By using this website you agree to our Cookie policy

Search

813 articles
Short Notice
Parmigianino, Damiano Pieti and the beauty of architecture in the ‘Madonna of the long neck’
09/2024 | 1458 | 166
Pages: 932-37
related names
Shorter Notice by:
Vaccaro, Mary (Vaccaro, Mary)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.2, showing the unfinished colonnade.
Attributed works:
2. Madonna of the long neck, by Parmigianino. c.1534–40. Oil on panel, 216.5 by 132.5 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
3. Leo Baptista de Albertis Florentinus de Architectura, by Damiano Pieti. 1538. (Biblioteca Panizzi, Reggio Emilia, MSS Rari G3, fol.240r)
Attributed works:
4. Study for Madonna of the long neck, by Parmigianino. 1530s. Red chalk heightened with white on paper, 20 by 12 cm. (Musée du Louvre, Paris).
Article
Holbein in exhibitions in Frankfurt and London
02/2024 | 1451 | 166
Pages: 166–170
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
dates:
Reviewed Items
subjects:
Holbein and the Renaissance in the North, Städel Museum, Frankfurt,(2nd November 2023–18th February 2024) | :
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November 2023–14th April 2024) | :
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the Elder. c.1512. Silverpoint on prepared paper, reworked with brush and ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett; exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh. Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein (?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman Images; exh. Städel Museum, Frankfurt).
Attributed works:
4. Thomas More, by Hans Holbein the Younger. c.1527. Black and coloured chalks, pricked for transfer to a wooden panel, 39.8 by 29.9 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
5. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm. (Städel Museum, Frankfurt).
Attributed works:
6. Anne Boleyn, by Hans Holbein the Younger. c.1532–36. Black and coloured chalks on pink prepared paper, 28.2 by 19.3 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
7. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1543? Black and coloured chalks with black and brown inks on pink prepared paper, 27.9 by 19.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Article
A medallion of Abbess Jacqueline de Lalaing of Flines
11/2023 | 1448 | 165
Pages: 1173-1181
related names
Author:
Carter, Michael (Carter, Michael)
Author:
Koopstra, Anna (Koopstra, Anna)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. St Peter encountering Christ leaving the gates of Rome (Domine, quo vadis?), attributed to Martin Bellegambe. 1539. Oil on panel, 48 by 33.3 cm. (Musée de la Chartreuse, Douai).
Attributed works:
11. Annunciation triptych (closed), by Jean Bellegambe. c.1525. Oil on panel, each panel 103 by 33 cm. (State Hermitage Museum, St Petersburg; Photo Scala, Florence).
Attributed works:
12. Le Cellier altarpiece (closed), by Jean Bellegambe. c.1510. Oil on panel, each panel 101.6 by 61 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Monstrance, by Jehan De Raisse. Mid-sixteenth century. Silver, 30.5 by 19 cm. (Musée de la Chartreuse, Douai).
Attributed works:
5. Le Cellier altarpiece (open), by Jean Bellegambe. c.1510. Oil on panel, central panel 101.6 by 61 cm.; left wing 95.9 by 25.4 cm.; right wing 95.3 by 24.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Reverse of the right side of a diptych with the Virgin and Child and the donor Willem van Bibaut, attributed to the Master of the Magdalen Legend. 1523. Oil on panel, exterior panel 30.4 by 20.7 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Wounds of Christ, by Hans Weiditz. 1520. Woodcut on paper, 7 by 6 cm. (From T. à Kempis: Gebet und betrachtungen des lebens des mitlers gotes Jesu Christi, Augsburg 1520, the German edition of Devotissimae Meditationes; British Museum, London).
Western art unattributed:
1 Devotional medallion depicting Jacqueline de Lalaing, abbess of Flines. 1536. Silver, diameter 5.5 cm. (Private collection).
Western art unattributed:
2. The reverse of the medallion illustrated in Fig.1, showing the Wounds of Christ, the abbess’s name and the date 1536.
Western art unattributed:
3. The reverse of the medallion illustrated in Fig.1.
Western art unattributed:
4. The medallion illustrated in Fig.1.
Western art unattributed:
8 Education of the Virgin, from the breviary of Jacqueline de Lalaing. c.1532. Tempera, colour and ink on parchment, 17 by 10.8 cm. (Current location unknown).
Western art unattributed:
9. Lamentation with Sts Hubert and Blaise. 1535. Embroidered antependium, 94.3 by 200.6 cm. (Musée des Beaux-Arts, Lille; photograph RMN-Grand Palais (PBA, Lille); photograph Hervé Lewandowski).
Article
Rediscovered drawings by Bartolomeo Spani for sculpture and goldsmithery
10/2023 | 1447 | 165
Pages: 1082–1093
related names
Author:
Calogero, Marcello (Calogero, Marcello)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the angels and God the Father. (Photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
10. Detail of Fig.2, showing a prophet.
Attributed works:
11. Reliquary bust of St Daria, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
12. Reliquary bust of St Crisanto, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
13. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and grey-brown ink, grey-brown wash over stylus indentations, on paper, 28.3 by 19.3 cm. (Morgan Library & Museum, New York).
Attributed works:
14. Grotesque ornament from the Domus Aurea, by the Master of the Codex Escurialensis (fol.14r). c.1490. Pen and brown ink on paper, 33 by 23.5 cm. (Real Monasterio de San Lorenzo de El Escorial, Madrid).
Attributed works:
15. Funerary monument of Bishop Bonfrancesco Arlotti, by Bartolomeo Spani. c.1509. White, pink and polychromed marble, approximately 520 by 230 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
16. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink, brown wash, on paper, 19.9 by 15.2 cm. (Musée du Louvre, Paris; RMN-Grand Palais; Thierry Le Mage).
Attributed works:
17. Design for a tabernacle, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, over stylus indentations, on paper, 25.5 by 16.5 cm. (Morgan Library & Museum, New York).
Attributed works:
18. Funerary monument of Lucia Rusca, by Antonio da Morbegno and ‘Maestro Anzelini’, after a drawing here attributed to Bartolomeo Spani. c.1515. White, pink and black marble, approx. 500 by 250 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
19. Baptism of Christ, by Francesco Caprioli (?). 1497. Fresco, approx. 400 cm. (Baptistry, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
2. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, with light pink wash over stylus indentations, on paper, 39 by 27.4 cm. (Morgan Library & Museum, New York).
Attributed works:
20. Monstrance (now forming a reliquary of St Concordia), by the workshop of Bartolomeo Spani. 1517. Cast, chiselled and gilded silver, 44 by 17 cm. (SS. Donnino and Biagio, Rubiera; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
21. Design for a pax, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink on paper, 20.2 by 14.3 cm. (Morgan Library & Museum, New York).
Attributed works:
3. Funerary monument of Francesco Molza, by Bartolomeo Spani. 1516. White, pink and polychrome marble, approximately 540 by 270 cm. (Cathedral of SS. Maria Assunta and Geminiano, Modena; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
4. Processional cross, by Bartolomeo Spani. 1508–09. Cast, chiselled and gilded silver, 76 by 63 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
5. Detail of Fig.4, showing the figure of God the Father on the reverse.
Attributed works:
6. St Simeon of Polirone in Jerusalem, exorcising demons from men possessed, by Bartolomeo Spani. c.1516 (model, later cast, perhaps nineteenth century). Bronze, 6.14 by 18.5 cm. (National Gallery of Art, Washington).
Attributed works:
7. Detail of Fig.6, showing a soldier.
Attributed works:
8. Detail of Fig.2, showing a prophet.
Attributed works:
9. Detail of Fig.6, showing a monk.
Book Review
De Filarete a Riccio: Bronzes italiens de la Renaissance (1430–1550)
02/2023 | 1439 | 165
Pages: 208-209
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
museums and institutions:
Reviewed Items
subjects:
De Filarete a Riccio: Bronzes italiens de la Renaissance (1430–1550) By Philippe Malgouyres. 720 pp. inc. 1270 col. + b. & w. ills. (Musée du Louvre Éditions and Mare et Martin, Paris, 2020), €65. ISBN 978–2–36222–006–7. | :
Book Review
Au prisme du manuscrit: Regards sur la littérature française du Moyen Âge (1300–1550). Edited by Sandra Hindman and Elliot Adam
12/2022 | 1437 | 164
Pages: 1294-1295
related names
Reviewer:
Yvard, Catherine (Yvard, Catherine)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Au prisme du manuscrit: Regards sur la littérature française du Moyen Âge (1300–1550) Edited by Sandra Hindman and Elliot Adam. 301 pp. incl. 112 col. + 3 b. & w. ills. (Brepols, Turnhout, 2019), £210. ISBN 978–2–503–56635–1. | :
Book Review
The Art and Architecture of the Cistercians in Northern England, c.1300–1540
07/2022 | 1432 | 164
Pages: 719-720
related names
Reviewer:
Wipfler, Esther (Wipfler, Esther)
Subjects
dates:
Reviewed Items
subjects:
The Art and Architecture of the Cistercians in Northern England, c.1300–1540 By Michael Carter. 328 pp. incl. 8 col. + 110 b. & w. ills. (Brepols, Turnhout, 2019), £93.50. ISBN 978–2–503–58193–4. | :
Book Review
Der Sündenfall im Werk von Hans Baldung Grien: Ikonographie und Kontext
07/2020 | 1408 | 162
Pages: 628-629
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
artists:
dates:
Reviewed Items
subjects:
Der Sündenfall im Werk von Hans Baldung Grien: Ikonographie und Kontext By Julia Carrasco. 304 pp. incl. 138 col. + b. & w. ills. (Michael Imhoff, Petersberg, 2019), £53. ISBN 978–3–7319–0640–7. | :
Illustrations
Attributed works:
4. Eve, by Hans Baldung Grien. 1510. Pen and black ink on paper, 29 by 21.2 cm. (Kunsthalle Hamburg; Bridgeman Images).
Book Review
Albrecht Dürer: Documentary Biography. By Jeffrey Ashcroft
02/2019 | 1391 | 161
Pages: 169-170
Book Review
Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael’s Villa Madama. By Yvonne Elet
01/2019 | 1390 | 161
Pages: 87-88
load more