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5 articles
Article
Isabel Agnes Cowper: Official Museum Photographer
12/2021 | 1425 | 163
Pages: 1120-1129
related names
Author:
Lederman, Erika (Lederman, Erika)
Subjects
Illustrations
Attributed works:
1. Cast of the head of Michelangelo’s David in the Accademia di Belle Arte, Florence, by Isabel Agnes Cowper. 1881. Wet collodion negative on glass, approx. 30.5 by 25.4 cm. (Victoria and Albert Museum Archive, London; negative no.11360).
Attributed works:
10. Still life, by Isabel Agnes Cowper. 1880. Albumen print, 10 by 13.7 cm. (Victoria and Albert Museum, London; acc. no.79790).
Attributed works:
11. Illustration from A. Montalba: ‘Fortunes Favourite: or the very wonderful adventures of Pista, the swineherd’ in Fairy Tales from All Nations with Twenty-Four Illustrations by Richard Doyle, London 1849, by Isabel Agnes Cowper. c.1840s. Wood engraving on India paper, 9 by 8.3 cm. (Victoria and Albert Museum, London; acc. no.17787).
Attributed works:
12. Pourpoint and slashed silk waistcoat, by Isabel Agnes Cowper. c.1873. Albumen print, 48.2 by 34.5 cm. (Victoria and Albert Museum, London; acc. no.74943A).
Attributed works:
13. Brussel’s bobbin lace, by Isabel Agnes Cowper. c.1876. Albumen print, 35.2 by 29.3 cm. (Victoria and Albert Museum, London; acc.no.76794A).
Attributed works:
2. Carved walnut wood frame with glass mirror, Italian, 16th century, by Isabel Agnes Cowper. c.1891. Albumen print, 26.7 by 22.8 cm. (Victoria and Albert Museum, London; acc. no.PH.113A-1891).
Attributed works:
3. Venetian mirror frame, carved and gilt, by Charles Thurston Thompson. 1853. Albumen print, 20 by 25 cm. (Victoria and Albert Museum, London; acc. no.33579).
Attributed works:
4. Candlestick, by Isabel Agnes Cowper. c.1870s. Albumen print, 10.5 by 8 cm. (Victoria and Albert Museum, London; acc. no.76635).
Attributed works:
5. Pair of gloves, embroidered on the back. Spanish(?), end of 16th century, by Isabel Agnes Cowper. c.1873. Albumen print, 23.2 by 16.7 cm. (Victoria and Albert Museum, London; acc. no.74710).
Attributed works:
6. Construction of Trajan’s column, with choir screen from the Cathedral of St John, ‘s-Hertogenbosch, the Netherlands, in background, by Isabel Agnes Cowper. 1873. Albumen print, 28.2 by 21.8 cm. (Victoria and Albert Museum, London; acc. no.73676).
Attributed works:
7. South Kensington Museum, interior staircase, Royal College of Science, by Isabel Agnes Cowper. c.1872. Albumen print, 24.5 by 19.4 cm. (Victoria and Albert Museum, London; acc. no.73381).
Attributed works:
8. South Kensington Museum quadrangle: the doorway and doors of the lecture theatre building, by Isabel Agnes Cowper. 1875. Albumen print, 23.4 by 16 cm. (Victoria and Albert Museum, London; acc. no.75957).
Attributed works:
9. Twelve-sided vessel, gold, Byzantine Gothic, late 5th century, by Isabel Agnes Cowper, from The Treasure of Petrossa and Other Goldsmith’s Work From Roumania: A Series of Twenty Photographs, London 1869. 1868. Albumen print, 20 by 23.5 cm. (Victoria and Albert Museum, London; acc. no.65871).
Article
Identifying Hans Baldung Grien’s colour printer, c.1511–12
10/2019 | 1399 | 161
Pages: 830-839
related names
Author:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Preparation for the witches’ sabbath, by Hans Baldung Grien. 1510. Woodcut (two blocks: grey, black), 38.9 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Tabula prima Europae, by Martin Waldseemüller, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin. Woodcut (two blocks: green, black), sheet approx. 45 by 31 cm. (Library of Congress, Washington).
Attributed works:
11. Border with Fates and Judgment of Paris, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin, with maps by Martin Waldseemüller, printed by Johann Schott. Strasbourg 1520. Woodcut (two blocks: yellow-brown, black), red letterpress, borders 33.7 by 25.5 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
12. Border with wild men and the imperial eagle, from Ovid: Metamorphoses Book XV, printed by Johann Schott. Strasbourg 1515. Woodcut (two blocks: red, black), 15.1 by 21.1 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
2. Fall of man, by Hans Baldung Grien. 1511. Woodcut (two blocks: greybrown, black), 38 by 25.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Border with animals behind a fence, from Walter of Châtillon: Alexandreis, printed by Reinhard Beck, Strasbourg 1513. Woodcut (two blocks: pink, black), 14 by 11.3 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
4. Border with garlands, from J. Geiler von Kaisersberg: Evangelia mit Auslegung, ed. J. Pauli, printed by Johann Grüninger, Strasbourg 1517. Woodcut (one block: red, black), binding 21.3 by 31.5 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
5. Border with wild family, signed E.F., G.W. and V.A., from L. Fries: Spiegel der Arznei, printed by Johann Grüninger, Strasbourg 1518. Woodcut (eight blocks: red, black), sheet 19.3 by 28.2 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
6. Border with wild men and the imperial eagle, from J. Cochlaeus: Grammatices rudimenta, printed by Johann Knobloch, Strasbourg 1519. Woodcut (two blocks: red, black). (Zentralbibliothek, Zürich).
Attributed works:
7. Border with vines and imperial eagle, from N. de Tudeschis (Panormitanus): Lectura aurea, printed by Johann Schott for Georgius Maxillus (Georg Übelin). Strasbourg, 5th November 1510. Woodcut (two blocks: brown, black), sheet 9.2 by 20.5 cm. (Herzog August Bibliothek, Wolfenbüttel).
Attributed works:
8. Border with wrestling putti, from J. López: De libertate ecclesiastica tractatus, printed by Johann Schott. Strasbourg 1511. Woodcut (two blocks: red, black), sheet 21.5 by 14.8 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
9. Chorographia Lotharingie, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin, with maps by Martin Waldseemüller, printed by Johann Schott. Strasbourg 12th or 15th March 1513. Woodcut (three formes, including woodblocks and moveable type: red, green, black), borders 36.3 by 26.2 cm. (Herzog August Bibliothek, Wolfenbüttel).
Publication Received
A History of the Golden Cockerel Press 1920-1960.
02/2004 | 1211 | 146
Pages: 121
related names
Reviewer:
Heseltine, Michael (Heseltine, Michael)
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Reviewed Items
subjects:
A History of the Golden Cockerel Press 1920-1960. | author: Cave, Roderick , author: Manson, Sarah
Book Review
Caxton in Focus: The Beginning of Printing in England
12/1983 | 969 | 125
Pages: 755
related names
Reviewer:
Hobson, A. R. A. (Hobson, A. R. A.; Hobson, Anthony; Hobson, Anthony Robert Alwyn; H., A. R. A.)
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Reviewed Items
subjects:
Caxton in Focus: The Beginning of Printing in England | author: Hellinga, Lotte
Article
Leonardo da Vinci and the Graphic Arts: The Early Invention of Relief-Etching
04/1971 | 817 | 113
Pages: 188-195
related names
Author:
Reti, Ladislao (Reti, Ladislao)
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artists:
artists:
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subjects:
Illustrations
Attributed works:
21. The Printer, by Jost Amman; In Hans Sachs: Eygentliche Beschreibung, Frankfurt, 1568.
Attributed works:
22. Details of a Printing Press, Showing Carriage, Rounce, Tympan and Frisket, by Leonardo da Vinci. (Cod. Atl. 372 Recto b.)
Attributed works:
23. Details of a Printing Press, Showing the Hose as Well as the Elements Observed in Fig. 22, by Leonardo da Vinci. (Cod. Atl. 358 Recto b.)
Attributed works:
24. Printing Press with Quick-Acting Double Screw and Press with Carriage Moved by the Pressing Screw, by Leonardo da Vinci. (Cod. Atl. 358 Recto b.)
Attributed works:
25. Studies of the Spine, by Leonardo da Vinci. A Note on Printing is at the Bottom of the Same Page, on the Right. (Windsor 19007 Verso, Anat. Fogli A. 8 Verso, Detail.) Reproduced by Gracious Permission of H. M. The Queen.
Attributed works:
26. De Humanis Corporis Fabrica Libri Septem, by Andreas Vesalius, Basle, 1543. The spine.
Attributed works:
27. Direct Print of a Leaf of Sage (Nature-Printing), by Leonardo da Vinci. (Cod. Atl. 72 Verso a.)
Attributed works:
28. Relief-Etching, by William Blake, from Songs of Innocence (1789).
Attributed works:
29. Relief-Etching, by William Blake, from America (1793), p.8.
Attributed works:
30. Relief-Etching, by Karl Bodmer (Verglas, 1879), by the Comte Process, as Indicated on the Lower Right Corner. By Courtesy of the New York Public Library (Print Division).
Attributed works:
A. Print by Attilio Rossi, Reproducing the Relief-Printing Method Recommended by Leonardo da Vinci (From Windsor No. 19009 Verso.)
Western art unattributed:
20. Device of the Parisian Printer Jodocus Badius Ascensius (1507).