Northern Renaissance gallery
Metropolitan Museum of Art,
New York
From 3rd October 2023 |
:
Illustrations
Attributed works:
5. Orpheus cup,
by Hans Georg
Bramer, Johann
Wilhelm Baur,
Jan Vermeyen
and others. 1641–
42. Gold, enamel
and ruby, 18.1
by 13 by 8.9 cm.
(Metropolitan
Museum of Art,
New York).
Attributed works:
6. Installation
view of the
Northern
Renaissance
gallery at the
Metropolitan
Museum of Art,
New York. 2023.
(photograph
Anna-Marie
Kellen).
Western art unattributed:
7. Kneeling Black
woman. Early
17th century.
Brazilian
rosewood, lapis
lazuli, marble
and gilded metal,
height 11.7 cm.
(Metropolitan
Museum of Art,
New York).
Exhibition Review
Making Marvels: Science and Splendor at the Courts of Europe
Making Marvels: Science and
Splendor at the Courts of Europe
Edited by Wolfram Koeppe. 308 pp. incl.
300 col. ills. (Metropolitan Museum
of Art, New York, and Yale University
Press, New Haven and London 2019),
£50. ISBN 978–1–58839–677–8. |
:
Illustrations
Attributed works:
4. Writing box, by
Wenzel Jamnitzer.
c.1560–70. Silver, 6
by 22.7 by 10.2 cm.
(Kunsthistorisches
Museum, Vienna).
Attributed works:
5. Objects in
turned ivory, from
C. Plumier: L’art
de Tourner,
ou De Faire
en Perfection
Toutes Sortes
d’Ouvrages au
Tour, Paris 1749.
By François
Baillieul after
Charles Plumier.
Engraving,
40.5 by 26.8 cm.
(Metropolitan
Museum of Art,
New York).
Attributed works:
6. Celestial globe
with clockwork, by
Gerhard Emmoser.
1579. Silver
(partially gilt),
brass (gilt) and
steel, height 27.3
cm. (Metropolitan
Museum of Art,
New York).
Publication Received
Animating Empire: Automata, the Holy Roman Empire, and the Early Modern World. By Jessica Keating
Animating Empire: Automata, the
Holy Roman Empire, and the Early
Modern World
By Jessica Keating. 184 pp. incl. 37 col. + 23
b. & w. ills. (Pennsylvania State University
Press, University Park PA, 2018), 49.95.
ISBN 978–0–271–08002–4. |
:
Illustrations
Attributed works:
6. Diana automaton, attributed to Joachim
Freiss. c.1620. Partially gilded silver, enamels,
jewels, iron and wood, height 37.5 cm.
(Metropolitan Museum of Art, New York).
Book Review
Francis Picabia Catalogue Raisonné. Edited by Beverley Calté, William A. Camfield, Candace Clements and Arnauld Pierre
16. Trade Card of James Cox. c.1750. Engraving, 21 by 16.2 cm. (Heal Coll. 67.99, British Museum, London.)
Attributed works:
17. Musical Clock, by James Cox. c.1770. Gilt-Metal and Agate, 38.1 cm. High (London Art Market, 1954).
Attributed works:
18. Snuffbox, by James Cox (Attributed on Basis of Similarity to a Signed Example). c.1770. Gold and Moss-Agate, 7.6 by 6.4 by 5.1 cm. (London Art Market, 1956).
Attributed works:
19. Musical Automaton Clock, by James Cox. c.1770. Silvered and Gilt Brass, Silver Mounts, c.40 cm. High (John Carlton-Smith).
Attributed works:
20. Swan Automaton, by James Cox. c.1773-74. Silver Plumage, 80 cm. High (Bowes Museum, Barnard Castle).
Attributed works:
21. Calendar Clockwatch, by James Cox. 1774. Gilt Metal and Shagreen Case, diam. 11.2 cm. (London Art Market, 1996).
Attributed works:
22. Musical Clock, by James Cox. c.1770? Ormolu, 65 by 33 by 19.7 cm. The Stuart Arms and Lion Supporter Are Considered to be Later Additions. (Ashmolean Museum, Oxford).
Attributed works:
23. Buckle-Watch, Signed by James Cox, (Watch Probably Swiss, Buckle Possibly Cantonese). c.1785. Gilt Metal, Coloured Glass and Pearls, 8 cm. Wide (Geneva Art Market, 1994).
Attributed works:
24. Scent Flask with Repeating Watch, Signed by James Cox. c1780? Gold, Enamel and Pastes, 14 cm. High (London Art Market, 1999).
1. Cabinet Clock, by James Cox. 1766-72. (Metropolitan Museum of Art, New York; Gift of Admiral F. R. Harris, 1946.)
Attributed works:
10. Nécessaire, by James Cox. c.1770. (Metropolitan Museum of Art, New York; Gift of Mrs Florence Harris Schlubach 1957.)
Attributed works:
11. Another View of the Nécessaire Reproduced in Fig.10. [by James Cox. c.1770. (Metropolitan Museum of Art, New York; Gift of Mrs Florence Harris Schlubach 1957.)]
Attributed works:
12. Nécessaire, by James Cox. c.1770. (Royal Collection.) Reproduced by Gracious Permission of H. M. The Queen.
Attributed works:
13. Another View of the Nécessaire Reproduced in Fig.12. [by James Cox. c.1770. (Royal Collection.) Reproduced by Gracious Permission of H. M. The Queen.]
Attributed works:
14. Another View of the Nécessaire Reproduced in Fig.10. [by James Cox. c.1770. (Metropolitan Museum of Art, New York; Gift of Mrs Florence Harris Schlubach 1957.)]
Attributed works:
2. Trade Card of James Cox. c.1751. (British Museum.) Courtesy of the Trustees of the British Museum.
Attributed works:
3. Trade Card of Cox and Edward Grace. 1756-59. (The Lewis Walpole Library, Farmington, Conn.)
Attributed works:
4. Chariot Clock, by James Cox. 1766. (Collection Mr and Mrs Jack Linsky.) Photo Taylor and Dull.
Attributed works:
5. Casket, by James Cox. Possibly before 1766. (The Irwin Untermyer Collection.)
Attributed works:
6. Cabinet Clock. The Watch Movement by James Hagger, 1735; The Goldsmiths' Work by James Cox. c.1766. (Walters Art Gallery, Baltimore.)
Attributed works:
7. Cabinet Clock, by James Cox. 1766-72. (H. Blairman & Sons.)
Attributed works:
8. Watch. Movement Signed by James Cox. c.1770. (Private Collection). Photo. Courtesy A la Vieille Russie, New York.
Attributed works:
9. Cabinet Clock, by James Cox. c.1766. (Royal Collection). Reproduced by Gracious Permission of H. M. The Queen.