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3 articles
Exhibition Review
Im Herzen wild: Die Romantik in der Schweiz
04/2021 | 1417 | 163
Pages: 361-364
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
art literature:
museums and institutions:
places:
styles:
subjects:
Reviewed Items
subjects:
Im Herzen wild: Die Romantik in der Schweiz Edited by Jonas Beyer and Esther Braun-Kalberer. 288 pp. incl. 200 col. ills. (Zürcher Kunstgesellschaft / Kunsthaus Zürich and Prestel, Munich, London and New York, 2020), €49. ISBN 978–3– 7913–5988–5. | :
Illustrations
Attributed works:
12. Passage of Mount St Gotthard from the centre of Teufels Broch (Devil’s Bridge), by J.M.W. Turner. 1804. Watercolour on paper, 101 by 68 cm. (Abbot Hall Art Gallery, Lakeland Arts; The Morse Bequest, 1972; exh. Kunsthaus Zürich).
Attributed works:
13. Summit in the clouds, by Alexandre Calame. 1861. Charcoal and graphite, heightened with white chalk and gouache on blue paper, 15.9 by 23.7 cm. (Musées d’art et d’histoire, Geneva; exh. Kunsthaus Zürich).
Attributed works:
14. The three witches, by Henry Fuseli. 1783. Oil on canvas, 65 by 91.5 cm. (Kunsthaus Zürich).
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Advertisements March 2005 (Front)
03/2005 | 1224 | 147
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. DANTE GABRIEL ROSSETTI (1828-1882). Elizabeth Siddal seated in a chair. Verso: Studies of THree Female Figures. Pencil, 8 x 15 1/2 in (20.5 x 14 cm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. Study of St. Joseph in Glory, by Giuseppe Passeri (1654-1714). Pen and brown ink over black chalk heightened with white on paper washed brown, 291 x 241 mm. Inscribed 'Passeri' and 'du Passeri' on the mount.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Albrecht Durer 1471-1528. St. Sebastian, bund to a column. Engraving c. 1498-9.]
Attributed works:
[Arturo Cuellar, Zurich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Homme buvant du café, by Vincent van Gogh (1853-1890). Pencil on paper, 310 x 240 mm. Signed: 'Vincent'. Circa 1882.]
Attributed works:
[Arturo Cuellar. Burglistrasse 18, 8002, Zurich. PABLO PICASSO (Malaga 1881-1973 Mougins) Two studies of heads (1931). Signed: Picasso lower right. Pencil, 25.5 x 33 cm]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Claude Gellée, called Le Lorrain (1600-1682). Landscape with Large Tree 1640-45. Pen and brown ink with wash and white heightening over black chalk underrawing on blue paper, 21 x 31 cm. Signed at bottom center. Claudio fecit.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Landscape Plauen (Saxony), by Ernst Ferdinand Oehme (1797-1855). Watercolour, 130 x 215 mm. Circa 1830.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. GIOVANNI DOMENICO CERRINI (Perugia 1605-Rome 1681). Head of an Angel. Black, white and red chalk on blue paper, 270 x 222 mm. Inscription on the recto: Cerrino nel quadro dell'Assunta in sagrestia dell Chiesa nuova di Roma. Inscription on the verso: Cerrino da Perugia.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Gerrit Dou (Leiden 1613-1675). A sleeping dog beside a terracotta jug, a basket and a pile of kindling wood. Signed and dated 1650. Oil on panel. 7 x 9 in. (17.8 x 22.9 cm. $2,000,000-3,000,000 (£1,060,828-1,591,323)]
Attributed works:
[David Tunick, Inc., New York. Saint Jerome in the Wilderness, by Titian (1477-1576) Woodcut, 384 x 529 mm. Circa 1525-30.]
Attributed works:
[Day & Faber, London. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Face of a Native American, study for the decoration at Wuzburg, by Giovanni Battista Tiepolo (1696-1770) Black chalk, heightened with white, on blue Venetian paper, 293 x 202 mm.]
Attributed works:
[Day & Faber. 173 New Bond Street, London. François Boucher. Paris 1703-1770 Paris. Charlotta Sparre, aged twenty-one. Red, black and white chalk: 343 x 265 mm. Drawn in Paris 1740-41.]
Attributed works:
[Dickinson, London & New York. En marche, by Georges Seurat (1859-1891). Conté crayon on paper, 305 x 230 mm. With the red signature stamp Seurat (Lugt 282a) lower right.]
Attributed works:
[Dr. Jorn Gunther Rare Books Ltd., Hamburg. Missale Fratrum Minorum, manuscript on vellum written by the German scribe Henricus Haring for the convent of S. Francesco di Montone near Perugia. Miniatures by Bartolomeo Caporali, probably assisted by his Brother Giapeco. Vellum, 350 x 250 mm. Italy, Perugia, 1469.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of Baccio, by Bartolomeo Passarotti (1529-1592). Pen and brown ink, 420 x 275 mm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré, 75008, Paris. JEAN, DIT ALEXIS GRIMOU (Romont 1678 - Paris 1733) La marquise de La Salle dite l'Espagnolette. Three crayons on blue paper, H. 355 mm. L. 290 mm.]
Attributed works:
[Galerie Normand, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Le lavoir des capucins à Rome, by François-Marius Granet (1775-1849). Signed. Watercolour and ink, 120 x 150 mm.]
Attributed works:
[Galerie Normand. 35 rue de Lille, 75007 Paris. Théodore ROUSSEAU 1812-1867. La mare aux fées, foret de Fontainebleau, circa 1848. Initial 'THR' on lower left. Oil on canvas, 59 x 114 cm (23 1/4 x 44 3/4 inches)]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Attributed to Valentin Sonneenschein. (Stuttgart, 1749-Berne, 1828) A meeting of men of letters. Sculpture in Lorrain stone, 25 by 56.6 cm. Tablet in white marble, 39 by 51.5 cm. Dated 1777.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JEAN-BAPTISTE OUDRY. (1686-1755) A Hare looking back to the left. Black and white chalk on blue paper, 27.8 x 42.2 cm (11 x 16 3/4 in)]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Book of Hours, by Jean Dreux (?= Master of the Sachsenheim-prayerbook). Illuminated manuscript on vellum, with 12 large miniatures and one historiated inital. Calligraphy with superb cadels on every text page by Nicolas Spierinc.]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG. Bibermuhle 1, CH 8262, Ramsen. THE ROSSI MISSAL. Missal for the major feasts. Parma or Pavia, c. 1530-1540. Illuminated manuscript on vellum, with 3 miniatures (one full page) by Guernerius Beretta, who signed the crucifixion - a renowned and highly praised artist (nella miniatura pittore singolare) but not all defined until the discovery of the signature here. Made for a member of the Rossi family, viz. Giovan Girolamo de' Rossi, bishop of Pavia from 1530. Still in its original binding with the Rossi coats of arms: Folio (350 x 245 mm).]
Attributed works:
[Kunsthandlung Helmut H. Rumbler. Frankfurt. Portrait of Emperor Maximilian I, by Lucav von Leyden. 1520. Etching with engraving, 257 x 193 mm. Watermark: crowned coat of arms with sun (Hollstein 4, 1520).]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. FRANCIS COTES, R.A. 1726-1770. Lieutenant-colonel the Hon. Edmund Craggs Nugent, Wearing van Dyck costume. Pastel on paper laid on canvas. 23 1/4 x 17 inches; 590 x 437 mm. In its original frame. Signed and dated 1748.]
Attributed works:
[Maggs Brothers. 50 Berkeley Square, London, W.C. Workshop of Jean Pucelle. Illuminated leaf from a Pontifical. Paris. Circa 1330.]
Attributed works:
[Museo Thyssen-Bornemisza. Ernst Ludwig Kirchner. Franzi in front of carved chair. 1910.]
Attributed works:
[Museo Thyssen-Bornemisza. Hans Memling. Portrait of a Young Man at Prayer, c. 1485.]
Attributed works:
[Noortman, Maastricht. Les repasseuses, by Edgar Degas (1834-1917). Charcoal and pastel on three pieces of paper joined and laid down on heavy cardboard, 600 x 760 cm. Signed in charcoal upper left; Degas.]
Attributed works:
[Pandora, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of a Bishop, by Giovanni Mannozzi, called Giovanni da San Giovanni (1592-1636). Pastel, black and red chalk on blue paper, 304 x 202 mm.]
Attributed works:
[Pandora. P.O. Box 1761, New York. Detail of LUIGI SABATELLI (Florence 1772-1850 Milan), Study of a Lion, pen and brown ink, 299 x 418 mm.]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Jacques Louis DAVID. Paris 1748 - Bruxelles 1825. A naked woman with left arm raised (recto). Figure of Love crying, sitting with a bow (verso). Pencil, 229 x 149 mm, squared.]
Attributed works:
[Paul Proute, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study for a portrait of a seated man, writing, seen in left profile, by François de Troy (1645-1730). Red, Black and white chalk on chamois paper, 243 x 210 mm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Gregorio di Lorenzo. Maestro delle Madomme di Marmo. Firenze, 1470/80. S. Giovanni Battista Fauciullo. Marmo. 38 x 22 x 15 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. ANNE-LOUIS GIRODET DE ROUSSY-TRIOSON. 1767 Montargis, Loiret - Paris 1824. Armin Witnessing the Death of his Children. Pen and ink and gray wash, over charcoal, with white heightening. 219 x 254 mm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. The death of Lucretia, by Etienne-Barthélemy Garnier (1759-1849). Black pen and blue brush with white heightening on beige paper, 525 x 770 mm.]
Attributed works:
[Thomas Williams Fine Art, London. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. View of Lahnstein on the River Rhine, by Wenceslaus Hollar (1607-1677). Pen and brown ink over black and red chalk, 98 x 238 mm. Inscribed by the artist, Lahnstein (verso).]
Attributed works:
[Thomas Williams, fine art Ltd. 22 Old Bond Street, London. W1S 4PY. WENCESLAUS HOLLAR. Prague 1607-1677 London. A View of Tangier from the South-East. Watercolour and pen and brown ink over black chalk, 157 x 623 mm; 6 1/8 x 24 1/2 in.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. François Bonvin. Paris 1827-1887 Saint-Germain-en-Layne. A man seated at a Table Reading a Newspaper, 1852. Watercolour and black chalk. Signed and dated, lower left, f. Bonvin. 52. 11 3/4 x 9 1/4 inches (300 x 235 mm). Exhibiting at the SALON DU DESSIN, March 16-21, 2005, Stand no.5]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait studies of a girl and an older woman, by Adolph von Menzel (1815-1905). Graphite with stumping, 133 x 199 mm. Signed with initials and dated: 'A.M/1886'.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study of fingers on the march, by François Boucher (1703-1770) Signed or inscribed lower right, F. Boucher. Black and white chalk on buff-coloured paper, 306 x 413.]
Western art unattributed:
[Charles Edwin Puckett. 3867 West Market Street, #253. Akron, Ohio 44333. DAVID IN PREYER. Tempera and gold on vellum, 160 x 115 mm. From a book of Hours. France (Use of Rouen), circa 1490.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. The Hourse of Guyot II Le Peley of Troyes, manuscript on vellum illuminated by Jean Colombe and atelier. c. 1485. 128mm x 95mm. £250,000-350,000.]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Biblia Sacra, by Mainz, Johannes Fust & Peter Schoffer, 14 August 1462. Two volumes, complete. Printed on vellum and illuminated throughout by the Fust-Master, 400 x 300 mm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Circle of Giovanni Bellini. Head and Shoulders portrait of a young man. Black chalk. 291 by 272 mm. Sold for $800,000, Sotheby's New York 26 January 2005.]
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Advertisements January 2005 (Front)
01/2005 | 1222 | 147
Pages: i-xiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. August Lucas (1803-1863). Washwomen in Subiaco 1850. Watercolour over pencil, 32 x 47 cm, annotated, dated and signed with the artist's monogram at lower right.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Landscape near Plauen, c. 1830, by Ernst Ferdinand Oehme (Dresden 1797-1855). Watercolour, 130 x 215 mm.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The Abandoning of Moses, by Giovanni Benedetto Castiglione, Il Grechetto (1609/16-1664/79). Quill pen, brush and brown oily wash, the corners up, 256 x 387 mm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Pensionate di Saraceni. Flourished in Rome, 1610-1620's St. Jerome in an interior (detail) oil on canvas. 67 3/4 x 48 3/8 in. (172 x 123 cm.)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Filippino Lippi (Prato c. 1457-1504 Florence) The Penitent Magdalen (detail). Tempera grassa on panel, arched top. 28 x 15 in. (71 x 38 cm.) Estimate: $800,000-1,200,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Giovanni Francesco Barbieri, il Guercino. A picture of the Nativity supported by two angels holding a crown. Pen and brown ink. 9 3/4 x 7 3/4 in. (248 x 197 mm.) Estimate: $60,000-80,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Judgement of Paris, by Alessandro Turchi, called l'Orbetto (Verona 1578-1649 Rome). Oil on canvas, 968 x 1346 mm. The property of a Family Trust. Sale: Old Master Painting.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Temptetion of Adam, by Batholomaus Spranger (Antwerp 1546-1611 Prague). Black chalk, pen and brown ink, brown and grey wash heightened with white, 240 x 178 mm. Sale: Old Master and 19th Century Drawing.]
Attributed works:
[Di Robilant – Voena. 38 Dover Street, London W1S 4LN. Gaspar van Wittel, called Vanvitelli (Amersfoort ca. 1652 - 1736 Rome). Dell'Aniene Cascade, Tivoli and Porta Galliera, Bologna. Both Oil on Canvas, 50 x 100 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Seascape in Normandy, c 1880, by Ernest-Ange Duez (1843-1896). Signed and dedicated lower right, à Dagnan/E Duez. Pastel, 490 x 605 mm. Exhibition: Works on Paper Recent, on view through 4th February 2005.]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. ADOLF von MENZEL. View of Verona. 1881. Black chalk. 207 x 126 mm (8 1/8 x 5 inches).]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ducan Grant. 1885-1978. The Modeling Stand, circa 1914. Oil and collage on board. 29 3/4 x 24 3/4 inches; 75,6 x 61 cm.]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. Annibale Carracci. Studies for the Hand of an Angel Holding a Violin Bow, a study for the painting The Baptism of Christ (detail), 1585.]
Attributed works:
[Marcello Aldega/Margot Gordon. New York. Flying Angel, by Cristofano Roncalli, called Il Pomarancio (1551/52-1626). Red Chalk, 213 x 251 mm. Exhibition: Disegni Italiani, 1493-1930.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jacopo del Sellaio (Florence, 1442-1493) The Madonna and Child with St. John. Tempera, d. 92 cm.]
Attributed works:
[Otto Naumann, Ltd. New York. A night scene with an old lady holding a basket and candle, a young boy at her side about to light his candle from hers, 1615-1618, by Peter Paul Rubens (Siegen 1577-Antwerp 1640). Oil on panel, 790 x 641 mm. Exhibition: Kunst-und Wunderkammer.]
Attributed works:
[Robert Simon, Fine Art, New York. Minerva with a Putto, by Giovanni Antonio Pellegrini. (Vence 1675-1741) Oil on canvas, 699 by 460 mm.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. Jacopo Palma, Called Palma Giovane (Venetian, 1544-c. 1628). Susanna before Daniel. Oil on canvas, 57 1/2 x 77 3/8 inches (146,1 x 196,5 cm.)]
Attributed works:
[Shepherd & Derom Galleries. 58 East 79 Street, New York City. ANDREA APPIANI. Milan, 1754-1817. Elias and the Angel. Pen and Grey ink, over preliminary study in black chalk. 15 1/16 x 14 7/8 inches (637 x 378 mm)]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Portrait of a young man, circle of Bellini, Bears inscription in pen and brown ink, lower right: Palma. Black chalk, 291 by 272 mm. Sale: Old Master Drawings.]
Attributed works:
[Stiebel. New York, Upper Eastside. Francesco Solimena. "Judith with the Head of Holofernes."]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jean-Antoine Houdon. Versailles 1741-1828 Paris. Jean-Jacuqes Rousseau (Geneva 1712-1778 Ermenonville), 1780. Signed and dated on the edge of the right shoulder, houdon 1780. Patinated bronze on a grey Sainte-Anne marble socle, height 22 13/16 inches (58 inches). Provenance: Julien Potin, France; Edmond Courty, Chatillon-sous-Bagneux, Seine, France.]
Attributed works:
[W. M. Brady & Co. New York. Bust-lenght study of a man with outstretched arms, circa 1736, by Michel-François Dandré-Bardon (Aix-en-Provence 1700-1783 Paris.). Inscribed, lower left, Dandré-Bardon. Red chalk on beige on beige paper, 145 x 250 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Attributed works:
[W. M. Brady & Co. New York. Reposo, by John Hamilton Mortimer. (Eastbourne 1741-1779 London). Inscribed on the mount, lower left, J. Mortimer Delt. Pen and black ink, 280 x 210 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Western art unattributed:
[Dirk Kennis. Lange Gasthuisstraat 13, Antwerp. Strap-End, 9th century AD, English.]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Since Rosemberg & Stiebel moved from a 57th Street gallery to an East Side Townhouse as Stiebel, Ltd. we have been able to present Old Master paintings, drawings, sculpture, and decorative arts in a home setting. The atmosphere is far more conductive to private appreciation and informal discussion of works of art.]