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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Exhibition Review
Manet: A Model Family
01/2025 | 1462 | 167
Pages: 48-51
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
artists:
dates:
Reviewed Items
subjects:
Manet: A Model Family Isabella Stewart Gardner Museum, Boston 10th October 2024–20th January 2025 | :
Illustrations
Attributed works:
19. Madame Auguste Manet, by Édouard Manet. c.1866. Oil on canvas, 98 by 80 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
20. Installation view of Manet: A Model Family at the Isabella Stewart Gardner Museum, Boston, 2024.
Attributed works:
21. Study for Moses saved from the waters, by Édouard Manet. c.1852–61. Oil on canvas, 50.8 by 61 cm. (Private collection; exh. Isabella Stewart Garnder Museum, Boston).
Article
Aby Warburg’s Hertziana lecture, 1929
08/2023 | 1445 | 165
Pages: 852–873
related names
Author:
Sears, Elizabeth (Sears, Elizabeth)
Subjects
art literature:
art literature:
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. The lecture hall in the Bibliotheca Hertziana, Palazzo Zuccari, Rome. Photograph, c.1995. (Bibliotheca Hertziana, Rome).
Attributed works:
10 and 11. Panel I of the Hertziana lecture, photographs by Pompeo Sansaini. 1929. Hand-numbered, 1–35. (Warburg Institute Archive, London).
Attributed works:
12. Detail of Fig.7, showing a carved relief of the Justice of Trajan.
Attributed works:
13. Detail of The children of Venus, showing a dancing couple, attributed to Baccio Baldini. c.1464. Engraving, 32 by 21.5 cm. (British Museum, London).
Attributed works:
14. Detail of The children of Venus, showing a dancing couple, attributed to Baccio Baldini. c.1465. Engraving, 25.5 by 18 cm. (British Museum, London).
Attributed works:
15. Panel VIb of the Hertziana lecture, photograph by Pompeo Sansaini. 1929. The panel includes two depictions of the Battle of Constantine, by Piero della Francesca (nos.216–17) and Giulio Romano (no.215). (Warburg Institute Archive, London).
Attributed works:
16. Chart sketched by Aby Warburg, 8th February 1929. Media represented in the twelve Hertziana ‘plates’ following the C-sketches consisting of 287 photographs distributed across nine screens before the discarding of Plate VI. (Warburg Institute Archive, London).
Attributed works:
17. The monument to Giordano Bruno, Campo dei Fiori, Rome, by Ettore Ferrari. 1889. Bronze. The statue is on the site of Bruno’s execution on 17th February 1600. (Photograph the author).
Attributed works:
2. Gertrud Bing, Aby Warburg and Franz Alber in their sitting room at the Palace Hotel, April 1929. In the background is a screen constructed for the Hertziana lecture: to the left, the first eight of the twenty photographs by Pompeo Sansaini documenting the image-series; to the right, a scattering of photographs that had been on display. (Warburg Institute Archive, London).
Attributed works:
3 and 4. The evolution of Hertziana Panel 1 (‘Energetic inversion’) in arrangements of photographs sketched by Gertrud Bing. Demonstration evening (5th December 1928) and A-series (January 1929). See also Figs.5 and 6. (Warburg Institute Archive, London).
Attributed works:
5 and 6. The evolution of Hertziana Panel 1 (‘Energetic inversion’) in arrangements of photographs sketched by Gertrud Bing. The B-series and the (final) C-series (January 1929). (Warburg Institute Archive, London).
Attributed works:
7. The first terrace of Purgatory: the marble reliefs and the repentance of the proud: an illustration for Purgatorio, Canto X of Dante’s Divine Comedy, by Sandro Botticelli. c.1488–92. Metalpoint and brown ink on parchment, 32.2 by 47 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
8. Adoration of the shepherds, by Domenico Ghirlandaio. 1485. Oil on panel, 167 by 167 cm. (S. Trinita Florence; photograph © Raffaello Bencini; Bridgeman Images).
Attributed works:
9. Detail of a relief below the tomb of Francesco Sassetti, showing Sassetti being mourned, attributed to Giuliano da Sangallo. 1485–90. Pietra serena. (S. Trinita, Florence).
Article
Victorine Meurent: new evidence from America and Paris
08/2023 | 1445 | 165
Pages: 817–827
related names
Author:
Fairhead, James (Fairhead, James)
Subjects
art literature:
Illustrations
Attributed works:
1. Victorine Meurent, from Édouard Manet’s album of cartesde- visite. 1860–83. Albumen print, 31 by 24 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
10. Self-portrait, by Victorine Meurent. c.1876. Oil on canvas, 35 by 27 cm. (Museum of Fine Arts, Boston).
Attributed works:
11. The railway (or Gare Saint-Lazare), by Édouard Manet. 1872. Oil on canvas, 93.2 by 111.6 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
12. Le Skating, by Édouard Manet. 1877. Oil on canvas, 88.3 by 69.9 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
2. A young lady in 1866, by Édouard Manet. 1866–67. Oil on canvas, 185.1 by 128.6 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
3. Mlle V. . . in the costume of an espada, by Édouard Manet. 1862. Oil on canvas, 165.1 by 127.6 cm. (Metropolitan Museum of Art, New York; photograph Photo Josse; Bridgeman Images).
Attributed works:
4. Victorine Meurent, by Édouard Manet. c.1862. Oil on canvas, 42.9 by 43.8 cm. (Museum of Fine Arts, Boston; Bridgeman Images).
Attributed works:
5. Olympia, by Édouard Manet. 1863. Oil on canvas, 130.5 by 190 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
6. Colombine, by Maurice Sand. 1863. Coloured engraving, 26.3 by 18.1 cm. (From M. Sand: Masques et bouffons: Comédie italienne, Paris 1860, I, p.204; Lebrecht Music Arts; Bridgeman Images).
Attributed works:
7. The street singer, by Édouard Manet. 1862. Oil on canvas, 175.2 by 108.5 cm. (Museum of Fine Arts, Boston; Bridgeman Images).
Attributed works:
8. The Parisian sphinx, by Alfred Stevens. c.1872–73. Oil on canvas, 72 by 53 cm. (© Art in Flanders; Royal Museum of Fine Arts, Antwerp; Bridgeman Images).
Attributed works:
9. The young girl and Death, by Léon Gaucherel after a lost painting by Sarah Bernhardt. 1880. Etching, 33.3 by 18.3 cm. (From L’Art 21 (1880); © Look and Learn; Bridgeman Images).
Exhibition Review
Manet / Degas Musée d’Orsay, Paris 28th March–23rd July
06/2023 | 1443 | 165
Pages: 638-641
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Manet / Degas Musée d’Orsay, Paris 28th March–23rd July | :
Illustrations
Attributed works:
1. The artist (Portrait of Marcellin Desboutin), by Édouard Manet. 1875. Oil on canvas, 195 by 131.5 cm. (Museu de Arte Assis Chateaubriand, São Paulo; exh. Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
2. Monsieur and Madame Édouard Manet, by Edgar Degas. c.1868–69. Oil on canvas, 65 by 71 cm. (Kitakyushu Municipal Museum of Art; exh. Musée d’Orsay, Paris).
Attributed works:
3. In a café (Absinthe), by Edgar Degas. 1875–76. Oil on canvas, 92 by 68.5 cm. (Musée d’Orsay, Paris).
Article
Suzanne Manet and Léon Leenhoff: a mystery solved
12/2022 | 1437 | 164
Pages: 1216-1223
related names
Author:
Coppens, Thera (Coppens, Thera)
Subjects
artists:
Illustrations
Attributed works:
1. Quattor Remarquable: Les enfans de Mr Koella (de Zurich), by F. Le Villain after Loeillet. c.1832. Lithograph, 24.5 by 19 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
10. Monsieur and Madame Édouard Manet, by Edgar Degas. 1868. Oil on canvas, 65.2 by 71.1 cm. (Municipal Museum of Art, Kitakyushu; Bridgeman Images).
Attributed works:
11. Madame Manet at the piano, by Édouard Manet. 1868. Oil on canvas, 38 by 46.5 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
2. Suzanne van Anholt, by Ferdinand Leenhoff. Etching, 27.4 by 21.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Detail of Fig.1, showing the faces of Gustave Adolph (left) and Rudolph Koëlla (right).
Attributed works:
4. Detail of Fig.1, showing the face of George Koëlla.
Attributed works:
5. Detail of Fig.1, showing the face of Johann Koëlla.
Attributed works:
6. Detail of Boy with a sword, by Édouard Manet. 1861. Oil on canvas. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
7. Detail of Boy blowing bubbles, by Édouard Manet. 1867. Oil on canvas. (Museu Calouste Gulbenkian, Lisbon; Bridgeman Images).
Attributed works:
8. Detail of Luncheon in the studio, by Édouard Manet. 1868. Oil on canvas. (Neue Pinakothek, Munich; Bridgeman Images).
Attributed works:
9. Reading (portraits of Suzanne Manet and her son, Léon Koëlla- Leenhoff), by Édouard Manet. 1868. Oil on canvas, 73 by 61 cm. (Musée d’Orsay, Paris; photograph Luisa Ricciarini /Bridgeman Images).
Exhibition Review
Manet and Astruc: Friendship and Inspiration Manet to Bracquemond: Newly Discovered Letters to an Artist and Friend
07/2022 | 1432 | 164
Pages: 709-712
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
museums and institutions:
Reviewed Items
museums and institutions:
Manet and Astruc: Friendship and Inspiration Edited by Dorothee Hansen. 320 pp. incl. 286 col. ills. (Kunsthalle Bremen with Centro de Estudios Europa Hispánica, Madrid, 2021), €32.69. ISBN 978–84– 18760–02–0. | :
museums and institutions:
Manet to Bracquemond: Newly Discovered Letters to an Artist and Friend By Jean-Paul Bouillon. 136 pp. incl. 47 col. ills. (Ad Ilissvm, London, for Fondation Custodia, Paris, 2020), £35. ISBN 978–1–912168–17–0. | :
Illustrations
Attributed works:
10. Édouard Manet, by Henri Fantin- Latour. 1867. Oil on canvas, 117.5 by 90 cm. (Art Institute of Chicago; exh. Kunsthalle Bremen).
Attributed works:
11. The mask seller (small version), by Zacharie Astruc. c.1886. Bronze, height 92.5 cm. (Kunsthalle Bremen).
Attributed works:
9. Zacharie Astruc, by Édouard Manet. 1866. Oil on canvas, 90.5 by 116 cm. (Kunsthalle Bremen).
Exhibition Review
The Morozov Collection: Icons of Modern Art
02/2022 | 1427 | 164
Pages: 204-206
related names
Reviewer:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
dates:
patrons:
Reviewed Items
subjects:
The Morozov Collection: Icons of Modern Art Fondation Louis Vuitton, Paris 22nd September 2021– 22nd February 2022 | :
Illustrations
Attributed works:
23. Ivan Abramovitch Morozov, Moscow, 1910, by Valentin Serov. 1910. Tempera on cardboard, 63.5 by 77 cm. (State Tretyakov Gallery, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
24. The cork or Country inn (La Guinguette), by Édouard Manet. c.1878. Oil in canvas, 72.4 by 92 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
25. Bathers, by Paul Cézanne. 1892–94. Oil on canvas, 26 by 40 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Article
Tissot’s wartime sketchbook, 1870–71
07/2020 | 1408 | 162
Pages: 560-569
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Detail of a map of the battlefields surrounding Paris, published by J. Rigal. c.1870–71. 78 by 60 cm. Fort du Mont-Valérien, one of the fifteen forts involved in the defence, is marked with a star. The Battle of Malmaison occurred just southwest of it, near Rueil and La Jonchère. (Historical Library of the City of Paris).
Attributed works:
10. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper 11.5 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
11. Military infirmary, by James Tissot. 1870–71. Grey wash and gouache on buff paper, 31.4 by 39.5 cm. (Private collection).
Attributed works:
12. Dead man lying on his side, by James Tissot. Graphite on paper, 11.3 by 14.6 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
13. The first man killed I saw (Souvenir of the Siege of Paris), by James Tissot. 1870–74. Drypoint and etching (first state), 45.4 by 29.5 cm (Bibliothèque nationale de France).
Attributed works:
14. Tirailleurs de la Seine at the battle of Rueil-Malmaison, 21st October 1870, by Etienne-Prosper Berne-Bellecour. 1875. Oil on canvas, 103 by 203 cm. (Château de Versailles, France; Bridgeman Images).
Attributed works:
15. Transporting the wounded, by James Tissot. Graphite on paper, 11.2 by 18.1 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
2. James Tissot, by Robert Jefferson Bingham. c.1861–70. Albumen silver print, 10.2 by 6.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. The green room of the Comédie-Française during the Siege of Paris, by James Tissot. 1877. Etching, 38.1 by 27.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
4. Wounded man lying reading the newspaper, by James Tissot. Graphite on paper, 10.2 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
5. Hospital of the Comédie-Francaise, Paris, by Pierre André Brouillet. 1870. (Photograph by Luigi Fiorillo; Wellcome Collection, London).
Attributed works:
6. The American Ambulance at no.36, avenue de l’Impératrice, Paris. c.1870. (University of Pennsylvania Archives, Philadelphia).
Attributed works:
7. Compositional sketch for ‘Military infirmary’, by James Tissot. (1870–71). Graphite on paper. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
8. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper, 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
9. Study for Captain Ducos in ‘Military infirmary’, by James Tissot. 1870– 71. Graphite on paper 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Book Review
Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting. By Gavin Parkinson
01/2020 | 1402 | 162
Pages: 81-83
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
art literature:
Reviewed Items
styles:
Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting By Gavin Parkinson. 352 pp incl. 15 col. + 113 b. & w. ills. (Bloomsbury, London and Oxford, 2018), £102. ISBN 978–1–5013–3725–3. | :
Illustrations
Attributed works:
7. Be in love and you will be happy, by Paul Gauguin. 1889. Wood relief, 95 by 72 by 6.4 cm. (Museum of Fine Arts, Boston).
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