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34 articles
Book Review
Hans Baldung Grien: Neue Perspektiven auf sein Werk
04/2022 | 1429 | 164
Pages: 421-422
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
Reviewed Items
subjects:
Hans Baldung Grien: Neue Perspektiven auf sein Werk Edited by Holger Jacob-Friesen and Oliver Jehle. 320 pp. incl. 260 col. ills.(Deutscher Kunstverlag, Berlin, 2019), €29.90. ISBN 978–3–422–97982–6. | :
Illustrations
Attributed works:
3. Caspar Hedio, by Hans Baldung Grien. 1543. Woodcut in black on ivory laid paper, 18 by 13.9 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Passion and Fervour
03/2021 | 1416 | 163
Pages: 275-278
related names
Reviewer:
Stiegemann, Christoph (Stiegemann, Christoph)
Subjects
dates:
subjects:
Reviewed Items
works:
Passion and Fervour LWL – Museum für Kunst und Kultur, Münster 9th October 2020– 14th February 2021 | :
Illustrations
Attributed works:
10. Study for a self-portrait, by Henry Fuseli. 1780s. Black-andwhite chalk with ink inscription, 27 by 19.4 cm. (Victoria and Albert Museum, London; exh. LWL – Museum für Kunst und Kultur, Münster).
Attributed works:
8. The fruit of love, from the series Love Scenes, by Pauwels Franck, called Paolo Fiammingo. 1585– 89. Oil on canvas, 158.7 by 257.3 cm. (Kunsthistorisches Museum, Vienna; exh. LWL – Museum für Kunst und Kultur, Münster).
Attributed works:
9. Pietà, by Berlinde de Bruyckere. 2007–08. Wax, cushions, wood, iron and epoxy, 126 by 90 by 188 cm. (Private collection; © Berlinde De Bruyckere; courtesy the artist and Hauser & Wirth; exh. LWL – Museum für Kunst und Kultur, Münster; photograph Mirjam Devriendt).
Exhibition Review
Hans Baldung Grien: Heilig / Unheilig
08/2020 | 1409 | 162
Pages: 701-703
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Hans Baldung Grien: Heilig / Unheilig Edited by Holger Jacob-Friesen. 504 pp. incl. 500 col. ills. (Staatliche Kunsthalle Karlsruhe, 2019), £38.50. ISBN 978–3–422–97981–9. | :
Illustrations
Attributed works:
10. Youthful self-portrait, by Hans Baldung Grien. c.1501–02. Pen and ink with highlights in black, pink and white wash, 22 by 16 cm. (Kunstmuseum Basel; courtesy Staatliche Kunsthalle Karlsruhe).
Attributed works:
11. Lot and his daughters, by Hans Baldung Grien. c.1535–40. Oil on panel, reconstructed original 75 by 125 cm. (Staatliche Kunsthalle Karlsruhe).
Attributed works:
12. Madonna and Child with a parrot, by Hans Baldung Grien. 1533. Oil on panel, 91.5 by 63.3 cm. (Germanisches Nationalmuseum, Nuremberg; courtesy Staatliche Kunsthalle Karlsruhe).
Book Review
Der Sündenfall im Werk von Hans Baldung Grien: Ikonographie und Kontext
07/2020 | 1408 | 162
Pages: 628-629
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
artists:
dates:
Reviewed Items
subjects:
Der Sündenfall im Werk von Hans Baldung Grien: Ikonographie und Kontext By Julia Carrasco. 304 pp. incl. 138 col. + b. & w. ills. (Michael Imhoff, Petersberg, 2019), £53. ISBN 978–3–7319–0640–7. | :
Illustrations
Attributed works:
4. Eve, by Hans Baldung Grien. 1510. Pen and black ink on paper, 29 by 21.2 cm. (Kunsthalle Hamburg; Bridgeman Images).
Article
Identifying Hans Baldung Grien’s colour printer, c.1511–12
10/2019 | 1399 | 161
Pages: 830-839
related names
Author:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Preparation for the witches’ sabbath, by Hans Baldung Grien. 1510. Woodcut (two blocks: grey, black), 38.9 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Tabula prima Europae, by Martin Waldseemüller, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin. Woodcut (two blocks: green, black), sheet approx. 45 by 31 cm. (Library of Congress, Washington).
Attributed works:
11. Border with Fates and Judgment of Paris, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin, with maps by Martin Waldseemüller, printed by Johann Schott. Strasbourg 1520. Woodcut (two blocks: yellow-brown, black), red letterpress, borders 33.7 by 25.5 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
12. Border with wild men and the imperial eagle, from Ovid: Metamorphoses Book XV, printed by Johann Schott. Strasbourg 1515. Woodcut (two blocks: red, black), 15.1 by 21.1 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
2. Fall of man, by Hans Baldung Grien. 1511. Woodcut (two blocks: greybrown, black), 38 by 25.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Border with animals behind a fence, from Walter of Châtillon: Alexandreis, printed by Reinhard Beck, Strasbourg 1513. Woodcut (two blocks: pink, black), 14 by 11.3 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
4. Border with garlands, from J. Geiler von Kaisersberg: Evangelia mit Auslegung, ed. J. Pauli, printed by Johann Grüninger, Strasbourg 1517. Woodcut (one block: red, black), binding 21.3 by 31.5 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
5. Border with wild family, signed E.F., G.W. and V.A., from L. Fries: Spiegel der Arznei, printed by Johann Grüninger, Strasbourg 1518. Woodcut (eight blocks: red, black), sheet 19.3 by 28.2 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
6. Border with wild men and the imperial eagle, from J. Cochlaeus: Grammatices rudimenta, printed by Johann Knobloch, Strasbourg 1519. Woodcut (two blocks: red, black). (Zentralbibliothek, Zürich).
Attributed works:
7. Border with vines and imperial eagle, from N. de Tudeschis (Panormitanus): Lectura aurea, printed by Johann Schott for Georgius Maxillus (Georg Übelin). Strasbourg, 5th November 1510. Woodcut (two blocks: brown, black), sheet 9.2 by 20.5 cm. (Herzog August Bibliothek, Wolfenbüttel).
Attributed works:
8. Border with wrestling putti, from J. López: De libertate ecclesiastica tractatus, printed by Johann Schott. Strasbourg 1511. Woodcut (two blocks: red, black), sheet 21.5 by 14.8 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
9. Chorographia Lotharingie, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin, with maps by Martin Waldseemüller, printed by Johann Schott. Strasbourg 12th or 15th March 1513. Woodcut (three formes, including woodblocks and moveable type: red, green, black), borders 36.3 by 26.2 cm. (Herzog August Bibliothek, Wolfenbüttel).
Publication Received
Witches’ Lust and the Fall of Man. The Strange Fantasies of Hans Baldung Grien
02/2010 | 1283 | 152
Pages: 116
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
artists:
dates:
museums and institutions:
print:
subjects:
Reviewed Items
subjects:
Witches’ Lust and the Fall of Man. The Strange Fantasies of Hans Baldung Grien | author: Brinkmann, Bodo , contributor: Hinz, Berthold
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Advertisements January 2007 (front)
01/2007 | 1246 | 149
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Ranunculus, Enemones and Jasmin, by Alexis-Nicolas Perignon (1726-1782). Black chalk with bodycolour and grey wash an blue paper, 31.6 by 22.4 cm. Exhibition: Adam Williams Fine Art, 50 East 78th Street, 19-27 January 2007]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir Joshua Reynolds. 1723-1792. Portrait of a young Lady, possibly the artist's niece Mary Johnson.. c. 1760. Oil on canvas, 23 1/2 x 17 7/8 inches (59.7 x 45.4 cm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Giovanni Battista Tiepolo (Venice 1696-1770 Madrid). The Adoration of the Magi. Black chalk, pen and brown ink, brown wash. 15 7/8 x 11 9/19 in. (404 x 294mm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Hans Baldung Grien (Schwabisch Gmund 1484/5-1545 Strasburg). Head of a man, in three-quarter-profile to the left. With numbers '3' and '57' (verso). Black chalk on light brown paper, the corner tips made up. 13x8 1/4in. (330x208mm).]
Attributed works:
[Emmanuel von Baeyer, London. Arcadian landscape with two figures and a shepherd, by Johann Friedrich Ludwig Oeser (1751-1792). 1779. Watercolour in blue wash over pencil and brown brush. A black framing line, 18.1 by 25 cm. Signed: 'J.L. Oeser'. Exhibition: Paul McCarron Fine Prints and Drawings, The Graham Gallery Building, 1014 Madison Avenue, 19-27 January 2007.]
Attributed works:
[G. G. Boerner, New York & Dusseldorf. Seated woman with feathered hat, by Armand Seguin (1869-1903). Pen and black ink over traces of pencil with wash in varying shades of gray and pale yellow watercolour an the face and hands of the figure, on heavy buff coloured wove 'Bristol' paper, 22 by 11.4 cm. Exhibition: 23 East 73rd Street, 19-27 January 2007.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte. Paris. Lorenzo Pasinelli. Bologna, 1629-1700. Venus and Two Putti in a Landscape. Oil on canvas, 38x50,5 cm.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Pietro di Francesco degli Orioli (1458-1496) The Nativity. Tempera on panel, 66.5 x 49.5 cm (26 3/8x19 1/2 in)]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. Portrait of a man with blue hat, by Francesco Paolo Michetti. Signed bottom right: 'Michetti'. Pastel of buff colored paper, 52 by 37.5 cm. Exhibition: 25 East 73rd Street, 19-27 January 2007.]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Margareta de Heer (before 1603-1665). Signed and dated, lower right: Margareta de Heer/Fecit 1665. Study of Flowers, Insects and Shells. Watercolour and gouache, with gum arabic on vellum. Size: 6 7/8n x 10" w (17.4 x 25.5cm)]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. River harbour, by Giuseppe Galli di Bibiena (1696-1756). Black chalk, black and brown ink, gray and brown wash on cream laid paper, ruled border in black ink, 47.1 by 69.6 cm. Exhibition: 36 East 73rd Street, 19-27 January 2007.]
Attributed works:
[Margot Gordon. 58 East 79 Street. New York. Mattia Preti. Taverna 1613-1699. Red chalk. 378x275 mm.]
Attributed works:
[Mia N. Weiner. New York. The treachery of Delila, by Enrico Scuri (1806-1884). Black and ochre chalks, charcoal, brush and grey and ochre washes with white gouache. On multiple pieces of blue and grey paper, 61.2 by 69 cm. Exhibition: At L'Antiquaire and The Connoisseur, 36 East 73rd Street, 19-27 January 2007]
Attributed works:
[Otto Naumann Ltd. 22 East 80th Street. New York. Property from Otto Naumann Ltd. Gallery Sale: Carstian Luyckx, A Still Life with a Gilt Cup and Glass Holder, Silver Beaker, Nautilus Shell, Fruit and Oysters, signed on the ledge Carstian Luickx, oil on copper, 14 by 20 in. 36.9 by 50.8 cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Abigail before David, by Maerten van Heemskerck. 1566. Signed and dated lower centre: '1566 Heemskerck/inventor'. Pen and brown ink on paper, 19.6 by 25 cm. Exhibition: 34 East 69th Street, 19-27 January 2007]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Mattia Preti, called Il Cavaliere Calabrese, Davis Playing the Harp Before Saul, circa 1670. Oil on canvas, 208.5 by 301.8 cm.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Head of an Italian boy, by Edgar Degas (1834-1917). 1859. Inscribed and dated lower right: 'Flor 1859'; marked with the estate stamp, lower left: 'Degas' (Lugt 658). Black chalk, 30.2 by 23.5cm. Exhibition: Master Drawings, Oil Sketches and sculpture, 22 East 80th Street, January 23 - February 15, 2007]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. John Flaxman. York 1755-1826 London. Angels Guiding a Soul to Heaven. Pen and gray ink and gray wash, 19x28 inches (482x710 mm)]
Non-western art unattributed:
[The Getty Publications. Illustration: Saint Basil with Liturgical Scroll, Holy Monastery of Saint Catherine, Sinai, Egypt, from Holy Image, Hallowed Ground: Icons from Sinai.]
Western art unattributed:
[Swann. 104 East 25th Street. New York, NY 10010. German Scholl, 16th century (after Martin Schongauer), Crozier with the Virgin and Child and Music-Making Angels, pen and ink and pencil on cream laid paper.]
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Advertisements October 2004 (Front)
10/2004 | 1219 | 146
Pages: i-xii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Ars Libri. New York. Klange, 1913, by Wassilly Kandinsky. With 56 original woodcuts (12 in colour)]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. La Torre di Malghera, by Antonio Canale, called Canaletto (1697-1768). Etching, c. 1740. Sheet size: 419x578mm. Plate size: 298x427mm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. Max Liebermann (1847-1935). A Girl Reading - Portrait of Anna-Christiane Mattuschka, 1896. Lithograph in two colours, 458x306 mm, Schiefler 41b. A very rare proof of one of Liebermann's few original lithographs.]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. The Three Trees, 1643, by Rembrandt van Rijn (1606-1669). Etching with drypoint and burin.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Rembrandt Christ at Emmaus. B. 87.]
Attributed works:
[C.J. Goodfriend Drawings and Prints, New York. St. James Major, c. 1526-20, by Hans Baldung (1484/5-1545). Woodcut]
Attributed works:
[Crown Point Press. San Francisco. Untitled (LO 269), 2004, by Laura Owens. Colour spit bite aquatint, 647x381 mm. Edition 40.]
Attributed works:
[David Tunick, Inc., New York. Yvonne D. de face, 1913, by Jacques Villon (1875-1963). Drypoint.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Giovanni Antonio Canal, il Canaletto (Venice 1697-1768). The night Festival on the Zattere near the Church of Santa Marta, Venice, on the Eve of Saint Martha's Day (29 July). Oil on canvas. 37 1/4 x 50in. (94.5x127 cm)]
Attributed works:
[Frederick Mulder. London. Gruppenbildnis Edenbar, 1923, by Max Beckmann (1884-1950). Woodcut, 494x498 mm. Signed in pencil lower right.]
Attributed works:
[Galerie St. Etienne. New York. Girl, 1907, by Ernst Ludwig Kirchner (1880-1939). Lithograph. 325x274 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Carle van Loo (1705-1765). Portrait of a Young Girl. Red Chalk, 45x28 cm (17 3/4 x 11 in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Antonio canal, called Canaletto. Venice 1697-1768 Venice. Al Dolo. Etching. Bromberg 4, the second state of three. Watermark: Three Crescents. A brilliant impression of this important, large Canaletto.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. The rest on the flight into Egypt, 1593, by Gerrit Pietersz (1566-1612). Etching.]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. Crispin De Passe I (ca. 1565-1637): Jonah thrown into the Sea. Engraving. Hollstein 144, first state of two.]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. Rue des Cordeliers, Dinan, 1907, by Clarence Gagnon (1881-1942). Etching 235x289 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Honoré Daumier. Le ventre législatif, 1834. Lithograph, Delteil 131.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Nu assis à la chemise de tulle, 1925, by Henri Matisse (1869-1954). Lithograph, margins: 535x370. Signed and numbered 38/50]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Sardine by Giant on foreign shores, 2003, by Ana Maria Pacheco (1943-). Drypoint, 150x120mm]
Attributed works:
[Stiebel. New York, Upper Eastside. Sheet of Studies by Francesco Mazzola known as Parmigianino.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Illustrated: Arrangement - New York. Lithograph by Jan Matulka, c. 1925]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Saved, 1889, by Winslow Homer. Signed in pencil lower right. Top left etched "G. W. H. Ritchie, Imp." and top right "Copyright 1889 by C. Klackner, N.Y." Vellum, 425x705 mm]
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Advertisements October 1998 (front)
10/1998 | 1147 | 140
Pages: i-xv
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Rest on the Flight into Egypt, by Paul Bril and Johann Rottenhammer. 1600. Copper, 21.9 by 30 cm. (Private Collection, The Hague);
Attributed works:
v Jean Auguste Dominique Ingres. Odalisque, 1825. Lithography, 150 × 210 mm, Margins 300 × 430 mm. (Delteil 9), Fine Impression. Ex Collection: H. Delacroix (Not in Lugt).
Attributed works:
vRembrandt Harmensz. van Rijn, Woman with the Arrow (B., HOLL 202; H. 303; B. B. 61-A), Etching, Drypoint and Burin, 1662 203 by 123 mm; 8 by $4frac{3}{4}$ in
Attributed works:
[Alice Adam Ltd., Chicago, Illinois] Erich Heckel: Kinder auf der Bank. Woodcut, 1910
Attributed works:
[Allison Gallery Inc., Storrs, Connecticut] Christopher Richard Wynne Nevinson. Making the Engine. 1917. Lithograph. Leicester 27. 15 7/8 × 12 Inches. Edition 200. One of the Set 'Building Aircraft' from the Series, 'The Great War'.
Attributed works:
[August Laube, Trittligasse 19, Zurich, Switzerland] Camille Pissarro (1830-1903). Camille Pissarro, par lui-même. (Self-Portrait) Etching on Zinc, about 1890. Inscribed in Pencil: no 26/ Portrait de C. P./ C. Pissarro. Delteil 90 II. Shapiro 34 III. 18.5 × 17.7 cm.
Attributed works:
[Bassenge, Erdener Str. 5A, Berlin, Germany] Rembrandt Harmensz. van Rijn (1606 Leiden - 1669 Amsterdam). The Three Trees. Etching, with Drypoint, Burin, and Sulphur Tinting. 1643. 21,3 × 28,2 cm. Bartsch 212, White/Boon Only State.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Hans Baldung: Adam and Eve. Woodcut. 1519. 259 × 97 mm. Bartsch 2. Provenance: Richard Leendertz (Lugt 1708).
Attributed works:
[Carlo Orsi, Via Bagutta 14, Milan, Italy] Sebastiano Conca (Gaeta 1680 - Napoli 1764). Allegory of Time and Fame. Oil on Canvas, 118 × 87.5 cm.
Attributed works:
[Christie's, Cornelis Schuytstraat 57, 1071 JG Amsterdam, Netherlands] Jacob Izaacsz. van Ruisdael (1629-1682). A Pollard Willow by a Pool with a Grainfield in the Distance. Signed 'Jvr' Centre Right. Oil on Panel, 25 × 33.5 cm. Estimate: NLG 350.000-NLG 500.000 (Rosenberg No. 81A)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Scipione Pulzone Called Gaetano. Gaeta c. 1550-Rome 1598. A Portrait of Cardinal Ferdinando de' Medici, Later Ferdinando I, Third Grand Duke of Tuscany. Oil on Canvas: 185 × 119.3cm. Signed and Dated on Ink-Stand at Centre Left: Scipio/Caietanus/faciebat 1580. Inscribed on Letter: 1580...Ferd Card Medi
Attributed works:
[Galerie Hans, Jungferstieg 34, Hamburg, Germany] Carl G. Carus (1789-1869). Sunset in the Mountain, Oil on Canvas, 21 × 15,5 cm
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Pier Francesco Bissolo (Active in Venice, 1492-1554). The Holy Family in a Landscape with a Donor. Oil on Panel, 31½ × 39 3/4 Inches (80 × 101 cm). Signed at Lower Right: Franciscus Bisolus
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Gerrit Pietersz. Amsterdam 1566 - 1616 (?). The Rest on the Flight into Egypt. Etching; 1593. Hollstein 4, the First of Two States. Exceedingly Rare; Hollstein Cites Only One Impression of the First State.
Attributed works:
[Jan Johnson, 2258A Coursol Street, Montreal, Quebec, Canada] Max Klinger (1857-1920): März-tage no. 3, from Dramen, 1882. Trial Proof, First State of Seven.
Attributed works:
[Matthew Marks, 523 West 42nd Street, New York, New York] Lucian Freud, Portrait of David, 1998, Etching, 20 3/4 x 22 3/4 Inches, Edition of 46
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Francesco Cozza (1605-1682). Virgin and Child with Angels, Etching. Bartsch 1, First State of Two
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Georges Braque, "Etude de nu" (Vallier 1), Etching 1907/8 on Auvergne Laid, Signed with Initials and Inscribed "bon á Tirer", Aside from the Edition of 25, Published in 1953 by Maeght. Estimate: £4,000-£6,000. To Be Sold on 7th December 1998.
Attributed works:
[Pratt Contemporary Art, The Gallery, Igtham, Kent, UK] Ana Maria Pacheco, Study for St. Sebastian II, 1998. Drypoint. Plate Size 79.8 cm × 59.8 cm. ed.35.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Anthonie Beerstraten (Active 1639-1665) Dutch School. A View of Egmond-aan-Zee with Fisherfolk on the Beach and Shipping Offshore, Oil on Canvas. 33 × 46 1/8 Inches (83.8 × 117.1 cms). Signed.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jan Josefsz van Goyen (1596-1656) Dutch School. Fishermen in a Rowing Boat by a Landing Stage near a Ruined Castle. Oil on Canvas. 29½ × 38 5/8 Inches (75.1 × 98.1 cms). Signed and Dated 1634.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Willem van Nieulandt (1584-1635) Flemish School. A Rocky River Landscape with Shepherds, Goatherds and Their Livestock Resting on a Path, a Mule Train Crossing a Stone Bridge beyond. Oil on Panel. 14 3/8 x 20 3/8 Inches (36.5 × 51.8 cms).
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK]Salomon van Ruysdael (1600-1670) Dutch School. A Landscape with Dunes, a Church beyond and Figures Leading Cattle. Oil on Panel. 20¼ × 28 3/4 Inches (51.7 × 73.4 cms). Signed and Dated 1644.
Attributed works:
[The Annex Galleries, 604 College Avenue, Santa Rosa, California] John Grillo. Untitled Abstraction
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] Childe Hassam 1859 - 1935. Etching 1915 7½ × $10frac{7}{8}$" 189 × 2765 mm
Book Review
The Moment of Self-Portraiture in German Renaissance Art
11/1994 | 1100 | 136
Pages: 765
related names
Reviewer:
Emison, Patricia (Emison, Patricia)
Subjects
artists:
artists:
dates:
places:
Reviewed Items
subjects:
The Moment of Self-Portraiture in German Renaissance Art | author: Koerner, Joseph Leo
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