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6 articles
Exhibition Review
Adrian Piper: A Synthesis of Intuitions, 1965–2016. Museum of Modern Art, New York
07/2018 | 1384 | 160
Pages: 597-599
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related names
Reviewer:
Buskirk, Martha (Buskirk, Martha)
Subjects
art literature:
Siegelaub, Seth / Lippard, Lucy / Kant, Immanuel
artists:
Piper, Adrian
dates:
2010-2019
media:
Paintings / Drawings / Documents / Videos / Photographs
museums and institutions:
Museum of Modern Art, New York, United States
places:
United States / New York
subjects:
Conceptual art / African American / Gender / Race / Genealogy / Audiences
subjects:
Class
Illustrations
Attributed works:
28. Vanilla nightmares #12, by Adrian Piper. 1986. Charcoal on newspaper, 59.7 by 34.3 cm. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
29. Installation view of What it’s like, what it is #3, by Adrian Piper, in Dislocations at the Museum of Modern Art, New York, 20th October 1991–7th January 1992. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
30. Documentation of Untitled performance at Max’s Kansas City, by Adrian Piper. 1970.Gelatin silver print, 9 by 9 cm. (© Adrian Piper Research Archive Foundation, Berlin; exh. Museum of Modern Art, New York).
Exhibition Review
Art and Black Los Angeles 1960–1980. Los Angeles, New York and Williamstown
04/2013 | 1321 | 155
Pages: 293-294
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related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
dates:
2010-2019
dates:
1960-1979
museums and institutions:
Williams College Museum of Art, Williamstown, United States / Hammer Museum, Los Angeles, United States / MoMA PS1, New York, United States
places:
Williamstown / United States / New York / Los Angeles
subjects:
Reviews / Exhibitions / Modern Art / African American / Social history / Politics / Assemblages
Illustrations
Attributed works:
100. Untitled (Assemblage), by Noah Purifoy. 1967. Mixed media, 167.6 by 99.1 by 20.3 cm. (Corcoran Gallery of Art, Washington; exh MoMA PS1, New York).
Attributed works:
98. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. In foreground: Place for Nature, by Maren Hassinger. 2011. Mixed-media installation, dimensions variable. (Courtesy of the artist). In corner: Only love saves the day, by Senga Nengudi, 2011. Nylon and sand, dimensions variable. (Courtesy of the artist and Thomas Erben Gallery, New York). At right: The wine leading the wine, by David Hammons. c.1969. Body print on paper, 101.6 by 122.6 cm. (Hudgins Family Collection, New York; photograph by Matthew Septimus).
Attributed works:
99. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. Left to right: Lynch fragments, by Melvin Edwards (1963-66; welded steel, dimensions and collections variable); The lifted X, by Melvin Edwards (1965; steel, 165.1 by 114.3 by 55.9 cm.; Museum of Modern Art, New York); Birmingham totem, by Charles White (1964; ink and charcoal on paper, 181.5 by 101.8 cm.; High Museum of Art, Atlanta); and Black pope (Sandwich board man), by Charles White (1973; oil wash on board, 166.4 by 125.7 cm.; Museum of Modern Art, New York). (Photograph by Matthew Septimus).
Book Review
Pacific Standard Time: Los Angeles Art 1945–1980
02/2013 | 1319 | 155
Pages: 110-111
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related names
Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
1940-1959 / 1960-1979
dates:
2010-2019
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
places:
Los Angeles / United States
subjects:
Exhibitions / American painting (United States of America) / American sculpture (United States of America) / Abstract art / African American / Galleries (display spaces) / Artists' groups and associations
Publication Received
Collecting African American Art. The Museum of Fine Arts, Houston
01/2010 | 1282 | 152
Pages: 49
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related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
museums and institutions:
Museum of Fine Arts, Houston, Houston, United States
print:
African American art
print:
Collections, Public / Houston / Museum of Fine Arts, Houston, Houston, United States
subjects:
Collections, Public / African American / Art
Reviewed Items
subjects:
Collecting African American Art. The Museum of Fine Arts, Houston | author: Franklin, John Hope , author: Wardlaw, Alvia J.
Publication Received
To Conserve a Legacy. American Art from Historically Black Colleges and Universities
04/2000 | 1165 | 142
Pages: 244
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Subjects
subjects:
African American
Reviewed Items
subjects:
To Conserve a Legacy. American Art from Historically Black Colleges and Universities | author: Powell, Richard J. , author: Reynolds, Jock
Short Notice
Northcote's Portrait of a Black Actor
12/1983 | 969 | 125
Pages: 741-742+744
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related names
Author:
Cowhig, Ruth (Cowhig, Ruth)
Subjects
artists:
Northcote, James
dates:
1800-1849
museums and institutions:
Manchester Art Gallery, Manchester, Great Britain
places:
England
subjects:
British painting / Portraits / Actors and actresses
subjects:
Aldridge, Ira
subjects:
Othello
subjects:
African American
Illustrations
Attributed works:
17. Detail from Fig. 15. 18. Ira Aldridge, by James Northcote. 1826. 76.2 by 63.5 cm. (City of Manchester Art Galleries). 19. The anger of Achilles at the loss of Briseis, by Alexander Runciman. c. 1770. Pen, ink and wash, 18.9 by 25.4 cm. (Collection Lord Runciman).