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13 articles
Exhibition Review
Howardena Pindell: A New Language
05/2023 | 1442 | 165
Pages: 559-562
related names
Reviewer:
Regan, Padraig (Regan, Padraig)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Howardena Pindell: A New Language Spike Island, Bristol 18th February–21st May | :
Illustrations
Attributed works:
19. Parabia test #3, by Howardena Pindell. 1974. Ink on paper collage, 23.5 by 57.8 cm. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Attributed works:
20. Installation view of Howardena Pindell: A New Language at Spike Island, Bristol, 2023, showing Free, white and 21. 1980. U-matic, duration 12 minutes 15 seconds. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; photograph Dan Weill).
Attributed works:
21. Still from Rope/fire/water, by Howardena Pindell. Video, duration 16 minutes. (Courtesy the artist, Garth Greenan Gallery, New York, and Victoria Miro, London; exh. Spike Island, Bristol).
Exhibition Review
Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child
07/2022 | 1432 | 164
Pages: 699-701
related names
Reviewer:
Mackenzie, Verity (Mackenzie, Verity)
Subjects
dates:
Reviewed Items
museums and institutions:
Louise Bourgeois: Paintings Metropolitan Museum of Art, New York 12th April–7th August | :
museums and institutions:
Louise Bourgeois: The Woven Child Hayward Gallery, London 9th February–15th May | :
Illustrations
Attributed works:
13. 1932, by Louise Bourgeois. 1947. Oil on canvas, 76.2 by 152.4 cm. (© Easton Foundation / VAGA at ARS, New York, and DACS, London, 2022; photograph Christopher Burke; exh. Hayward Gallery, London).
Attributed works:
14. Knife figure, by Louise Bourgeois. 2002. Fabric, steel and wood, 22.2 by 76.2 by 19.1 cm. (© Easton Foundation / VAGA at ARS, New York, and DACS, London, 2022; photograph Christopher Burke; exh. Hayward Gallery, London).
Exhibition Review
Glasgow International. Various locations
07/2018 | 1384 | 160
Pages: 599-601
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
art literature:
dates:
Illustrations
Attributed works:
31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).
Attributed works:
32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).
Attributed works:
33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).
Exhibition Review
Alina Szapocznikow. Wakefield
01/2018 | 1378 | 160
Pages: 56-58
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
media:
places:
subjects:
Reviewed Items
subjects:
Alina Szapocznikow: Human Landsapes at the Hepworth Wakefield | :
Illustrations
Attributed works:
30. The bachelor’s ashtray I, by Alina Szapocznikow. 1972. Coloured polyester resin and cigarette butts. (Estate of Alina Szapocznikow; exh. Hepworth Wakefield).
Attributed works:
31. Installation view showing in the foreground Tumours personified, by Alina Szapocznikow. 1971. Polyester, glass wool, paper and gauze (National Gallery of Art, Warsaw; exh. Hepworth Wakefield).
Attributed works:
32. Illuminated woman, by Alina Szapocznikow. 1966–67. Plaster, coloured polyester resin, metal and electrical wiring. (Private collection, Buenos Aires; exh. Hepworth Wakefield).
Exhibition Review
Dalí and Duchamp. London
01/2018 | 1378 | 160
Pages: 51-52
related names
Reviewer:
Cox, Neil (Cox, Neil)
Subjects
dates:
styles:
Reviewed Items
styles:
Dali / Duchamp at the Royal Academy of Arts, London | :
Illustrations
Attributed works:
21. Etant donnés 1. La chute d’eau et 2. Le gaz d’éclairage (The waterfall and the illuminating gas), by Marcel Duchamp. 1948–49. (Moderna Museet, Stockholm; © Succession Marcel Duchamp and DACS, London; exh. Royal Academy of Arts, London).
Attributed works:
22. The king and queen surrounded by swift nudes, by Marcel Duchamp. 1912. (Philadelphia Museum of Art; © Succession Marcel Duchamp and DACS, London; exh. Royal Academy of Arts, London).
Attributed works:
23. Madonna, by Salvador Dalí. 1958. (Metropolitan Museum of Art, New York; © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, and DACS, London; exh. Royal Academy of Arts, London).
Exhibition Review
Jasper Johns. London and Los Angeles
12/2017 | 1377 | 159
Pages: 1006-1007
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
dates:
media:
styles:
Reviewed Items
styles:
Jasper Johns: ‘Something Resembling Truth’, at the Royal Academy of Arts, London and The Broad, Los Angeles | :
Illustrations
Attributed works:
62. Painting with two balls, by Jasper Johns. 1960 (Collection of the artist; exh. Royal Academy of Arts, London).
Attributed works:
63. Regrets, by Jasper Johns. 2013 (Collection of Marguerite Steed Hoffman; exh. Royal Academy of Arts, London).
Attributed works:
64. Racing thoughts, by Jasper Johns. 1961 (Whitney Museum of American Art, New York; exh. Royal Academy of Arts, London).
Exhibition Review
Jiro Takamatsu. Leeds
10/2017 | 1375 | 159
Pages: 841-842
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
artists:
dates:
styles:
styles:
Reviewed Items
styles:
Jiro Takamatsu: The Temperature of Sculpture at the Henry Moore Institute, Leeds. | :
Illustrations
Attributed works:
79. The string in the bottle no. 1125, by Jiro Takamatsu. 193/1985 (Stephen Friedman Gallery, London; © The Estate of Jiro Takamatsu; exh. Henry Moore Institute, Leeds).
Attributed works:
80. Smashing of everything, by Jiro Takamatsu. 1972 (Stephen Friedman Gallery, London; © The Estate of Jiro Takamatsu; exh. Henry Moore Institute, Leeds).
Article
A substitute for history: the origins and exhibition of Rachel Whiteread’s ‘Untitled (Room 101)’, 2003
11/2010 | 1292 | 152
Pages: 736-743
related names
Author:
Lawrence, James (Lawrence, James)
Subjects
dates:
museums and institutions:
places:
places:
Illustrations
Attributed works:
45. Broadcasting House, 2–22 Portland Place, London W1. 1932. Designed by George Val Myer and Francis James Watson-Hart. (Photograph by Janet Hall, 1995; RIBA Library Photographs Collection).
Attributed works:
46. Untitled (Room 101), by Rachel Whiteread. 2003. Jesmonite and mixed media, 300 by 500 by 643 cm. (Centre Georges Pompidou, Paris; photographed by Mike Bruce in 2003 in the Cast Courts of the Victoria and Albert Museum, London; courtesy of Gagosian Gallery, London).
Attributed works:
48. Interior of Room 101 at Broadcasting House prior to demolition. 2003. (Photograph by Jeremy Young).
Attributed works:
49. Interior of Room 101 at Broadcasting House prior to the casting of Untitled (Room 101). 2003. (Photograph by Rachel Whiteread).
Attributed works:
50. Installation view of Untitled (Room 101) in the Cast Courts of the Victoria and Albert Museum, London, showing the cast windows. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
52. Ghost, by Rachel Whiteread. 1990. Plaster on steel frame, 269 by 355.5 by 317.5 cm. (National Gallery of Art, Washington; photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
54. House, by Rachel Whiteread. 1993, demolished 1994. Concrete. (Photograph by John Davies).
Attributed works:
55. Detail of Fig.46 showing damaged masonry. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
56. Untitled (Room 101), by Rachel Whiteread. 2003. Collage, 29.7 by 42 cm. (Courtesy of the artist).
Attributed works:
57. Installation view of Untitled (Room 101) at the V. & A. 2003. (Photograph by Mike Bruce; courtesy of Gagosian Gallery, London).
Attributed works:
58. Untitled (Room 101) in the exhibition Rachel Whiteread: Walls, Doors, Floors and Stairs at Kunsthaus Bregenz. 2005. (Photograph by Markus Tretter).
Western art unattributed:
47. Plan of the first floor of Broadcasting House showing original uses. (Drawing courtesy of MJP Architects Ltd.; annotations by the author).
Western art unattributed:
51. 486 Archway Road, London N6. c.1979. (Photograph by Mark Wainwright).
Western art unattributed:
53. 193 Grove Road, London E3, prior to the casting of House. 1993. (Photograph by John Davies).
Article
A technical study of Picasso’s construction ‘Still life’ (1914)
11/2008 | 1268 | 150
Pages: 749-754
related names
Author:
Heuman, Jackie (Heuman, Jackie)
Subjects
artists:
dates:
Illustrations
Attributed works:
37. Still life, by Pablo Picasso. 1914. Painted wood, upholstery fringe, 26.1 by 46 by 9.6 cm. (Tate, London).
Attributed works:
39. Detail of the uneven cut of the backboard of Fig.37.
Attributed works:
40. Detail of Fig.37 showing the black painted outline around the three nail heads that simulate rivets on the knife handle.
Attributed works:
41. X-radiograph of Fig.37 revealing more than fifty factory-produced nails.
Attributed works:
42. Detail of Fig.37 showing the recycled turned disc at the top of the wine glass.
Attributed works:
43. Violin and bottle on a table, by Pablo Picasso. 1915–16. Wood, string, nails, paint and charcoal, 45 by 41 by 23 cm. (Musée Picasso, Paris).
Attributed works:
44. Mandolin and clarinet, by Pablo Picasso. 1913. Painted wood and pencil, 58 by 36 by 23 cm. (Musée Picasso, Paris).
Attributed works:
45. Glass, newspaper and bottle, by Pablo Picasso. 1914. Oil and sand on canvas, 36.2 by 61.3 cm. (Private collection).
Attributed works:
46. Detail of Fig.37.
Non-western art unattributed:
38. African Grebo face mask bought by Pablo Picasso in 1912. 64 by 25.5 by 16 cm. (Musée Picasso, Paris).
Article
Colour in Vladimir Tatlin’s counter-reliefs
01/2008 | 1258 | 150
Pages: 28-34
related names
Author:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
37. The nude (Composition with a nude), also known as Nude no.1, by Vladimir Tatlin. 1913. Canvas, 143 by 108 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
38. Selection of materials: zinc, palisander wood and spruce, by Vladimir Tatlin. 1916. Varnished palisander wood, sheet iron, galvanised sheet iron and wood, 100 by 64 by 27 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
39. Corner counter-relief, by Vladimir Tatlin. 1925, replica of a 1915 original. Blackened iron sheet, copper, wood, rope and reinforcing elements, 71 by 118 cm. (State Russian Museum, St Petersburg).
Attributed works:
40. Pictorial relief (Synthetic-static composition; counter-relief), by Vladimir Tatlin. 1914. Wood, various metals and leather, 63 by 53 by 13 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
41. A clear night, the sea bay (The ship’s deck): design for the third(?) act of Richard Wagner’s opera ‘The Flying Dutchman’, by Vladimir Tatlin. 1915. Canvas, 87 by 156 cm. (Bakhrushin State Theatrical Museum, Moscow).
Attributed works:
42. Blue counter-relief (Pictorial relief; synthetic-static composition), by Vladimir Tatlin. 1914. Wood, metal, leather, chalk, dye and oil, 79.5 by 44 by 7.3 cm. (Berlinische Galerie, Berlin).
Attributed works:
43. Pictorial relief (Counter-relief), by Vladimir Tatlin. 1915–16. Wood, brass, tin, dye and oil, 85 by 43 cm. (Private collection, Germany)
Attributed works:
44. The month of May, by Vladimir Tatlin. 1916. Tempera and mixed media on wood, 52 by 39 cm. (National Gallery, Berlin).
Attributed works:
45. Board no.1: Staro-Basman, by Vladimir Tatlin. 1916. Tempera, oil and gilt-bronze on wood, 100 by 57 cm. (State Tretyakov Gallery, Moscow).
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