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11 articles
Article
Charles de La Fosse's 'Rinaldo and Armida' and 'Rape of Europa' at Basildon Park
04/2002 | 1189 | 144
Pages: 204-212
related names
Author:
Hedley, Jo (Hedley, Jo)
Subjects
dates:
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sources:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Rinaldo and Armida, by Charles de La Fosse. 163.8 by 134.6 cm. (National Trust, Basildon Park, Berks).
Attributed works:
2. The Rape of Europa, by Charles de La Fosse. 163.8 by 134.6 cm. (National Trust, Basildon Park, Berks).
Attributed works:
3. Study of a Reclining Girl, for Fig.2, by Charles de La Fosse. Red and Black Chalk on Light Brown Paper, 27.5 by 40.8 cm. (Musée des Arts Décoratifs, Lyon).
Attributed works:
4. Study of Europa and the Bull, for Fig.2, by Charles de La Fosse. Red, Black and White Chalk on Light Brown Paper, 18.7 by 19.1 cm. (Ecole des Beaux-Arts, Paris).
Attributed works:
5. Study of a Reclining Boy, for Fig.1, by Charles de La Fosse. Red, Black and White Chalk on Blue Paper, 19.7 by 29.2 cm. (Private Collection).
Attributed works:
6. Rinaldo and Armida, by Antoine Coypel. c.1702. 113 by 78 cm. (Schloss Sans Souci, Potsdam).
Attributed works:
7. La Charité et la Foi, by Charles de La Fosse and Jean Baptiste Monnoyer. c.1682-83. 118 by 328 cm. (lunette). (Musée de Grenoble).
Attributed works:
8. Vénus demande des armes pour Enée, by Charles de La Fosse. c.1700. 179 by 152 cm. (Musée des Beaux-Arts, Nantes).
Attributed works:
9. Rinaldo and Armida, by Nicolas Poussin. c.1628. 82.2 by 109.2 cm. (Dulwich Picture Gallery, London).
Short Notice
Poussin's Purloined Letter
01/2000 | 1162 | 142
Pages: 35-39
related names
Author:
Unglaub, Jonathan (Unglaub, Jonathan)
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artists:
artists:
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Illustrations
Attributed works:
54. Frontispiece to Publii Virgilii Maronis Opera, by Claude Mellan after Nicolas Poussin. 1641. Engraving, 26.1 by 23.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
55. Dedication to Don Taddeo Barberini, by Antonio Tempesta. c.1623-25. Etching, 14.2 by 18.2 cm. (British Museum, London).
Attributed works:
56. Victory of Godfrey of Bouillon (Detail), by Nicolas Poussin. c.1625-30. Pen, Ink and Wash, 19.6 by 55.4 cm. (Royal Library, Windsor Castle, The Royal Collection © Her Majesty the Queen).
Attributed works:
57. Illustration to Canto XX of Tasso, La Gerusalemme liberata, by Antonio Tempesta. Before 1630. Etching, 27 by 20.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
58. Illustration to Canto XV of Tasso, La Gerusalemme liberata, by Antonio Tempesta. Before 1630. Etching, 27 by 20.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
59. Companions of Rinaldo, by Nicolas Poussin. c.1634. 118.1 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
60. Illustration to Canto XV of Tasso, La Gerusalemme liberata, by Antonio Tempesta. c.1617-25. Etching, 12.8 by 18.2 cm. (British Museum, London).
Short Notice
Angelika Kauffmann's 'Costanza'
10/1987 | 1015 | 129
Pages: 668-669
related names
Author:
Tomory, P. A. (Tomory, P. A.; Tomory, Peter A.; Tomory, Peter)
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dates:
places:
sources:
subjects:
Illustrations
Attributed works:
17. Costanza, by Angelika Kauffmann. 83.5 by 65.1 cm. (Oval). (Queensland Art Gallery).
Article
A Picture by Mola Comes Back to the Louvre
02/1987 | 1007 | 129
Pages: 77-79
related names
Author:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
dates:
museums and institutions:
places:
sources:
Illustrations
Attributed works:
13. Erminia and Valfrino Tending Tancred's Wounds after the Battle of Argante, by Pier Francesco Mola. 72 by 97 cm. (Musée du Louvre, Paris, Formerly Held by the Fine Arts Museums, San Francisco).
Attributed works:
13a. Erminia and Valfrino Tending the Wounds of Tancred, by Chataignier. Engraving after Fig. 13 by Pier Francesco Mola.
Attributed works:
14. Erminia, Watching Her Flocks, Carves Tancred's Name on a Tree, by Pier Francesco Mola. 49 by 67 cm. (Musée du Louvre, Paris).
Advertisements
Advertisements March 1985 (Front)
03/1985 | 984 | 127
Pages: ii-xxx
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Barend van der Meer 1659-after 1688. Still Life with a Lobster. Oil on Canvas 76 × 63 cm
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Cornelis Schut III 1629-1685. Portrait of a Young Noble Girl. Oil on Copper 24 × 19 cm
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Gaspar Pedro Verbruggen 1664-1730. Still Life with Flowers in Urn. Oil on Canvas 135 × 105 cm
Attributed works:
[Andrew Grant, 59/60 Foregate Street, Worcester] Gerrit Berckheyde, "A View in Amsterdam", Oil on Canvas, Signed and Dated 1685. Also an Important Pair of Chelsea Porcelain Peacocks, Red Anchor Period 47 cms.
Attributed works:
[Antiquaria Limited, 40 Bury Street, London] Pair of Castelli Vases Enriched in Gold. Signed Liborio Grue. c. 1740. Height: 42 cm
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Louis Seize-Pendule, Frankreich, Sign. Hippolite Lapret, 1786-89. 1 Paar Girandolen, Paris um 1800
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Porzellan-Figur, Hoechst, Entwurf von J. P. Melchior, um 1770. Porzellan-Gruppe, königl. Meissen, Entwurf von J. F. Eberlein, um 1740. Porzellan-Figur, Frankenthal, Entwurf von K. Link, um 1765
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Silberhumpen, Augsburg, 17. Jh., Meister: Marx Schaller
Attributed works:
[Berlinghof Kunstauktionshaus Gmbh, Zwingerstrasse 18, Heidelberg] Theob. Frh. von Oër, Dresden 1807-85, Öl/Lw., 53×78 cm
Attributed works:
[Bonhams, Montpelier Street, London] 'The Fourth Love Painting' 1961 by David Hockney
Attributed works:
[Bruton Gallery Ltd, Bruton, Somerset] Patrick Reyntiens. Glass painted and stained. Visions in light. illustrated 'The temptation of St Anthony (detail) : stained glass panel, 1984, 39½" x 35¾" 1010 x 910mm.
Attributed works:
[Bruton Gallery Ltd, Bruton, Somerset] Sculpture 18th, 19th and 20th century. Two companion terracotta busts by Carrier Belleuse each 27", 68.5 cms high: titled 'Bust of Diana' and 'Bust of Marguerite' the subject in each case is Marguerite Bellanger, favourite of Napoleon III.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] The Pseudo-Bles (Active Antwerp First Quarter of the 16th Century). The Adoration of the Magi. Panel 90 × 73.5 cm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] After J Zoffany James Sayer, Son of Robert Sayer the Print Publisher Mezzotint by Richard Houston. 1st State Proof before Letters. Very Good Impression. Wide Margins
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Enrico Cortona, Piazetta Guastalla, Milan] Bernardo Strozzi (1581 - 1644). Oil on Canvas 49×68 cm.
Attributed works:
[Fischer Fine Art Ltd, 30 King Street, London] David Bomberg 1890-1957. Paintings and drawings a a tribute to Lilia Bomberg. Family Bereavement, 1913. Pencil and Charcoal, 22 × 18½ ins
Attributed works:
[Galerie Maria de Beyrie, 23 rue de Seine, Paris] Exceptional Desk in Dark Cerused Oak by Pierre Legrain, with Its Chair, Which Formerly Belonged to the Writer Maurice Martin du Gard. Circa 1926. Desk: H. 80 cm - L. 179 cm - D. 89 cm. Chair: H. 78 cm - L. 67 cm - D. 60 cm.
Attributed works:
[Gallery Lingard, Old Registry office, 250 King's Road, London] G. G. Scott (1811-1878) and W. B. Moffatt (1812-1887). Perspective of the Church of the Holy Trinity, Stretford Road, Hulme, Manchester 1841-1844. Pen and Black Ink & Watercolour over Pencil. 20¼ × 28 Inches. (52.7 × 71.1 cm).
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm (Lugt 271, 272, and 1442), Samuel, Graf von Festetits (Lugt 926) and Freidrich Kalle (Lugt 1021).
Attributed works:
[HMSO, 51 Nine Elms Lane, London] Regency Portraits by Richard Walker
Attributed works:
[Hoogsteder-Naumann Ltd, 4 East 74th Street, New York] C. de Man. New Church in Delft
Attributed works:
[Ivo Bouwman, Lange Vijverberg 20, The Hague] Maurits Escher, Day and Night, Signed and Inscribed Eigen Druk
Attributed works:
[Maître Guy Loudmer, Hotel Drouot, Rooms 5&6, Paris] Picasso. From the Vollard Suite of One Hundred Signed Engravings. Photo: "A Young Girl Guiding the Minotaur."
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Jacques Lipchitz. Seated Bather, 1917, Bronze with Brown Patina, Height 32⅝ in./83 cm, Cast 5 of an Edition of 7.
Attributed works:
[Me Stéphane Deurbergue, 19 boulevard Montmarte, Paris] Goya "A Sculptor", Septa Drawing no 90 of the Album F - 20,5 × 14 cm. Expert: M. de Bayser
Attributed works:
[National Gallery of Ireland, Merrion Square, West Dublin] Juno Confiding Io to the Care of Argus. (National Gallery of Ireland)
Attributed works:
[Peter Nauhm/Chris Beetles, 5 Ryder Street, London] Richard Dadd, Titania Sleeping. Oil on Canvas, 25½ × 30½ Inches
Attributed works:
[Phillips, 7 Blenheim Street, London] Sir Thomas Lawrence PRA, "Portrait of Felicity Trotter", Oil on Canvas, 30" x 24¾".
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Johannes Lingelbach, Circa 1665. Oil on Canvas, 121.9 by 168.9 cm. Signed, bottom Centre: 'Johan Lingelbach Me Fecit'
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Jean Baptiste Camille Corot. Rome: Ile et Pont San Bartolomeo. Oil on Paper Laid down on Canvas. c. 1826-28. 25 by 39 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sir Peter Paul Rubens, The Martyrdom of St. Ursula and Her Companions, Oil on Panel, 64.5 by 49.5 cm.
Attributed works:
[Spencer A. Samuels, 11 East 57th Street, New York] Charles Nicholas Cochin (Paris 1715-1790). La Gerusalemme Liberata by Torquatoo Tasso. Black Chalk, Squared for Transfer. 4½ × 6 Inches (11.6 × 15.2 cm). One of a Set of Twenty Sketches for the Engraved Series Commissioned in 1784 by "Monsieur", the Future Louis XVIII.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Augustus Charles de Pugin (1762-1832). Watercolour and Gouache, 12½ × 18⅞ in. (31.8 × 48 cm). View of the Louvre and of the Institut from the Pont Neuf. Signed Lower Left
Attributed works:
[William Drummond, The Bury Street Gallery, London] Thomas Gainsborough R. A. Hayes No. 445
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Large Isnik Blue and White Pottery Dish, Mid 16th Century, 42 cm. Diam. Estimate: £7,000-9,000
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] An Isnik Blue and White Pottery Jug, Third Quarter 16th Century, Height 23.8 cm. Estimate: £5,000-8,000
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] An Isnik Pottery Tankard, Circa 1580, Height 22.5 cm. Estimate: £4,000-6,000
Western art unattributed:
Christ in Majesty, from the Trinity College Gospels. Gold and Colour on Vellum. (Ms. B.10.4, Fol. 16b, Trinity College, Cambridge; Exh. British Museum).
Western art unattributed:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Adriaen Pietersz. van de Venne 1589-1662. A Dutch Prince and His Courtiers in a Landscape. Oil on Canvas 106 × 128 cm
Short Notice
Bernardo Castello's Later Frescoes and Some Preliminary Drawings
05/1976 | 878 | 118
Pages: 300-303+305
related names
Author:
Newcome, Mary (Newcome, Mary; Newcome-Schleier, Mary)
Subjects
dates:
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subjects:
subjects:
Illustrations
Attributed works:
47. Gerusalemme Liberata, by Bernardo Castello. Ceiling Fresco. (Palazzo DeFranchi e Castelli, Genoa).
Attributed works:
48. Preliminary Study for Palazzo DeFranchi Fresco, by Bernardo Castello. Pen and Brown Ink, Brown Wash, Heightened with White, 14.2 by 23.1 cm. (Royal Collection, Copenhagen).
Attributed works:
49. King Porus Surrendering to Alexander, by Bernardo Castello. Left Portion, Ceiling Fresco. (Palazzo Bombrini, Genoa).
Attributed works:
50. Preliminary Study for Villa Scassi Fresco, by Bernardo Castello. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue Paper, 16.5 cm Diameter. (Musée du Louvre).
Attributed works:
51. New Testament Scene, by Bernardo Castello. Pen and Brown Ink, 31 by 21.5 cm. From a Sketchbook. (Palazzo Rosso, Genoa).
Attributed works:
52. Preliminary Study for Palazzo Bombrini Fresco, by Bernardo Castello. Pen and Brown Ink, Brown Wash, Squared in Black Chalk, 13.8 by 35 cm. (Museum of Fine Arts, Budapest).
Attributed works:
53. Preliminary Study for Palazzo Bombrini Fresco, by Bernardo Castello. Pen and Brown Ink, Brown Wash, Squared in Black Chalk, 26.1 by 86.3 cm. (Nationalmuseum, Stockholm).
Attributed works:
54. Gerusalemene [Gerusalemme] Liberata, by Bernardo Castello. Ceiling Fresco. (Villa Scassi, Sampierdarena-Genoa).
Short Notice
A Drawing Illustrating Tasso by Ambroise Dubois
01/1973 | 838 | 115
Pages: 34+38-39+41
related names
Author:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
Subjects
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artists:
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museums and institutions:
places:
sources:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
41. God Commanding Noah to Take the Animals into the Ark, by Martin Fréminet. Pen and Wash, 34.9 by 55.7 cm. (Nasjonalgalleriet, Oslo.)
Attributed works:
45. Sophronia Condemned to be Burnt (from Gerusalemme Liberata, Book II), Here Attributed to Ambroise Dubois. Red Chalk, 19.6 by 13.8 cm. (Private Collection, England.)
Attributed works:
46. Theagenes and Chariclea, by Ambroise Dubois. Canvas, 162 by 200 cm. (Musée de Fontainebleau.)
Attributed works:
47. Clorinda and Argante before Saladin, by Ambroise Dubois. (Musée de Fontainebleau.)
Article
The Guardi Problem and the Statutes of the Venetian Guilds
10/1960 | 691 | 102
Pages: 420-429
related names
Author:
Muraro, Michelangelo (Muraro, Michelangelo)
Subjects
artists:
artists:
dates:
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subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail of the Painting by Guardi Illustrated in Fig.3. [Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs, by Gian Antonio Guardi. Canvas, 250 by 460 cm. (Collection Mr Geoffrey Merton.)]
Attributed works:
10. Rinaldo watches the Nymphs Emerging from the Split Trunk of an Oak Tree, by Francesco Guardi under the Direction of Gian Antonio Guardi. Canvas, 250 by 115 cm. (Private Collection, Dublin.)
Attributed works:
2. Erminia and the Shepherds, by Gian Antonio Guardi. Canvas, 250 by 442 cm. (Collection Mr Geoffrey Merton.)
Attributed works:
3. Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs, by Gian Antonio Guardi. Canvas, 250 by 460 cm. (Collection Mr Geoffrey Merton.)
Attributed works:
4. The Fight between Tancred and Argante with Clorinda in the Background, by Gian Antonio Guardi. Canvas, 250 by 295 cm. (Collection Mr Geoffrey Merton.)
Attributed works:
5. Erminia Discovering the Dead Argante and the Wounded Tancred, by Gian Antonio Guardi. Canvas, 250 by 260 cm. (Collection Mr Geoffrey Merton.)
Attributed works:
6. Detail from Madonna Enthroned with Saints, by Gian Antonio Guardi. Canvas. (Parish Church, Cerete Basso.)
Attributed works:
7. Sophronia Asking the Saracen King Aldine to Release the Christian Prisoners, by Gian Antonio and Francesco Guardi. Canvas, 250 by 110 cm. (Collection Mr Geoffrey Merton.)
Attributed works:
8. Goffredo Sends off His Messenger Enrico to the Danish Prince, by Francesco Guardi under the Direction of Gian Antonio Guardi. Canvas, 250 by 105 cm. (Private Collection, Dublin.)
Attributed works:
9. Tancred Baptising the Dying Clorinda, by Francesco Guardi under the Direction of Gian Antonio Guardi. Canvas, 250 by 77 cm. (Private Collection, Dublin.)
Attributed works:
Fig.A. Erminia and the Shepherds, by Giambattista Piazzetta. Engraving, Published 1745.
Attributed works:
Fig.B. Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs, by Giambattista Piazzetta. Engraving, Published 1745.
Article
The Seicento at Burlington House: Some Addenda and Corrigenda: II-Miscellanea
03/1951 | 576 | 93
Pages: 78+80-85
related names
Author:
Mahon, Denis (Mahon, Denis)
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artists:
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subjects:
Illustrations
Attributed works:
21. L'Annunzio della Strage degl' Innocenti, by Bartolomeo Schedoni. Canvas, 181 by 136 cm. (Pinacoteca del Museo Nazionale, Naples.)
Attributed works:
22. Seated Woman, Here Identified as by Bartolomeo Schedoni. Red Chalk Heightened with White on Grey-Green Paper, 29 by 24.2 cm. (Royal Library, Windsor Castle, No. 5699.) Reproduced by Gracious Permission of H. M. The King.
Attributed works:
23. Tancred Baptising the dying Clorinda, Here Identified as by Sisto Badalocchio. Canvas, 119.8 by 156.2 cm. (Duke of Northumberland, Alnwick Castle.)
Attributed works:
24. Tancred Baptising the Dying Clorinda, by Sisto Badalocchio. Canvas, 142 by 161 cm. (Galleria Estense, Modena.)
Article
A Re-Discovered Picture by Nicolas Poussin
06/1939 | 435 | 74
Pages: 252-255+259
related names
Author:
Bodkin, Thomas (Bodkin, Thomas)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
Plate II. A-Tancred and Erminia, Engraved before 1734 by Gerard van der Gucht after Nicolas Poussin. 45.7 by 55.2 cm. A Re-Discovered Picture by Nicolas Poussin
Attributed works:
Plate II. B-Tancred and Erminia, by Nicolas Poussin. 1630-5. Canvas, 98 by 147 cm. (Hermitage, Leningrad). A Re-Discovered Picture by Nicolas Poussin
Attributed works:
Tancred and Erminia, by Nicolas Poussin. About 1625-30. Canvas, 75 by 100 cm. (Barber Institute of Fine Arts, the University of Birmingham)
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