Howardena Pindell: A New
Language
Spike Island, Bristol
18th February–21st May |
:
Illustrations
Attributed works:
19. Parabia
test #3, by
Howardena
Pindell. 1974. Ink
on paper collage,
23.5 by 57.8 cm.
(Courtesy the
artist, Garth
Greenan Gallery,
New York, and
Victoria Miro,
London; exh.
Spike Island,
Bristol).
Attributed works:
20. Installation
view of
Howardena
Pindell: A New
Language at
Spike Island,
Bristol, 2023,
showing Free,
white and 21.
1980. U-matic,
duration
12 minutes
15 seconds.
(Courtesy the
artist, Garth
Greenan Gallery,
New York,
and Victoria
Miro, London;
photograph Dan
Weill).
Attributed works:
21. Still from
Rope/fire/water,
by Howardena
Pindell. Video,
duration
16 minutes.
(Courtesy the
artist, Garth
Greenan Gallery,
New York, and
Victoria Miro,
London; exh.
Spike Island,
Bristol).
Exhibition Review
Kara Walker: A Black Hole Is Everything a Star Longs to Be
Kara Walker: A Black Hole Is
Everything a Star Longs to Be
Schirn Kunsthalle, Frankfurt
15th October 2021–16th January 2022 |
:
Illustrations
Attributed works:
2. Barack Obama
tormented St
Anthony putting
up with the
whole ‘birther’
conspiracy, by
Kara Walker.
2019. Pastel,
conté crayon
and charcoal on
treated paper,
221.9 by 182.9
cm. (Private
collection;
exh. Schirn
Kunsthalle,
Franfurt).
Attributed works:
3. Prize from
the series The
gross clinician
presents, by
Kara Walker.
2018. Graphite,
sumi ink, gofun
and gouache,
76 by 57 cm.
(Kunstmuseum,
Basel; exh. Schirn
Kunsthalle,
Franfurt).
Attributed works:
Yesterdayness
in America today,
by Kara Walker.
2020. Graphite
and watercolour
on paper,
221.9 by 365.8
cm. (Private
collection;
exh. Schirn
Kunsthalle,
Franfurt).
Exhibition Review
Working Together: The Photographers of the Kamoinge Workshop
Working Together: The
Photographers of the Kamoinge
Workshop
Whitney Museum of American Art,
New York
21st November 2020–
28th March 2021 |
:
Illustrations
Attributed works:
21. Sun Ra space
II, New York
City, New York,
by Ming Smith.
1978. Gelatin
silver print,
22.2 by 31.1 cm.
( Ming Smith;
Virginia Museum
of Fine Arts,
Richmond; exh.
Whitney Museum
of American Art,
New York).
Attributed works:
22. Egg nude, by
Adger Cowans.
1958. Gelatin
silver print, 29.2
by 43.7 cm. (
Adger Cowans;
Virginia Museum
of Fine Arts,
Richmond; exh.
Whitney Museum
of American Art,
New York).
Attributed works:
23. Girl and Cuba
(Philadelphia),
by Louis H.
Draper. 1968.
Gelatin silver
print, 23.8 by
15.6 cm. (Virginia
Museum of Fine
Arts, Richmond;
Courtesy the
Louis H. Draper
Preservation
Trust and Bruce
Silverstein
Gallery, New
York; exh.
Whitney Museum
of American Art,
New York).
Attributed works:
24. Woman
in doorway,
Harlem, by
Beuford Smith.
1965. Gelatin
silver print, 19.1
by 24.3 cm. (
Beuford Smith;
Virginia Museum
of Fine Arts,
Richmond; exh.
Whitney Museum
of American Art,
New York).
Book Review
Gatecrashers: The Rise of the Self-Taught Artist in America
Gatecrashers: The Rise of the Self-
Taught Artist in America
By Katherine Jentleson. 264 pp. incl. 53 col. +
18 b. & w. ills. (University of California Press,
Oakland, 2020), £41. ISBN 978–0–520–30342–3. |
:
Illustrations
Attributed works:
9. The ending of the war, starting home,
by Horace Pippin. 1930–33. Oil on canvas
and carved wooden frame, 66 by 76.5 cm.
(Philadelphia Museum of Art).