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155 articles
Article
New evidence concerning the original version of Robert Delaunay’s ‘The runners’
12/2024 | 1461 | 166
Pages: 1230–37
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Author:
Greeley, Anne (Greeley, Anne)
Subjects
artists:
Delaunay, Robert, 1885-1941
dates:
1900-1929
museums and institutions:
Musee d'Art moderne de Troyes, Troyes, France
subjects:
French painting / Exhibitions / Versions / overpainting / Exhibition catalogues / Sports
Illustrations
Attributed works:
1. The runners, by Robert Delaunay. 1924. Oil on canvas, 114 by 146 cm. (Musée d’art moderne de Troyes; photograph Olivier Frajman).
Attributed works:
2. The runners, by Robert Delaunay. (From the catalogue of the exhibition Kunst und Sport, Düsseldorf 1926; Harry Ransom Center, University of Texas at Austin, Book Collection).
Attributed works:
3. The runners, by Robert Delaunay. 1924–25. Oil on canvas, 153 by 203 cm. (Fridart Foundation; photograph Courtauld Institute, London).
Attributed works:
4. The runners, by Robert Delaunay. 1930. Oil on canvas, 112.8 by 145.5 cm. (Private collection).
Attributed works:
5. The version of The runners exhibited at the Salon des Indépendants, Paris, 1925. (From L’Art vivant, 20th March 1925; Bibliothèque nationale de France, département Sciences et techniques, FOL-V-5897).
Attributed works:
6. Record I, by Robert Delaunay. (From the catalogue of the exhibition Französische Kunst der Gegenwart, Vienna, 1926; Library, National Gallery of Art, Washington, David K.E. Bruce Fund).
Attributed works:
7. The runners, by Robert Delaunay. 1926. Oil on canvas, 171 by 190 cm. (Private collection; photograph akg-images).
Attributed works:
8. The runners, by Robert Delaunay. 1926. Oil on canvas, 65 by 81 cm. (Private collection).
Attributed works:
9. Installation view of the exhibition Kunst und Sport in Düsseldorf, 1926. Photograph by Julius Söhn, Düsseldorf. (Harry Ransom Center, University of Texas at Austin; Carlton Lake Collection of French Manuscripts, 204.8).
Exhibition Review
In the Eye of the Storm: Modernism in Ukraine, 1900–1930s
04/2023 | 1441 | 165
Pages: 436-438
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Reviewer:
Mileeva, Maria (Mileeva, Maria)
Subjects
artists:
Malevich, Kazimir / Yermilov, Vasyl / Boichuk, Mykhailo
dates:
1900-1929
museums and institutions:
Museo Thyssen-Bornemisza, Madrid, Spain
places:
Ukraine
subjects:
Ukrainian art / Modernism
Reviewed Items
subjects:
In the Eye of the Storm: Modernism in Ukraine, 1900–1930s Museo Thyssen-Bornemisza, Madrid 29th November 2022–30th April 2023 | :
Illustrations
Attributed works:
1. Design for the Chess Room at the Central Red Army Club, Kharkiv, by Vasyl Yermilov. 1920. Colour pencil, watercolour and ink on paper pasted on cardboard, 19.2 by 17.4 cm. (National Art Museum of Ukraine, Kyiv; exh. Museo Thyssen- Bornemisza, Madrid).
Attributed works:
2. Costume design for Juliusz Słowacki’s play Mazepa for the Taras Shevchenko Theatre, Kyiv, by Vadym Meller. 1920. Gouache and pencil on paper, 54 by 42 cm. (Museum of Theatre, Music, and Cinema Arts of Ukraine, Kyiv; exh. Museo Thyssen- Bornemisza, Madrid).
Attributed works:
3. Dairymaid, by Mykhailo Boichuk. Early 1920s. Tempera on canvas, 95 by 45 cm. (National Art Museum of Ukraine, Kyiv; exh. Museo Thyssen- Bornemisza, Madrid)).
Exhibition Review
Nikolai Astrup: Visions of Norwegian Nature
03/2022 | 1428 | 164
Pages: 302-305
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Reviewer:
Greve, Kari (Greve, Kari)
Subjects
artists:
Astrup, Nikolai Johannes
dates:
2020-2030 / 1900-1929
media:
Paintings / Woodcuts
museums and institutions:
Prins Eugen Waldermarsudde, Stockholm, Sweden
subjects:
Norwegian School
Reviewed Items
subjects:
Nikolai Astrup: Visions of Norwegian Nature Prins Eugen’s Waldemarsudde, Stockholm 19th February–29th May | :
Illustrations
Attributed works:
24. Grey spring evening with fruit trees in bloom, by Nikolai Astrup. 1909. Oil on canvas, 96.5 by 124.5 cm. (Private collection; exh. KODE Art Museums and Composer Homes, Bergen; photograph Bruce M. White).
Attributed works:
25. Foxgloves, Nikolai Astrup. Woodblock, c.1915–20; print 1927. Colour woodcut on paper, 69.2 by 78.2 cm. (Private collection; exh. KODE Art Museums and Composer Homes, Bergen; photograph Dag Fosse / KODE).
Attributed works:
26. Bonfire celebrating midsummer night, by Nikolai Astrup. 1912, retouched 1926. Oil on paper glued to board, 89 by 105 cm. (National Museum of Art, Architecture and Design, Oslo; exh. KODE Art Museums and Composer Homes, Bergen; photograph Børre Høstland).
Article
Charles Holmes and the restoration of paintings at the National Gallery, London
09/2019 | 1398 | 161
Pages: 737-743
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Author:
Simon, Jacob (Simon, Jacob)
Subjects
artists:
Turner, Joseph Mallord William / Lorrain, Claude / Fabritius, Carel / Palma, Jacopo, il vecchio, ca. 1479-1528
dates:
1900-1929
museums and institutions:
National Gallery, London, Great Britain / Royal Academy of Arts, London, Great Britain
subjects:
Holmes, Charles John / Buttery, Horace / W. Holder and Sons (restorers), London, Great Britain / Restoration (process) / Conservation / Damage to works of art / Scientific analysis / Lindsay, David, Earl of Crawford, 1871-1940 / Boards of trustees
subjects:
Morrill, George
Illustrations
Attributed works:
1. Sir Charles Holmes, by Elliott & Fry. 1920s. Bromide print, 19.6 by 15 cm. (National Portrait Gallery, London).
Attributed works:
2. Portrait of a poet, by Palma Vecchio. c.1516. Oil on canvas mounted on panel, 83.8 by 63.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
3. Dido directing the equipment of the fleet, or the morning of the Carthaginian Empire, by J.M.W. Turner. Exhibited 1828. Oil on plywood, transferred from canvas, 147.3 by 226.1 cm. (Tate, London; reproduced from E. Poynter: The National Gallery, London 1900, III, p.317).
Attributed works:
4. Seaport with the Embarkation of St Ursula, by Claude Lorrain. 1641. Canvas, 112.9 by 149 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Young man in a fur cap, by Carel Fabritius. 1654. Canvas, 70.5 by 61.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. David Alexander Edward Lindsay, 27th Earl of Crawford and 10th Earl of Balcarres, by Walter Stoneman. 1921. Bromide print, 14.2 by 10 cm. (National Portrait Gallery, London).
Book Review
Francis Picabia Catalogue Raisonné. Edited by Beverley Calté, William A. Camfield, Candace Clements and Arnauld Pierre
09/2019 | 1398 | 161
Pages: 780-781
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Reviewer:
Stark, Trevor (Stark, Trevor)
Subjects
artists:
Picabia, Francis
dates:
1900-1929
styles:
Dada / Orphist / Abstract art / Automata
subjects:
Catalogues raisonnés / French art
Illustrations
Attributed works:
1. Chapeau de Paille?, by Francis Picabia. 1921. Oil, string and card on canvas, 92.3 by 73.5 cm. (Centre Pompidou, Paris; ADAGP Paris).
Book Review
Luxury and Modernism: Architecture and the Object in Germany 1900–1933, R. Schuldenfrei
05/2019 | 1394 | 161
Pages: 436-437
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Reviewer:
Weizman, Ines (Weizman, Ines)
Subjects
artists:
Gropius, Walter / Mies van der Rohe, Ludwig
dates:
1900-1929
places:
Dessau
subjects:
Bauhaus / Modernism / Functionalism / Architecture / Furniture studies (discipline) / Designers / Politics
Illustrations
Attributed works:
1 and 2. The bathroom of the director’s house, Dessau, designed by Walter Gropius, photographed by Lucia Moholy. 1926. The original photograph (top) was retouched by Moholy for publication in Bauhausbauten Dessau in 1930 (below). (Bauhaus-Archiv, Berlin; © Artists Rights Society, New York 2017; VG Bild-Kunst, Bonn).
Book Review
Decoding Magritte. By Silvano Levy
03/2017 | 1368 | 159
Pages: 227-228
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Reviewer:
Radford, Robert (Radford, Robert)
Subjects
artists:
Magritte, René
dates:
1900-1929
subjects:
Art theory / Dada
Illustrations
Attributed works:
48. Le séducteur, by René Magritte. 1953 (Private collection)
Publication Received
Alfred Maurer: At the Vanguard of Modernism, by Stacey B. Epstein
09/2016 | 1362 | 158
Pages: 747
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Reviewer:
Ormond, Richard (Ormond, Richard; Ormond, Richard L.; Ormond, R. L.)
Subjects
artists:
Maurer, Alfred
dates:
2010-2019 / 1890-1899 / 1900-1929 / 1930-1939
museums and institutions:
Addison Gallery of American Art, Andover, United States
subjects:
American painting (United States of America) / Modernism / Avant-garde / Exhibitions
Exhibition Review
Russia and the arts. London
06/2016 | 1359 | 158
Pages: 470-471
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Reviewer:
Murray, Natalia (Murray, Natalia)
Subjects
dates:
2010-2019
dates:
1850-1899 / 1900-1929
museums and institutions:
National Portrait Gallery, London, Great Britain / New Tretyakov Gallery, Moscow, Russia
places:
London / England
subjects:
Reviews / Exhibitions / Russian painting / Portraits
Illustrations
Attributed works:
51. Portrait of Modest Mussorgsky, by Ilia Repin. 1881 (State Tretyakov Gallery, Moscow; exh. National Portrait Gallery, London)
Attributed works:
52. Portrait of Pavel Tretyakov, by Ilia Repin. 1901 (State Tretyakov Gallery, Moscow; exh. National Portrait Gallery, London)
Attributed works:
53. Portrait of Ivan Morozov, by Valentin Serov. 1910 (State Tretyakov Gallery, Moscow; exh. National Portrait Gallery, London)
Attributed works:
54. Portrait of Savva Mamontov, by Mikhail Vrubel. 1897 (State Tretyakov Gallery, Moscow; exh. National Portrait Gallery, London)
Book Review
Designing Antiquity: Owen Jones, Ancient Egypt and the Crystal Palace, S. Moser
12/2013 | 1329 | 155
Pages: 837-838
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Subjects
artists:
Jones, Owen / Bonomi, Joseph / Wyatt, Matthew Digby
dates:
1850-1899 / 1900-1929 / 1930-1939
museums and institutions:
Crystal Palace, London, Great Britain
subjects:
Displays / Antiquity / Egyptian
subjects:
Art / Exhibitions
subjects:
Egyptian Revival
Illustrations
Attributed works:
36. Visitors at the entrance to the Egyptian Court, Crystal Palace. Lithograph. (From M.D. Wyatt: View of Crystal Palace and Park, Sydenham 1854, pl.v)
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