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140 articles
Article
A portrait of an unknown woman by Titian
03/2025 | 1464 | 167
Pages: 212–17
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).
Attributed works:
2. Detail of the back of the canvas of Fig.1.
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).
Attributed works:
5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).
Book Review
The Villa Barbaro at Maser: Science, Philosophy and the Family in Venetian Renaissance Art
09/2024 | 1458 | 166
Pages: 979-81
related names
Reviewer:
Howard, Deborah (Howard, Deborah)
Subjects
artists:
Reviewed Items
subjects:
The Villa Barbaro at Maser: Science, Philosophy and the Family in Venetian Renaissance Art By Denis Ribouillault. 272 pp. incl. 220 col. + 10 b. & w. ills. (Harvey Miller, London, 2023), €125. ISBN 978–1–915487–02–5. | :
Illustrations
Attributed works:
5. Ceiling of the Sala dell’Olimpo in Villa Barbaro, Maser, by Paolo Veronese. c.1558–62. Fresco. (Bridgeman Images).
Article
Expanding the oeuvre of the master metalsmith Orazio Fortezza
06/2024 | 1455 | 166
Pages: 570–579
related names
Author:
Turner-Vučetić, Flora (Turner-Vučetić, Flora)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Display plate with Michiel coat of arms, here attributed to Orazio Fortezza. (From sale, Sotheby’s, London, Valuable Renaissance Works of Art, p.12).
Attributed works:
10. Detail of Fig.2, showing a portrait here identified as Orazio Fortezza.
Attributed works:
11. Abduction of Helen, by Andrea Meldolla (also known as Schiavone). 1547. Etching, 40 by 51.6 cm. (British Museum, London).
Attributed works:
12. Detail of Fig.2, showing the central battle scene.
Attributed works:
13. Basin, by Orazio Fortezza (signed Oracio Fortezza). c.1560. Brass, height 11.5 cm. (Museo Correr, Venice).
Attributed works:
14. Detail of a ewer, by Orazio Fortezza, showing a portrait with initials in the medallion. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
15. Detail of Fig.4, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
16. Detail of Fig.4, showing Torquatus fighting against the Gauls.
Attributed works:
17. Detail of Fig.2, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
18. Detail of Fig.6, showing the battle between Publicola and Tarquin the Proud.
Attributed works:
2. Display plate with Foscari arms, here attributed to Orazio Fortezza. c.1560. Brass, engraved and inlaid with pitch, diameter 47.5 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Display plate, by Orazio Fortezza. 1555. Brass, engraved and partially inlaid with silver, diameter 48.3 cm. (British Museum, London).
Attributed works:
4. Salver, by Orazio Fortezza (signed Horacio Fortezza). 1562. Brass, diameter 46.2 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Ewer, by Orazio Fortezza (signed Horativs Sibenici). c.1560. Brass, height 30 cm. (Victoria and Albert Museum, London).
Attributed works:
6. Display plate, by Orazio Foretzza (signed Oratio Fortezza). c.1572–75. Brass, diameter 47.5 cm. (City Museum, Šibenik).
Attributed works:
7. Detail of a ewer, by Orazio Fortezza, showing Suetonius in the bottomleft corner. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
8. Detail of Fig.2, showing a portrait here identified as Girolamo Contarini.
Attributed works:
9. Detail of Fig.2, showing a portrait here identified as Andrea Meldola (also known as Meldolla or Schiavone).
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Advertisements (front)
01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Article
‘A gracious invention’: Veronese’s unfinished painting for the Mocenigo family
09/2022 | 1434 | 164
Pages: 854-863
related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Venus.
Attributed works:
10. Venus and Mercury present Eros and Anteros to Jupiter, by the studio of Paolo Veronese. 1565. Brown ink with highlights in white, and grey-brown wash with brush on paper, 31.2 by 42.7 cm. (Musée du Louvre, Paris)
Attributed works:
11. Megara, the third wife of Hercules, begging to save the life of their last son in the face of her husband’s madness, by Paolo Veronese. 1570s. Oil on canvas, 105 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
12. Detail of Fig.3, showing the Palladian building in the background.
Attributed works:
13. Palazzi Mocenigi a S. Samuele, by Luca Carlevarijs. 1703. Etching, 20.9 by 20.2 cm. (From L. Carlevaris: Le fabriche e vedute di Venetia; British Museum, London).
Attributed works:
14. The Villa Mocenigo on the Brenta. Woodcut. 1570. (From A. Palladio: I Quattro Libri, Venice 1570, II, p.66).
Attributed works:
2. Detail of Fig.3, showing Minerva, Juno and Mocenigo.
Attributed works:
3. Mocenigo deciding between the active and contemplative life, here attributed to Paolo Veronese and dated c.1572. Oil on canvas, 134 by 204.5 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
5. Charity, by Maarten Peters after Francesco Primaticcio. c.1560. Engraving, 23.9 by 16.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
6. Ars naturam adiuvans (‘Art is safe against the power of fortune’), emblem of Mercury and Fortuna. (From A. Alciati: Emblemata, Lyon 1550, no.XCVIII).
Attributed works:
7. A young patrician from the Sanudo family choosing Virtue rather than Vice, by Paolo Veronese. c.1560. Oil on canvas, 102 by 153 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
8. The choice between Virtue and Vice, by Paolo Veronese. c.1565. Oil on canvas, 219 by 169.5 cm. (Frick Collection, New York).
Attributed works:
9. Venus and Mercury present Eros and Anteros to Jupiter, by Paolo Veronese. 1565. Oil on canvas, 150 by 243 cm. (Gallerie degli Uffizi, Florence).
Western art unattributed:
4. Charity, by an artist from the School of Fontainebleau (formerly attributed to Francesco Primaticcio). c.1560. Panel transferred to canvas, 147 by 96.5 cm. (Musée du Louvre, Paris)
Article
Richard Vickris Pryor in the art market of Napoleonic Europe
04/2022 | 1429 | 164
Pages: 342-349
related names
Author:
Bonazzi, Lucia (Bonazzi, Lucia)
Subjects
Illustrations
Attributed works:
1. Portrait of a man, by Paolo Veronese. c.1576–78. Oil on canvas, 192.1 by 134 cm. (The J. Paul Getty Museum, Los Angeles).
Attributed works:
2. The flight into Egypt, by Jacopo Bassano. c.1540–45. Oil on canvas, 157.5 by 203.2 cm. (Toledo Museum of Art).
Attributed works:
3. Venus at her mirror, by Paolo Veronese. Mid-1580s. Oil on canvas, 165.1 by 124.5 cm. (Joslyn Art Museum, Omaha).
Attributed works:
4. Portrait of a man, by Girolamo Romanino. c.1515–17. Oil on panel, 58.2 by 47.4 cm (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Portrait of a man and his son, by Simone Peterzano. Late 16th century. Oil on canvas, 98 by 83 cm. (Milano Maggiore Hospital collection, Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico; photograph Giuseppe Giudici-Lecco).
Attributed works:
6. Andromeda, by Carlo Francesco Nuvolone. Oil on panel, 22.2 by 16.8 cm. (Private collection).
Attributed works:
7. Virgin and Child with St John the Baptist and St Anthony Abbot, by a follower of Paolo Veronese. Oil on canvas, 167.7 by 207 cm. (Art Institute of Chicago).
Article
Pierre Le Tessier de Montarsis and a network of picture dealers in early eighteenth-century Paris
05/2021 | 1418 | 163
Pages: 428-436
related names
Author:
Marandet, François (Marandet, François)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Pierre Le Tessier de Montarsis, by Gérard Edelinck, after Antoine Coypel. 1692. Engraving, 36 by 28 cm. (British Museum, London).
Attributed works:
10. The penitent Magdalene, by Guido Reni. c.1634–35. Oil on canvas, 79 by 68 cm. (National Gallery, London).
Attributed works:
11. Virgin and Child with an angel, by Antoine-Louis Romanet, after Parmigianino. c.1785–1806. Engraving, 22 by 20 cm. (British Museum, London).
Attributed works:
2. Adoration of the Magi, by Paolo Veronese. c.1584. Oil on copper, 45 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Judith, by Giorgione. c.1504. Oil on canvas transferred from panel, 144 by 68 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. The Triumph of Pan, by Nicolas Poussin. 1636. Oil on canvas, 135.9 by 146 cm. (National Gallery, London).
Attributed works:
5. The Triumph of Galatea, by Carlo Maratta. Oil on canvas. (Location unknown; photograph Fototeca Federico Zeri).
Attributed works:
6. St John the Baptist preaching, by Francesco Albani. c.1648. Oil on copper, 29 by 39 cm. (Location unknown; photograph Christie’s).
Attributed works:
7. Aurora and Cephalus, by Nicolas Poussin. c.1630. Oil on canvas, 97 by 131 cm. (National Gallery, London).
Attributed works:
8. The Entombment, by Tintoretto. c.1557. Oil on canvas, 164 by 127 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Virgin and Child (The Bridgewater Madonna), by Raphael. 1508. Oil on canvas transferred from panel, 82 by 57 cm. (The Duke of Sutherland, on loan to the Scottish National Gallery, Edinburgh).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Book Review
La chiesa di San Giacomo dall’Orio: Una trama millenaria di arte e fede
08/2020 | 1409 | 162
Pages: 723
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
places:
Reviewed Items
subjects:
La chiesa di San Giacomo dall’Orio: Una trama millenaria di arte e fede Edited by Massimo Bisson, Isabella Cecchini and Deborah Howard. 280 pp. incl. 19 col. ills. (Viella, Rome, 2018), £60. ISBN 978–88–331–3098–9. | :
Illustrations
Western art unattributed:
7. Nave of S. Giacomo dall’Orio, Venice. (Photograph Francesco Turio Böhm).
Article
Found again in Melbourne: the 3rd Earl of Bute’s ‘Finding of Moses’
07/2020 | 1408 | 162
Pages: 579-583
Subjects
Illustrations
Attributed works:
1. The finding of Moses, by Giambattista Tiepolo. Probably 1730s. Oil on canvas, 202 by 342 cm. (National Galleries of Scotland, Edinburgh; Bridgeman Images).
Attributed works:
2. Halberdier, by Giambattista Tiepolo. Probably 1730s. Oil on canvas, 205 by 132 cm. (Agnelli Collection, Turin).
Attributed works:
3. The finding of Moses, by Giambattista Tiepolo. 1750s. Oil on canvas, 234.5 by 308 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
4. The finding of Moses, by the studio of Paolo Veronese. c.1582. Oil on canvas, 153 by 255 cm. (Walker Art Gallery, Liverpool; Bridgeman Images).
Attributed works:
5. Mystic marriage of St Catherine, by Paolo Veronese. c.1555. Oil on canvas, 97.7 by 161.2 cm (The Bute Collection at Mount Stuart; Isle of Bute).
Attributed works:
6. The finding of Moses, by Benedetto Caliari. Probably late 16th century. Oil on canvas, 148.5 by 239.5 cm. (Private collection; Bridgeman Images).
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