1. Head of a white bull, by Paulus Potter. c.1647–50. Oil on canvas,
79.4 by 62 cm. (National Gallery of Ireland, Dublin).
Attributed works:
10. Infrared reflectogram of Fig.1, revealing the fragmentary
Europa figure.
Attributed works:
11. X-radiograph of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
12. Abduction of Europa, attributed to Jan de Visscher, after
Nicolaes Berchem. 1643–92. Etching and engraving, 45.7 by 30.5 cm,
shown mirrored horizontally. (Rijksmuseum, Amsterdam).
Attributed works:
2. Portrait of Paulus Potter (1625–1654), by Bartholomeus van der
Helst. 1654. Oil on canvas, 99 by 80 cm. (Mauritshuis, The Hague).
Attributed works:
3. The bull (De stier), by Paulus Potter. 1647. Oil on canvas, 236.5 by 341
cm. (Mauritshuis, The Hague).
Attributed works:
4. Proposed location of Fig.1 within the Abduction of Europa,
determined from thread angle mapping (Fig.5c).
Attributed works:
5. Computer-assisted thread counting from X-radiographs of Fig.1,
showing: a) thread density in the vertical and horizontal directions; b)
horizontal thread density of the upper and lower pieces of canvas; c)
thread angle deviations in the vertical and horizontal directions.
The horizontal join is indicated with an arrow.
Attributed works:
6. Display of Fig.1 in the Grand Gallery, National Gallery of Ireland,
Dublin. Photograph, after 1889. (RSAI, Dublin).
Attributed works:
7. Display of Fig.1 in Room 12, Dargan Wing, National Gallery of
Ireland, Dublin. Photograph, c.1930–39. (National Gallery of
Ireland Archive, Dublin).
Attributed works:
8. MA-XRF map of Fig.1, showing the distribution of mercury (Hg)
from vermilion.
Attributed works:
9. MA-XRF map overlaid onto Fig.1, showing the distribution of
copper (Cu) in white.
Short Notice
Claude's 'Rape of Europa' and the painter's early French patrons
52. The Rape of Europa, by Claude Lorrain. 1634. 170.8 by 199.9 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
53. Detail of Fig.52.
Attributed works:
54. Detail of the crequier from Charles III de Crequy, duc de Poix, by Etienne Gantrel, after Pierre Mignard. 1681. Engraving. (Departement des estampes et de la photographie, Bibliotheque nationale, Paris).
Attributed works:
55. Le marechal de Crequy, by Claude Mellan. 1634. Engraving. (Departement des estampes et de la photographie, Bibliotheque nationale, Paris).
Article
Charles de La Fosse's 'Rinaldo and Armida' and 'Rape of Europa' at Basildon Park
1. Rinaldo and Armida, by Charles de La Fosse. 163.8 by 134.6 cm. (National Trust, Basildon Park, Berks).
Attributed works:
2. The Rape of Europa, by Charles de La Fosse. 163.8 by 134.6 cm. (National Trust, Basildon Park, Berks).
Attributed works:
3. Study of a Reclining Girl, for Fig.2, by Charles de La Fosse. Red and Black Chalk on Light Brown Paper, 27.5 by 40.8 cm. (Musée des Arts Décoratifs, Lyon).
Attributed works:
4. Study of Europa and the Bull, for Fig.2, by Charles de La Fosse. Red, Black and White Chalk on Light Brown Paper, 18.7 by 19.1 cm. (Ecole des Beaux-Arts, Paris).
Attributed works:
5. Study of a Reclining Boy, for Fig.1, by Charles de La Fosse. Red, Black and White Chalk on Blue Paper, 19.7 by 29.2 cm. (Private Collection).
Attributed works:
6. Rinaldo and Armida, by Antoine Coypel. c.1702. 113 by 78 cm. (Schloss Sans Souci, Potsdam).
Attributed works:
7. La Charité et la Foi, by Charles de La Fosse and Jean Baptiste Monnoyer. c.1682-83. 118 by 328 cm. (lunette). (Musée de Grenoble).
Attributed works:
8. Vénus demande des armes pour Enée, by Charles de La Fosse. c.1700. 179 by 152 cm. (Musée des Beaux-Arts, Nantes).
Attributed works:
9. Rinaldo and Armida, by Nicolas Poussin. c.1628. 82.2 by 109.2 cm. (Dulwich Picture Gallery, London).
1. Detail from Claude's Coast Scene with the Rape of Europa Illustrated in Fig.4.
Attributed works:
2. Landscape with the Judgement of Paris, by Claude Lorrain. Dated 1633(?). Canvas, 99 by 124.5 cm. (Collection The Duke of Buccleuch and Queensberry.)
Attributed works:
3. Coast Scene with the Rape of Europa, by Claude Lorrain. Dated 1634. Etching, 20.2 by 26.3 cm.
Attributed works:
4. Coast Scene with the Rape of Europa, by Claude Lorrain. Dated 1634(?). Canvas, 172 by 199 cm. (Private Collection.)
10. Back of Mirror, Showing Europa and the Bull. Roman, First Half of First Century A. D. Circular Plaque in Low Repoussé Relief, Traces of Gilding; Diameter, 13.7 cm. (Bomford Collection.)
Western art unattributed:
11. Juppiter Dolichenus and His Consort. Roman, Second or Third Century A. D. Heavy Cast Bronze Plaque Height, 16 cm.; Width, 22 cm. (Bomford Collection.)
Western art unattributed:
2. Patera or Shallow Bowl. Etruscan, c. Mid-Fifth Century B. C. Hammered Sheet Bronze; Diameter, 18.7 cm. (Bomford Collection.)
Western art unattributed:
3. Detail of the Patera Illustrated in Fig.2. [Etruscan, c. Mid-Fifth Century B. C. Hammered Sheet Bronze; Diameter, 18.7 cm. (Bomford Collection.)]
Western art unattributed:
4. Reverse of the Patera Illustrated in Fig.2. [Etruscan, c. Mid-Fifth Century B. C. Hammered Sheet Bronze; Diameter, 18.7 cm. (Bomford Collection.)]
Western art unattributed:
5. Back of the Figure Illustrated in Figs.7-9. [Bearded God (Dionysus).? South Italian or Sicilian, Mid-Fourth Century B. C. Bronze; Height, 18.5 cm. (Bomford Collection.)]
Western art unattributed:
6. Profile View of the Figure Illustrated in Figs.7-9. [Bearded God (Dionysus).? South Italian or Sicilian, Mid-Fourth Century B. C. Bronze; Height, 18.5 cm. (Bomford Collection.)]
Western art unattributed:
7-9. Bearded God (Dionysus).? South Italian or Sicilian, Mid-Fourth Century B. C. Bronze; Height, 18.5 cm. (Bomford Collection.)
Article
Two Paintings by Tiepolo from the Algarotti Collection