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12 articles
Editorial
An Egyptian spring?
05/2015 | 1346 | 157
Pages: 307-308
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Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
museums and institutions:
Grand Egyptian Museum, Cairo, Egypt / National Museum of Egyptian Civilisation, Cairo, Egypt
subjects:
Editorials / Collections, Public / Museums / Museum extensions / Architecture
Illustrations
Non-western art unattributed:
I. Projected image of the interior of the Grand Egyptian Museum, Giza, with the statue of Rameses II, formerly standing in Ramses Square, Cairo (Courtesy of Heneghen Peng Architects, 2015)
Article
Cézanne and the past
03/2013 | 1320 | 155
Pages: 173-176
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Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Cézanne, Paul
dates:
2010-2019
museums and institutions:
Szépművészeti Múzeum (Museum of Fine Arts), Budapest, Hungary
subjects:
French painting / Old-master paintings / Old-master drawings / Influence / Visual sources / Exhibitions
Illustrations
Attributed works:
27. Medea, by Paul Cézanne after Eugène Delacroix (Kunsthaus Zürich; exh. Museum of Fine Arts, Budapest)
Attributed works:
28. Medée furieuse, by Marie-Alexandre (Menut) Alophe after Eugène Delacroix (Département littérature et art, Bibliothèque national de France, Paris; exh. Museum of Fine Arts, Budapest)
Attributed works:
29. Bellona, by Paul Cézanne after Peter Paul Rubens (Private collection; exh. Museum of Fine Arts, Budapest)
Attributed works:
30. Cardinal Richelieu, by Paul Cézanne after Gian Lorenzo Bernini (Kunstmuseum Basel; exh. Museum of Fine Arts, Budapest)
Attributed works:
31. Detail of the Portrait of Cardinal Armand-Jean du Plessis, duc de Richelieu, by Gian Lorenzo Bernini (Musée du Louvre, Paris; exh. Museum of Fine Arts, Budapest)
Article
Paolozzi in America
09/2011 | 1302 | 153
Pages: 591-596
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Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Paolozzi, Eduardo
dates:
1950-1959 / 1960-1969
museums and institutions:
Museum of Modern Art, New York, United States / Solomon R. Guggenheim Museum, New York, United States
places:
United States / New York
print:
Paolozzi, Eduardo
private galleries:
Hanover Gallery, London, Great Britain
private galleries:
Betty Parsons Gallery, New York, United States
subjects:
British sculpture
subjects:
Bronzes / Exhibitions
subjects:
Brutalist
Illustrations
Attributed works:
38. St Sebastian no.2, by Eduardo Paolozzi. 1957. Bronze, 215.3 cm. high. (Solomon R. Guggenheim Museum, New York; photograph copyright Nathan Rosenberg; courtesy of the Conway Library, Courtauld Institute, London).
Attributed works:
39. Jason, by Eduardo Paolozzi. 1956. Bronze, 168.9 cm. high. (Museum of Modern Art, New York; photograph copyright David Farrell; courtesy of the Conway Library, Courtauld Institute, London).
Attributed works:
40. Box-headed figure, by Eduardo Paolozzi. 1958. Bronze, 120.1 cm. high. (Alan and Janet Wurtzburger Collection, Baltimore Museum of Art; photograph courtesy of the Conway Library, Courtauld Institute, London).
Attributed works:
41. Wax model for Figure, by Eduardo Paolozzi. 1958–59. 180.3 cm. high. Presumed destroyed in casting. (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Attributed works:
43. Installation photograph of exhibition of works by Eduardo Paolozzi at Betty Parsons Gallery, New York, 1962. From left to right: FSZP (1957); Forms on a bow (1948–49); Monkey man (1958); Triple fuse (1960); and Tower of tears (1961). (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Attributed works:
44. Triple fuse, by Eduardo Paolozzi. 1960. Bronze, 63.5 cm. high. (Location unknown; photograph Betty Parsons Archive, Archives of American Art, Washington).
Attributed works:
47. Detail of Tyrannical tower crowned with thorns of violence, shown with the Houses of Parliament, London, in the background. (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Western art unattributed:
42. Installation photograph of exhibition of works by Eduardo Paolozzi at Betty Parsons Gallery, New York, 1960. From left to right: Little king (1958); Large frog (1958); Jason (1956); and Head (1957). (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Western art unattributed:
45. Cover of exhibition catalogue Eduardo Paolozzi, Betty Parsons Gallery, New York, March–April 1960, showing Japanese war god. 1958. Bronze, 152.4 cm. high. (Albright-Knox Art Gallery, Buffalo).
Western art unattributed:
46. Cover of exhibition catalogue Eduardo Paolozzi, Betty Parsons Gallery, New York, April–May 1962, showing Tyrannical tower crowned with thorns of violence. 1961. Bronze, 72.5 cm. high. (Scottish National Gallery of Modern Art, Edinburgh).
Western art unattributed:
48. Installation photograph of a display of Eduardo Paolozzi’s works at the Museum of Modern Art, New York, 1964. From left to right: Lotus (1963); Wittgenstein at casino (1963); and The world divides into facts (1963). (Photograph courtesy of the Conway Library, Courtauld Institute, London).
Article
Henry Moore’s ‘Knife edge mirror two piece’, at the National Gallery of Art, Washington
04/2011 | 1297 | 153
Pages: 249-255
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related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
art literature:
Brown, J. Carter
artists:
Moore, Henry Spencer, 1898-1986 / Pei, I. M.
museums and institutions:
National Gallery of Art, Washington, United States
print:
Moore, Henry Spencer, 1898-1986
subjects:
British sculpture / Collections, Public / Commissions
Illustrations
Attributed works:
43. Knife edge mirror two piece, by Henry Moore. 1976–78. Bronze, 535 by 721 by 363 cm. (National Gallery of Art, Washington, gift of the Morris and Gwendolyn Caffritz Foundation, 1978. Photograph: Gregory Vershbow, January 2011).
Attributed works:
44. Large spindle piece, by Henry Moore. 1974 (first cast in 1968). Bronze, 335 cm. high. (North Carolina Museum of Art, Raleigh).
Attributed works:
45. The ‘Henry Moore Sculpture Platform’, East Building, National Gallery of Art, Washington. (Photograph: Gregory Vershbow, January 2011).
Attributed works:
46. Plasticine model of Spindle piece positioned on the model of the East Building, 2nd/3rd June 1975. (National Gallery of Art, Washington, Gallery Archives).
Attributed works:
48. Knife edge two piece, by Henry Moore. 1962–65. Bronze, 275 cm. high. (Edition of 3, this version: presented by the Contemporary Art Society to the City of Westminster, London; reproduced by permission of the Henry Moore Foundation, Much Hadham).
Attributed works:
53. Plaster maquette of Knife edge mirror two piece showing lateral sections for enlargement in Polystyrene. (Reproduced by permission of the Henry Moore Foundation, Much Hadham).
Attributed works:
54. View of Knife edge mirror two piece against the façade of East Building, by Henry Moore. 1976–78. Bronze, 5.345 by 7.211 by 3.631 m. (National Gallery of Art, Washington; photograph: Gregory Vershbow, January 2011).
Western art unattributed:
47. Photographs of J. Carter Brown, National Gallery of Art Director 1969–92, and Henry Moore at Moore’s studio at Perry Green, 23rd September 1976. (National Gallery of Art, Washington, Gallery Archives; photographs courtesy of Paul Matisse).
Western art unattributed:
49. East Building model with mock-up of Knife edge two piece, June 1976. (National Gallery of Art, Washington, Gallery Archives).
Western art unattributed:
50. East Building model with mock-up of Knife edge two piece, reversed, c.September 1976. (National Gallery of Art, Washington, Gallery Archives).
Western art unattributed:
51. Henry Moore with maquette for Knife edge mirror two piece at his studio in 1977 in Much Hadham. (National Gallery of Art, Washington, Gallery Archives).
Western art unattributed:
52. Henry Moore at the installation of Knife edge mirror two piece at the East Building, 10th to 13th May 1978. (National Gallery of Art, Washington, Gallery Archives; photograph by Jose Naranjo, Bill Sumits).
Article
Oskar Schlemmer’s ‘Bauhaustreppe’, 1932: part II
09/2010 | 1290 | 152
Pages: 595-602
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related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
art literature:
Barr, Alfred H., Jr.
artists:
Schlemmer, Oskar
artists:
Johnson, Philip, architect, 1906-2005
dates:
1930-1939
museums and institutions:
Museum of Modern Art, New York, United States
places:
New York / United States / Germany / Berlin
print:
Schlemmer, Oskar
subjects:
Bauhaus / Exhibitions / German painting / Collections, Public
subjects:
Nazism
subjects:
Critical Reception / Cultural history / Fascism / Propaganda
subjects:
Censorship
Illustrations
Attributed works:
28. Bauhaustreppe, by Oskar Schlemmer. 1932. Canvas, 161 by 113 cm. (Museum of Modern Art, New York; digital image 2009 Scala Archives, Florence; copyright the Oskar Schlemmer Estate and Archive, Oggebbio; and 2010 estate of Oskar Schlemmer, Munich).
Attributed works:
29. Wettlauf, by Oskar Schlemmer. 1930. Canvas, 160.6 by 96.5 cm. (Wadsworth Atheneum, Hartford CT).
Attributed works:
36. Detail of The three Graces, by Raphael. 1504. Panel, 17 by 17 cm. (Musée Condé, Chantilly).
Attributed works:
37. Detail of Fig.28.
Western art unattributed:
30. Interior of Philip Johnson’s apartment, furniture by Mies van der Rohe and Lilly Reich, showing Bauhaustreppe. New York, 1933. Gelatin silver print, 21 by 26 cm. (Getty Research Institute, Philip Johnson papers).
Western art unattributed:
31. Installation view of the exhibition Bauhaus 1919–1928 at the Museum of Modern Art, New York, showing model of Bauhaus. 1938. (Museum of Modern Art Archives, reel 14/616).
Western art unattributed:
32. Installation view of exhibition Bauhaus 1919–1928 at the Museum of Modern Art, New York, including Bauhaustreppe. From The Bulletin of the Museum of Modern Art 6/5 (December 1938). (Museum of Modern Art Archives, CE II.1.40.5.1.2).
Western art unattributed:
33. Press clipping of ‘The Bauhaus Steps’. From ‘Bauhaus Exhibit at Smith Gallery’, Republican (8th March 1939). (Museum of Modern Art Archives, reel 14/660).
Western art unattributed:
34. Installation view of exhibition Bauhaus 1919–1928 at Cleveland Museum of Art, showing Bauhaustreppe. (Museum of Modern Art Archives, reel 14/630).
Western art unattributed:
35. Photograph of an advertising banner for the exhibition Bauhaus 1919–1933: Workshops for Modernity, Museum of Modern Art, New York. 2009. (Photograph courtesy of Marcie Muscat).
Article
Art History Reviewed IX: Kenneth Clark’s ‘The Nude. A Study of Ideal Art’, 1956
05/2010 | 1286 | 152
Pages: 317-321
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related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
art literature:
Clark, Kenneth
dates:
1950-1959
print:
Clark, Kenneth
subjects:
Reviews / Art history / Nudes / Critical Reception
Article
Nature and things: recent paintings by Howard Hodgkin
04/2010 | 1285 | 152
Pages: 244-247
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related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Hodgkin, Howard
dates:
2000-2009
print:
Hodgkin, Howard
subjects:
British painting
Illustrations
Attributed works:
45. Leaf, by Howard Hodgkin. 2007–09. Panel, 25.1 by 28.9 cm.
Attributed works:
46. Croissant, by Howard Hodgkin. 2008. Panel, 38.7 by 46 cm.
Attributed works:
47. Folk art, by Howard Hodgkin. 2008–09. Panel, 20 by 23.5 cm.
Attributed works:
48. Snake, by Howard Hodgkin. 2006–08. Panel, 108.6 by 146 cm.
Attributed works:
49. Happy night, by Howard Hodgkin. 2008. Panel, 35.9 by 36 cm.
Attributed works:
50. Embrace, by Howard Hodgkin. 2008–09. Panel, 26 by 32.4 cm.
Article
Oskar Schlemmer’s ‘Bauhaustreppe’, 1932: part I
07/2009 | 1276 | 151
Pages: 456-464
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related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Schlemmer, Oskar
dates:
1930-1939
museums and institutions:
Museum of Modern Art, New York, United States
places:
Dessau
print:
Schlemmer, Oskar
subjects:
German painting
subjects:
Bauhaus
subjects:
Collections, Public
Illustrations
Attributed works:
17. Bauhaustreppe, by Oskar Schlemmer. 1932. Canvas, 161 by 113 cm. (Museum of Modern Art, New York; digital image 2009 Scala Archives, Florence). Copyright the Oskar Schlemmer Estate and Archive, Oggebbio; and 2009 estate of Oskar Schlemmer, Munich.
Attributed works:
18. Bauhaustreppe, by Oskar Schlemmer. 1932. Charcoal and graphite on transparent paper, 162.3 by 113.6 cm. (Bauhaus-Archiv, Berlin).
Attributed works:
19. Photograph of the main staircase (restored) of Walter Gropius’s Bauhaus building, Dessau. Stairs leading to third floor. 2009 (Author’s photograph).
Attributed works:
20. Photograph by T. Lux Feininger of Gunta Stölzl and students from the Bauhaus Textile Department posed on the main staircase of the Bauhaus, Dessau. c.1928. (Private collection).
Attributed works:
21. Photograph of the main staircase (restored) of Walter Gropius’s Bauhaus building, Dessau. Stairs leading to second floor. 2009 (Author’s photograph).
Attributed works:
22. Bauhaustreppe, by Oskar Schlemmer. 1928. Pencil drawing on coloured paper, 21 by 14.9 cm. (Depositum Schlemmer, Staatsgalerie, Stuttgart).
Attributed works:
23. Bauhaustreppe, by Oskar Schlemmer. 1932/33. Watercolour and body colour over pencil on paper, 27.7 by 21.9 cm. (Karl Ströher, Darmstadt).
Attributed works:
24. Gruppe am Geländer, by Oskar Schlemmer. 1931. Canvas, 92.5 by 60.5 cm. (Kunstsammlung Nordrhein-Westfalen, Düsseldorf).
Attributed works:
25. Geländerszene, by Oskar Schlemmer. 1932. Canvas, 105.5 by 70.5 cm. (Staatsgalerie, Stuttgart).
Attributed works:
26. Dreiergruppe mit Kopf in Fensterausschnitt, by Oskar Schlemmer. 1930. Pastel and charcoal on transparent paper, 23.4 15.5 cm. (Staatsgalerie, Stuttgart).
Attributed works:
27. Treppensteigende, by Oskar Schlemmer (mutilated). 1932. Canvas, 99 by 88 cm. (Lower fragment in the collection of Mr and Mrs Leonard A. Lauder, New York).
Attributed works:
29. Wendeltreppe (Spiral staircase), by Oskar Schlemmer. Pencil on paper. (Depositum Schlemmer, Staatsgalerie, Stuttgart)
Western art unattributed:
28. Photograph of Oskar Schlemmer’s studio in Breslau, September 1932. (Oskar Schlemmer-Archiv, Staatsgalerie, Stuttgart).
Article
The 'Bunk' collages of Eduardo Paolozzi
04/2008 | 1261 | 150
Pages: 238-249
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related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Paolozzi, Eduardo
dates:
1940-1959
print:
Paolozzi, Eduardo
subjects:
Prints / Published illustrations / Photomontages / Collages / British / Pop art
Illustrations
Attributed works:
22. Evadne in green dimension, by Eduardo Paolozzi. 1952. Collage, 33.1 by 25.4 cm. (Victoria and Albert Museum, London)
Attributed works:
23. A new brand of brilliance, by Eduardo Paolozzi. 1972. Lithograph, 29 by 41 cm. (After 1947 collage, whereabouts unknown)
Attributed works:
24. You can’t beat the real thing, by Eduardo Paolozzi. 1951. Collage, 35.7 by 24 cm. (Victoria and Albert Museum, London)
Attributed works:
25. It’s daring it’s audacious, by Eduardo Paolozzi. 1949. Collage, 32.5 by 24.5 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
26. Fantastic weapons contrived, by Eduardo Paolozzi. 1972. Lithograph, 26 by 35 cm. (After 1952 collage, whereabouts unknown)
Attributed works:
27. Butterfly, by Eduardo Paolozzi. 1946. Collage. (Whereabouts unknown)
Attributed works:
28. Lotterie, by Eduardo Paolozzi. 1947. Collage. (Whereabouts unknown)
Attributed works:
29. I was a rich man’s plaything, by Eduardo Paolozzi. 1947. Collage, 35.9 by 23.8 cm. (Tate, London)
Attributed works:
30. Fun helped them fight, by Eduardo Paolozzi. 1947 [1948]. Collage, 25.6 by 17.6 cm. (Victoria and Albert Museum, London)
Attributed works:
31. Will man outgrow the earth?, by Eduardo Paolozzi. 1972. Lithograph, 24 by 32 cm. (After 1952 collage, 36.3 by 25.7 cm, Victoria and Albert Museum, London)
Attributed works:
32. Was this metal monster master or slave?, by Eduardo Paolozzi. 1952. Collage, 36.2 by 24.8 cm. (Tate, London)
Attributed works:
33. Vogue gorilla with Miss Harper, by Eduardo Paolozzi. 1950. Collage, 19.5 by 32.5 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
34. Trigger assembly removal, by Eduardo Paolozzi. 1972. Lithograph, 25 by 38 cm. (After 1950 collage, whereabouts unknown)
Attributed works:
35. ‘Strobe-Strip’ photographs of Winnie Garret, by Phillipe Halsman, from US Camera (1950)
Attributed works:
36. Yours till the boys come home, by Eduardo Paolozzi. 1951. Collage, 36.2 by 24.8 cm. (Tate, London)
Attributed works:
38. See them? A baby’s life is not all sunshine!, by Eduardo Paolozzi. 1948. Collage, 28 by 38 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
39. Take-off, by Eduardo Paolozzi. 1950. Collage, 34.5 by 23.5 cm. (Dean Gallery, Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
40. You’ll soon be congratulating yourself!, by Eduardo Paolozzi. 1949. Collage, 30.5 by 23 cm. (Victoria and Albert Museum, London)
Attributed works:
41. Real gold, by Eduardo Paolozzi. 1950. Collage, 35.6 by 23.5 cm. (Tate, London)
Attributed works:
42. Refreshing and delicious, by Eduardo Paolozzi. 1949. Collage, 39.4 by 27.9 cm. (Collection Jeffery Sherwin)
Attributed works:
43. Double-page spread from the Yale Iron scrapbook, by Eduardo Paolozzi. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
44. Hi-Ho, by Eduardo Paolozzi. 1947. Collage, 37.9 by 24 cm. (Victoria and Albert Museum, London)
Western art unattributed:
37. Double-page spread from US Camera (1950) showing source material for Paolozzi’s Take-off
Book Review
Fault Lines: Art in Germany 1945–1955
02/2008 | 1259 | 150
Pages: 119-120
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related names
Reviewer:
Bernard, Julia (Bernard, Julia)
Subjects
dates:
1940-1959
places:
Germany
print:
Twentieth-century art
print:
German art
subjects:
World War (1939-1945) / Cultural history / Politics / Art history
subjects:
German painting / German sculpture
subjects:
German architecture / Art theory
Reviewed Items
subjects:
Fault Lines: Art in Germany 1945–1955 | author: Stonard, John-Paul
Illustrations
Attributed works:
50. Self-portrait as prisoner of war, by Otto Dix. 1947. Mixed media on hardboard, 60 by 54 cm. (Otto Dix Stiftung, Vaduz, on loan to the Galerie der Stadt, Stuttgart)
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