museums and institutions:
Attributed works:
1. The lecture hall in the Bibliotheca Hertziana, Palazzo Zuccari,
Rome. Photograph, c.1995. (Bibliotheca Hertziana, Rome).
Attributed works:
10 and 11. Panel I of the Hertziana lecture, photographs by Pompeo
Sansaini. 1929. Hand-numbered, 1–35. (Warburg Institute Archive,
London).
Attributed works:
12. Detail of Fig.7, showing a carved relief of the Justice of Trajan.
Attributed works:
13. Detail of The children of Venus, showing a dancing couple,
attributed to Baccio Baldini. c.1464. Engraving, 32 by 21.5 cm.
(British Museum, London).
Attributed works:
14. Detail of The children of Venus, showing a dancing couple,
attributed to Baccio Baldini. c.1465. Engraving, 25.5 by 18 cm.
(British Museum, London).
Attributed works:
15. Panel VIb of the Hertziana lecture, photograph by Pompeo
Sansaini. 1929. The panel includes two depictions of the Battle
of Constantine, by Piero della Francesca (nos.216–17) and Giulio
Romano (no.215). (Warburg Institute Archive, London).
Attributed works:
16. Chart sketched by Aby Warburg, 8th February 1929. Media
represented in the twelve Hertziana ‘plates’ following the C-sketches
consisting of 287 photographs distributed across nine screens before
the discarding of Plate VI. (Warburg Institute Archive, London).
Attributed works:
17. The monument to Giordano Bruno, Campo dei Fiori, Rome, by Ettore
Ferrari. 1889. Bronze. The statue is on the site of Bruno’s execution on
17th February 1600. (Photograph the author).
Attributed works:
2. Gertrud Bing, Aby Warburg and Franz Alber in their sitting room at
the Palace Hotel, April 1929. In the background is a screen constructed
for the Hertziana lecture: to the left, the first eight of the twenty
photographs by Pompeo Sansaini documenting the image-series; to
the right, a scattering of photographs that had been on display.
(Warburg Institute Archive, London).
Attributed works:
3 and 4. The evolution of Hertziana Panel 1 (‘Energetic inversion’)
in arrangements of photographs sketched by Gertrud Bing.
Demonstration evening (5th December 1928) and A-series (January
1929). See also Figs.5 and 6. (Warburg Institute Archive, London).
Attributed works:
5 and 6. The evolution of Hertziana Panel 1 (‘Energetic inversion’)
in arrangements of photographs sketched by Gertrud Bing. The
B-series and the (final) C-series (January 1929). (Warburg Institute
Archive, London).
Attributed works:
7. The first terrace of Purgatory: the marble reliefs and the
repentance of the proud: an illustration for Purgatorio, Canto
X of Dante’s Divine Comedy, by Sandro Botticelli. c.1488–92.
Metalpoint and brown ink on parchment, 32.2 by 47 cm.
(Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
8. Adoration of the shepherds, by Domenico Ghirlandaio. 1485. Oil
on panel, 167 by 167 cm. (S. Trinita Florence; photograph © Raffaello
Bencini; Bridgeman Images).
Attributed works:
9. Detail of a relief below the tomb of Francesco Sassetti, showing
Sassetti being mourned, attributed to Giuliano da Sangallo. 1485–90.
Pietra serena. (S. Trinita, Florence).
