing, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Frescos, 120 by 215 cm. and 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
11. Detail of Fig.10, showing the view of Sterzing.
Attributed works:
12. Plan of the proposed identification of the frescos in the first courtyard, Palazzo Vecchio, Florence: 1. Vienna; 2. Innsbruck; 3. Kaiserebersdorf; 4. Sterzing; 5. Konstanz; 6. Wiener Neustadt; 7. Hall in Tirol; 8. Trieste; 9. Breisach; 10. Passau; 11. Stein/Krems; 12. Klosterneuburg; 13. Graz; 14. Freiburg im Breisgau; 15. Linz; 16. Bratislava; 17. Formerly Prague, destroyed by Giuseppe del Rosso's inscription (1812); a. Doorway to Piazza della Signoria; b. Doorway to the Cortile della Dogana; c. Inscription by Messer Fabio Segni (1565); and d. Niche with Samson and the Philistine, by Pierino da Vinci.
Attributed works:
13. Graz, by Bottega Amedeo Benini after Matthaeus Merian. 1958. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
14. Krems, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
15. Watercolour after the original view of Graz in the first courtyard of Palazzo Vecchio, Florence, by Carlo Chiostri. Before 1892. Watercolour on paper, 36 by 22 cm. (Landesarchiv Steiermark, Graz).
Attributed works:
16. The first courtyard of Palazzo Vecchio, Florence, showing the view of Freiburg im Breisgau, behind the bronze putto. c.1860–90. Photograph, 19 by 25 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
2. Plan of the current identification of the frescos in the first courtyard, Palazzo Vecchio, Florence: 1. Vienna; 2. Innsbruck; 3. Kaiserebersdorf; 4. Konstanz; 5. Wiener Neustadt; 6. Hall in Tirol; 7. Sterzing; 8. Prague; 9. Passau; 10. Stein; 11. Klosterneuburg; 12. Graz; 13. Freiburg im Breisgau; 14. Linz; 15. Bratislava; a. Doorway to the Piazza della Signoria; b. Inscription by Giuseppe del Rosso (1812); c. Doorway to the Cortile della Dogana; d. Inscription by Messer Fabio Segni (1565); and e. Niche with Samson and the Philistine, by Pierino da Vinci.
Attributed works:
3. Below The first courtyard in Palazzo Vecchio, Florence, showing the proposed location of frescos, by Vincenzo Borghini. North is on the left. 1565. Pen and ink, 21.3 by 15.2 cm. (Biblioteca Nazionale Centrale, Florence).
Attributed works:
4. Opposite The first courtyard of Palazzo Vecchio, Florence, looking north. (Photograph Francesco Guazzelli).
Attributed works:
5. Inscription by Giuseppe del Rosso. c.1812. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
6. Trieste, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
7. Opposite top left Actual delineation of the city of Brysach, as seen from morning to evening (east view); and The city of Brysach, as seen from evening to morning (west view), from M. Merian: Topographia Alsatiae, Frankfurt c.1650. Etching, 28.8 cm by 38 cm. (Österreichische Nationalbibliothek, Vienna).
Attributed works:
8. Opposite top right Breisach, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
9. Opposite below Fresco of Innsbruck in Palazzo Vecchio, by Julius von Ficker. 1860s. Photograph, 60 by 40 cm. (Tiroler Landesmuseum Ferdinandeum, Innsbruck).
Book Review
South-East Marylebone (Survey of London, 51 and 52). Edited by Philip Temple, Colin Thom and Andrew Saint
02/2019 | 1391 | 161
Pages: 171-172
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