Kunstkammer: Early Modern Art
and Curiosity Cabinets in the Holy
Roman Empire
By Jeffrey Chipps Smith. 319 pp. incl. 179 col.
+ 10 b. & w. ills. (Reaktion Books, London,
2022), £35. ISBN 978–1–78914–612–7. |
:
Illustrations
Western art unattributed:
3. Cabinet of Archduke Ferdinand II.
Nuremberg or Mantua, c.1582. Ebony,
maple, walnut and silver, 75 by 62 by 45 cm.
(Kunsthistorisches Museum, Vienna).
Book Review
Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of Collecting
Art and Curiosity Cabinets of the
Late Renaissance: A Contribution
to the History of Collecting
By Julius von Schlosser, edited by Thomas
DaCosta Kaufmann, translated by Jonathan
Blower. 232 pp. incl. 7 col. + 103 b. & w. ills.
(Getty Research Institute, Los Angeles, 2021),
£55. ISBN 978–1–60606–665–21. |
:
Illustrations
Attributed works:
2. Frontispiece to Ole Worm’s Museum
Wormianum (Leiden 1655), by G.
Wingendorp. Engraving, 27.8 by
35.8 cm. (Bodleian Library, Oxford).
Exhibition Review
Making Marvels: Science and Splendor at the Courts of Europe
Making Marvels: Science and
Splendor at the Courts of Europe
Edited by Wolfram Koeppe. 308 pp. incl.
300 col. ills. (Metropolitan Museum
of Art, New York, and Yale University
Press, New Haven and London 2019),
£50. ISBN 978–1–58839–677–8. |
:
Illustrations
Attributed works:
4. Writing box, by
Wenzel Jamnitzer.
c.1560–70. Silver, 6
by 22.7 by 10.2 cm.
(Kunsthistorisches
Museum, Vienna).
Attributed works:
5. Objects in
turned ivory, from
C. Plumier: L’art
de Tourner,
ou De Faire
en Perfection
Toutes Sortes
d’Ouvrages au
Tour, Paris 1749.
By François
Baillieul after
Charles Plumier.
Engraving,
40.5 by 26.8 cm.
(Metropolitan
Museum of Art,
New York).
Attributed works:
6. Celestial globe
with clockwork, by
Gerhard Emmoser.
1579. Silver
(partially gilt),
brass (gilt) and
steel, height 27.3
cm. (Metropolitan
Museum of Art,
New York).
Book Review
Interactive and Sculptural Printmaking in the Renaissance (Brill’s Studies in Intellectual History 270/21). By Suzanne Karr Schmidt
4. Diser Bapst Alexander der Sechst. German, after 1555. Hand-coloured woodcut and letter- press, shown both closed, 33.5 by 17 cm., and open. (Bayerische Staatsbibliothek, Munich, Einbl. VII,23 a; photograph Creative Commons).
Book Review
A Rothschild Renaissance: A New Look at the Waddesdon Bequest in the British Museum. Edited by Pippa Shirley and Dora Thornton
4. Margaret of Austria, by Conrat Meit. c.1518. Pear wood (?), 7.7 by 7.2 by 4.6 cm. (Bayerisches Nationalmuseum, Munich; exh. Schloss Ambras, Innsbruck).
Attributed works:
5. Tapestry with the arms of Margaret of Austria, by Henri van Lacke, Edingen. 1528. Silk and wool, 301 by 375 cm. (Museum of Applied Arts, Budapest; exh. Schloss Ambras, Innsbruck).
Non-western art unattributed:
6. Folding fan. Sri Lanka, 1542. Ivory and ebony, 43 by 33 cm. (Kunsthistorisches Museum, Vienna; exh. Schloss Ambras, Innsbruck)
Article
Daniel Nijs’s cabinet and its sale to Lord Arundel in 1636
1. Daniel Nijs (1572–1647), by Odoardo Fialetti. 1615. Engraving. From G. Cesare Gigli: La pittura trionfante, Venice 1615.
Attributed works:
2. Art cabinet, designed by Philipp Hainhofer. Augsburg, 1625–31. Ebony veneer and pietre dure, 240 by 120 cm. (Museum Gustavianum, Uppsala University Art Collections).
Attributed works:
3. A collector’s cabinet, by Frans Francken the Younger. c.1617. Panel, 90 by 125 cm. (Collection of the Duke of Northumberland).
Western art unattributed:
4. Cabinet. Antwerp, mid-seventeenth century. Ebony decorated with engraved silver leaf, 28 by 24 by 12.5 cm. (Museum Rockoxhuis, Antwerp).
Western art unattributed:
5. Coffer. Antwerp, c.1600. Incised ivory veneer on softwood, 12.2 by 17 by 9 cm. (MAS, Vleeshuis collection, Antwerp).
Book Review
Curiosity and Enlightenment. Collectors and Collections from the Sixteenth to the Nineteenth Century
Curiosity and Enlightenment. Collectors and Collections from the Sixteenth to the Nineteenth Century |
author: MacGregor, Arthur
Illustrations
Western art unattributed:
34. Butterfly specimens (Danainae) between sheets of mica. (From A. MacGregor: Curiosity and Enlightenment. Collectors and Collections from the Sixteenth to the Nineteenth Century, New Haven and London 2007, fig.88).
Short Notice
Gonzalo Argote de Molina and his museum in Seville
30. Portrait of Gonzalo Argote de Molina, by Francisco Pacheco. c.1599. Black and red chalk on paper, 18.9 by 14.9 cm. Libro de descripción de verdareros retratos de ilustres y memorables varones, fol.72r. (Fundación Lázaro Galdiano, Madrid).
Attributed works:
33. Portrait of Philip II, by Alonso Sánchez Coello. 1570–71. Canvas, 109.5 by 92.5 cm. (Pollok House, Glasgow).
Attributed works:
34. Portrait of Süleyman I, the Magnificent, by Theodor de Bry. c.1596. 15.3 by 13 cm. From Vitae et Icones Sultanorum Turcicorum, Frankfurt 1596, fol.172. (British Museum, London).
Attributed works:
35. Portrait of Carlos de Negrón, by Francisco Pacheco. c.1599. Black and red chalk on paper, 18.9 by 14.9 cm. From Libro de descripción de retratos de ilustres y memorables varones, fol.74r. (Fundación Lázaro Galdiano, Madrid).
Western art unattributed:
31. Impresa of Gonzalo Argote de Molina. c.1572. Engraving, 18.3 by 15 cm. From Geronimo Ruscelli: Le imprese illustri con esposizioni e discorsi, Venice 1572, fol.253v. (By permission of the Syndics of Cambridge University Library).
Western art unattributed:
32. Armadillo, by an anonymous Italian artist. c.1574. Woodcut, 10.8 by 6.1 cm. From Geronimo Ruscelli: Le imprese illustri con esposizioni e discorsi, Venice 1572, fol.254r. (By permission of the Syndics of Cambridge University Library).
Book Review
Die Brandenburgisch-Preussische Kunstkammer. Eine Auswahl aus den alten Bestanden