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39 articles
Exhibition Review
Jannis Kounellis in Six Acts
04/2023 | 1441 | 165
Pages: 451-452
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Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
Kounellis, Jannis
dates:
2020-2030
museums and institutions:
Museo Jumex, Mexico City, Mexico / Walker Art Center, Minneapolis, United States
subjects:
Arte povera / Performance art / Installations (visual works) / Paintings
Reviewed Items
subjects:
Jannis Kounellis in Six Acts Museo Jumex, Mexico City 1st April–17th September | :
Illustrations
Attributed works:
17. Installation view of Jannis Kounellis in Six Acts at the Walker Art Center, Minneapolis, 2022–23, showing Untitled. 1996. Enamel on canvas, each 200 by 180 by 4 cm. (Private collection; courtesy Walker Art Center, Minneapolis; photograph Eric Mueller).
Attributed works:
18. Lunedì Martedì Mercoledì (Monday Tuesday Wednesday), by Janis Kounellis. 1963. Oil on canvas, 179.7 by 224.8 cm. (Private collection; exh. Walker Art Center, Minneapolis).
Attributed works:
19. Untitled, by Jannis Kounellis. 1972. Performed at Sonnabend Gallery, New York, in 1972. (Artists Rights Society, New York, and SIAE, Rome; Sonnabend Collection Foundation; courtesy Estate of Jannis Kounellis; photograph Claudio Abate).
Attributed works:
20. Installation view of Jannis Kounellis in Six Acts at the Walker Art Center, Minneapolis, 2022–23, showing on the left Untitled. 1982. Feather River travertine, cast plaster and steel, 251.5 by 149.9 by 30.5 cm. and on the right Untitled. 1974. Wood, marble, plaster and oil lamp, 127 by 194.9 by 77.2 cm. (Courtesy Walker Art Center, Minneapolis; photograph Eric Mueller).
Exhibition Review
Carolee Schneemann: Body Politics. Barbican Art Gallery, London
12/2022 | 1437 | 164
Pages: 1264-1267
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Reviewer:
Spencer, Catherine (Spencer, Catherine)
Subjects
artists:
Schneemann, Carolee
dates:
2020-2030
museums and institutions:
Barbican Art Gallery, London, Great Britain
subjects:
Women artists / Feminism / Photography / Performance art / Installations (visual works)
Reviewed Items
subjects:
Carolee Schneemann: Body Politics Barbican Art Gallery, London 8th September 2022– 8th January 2023 | :
Illustrations
Attributed works:
1. Up to and including her limits, by Carolee Schneemann. Performed at Studiogalerie, Berlin, 1976. (© Carolee Schneemann Foundation, New York, ARS, New York and DACS, London; courtesy Getty Research Institute, Los Angeles; photograph Henrik Gaard; exh. Barbican Art Gallery, London).
Attributed works:
2. From the series Eye body: 36 transformative actions for camera, by Carolee Schneemann. 1963, printed 2005. Gelatin silver print, 61 by 50.8 cm. (© Carolee Schneemann Foundation, New York, ARS, New York, and DACS, London; courtesy Carolee Schneemann Foundation, New York, Galerie Lelong & Co., Paris, Hales Gallery, London, and P.P.O.W, New York; photograph Erró; exh. Barbican Art Gallery, London).
Attributed works:
3. Wedding, by Carolee Schneemann. 1960. Oil, gouache, chalk, ink, graphite and collage on paper, 62.9 by 78.1 cm. (© Carolee Schneemann Foundation, New York; exh. Barbican Art Gallery, London).
Attributed works:
4. More wrong things, by Carolee Schneemann. 2000. Multichannel video installation with suspended cable environment, dimensions variable. (Photograph Marcus J. Leith; exh. Barbican Art Gallery, London).
Exhibition Review
Sophie Taeuber-Arp: Living Abstraction
02/2022 | 1427 | 164
Pages: 184-188
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Reviewer:
Cooke, Lynne (Cooke, Lynne )
Subjects
artists:
Taeuber-Arp, Sophie
dates:
2020-2030
museums and institutions:
Museum of Modern Art, New York, United States
subjects:
Women artists / Swiss art / Modernism / Abstract art / Paintings / Performance art / Tapestries / Sculpture / Design
Reviewed Items
subjects:
Sophie Taeuber-Arp: Living Abstraction Museum of Modern Art, New York 21st November 2021– 12th March 2022 | :
Illustrations
Attributed works:
1. Guards (marionette for ‘King Stag’), by Sophie Taeuber- Arp. 1918. Metallic paint and oil on wood and metal, height 55.5 cm. (Museum für Gestaltung Zurich; exh. Museum of Modern Art, New York).
Attributed works:
2. Verticalhorizontal composition, by Sophie Taeuber- Arp. 1916. Wool on canvas, 50 by 38.5 cm. (Fondazione Marguerite Arp, Locarno; exh. Museum of Modern Art, New York).
Attributed works:
3. Circle picture, by Sophie Taeuber-Arp. 1933. Oil on canvas, 74.3 by 119.8 cm. (Kunstmuseum Bern; exh. Museum of Modern Art, New York).
Attributed works:
4. Aubette 127 (axonometric drawing of the ‘Five O’Clock’ tearoom in the Aubette, Strasbourg). 1927. Gouache, metallic paint, ink and pencil on diazotype, 123 by 99 cm. (Musée d’Art Moderne et Contemporain de Strasbourg; exh. Museum of Modern Art, New York; photograph M. Bertola).
Book Review
Joseph Beuys (Critical Lives)
03/2021 | 1416 | 163
Pages: 303-304
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Reviewer:
Moravec, Lisa (Moravec, Lisa)
Subjects
artists:
Beuys, Joseph
subjects:
German art / Performance art / Politics / Fluxus
Reviewed Items
subjects:
Kunst. Macht. Image: Anna Maria Luisa de’ Medici (1667–1743) im Spiegel ihrer Bildnisse und Herrschaftsräume By Laura Windisch. 331 pp. incl. 26 col. + 39 b. & w. ills. (Böhlau Verlag, Vienna, Cologne and Weimar, 2019), €55. ISBN 978–3–412–51178–4. | :
Book Review
Photography Performing Humor. Edited by Mieke Bleyen and Liesbeth Decan
03/2020 | 1404 | 162
Pages: 270-271
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Reviewer:
Graham, Seth (Graham, Seth)
Subjects
subjects:
Photography / Photomontages / Humour / Conceptual art / Performance art
Reviewed Items
subjects:
Photography Performing Humor Edited by Mieke Bleyen and Liesbeth Decan. 216 pp. incl. 15 col. + b. & w. ills. (Leuven University Press, Leuven, 2019),  36.95. ISBN 978–94–6270–165–6. | :
Illustrations
Attributed works:
9. Film still from La Défense, The Venturing Gaze, directed by Paulien Oltheten, 2017–18.
Exhibition Review
Judson Dance Theater: The Work Is Never Done. Museum of Modern Art, New York
12/2018 | 1389 | 160
Pages: 1058-1060
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Reviewer:
Bradnock, Lucy (Bradnock, Lucy)
Subjects
artists:
Forti, Simone / Rainer, Yvonne / Brown, Trisha / Halprin, Anna / Waring, James / Dunn, Robert Ellis / Dunn, Judith / Cunningham, Merce / Cage, John / Hay, Deborah / Gordon, David / Childs, Lucinda / Paxton, Steve
dates:
2010-2019
media:
Performance art / Photographs / Videos / Sketches / Documents / Music scores / Art objects
museums and institutions:
Museum of Modern Art, New York, United States
places:
United States / New York
subjects:
choreography / Dance / Film (cinema) / Music / Dancers / Musicians / Artists / Artists' groups and associations / Collaborators / Poetry / Happenings / Interviews / Archives
Illustrations
Attributed works:
24. See-saw, by Simone Forti. 1960. Performed by Yvonne Rainer and Robert Morris at Reuben Gallery, New York, 16th–18th December 1960. (Photograph Robert R. McElroy Photographs of Happenings and Early Performance Art; Getty Research Institute, Los Angeles).
Attributed works:
25. The branch, by Anna Halprin. 1957. Performed by A.A. Leath, Anna Halprin ad Simone Forti on the Halprin’s family Dance Deck, Kentfield CA, 1957. Photograph Warner Jepson (Courtesy the Estate of Warner Jepson).
Attributed works:
26. We shall run, by Yvonne Rainer. 1963. Performed by Robert Rauschenberg, Joseph Schlichter (hidden), Sally Gross, Tony Holder, Deborah Hay, Yvonne Rainer, Alex Hay, Robert Morris (behind) and Lucinda Childs at Two Evenings of Dances by Yvonne Rainer at Wadsworth Atheneum, Hartford CT, 7th March 1965. Photograph by Peter Moore (© Barbara Moore; courtesy Paula Cooper Gallery, New York).
Book Review
Thai Art: Currencies of the Contemporary. By David Teh
10/2018 | 1387 | 160
Pages: 875
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Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
Boonma, Montien / Tiranavija, Rirkrit / Rasdjarmrearnsnook, Araya / Weerasethakul, Apitchatpong / Wongsam, Inson / Utarit, Natee
dates:
1990-1999 / 2000-2009 / 2010-2019
media:
Paintings / Sculpture / Videos / Performance art / Installations (visual works)
places:
Thailand
subjects:
Thai School / Thai / Politics / Nationalism / Censorship / Travel / Visual culture / Conceptual art / Surveys
Illustrations
Attributed works:
8. Installation view of Breast stupa cookery, by Pinaree Sanpitak. 2005–ongoing. Project documentation from Fukuoka Asian Art Museum, 2012. (Courtesy the artist; photograph Kiyoyuki Sawai).
Exhibition Review
Groundwork: international art in Cornwall. West Cornwall (various locations)
09/2018 | 1386 | 160
Pages: 790-792
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Reviewer:
Robins, Anna Gruetzner (Robins, Anna Gruetzner; Gruetzner Robins, Anna; Gruetzner, Anna)
Subjects
artists:
McQueen, Steve / Mackie, Christina / Lynch, Sean / Starling, Simon / Semiconductor / Chodzko, Adam / Holden, Andy / Reynolds, Abigail
dates:
2010-2019
media:
Videos / Performance art / Installations (visual works)
museums and institutions:
Cornubian Arts & Science Trust, Helston, Great Britain / Godolphin House, Helston, Great Britain / Helston Museum, Helston, Great Britain / Falmouth University, Falmouth, Great Britain / Kestle Barton, Helston, Great Britain
museums and institutions:
Porthmeor Studios, St Ives, Great Britain
places:
Great Britain / Helston / St Ives
subjects:
Digital technology / Astronomy / Science / Politics / Satire / Music
Illustrations
Attributed works:
25. Film still from As the World Turns, by Semiconductor. 2018. (© Semiconductor; exh. Goonhilly Earth Station).
Attributed works:
26. Installation view of Ghost, by Adam Chodzko. 2018 (© Adam Chozko; exh. St Anthony-inMeneage Church, Helston).
Attributed works:
27. Film still from The Mother’s Bones, by Abigail Reynolds. 2016. (© Abigail Reynolds; exh. Epworth Hall, Helston)
Book Review
Delirious: Art at the Limits of Reason 1950–1980. By Kelly Baum with Lucy Bradnock and Tina Rivers Ryan
09/2018 | 1386 | 160
Pages: 806
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Reviewer:
Choi, Yoojin (Choi, Yoojin)
Subjects
art literature:
Krauss, Rosalind E.
artists:
Beckett, Samuel / Artaud, Antonin / Spero, Nancy / Paik, Nam June / Bogat, Regina / Gego / Fahlström, Öyvind
dates:
1950-1999 / 1950-1959 / 1960-1969 / 1970-1979
media:
Paintings / Sculpture / Installations (visual works) / Performance art
museums and institutions:
Met Breuer, New York, United States
places:
United States / New York / North America / Europe
subjects:
Psychoanalysis / World War (1939-1945) / Capitalism / Cold War / Culture / Art theory
Publication Received
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. By Caroline A. Jones
08/2018 | 1385 | 160
Pages: 710
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related names
Reviewer:
Altshuler, Bruce (Altshuler, Bruce)
Subjects
art literature:
Szeemann, Harald / Heidegger, Martin, 1889-1976
artists:
Sehgal, Tino, b. 1976 / Powers, Hiram
dates:
1850-1899 / 1900-1999 / 2000-2009 / 2010-2019
media:
Displays / Installations (visual works) / Performance art / Sculpture
subjects:
Exhibitions / Biennials / World's fairs / Biennale di Venezia, Venice, Italy / Globalism
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