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3 articles
Article
Gustave Moreau and the theatre
09/2017 | 1374 | 159
Pages: 706-713
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Author:
Cooke, Peter (Cooke, Peter)
Subjects
artists:
Moreau, Gustave
buildings:
Comédie-Française, Paris, France
buildings:
Opéra de Paris, Paris, France
subjects:
Theatre design
subjects:
Orpheus
subjects:
Salome
subjects:
Shakespeare
subjects:
Opera
Illustrations
Attributed works:
24. Orpheus, by Gustave Moreau. 1865 (Musée d'Orsay, Paris)
Attributed works:
26. Costume design for Mercury in Theodore de Banville's play La Pomme, by Gustave Moreau. 1865 (Musée Gustave Moreau, Paris)
Attributed works:
27. Salome, by Gustave Moreau. 1876 (Hammer Museum, Los Angeles)
Attributed works:
28. Costume design for Pittacus the Tyrant, from Charles Gounod's opera Sapho, by Gustave Moreau. 1883 (National Gallery of Art, Washington)
Attributed works:
29. Costume design for Pittacus the Tyrant from Charles Gounod's opera Sapho, by Gustave Moreau. 1883 (National Gallery of Art, Washington)
Attributed works:
30. Helen on the Walls of Troy, by Gustave Moreau. Late 1880s (Musée d'Orsay, Paris)
Attributed works:
31. Julia Bartet in Bérénice. c. 1913. Photograph by Chéri Rousseau (Bibliothèque Nationale, Paris)
Attributed works:
32. Costume designs for Julia Bartet in Bérénice, by Gustave Moreau. 1893 (Musée Gustave Moreau, Paris)
Attributed works:
33. Julia Bartet in Bérénice. 1893. Photograph by Reutlinger (Bibliothèque de la Comedie-Française, Paris)
Attributed works:
Costume design for Venus in Théodore de Banville'splay La Pomme, by Gustave Moreau. 1865 (Musée Gustave Moreau, Paris)
Attributed works:
The suitors, by Gustave Moreau, begun 1860 (Musée Gustave Moreau, Paris)
Article
Symbolism, Decadence and Gustave Moreau
05/2009 | 1274 | 151
Pages: 312-318
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related names
Author:
Cooke, Peter (Cooke, Peter)
Subjects
artists:
Moreau, Gustave
dates:
1850-1899
print:
Moreau, Gustave
subjects:
Symbolist movement / French painting
subjects:
Iconography
subjects:
Bible stories / Salome / Classical mythology
Illustrations
Attributed works:
36. Œdipus and the sphinx, by Gustave Moreau. 1864. Canvas, 206.4 by 104.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
37. Salome, by Gustave Moreau. 1876. Panel, 144 by 103.5 cm. (UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles).
Attributed works:
38. Galatea, by Gustave Moreau. 1880. Panel, 85.5 by 66 cm. (Musée d’Orsay, Paris).
Attributed works:
39. The apparition, by Gustave Moreau. 1876. Watercolour on paper, 106 by 72.2 cm. (Musée du Louvre, Paris).
Attributed works:
40. Orpheus, by Gustave Moreau. 1865. Panel, 154 by 23.5 cm. (Musée d’Orsay, Paris).
Attributed works:
41. Orpheus, by Pierre-Amédée Marcel-Beronneau. 1897. Canvas, 195 by 154 cm. (Musée des Beaux-Arts, Marseille).
Attributed works:
42. Salome, by Franz von Stuck. 1906. Canvas, 114.5 by 92 cm. (Städtische Galerie im Lenbachhaus, Munich).
Attributed works:
43. Orpheus at Eurydice’s tomb, by Gustave Moreau. c.1890–91. Canvas, 173 by 128 cm. (Musée Gustave Moreau, Paris).
Attributed works:
44. The voices of evening, by Gustave Moreau. 1890s. Watercolour on paper, 34.5 by 32 cm. (Musée Gustave Moreau, Paris).
Attributed works:
45. Jupiter and Semele, by Gustave Moreau. 1895. Canvas, 212 by 118 cm. (Musée Gustave Moreau, Paris).
Article
Gustave Moreau’s ‘Salome’: the poetics and politics of history painting
08/2007 | 1253 | 149
Pages: 528-536
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related names
Author:
Cooke, Peter (Cooke, Peter)
Subjects
artists:
Moreau, Gustave
dates:
1870-1879
places:
Paris / France
print:
Moreau, Gustave
subjects:
History paintings / French painting / Salome / Orientalism / Salons (art exhibitions)
subjects:
Symbolism (artistic concept)
subjects:
Critical Reception
subjects:
Exposition Universelle de Paris (1878)
Illustrations
Attributed works:
1. Salome, by Gustave Moreau. 1876. Panel, 144 by 103.5 cm. (UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles).
Attributed works:
10. Messalina, by Gustave Moreau. 1874. Canvas, 242 by 137 cm. (Musée Gustave Moreau, Paris).
Attributed works:
2. Salome, by Henri Regnault. 1870. Canvas, 160 by 102.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Stratonice, by J.-A.-D. Ingres. 1840. Canvas, 57 by 98 cm. (Musée Condé, Chantilly).
Attributed works:
4. Execution without judgment under the Moorish kings of Granada, by Henri Regnault. 1870. Canvas, 302 by 106 cm. (Musée d’Orsay, Paris).
Attributed works:
5. The oath of the Horatii between the hands of their father, by Jacques-Louis David. 1785. Canvas, 329.9 by 424.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. The Virgin and Child enthroned with Sts Francis, John the Baptist, Job, Sebastian, Dominic and Louis of Toulouse (the S. Giobbe altarpiece), by Giovanni Bellini. c.1490. 471 by 258 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. The Virgin and Child enthroned with Sts Peter, Catherine, Lucy and (?) Jerome (the S. Zaccaria altarpiece), by Giovanni Bellini. 1505. Oil on panel transferred to canvas, 500 by 235 cm. (S. Zaccaria, Venice).
Attributed works:
8. Sheet of studies for Salome, by Gustave Moreau. c.1876. Pencil on paper, 35.5 by 26.8 cm. (Musée Gustave Moreau, Paris).
Attributed works:
9. Pope Formosus and Stephen VII, by Jean-Paul Laurens. 1872. Canvas, 100 by 152 cm. (Musée des Beaux-Arts, Nantes).