By using this website you agree to our Cookie policy

Search

2 articles
Exhibition Review
Elmgreen & Dragset: This Is How We Bite Our Tongue. Whitechapel Gallery, London
01/2019 | 1390 | 161
Pages: 80-83
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
places:
Illustrations
Attributed works:
28. The Whitechapel pool, by Elmgreen & Dragset. 2018. Installation (Photograph Jack Hems; exh. Whitechapel Gallery, London).
Attributed works:
29. Too heavy, by Elmgreen & Dragset. 2017.  Aluminium with lacquer paint and trampoline, 170 by 170 cm. (Courtesy of König Gallery; photograph Roman Maerz; exh. Whitechapel Gallery, London).
Attributed works:
30. Modern Moses, by Elmgreen & Dragset. 2006. Installation (Photograph Doug Peters; exh. Whitechapel Gallery, London).
Attributed works:
31. Installation view of Elmgreen & Dragset: This Is How We Bite Our Tongue at Whitechapel Gallery, London (Photograph Doug Peters).
Exhibition Review
Venice Biennale. Venice
08/2009 | 1277 | 151
Pages: 572-574
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Making Worlds: 53rd International Art Exhibition. La Biennale di Venezia | institution: Giardini di Castello
Illustrations
Attributed works:
73. Photograph of performance Paso Doble, by Miquel Barceló and Josef Nadj. Held at the Teatro Fondamenta Nuove, Venice 2009.
Attributed works:
74. Fight, by Mark Lewis. 2009. Still from single-screen projection, HD video, 5 minutes 27 seconds. (Collection of the artist; exh. Canadian Pavilion, Venice Biennale).
Attributed works:
75. Giardini, by Steve McQueen. 2009. Still from double-screen projection. (Collection of the artist; exh. British Pavilion, Venice Biennale).