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Article

Gustave Moreau and the theatre

09/2017 | 1374 | 159

Pages: 706-713

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Author:

Cooke, Peter (Cooke, Peter)

Subjects

artists:

Moreau, Gustave

buildings:

Comédie-Française, Paris, France

buildings:

Opéra de Paris, Paris, France

subjects:

Theatre design

subjects:

Orpheus

subjects:

Salome

subjects:

Shakespeare

subjects:

Opera

Illustrations

Attributed works:

24. Orpheus, by Gustave Moreau. 1865 (Musée d'Orsay, Paris)

Attributed works:

26. Costume design for Mercury in Theodore de Banville's play La Pomme, by Gustave Moreau. 1865 (Musée Gustave Moreau, Paris)

Attributed works:

27. Salome, by Gustave Moreau. 1876 (Hammer Museum, Los Angeles)

Attributed works:

28. Costume design for Pittacus the Tyrant, from Charles Gounod's opera Sapho, by Gustave Moreau. 1883 (National Gallery of Art, Washington)

Attributed works:

29. Costume design for Pittacus the Tyrant from Charles Gounod's opera Sapho, by Gustave Moreau. 1883 (National Gallery of Art, Washington)

Attributed works:

30. Helen on the Walls of Troy, by Gustave Moreau. Late 1880s (Musée d'Orsay, Paris)

Attributed works:

31. Julia Bartet in Bérénice. c. 1913. Photograph by Chéri Rousseau (Bibliothèque Nationale, Paris)

Attributed works:

32. Costume designs for Julia Bartet in Bérénice, by Gustave Moreau. 1893 (Musée Gustave Moreau, Paris)

Attributed works:

33. Julia Bartet in Bérénice. 1893. Photograph by Reutlinger (Bibliothèque de la Comedie-Française, Paris)

Attributed works:

Costume design for Venus in Théodore de Banville'splay La Pomme, by Gustave Moreau. 1865 (Musée Gustave Moreau, Paris)

Attributed works:

The suitors, by Gustave Moreau, begun 1860 (Musée Gustave Moreau, Paris)

Article

Gustave Moreau and Ingres

04/2014 | 1333 | 156

Pages: 219-227

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related names

Author:

Cooke, Peter (Cooke, Peter)

Subjects

artists:

Moreau, Gustave / Ingres, Jean-Auguste-Dominique

dates:

1850-1899

subjects:

French painting / Influence / Art criticism / Salons (art exhibitions) / Nudes / Visual sources / Iconography

Illustrations

Attributed works:

10. Antiochus and Statonice, by Jean-Auguste-Dominique Ingres (Musée Condé, Chantilly)

Attributed works:

11. La Source, by Jean-Auguste-Dominique Ingres (Musée d'Orsay, Paris)

Attributed works:

12. Oedipus and the sphinx, by Gustave Moreau (Metropolitan Museum of Art, New York)

Attributed works:

13. Oedipus explaining the riddle of the sphinx, by Jean-Auguste-Dominique Ingres (Musée du Louvre, Paris)

Attributed works:

14. Salome, by Gustave Moreau (Armand Hammer Collection, Los Angeles)

Attributed works:

15. Study for The daughters of Thespius, by Gustave Moreau (Musée Gustave Moreau, Paris; des.4114)

Attributed works:

16. Galatea, by Gustave Moreau (Musée d'Orsay, Paris)

Attributed works:

17. Jupiter and Antiope, by Jean-Auguste-Dominique Ingres (Musée d'Orsay, Paris)

Attributed works:

18. The Turkish bath, by Jean-Auguste-Dominique Ingres (Musée du Louvre, Paris)

Attributed works:

19. Jupiter and Thetis, by Jean-Auguste-Dominique Ingres (Musée Granet, Aix-en-Provence)

Attributed works:

20. Study for The muses leave Apollo, their father, to go forth and enlighten the world, by Gustave Moreau (Musée Gustave Moreau, Paris; cat. no.334)

Attributed works:

21. Jupiter and Semele, by Gustave Moreau (Musée Gustave Moreau, Paris, cat. no.91)

Article

Symbolism, Decadence and Gustave Moreau

05/2009 | 1274 | 151

Pages: 312-318

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related names

Author:

Cooke, Peter (Cooke, Peter)

Subjects

artists:

Moreau, Gustave

dates:

1850-1899

print:

Moreau, Gustave

subjects:

Symbolist movement / French painting

subjects:

Iconography

subjects:

Bible stories / Salome / Classical mythology

Illustrations

Attributed works:

36. Œdipus and the sphinx, by Gustave Moreau. 1864. Canvas, 206.4 by 104.8 cm. (Metropolitan Museum of Art, New York).

Attributed works:

37. Salome, by Gustave Moreau. 1876. Panel, 144 by 103.5 cm. (UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles).

Attributed works:

38. Galatea, by Gustave Moreau. 1880. Panel, 85.5 by 66 cm. (Musée d’Orsay, Paris).

Attributed works:

39. The apparition, by Gustave Moreau. 1876. Watercolour on paper, 106 by 72.2 cm. (Musée du Louvre, Paris).

Attributed works:

40. Orpheus, by Gustave Moreau. 1865. Panel, 154 by 23.5 cm. (Musée d’Orsay, Paris).

Attributed works:

41. Orpheus, by Pierre-Amédée Marcel-Beronneau. 1897. Canvas, 195 by 154 cm. (Musée des Beaux-Arts, Marseille).

Attributed works:

42. Salome, by Franz von Stuck. 1906. Canvas, 114.5 by 92 cm. (Städtische Galerie im Lenbachhaus, Munich).

Attributed works:

43. Orpheus at Eurydice’s tomb, by Gustave Moreau. c.1890–91. Canvas, 173 by 128 cm. (Musée Gustave Moreau, Paris).

Attributed works:

44. The voices of evening, by Gustave Moreau. 1890s. Watercolour on paper, 34.5 by 32 cm. (Musée Gustave Moreau, Paris).

Attributed works:

45. Jupiter and Semele, by Gustave Moreau. 1895. Canvas, 212 by 118 cm. (Musée Gustave Moreau, Paris).

Article

Gustave Moreau’s ‘Salome’: the poetics and politics of history painting

08/2007 | 1253 | 149

Pages: 528-536

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related names

Author:

Cooke, Peter (Cooke, Peter)

Subjects

artists:

Moreau, Gustave

dates:

1870-1879

places:

Paris / France

print:

Moreau, Gustave

subjects:

History paintings / French painting / Salome / Orientalism / Salons (art exhibitions)

subjects:

Symbolism (artistic concept)

subjects:

Critical Reception

subjects:

Exposition Universelle de Paris (1878)

Illustrations

Attributed works:

1. Salome, by Gustave Moreau. 1876. Panel, 144 by 103.5 cm. (UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles).

Attributed works:

10. Messalina, by Gustave Moreau. 1874. Canvas, 242 by 137 cm. (Musée Gustave Moreau, Paris).

Attributed works:

2. Salome, by Henri Regnault. 1870. Canvas, 160 by 102.9 cm. (Metropolitan Museum of Art, New York).

Attributed works:

3. Stratonice, by J.-A.-D. Ingres. 1840. Canvas, 57 by 98 cm. (Musée Condé, Chantilly).

Attributed works:

4. Execution without judgment under the Moorish kings of Granada, by Henri Regnault. 1870. Canvas, 302 by 106 cm. (Musée d’Orsay, Paris).

Attributed works:

5. The oath of the Horatii between the hands of their father, by Jacques-Louis David. 1785. Canvas, 329.9 by 424.8 cm. (Musée du Louvre, Paris).

Attributed works:

6. The Virgin and Child enthroned with Sts Francis, John the Baptist, Job, Sebastian, Dominic and Louis of Toulouse (the S. Giobbe altarpiece), by Giovanni Bellini. c.1490. 471 by 258 cm. (Gallerie dell’Accademia, Venice).

Attributed works:

7. The Virgin and Child enthroned with Sts Peter, Catherine, Lucy and (?) Jerome (the S. Zaccaria altarpiece), by Giovanni Bellini. 1505. Oil on panel transferred to canvas, 500 by 235 cm. (S. Zaccaria, Venice).

Attributed works:

8. Sheet of studies for Salome, by Gustave Moreau. c.1876. Pencil on paper, 35.5 by 26.8 cm. (Musée Gustave Moreau, Paris).

Attributed works:

9. Pope Formosus and Stephen VII, by Jean-Paul Laurens. 1872. Canvas, 100 by 152 cm. (Musée des Beaux-Arts, Nantes).

Article

Gustave Moreau's 'Oedipus and the sphinx': archaism, temptation and the nude at the Salon of 1864

09/2004 | 1218 | 146

Pages: 609-615

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related names

Author:

Cooke, Peter (Cooke, Peter)

Subjects

artists:

Moreau, Gustave

dates:

1850-1899

places:

France

print:

Moreau, Gustave

subjects:

French painting / Salons (art exhibitions)

subjects:

Classical mythology / Oedipus / Sphinx (iconography)

Illustrations

Attributed works:

18. Oedipus and the sphinx, by Gustave Moreau. Salon of 1864. 206.4 by 104.8 cm. (Metropolitan Museum of Art, New York).

Attributed works:

19. Oedipus and the sphinx, by Jean-Auguste-Dominique Ingres. 1808-25. 189 by 144 cm. (Musée du Louvre, Paris)

Attributed works:

20. The temptation of St Hilarion, by Dominique-Louis-Féréal Papety. 1843-44. Panel, 47 by 59.7 cm. (Wallace Collection, London).

Attributed works:

21. The birth of Venus, by Alexandre Cabanel. Salon of 1863. 130 by 125 cm. (Musée d'Orsay, Paris).

Attributed works:

22. The pearl and the wave, by Paul Baudry. Salon of 1863. (Museo del Prado, Madrid).

Attributed works:

23. La Source, by Jean-Auguste-Dominique Ingres. 1820-56. 163 by 80 cm. (Musée d'Orsay, Paris).

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