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Book Review
A Merchant of Ivory in 16th-Century Paris: The Estate Inventory of Chicart Bailly
07/2024 | 1456 | 166
Pages: 751–2
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Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
artists:
Bailly, Chicart
subjects:
Ivories / Estate inventories / French medieval art / French decorative art / Workshops (Organisations)
Reviewed Items
subjects:
A Merchant of Ivory in 16th-Century Paris: The Estate Inventory of Chicart Bailly By Katherine Baker. 360 pp. incl. 53 col. ills (Brill, Leiden, 2023), €114. ISBN 978–90–04–53468–1. | :
Illustrations
Attributed works:
4. Reverse of Fig.3.
Western art unattributed:
3. Tabernacle polyptych with the Virgin and Child and scenes of the Life of the Virgin and the Infancy of Christ. Southern Netherlands, c.1440–70 or Paris, c.1530. Ivory, wood and bone, height 71 cm. (Castello Sforzesco, Milan).
Article
Early copies on panel after Anthony van Dyck: new findings
02/2024 | 1451 | 166
Pages: 140–144
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Author:
Davies, Justin (Davies, Justin)
Subjects
art literature:
Jordaens Van Dyck Panel Paintings Project (JVDPP)
artists:
Dyck, Anthony van / Lely, Ursula / Leemput, Remee Van
buildings:
Boughton House, Northamptonshire, Great Britain
dates:
1650-1699
subjects:
Panel paintings / Grisaille / Copies / Portraits / Flemish painting / British painting / Scientific analysis / Workshops (Organisations) / Collections / Dating
Illustrations
Attributed works:
1. Charles I, Henrietta Maria, Charles, Prince of Wales and Princess Elizabeth, attributed to Remigius van Leemput, after Anthony van Dyck. After 1651. Oil on panel, 59.8 by 49.4 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
2. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 26 by 20 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
3. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 25.6 by 20 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Prince Frederick Henry of Orange, after Anthony van Dyck. After 1670. Oil on panel, 25.4 by 19.9 cm. (Museum of Fine Arts, Budapest).
Attributed works:
5. Jan van Ravesteyn, after Anthony van Dyck. After 1671. Oil on panel, 25.4 by 20 cm. (Museum of Fine Arts, Budapest) .
Attributed works:
6. Jan van Ravesteyn, by Anthony van Dyck. Oil on panel, 24.8 by 18.1 cm. (Collection of the Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Article
Two music theory manuscripts reunited: book illumination in the circle of Matteo Giovannetti
01/2024 | 1450 | 166
Pages: 16–29
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Author:
Manzari, Francesca (Manzari, Francesca)
Author:
Stoessel, Jason (Stoessel, Jason)
Subjects
artists:
Giovannetti, Matteo / circle of
dates:
1300-1349
places:
Avignon
sources:
Marchetto of Padua (fl. 1305 – 1319)
subjects:
Music / Illuminated manuscripts / Manuscripts / Patrons / Dating / Attribution / Workshops (Organisations) / Franciscans / Cardinals
Illustrations
Attributed works:
13. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.52r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Attributed works:
18. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Attributed works:
20. Detail of Sacrifice of Zacharias, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St John, Papal Palace, Avignon).
Attributed works:
21. Angel of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Attributed works:
Emanuele III, Naples, MS V A 14, fol.49r).
Western art unattributed:
1. Leaves from the Naples manuscript, showing Lady Music and God in Majesty. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fols.46v–47r).
Western art unattributed:
10. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.21v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
11. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.31r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
12. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.88r).
Western art unattributed:
14. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
15. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
16. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.110v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
17. Leaf from the Liber Regulae. (Archivio di Stato, Rome, MS 3193, fol.202v; MIC).
Western art unattributed:
19. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Western art unattributed:
2. Leaf from the Naples manuscript, showing a seated lion holding in its paws the head of an ox. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.48r).
Western art unattributed:
22. Our Lady of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Western art unattributed:
3. Detail of Fig.1, showing one of the lions supporting the throne of Lady Music. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.47r).
Western art unattributed:
4. Detail of Fig.1, showing the lion as a symbol for the Evangelist Mark. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.46v).
Western art unattributed:
5. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.1r).
Western art unattributed:
7. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
8. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
9. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.18v).
Book Review
Creating Sculpture: Renaissance Drawings and Models
11/2023 | 1448 | 165
Pages: 1246-1247
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Reviewer:
Calogero, Marcello (Calogero, Marcello)
Subjects
art literature:
Catalogues
museums and institutions:
Victoria and Albert Museum, London, Great Britain
subjects:
Renaissance sculpture / Renaissance art / Drawings / Models (representations) / Clay / Wax / Wooden / Workshops (Organisations) / Contracts
Reviewed Items
subjects:
Creating Sculpture: Renaissance Drawings and Models Edited by Michael Cole, Ana Debenedetti and Peta Motture, with Kira d’Alburquerque. 224 pp. incl. 150 col. + 5 b. & w. ills. (V&A Publishing, London, 2022), £35. ISBN 978–1–85177–998–7. | :
Illustrations
Attributed works:
3. River god, by Giambologna. c.1580. Terracotta, height 31 cm. (Victoria and Albert Museum, London).
Exhibition Review
Donatello in Florence, Berlin and London
07/2023 | 1444 | 165
Pages: 761–771
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Author:
Röstel, Alexander (Röstel, Alexander )
Subjects
artists:
Donatello
artists:
Desiderio da Settignano / Robbia, Luca della / Michelozzo di Bartolomeo / Mantegna, Andrea / Lippi, Filippo / Domenico Veneziano / Baroncelli, Niccolò / Bronzino, Agnolo / Michelangelo / Berruguete, Alonso / Masaccio
dates:
2020-2030
museums and institutions:
Palazzo Strozzi, Florence, Italy / Gemäldegalerie, Berlin, Germany / Victoria and Albert Museum, London, Great Britain
subjects:
Italian sculpture / Renaissance art / Renaissance sculpture / Workshops (Organisations) / Exhibitions / Displays / Attributions
Reviewed Items
subjects:
Donatello. Inventor of the Renaissance, Berlin, 2nd September 2022–8th January 2023. | :
subjects:
Donatello. Sculpting the Renaissance, Victoria and Albert Museum, London. 11th February–11th June 2023. | :
subjects:
Donatello. The Renaissance, Palazzo Strozzi, Florence, 19th March–31st July 2022. | :
Illustrations
Attributed works:
1. Virgin and Child (The Pazzi Madonna), by Donatello. c.1420–25. Marble, 74.5 by 73 by 6.5 cm. (Bode-Museum, Berlin; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
10. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023, showing a group of sculptures depicting the Virgin and Child.
Attributed works:
11. Virgin and Child (The Piot Madonna), by Donatello and workshop. c.1440. Terracotta with traces of gilding, inset with wax medallions under glass, diameter 75 cm. (Musée du Louvre, Paris; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria & Albert Museum, London).
Attributed works:
12. Virgin and Child (The Dudley Madonna), by Donatello. c.1440. Marble, 27 by 16.5 by 2 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
13. Flagellation and Crucifixion (The Forzori Altar), by Donatello. c.1450. Terracotta, 54.5 by 30.4 by 4.5 cm. (Flagellation), 53.5 by 27 by 5 cm. (Crucifixion) and 11.6 by 48.4 by 2.3 cm. (predella). (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
2. Amor–Attis, by Donatello. c.1435–40. Bronze, partially gilded, 103 by 55 by 45 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
3. The feast of Herod, by Donatello. c.1423–27. Gilded bronze, 60 by 59.7 by 9 cm. (Baptistery of S. Giovanni, Siena; exh. Palazzo Strozzi, Florence).
Attributed works:
4. Installation view of Donatello: The Renaissance at Palazzo Strozzi, Florence, 2022, showing on the right St Louis of Toulouse by Donatello.
Attributed works:
5. Ascension with Christ giving the keys to St Peter, by Donatello. c.1428–30. Marble, 40.6 by 114.3 by 5.3 cm. (Victoria and Albert Museum, London; exh. Victoria and Albert Museum, London).
Attributed works:
6. Capital for the pulpit of Prato Cathedral, by Donatello and Michelozzo. 1433. Bronze, 94.5 by 143.5 by 50 cm. (Museo dell’Opera del Duomo, Prato; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
7. David, by Donatello. c.1408–16. Marble, 191 by 57.5 by 32 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
8. Installation view of Donatello: Inventor of the Renaissance at the Gemäldegalerie, Berlin, 2022, showing the Martelli David and Bronzino’s portrait of Ugolino Martelli.
Attributed works:
9. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023.
Book Review
Giuliano da Sangallo and the Ruins of Rome
07/2023 | 1444 | 165
Pages: 800–802
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Reviewer:
Strauch, Timo (Strauch, Timo)
Subjects
artists:
Sangallo, Giuliano da
subjects:
Italian architecture / Antiquity / Italian drawings / Copying / Workshops (Organisations) / Manuscripts
Reviewed Items
subjects:
Giuliano da Sangallo and the Ruins of Rome By Cammy Brothers. 320 pp. incl. 211 col. + 53 b. & w. ills. (Princeton University Press, Princeton NJ and Oxford, 2022), £62. ISBN 978–0–691–19379–3. | :
subjects:
Roma ritrovata: Disegni sconosciuti della cerchia dei Sangallo alla Biblioteca Nazionale Centrale di Firenze Edited by Anna Rebecca Sartore, Arnold Nesselrath, Simona Mammana and David Speranzi. 271 pp. incl. 102 col. ills. (Biblioteca Nazionale Centrale, Florence, 2022). ISBN 978–88–8366–098–6. | :
Illustrations
Attributed works:
1. Substructions of the Claudianum on the Caelian Hill and of the Portico di Cacabari on Via di S. Maria dei Calderari, Rome. Early sixteenth century. Pen and ink, wash and white heightening over a metalpoint preparation with ruler and compass on parchment, 48.8 by 38.4 cm. (Biblioteca Nazionale Centrale, Florence; Gino Capponi 386, fol.11r).
Article
The young Jordaens
04/2023 | 1441 | 165
Pages: 366-377
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Author:
Vander Auwera, Joost (Vander Auwera, Joost )
Subjects
artists:
Jordaens, Jacob / Rubens, Peter Paul / Dyck, Anthony van
dates:
1600-1649
places:
Antwerp
subjects:
Flemish painting / Attributions / Dating / Early works / Workshops (Organisations) / Formal analysis / Technical analysis / Copies
Illustrations
Attributed works:
1. Adoration of the shepherds, by Jacques Jordaens. 1616. Oil on panel transferred to canvas, 113 by 81 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
10. Holy Family with St Anne, the young St John the Baptist and his parents, by Jacques Jordaens. c.1620–25 and c.1650s–early 1660s. Oil on panel, 169.9 by 149.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Holy Family with St Elizabeth, by Jacques Jordaens. c.1620–23. Pen and brown ink and brown wash, heightened in places with white body colour, 12.3 by 12.1 cm. (British Museum, London).
Attributed works:
12. X-radiographs of Fig.10, revealing the original central composition. (Metropolitan Museum of Art, New York).
Attributed works:
13. Satyr and peasants, by Jacques Jordaens. After 1663. Oil on panel, 77 by 50.1 cm. (Private collection).
Attributed works:
14. Holy Family, by Jacques Jordaens. Here dated c.1616. Oil on canvas, 155 by 113 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
15. Pan and Syrinx, by Jacques Jordaens. Here dated c.1619–20. Oil on canvas, 173 by 136 cm. (Assembly of photographs by Freya Maes and of X-radiographs by Guido van de Voorde; Royal Museums of Fine Arts of Belgium, Brussels; KIK/IRPA).
Attributed works:
16. Abduction of Europa, by Jacques Jordaens. c.1615–16. Oil on panel, 55 by 93.5 cm. (Current location unknown).
Attributed works:
17. Christ with Nicodemus, by Jacques Jordaens. Here dated c.1618. Oil on panel, 112 by 83 cm. (Royal Museums of Fine Arts of Belgium, Brussels; Bridgeman Images).
Attributed works:
18. Lot and his family leaving Sodom, by Jacques Jordaens, after Peter Paul Rubens. Here dated c.1617–18. Oil on canvas, 169.5 by 198.5 cm. (National Museum of Western Art, Tokyo).
Attributed works:
2. The daughters of Cecrops finding the child Erichthonius, by Jacques Jordaens. 1617. Oil on canvas, 170 by 280 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
3. Adoration of the shepherds, by Jacques Jordaens. 1618. Oil on canvas, 124 by 93 cm. (Nationalmuseum, Stockholm).
Attributed works:
4. Adoration of the shepherds, here attributed to Jacques Jordaens. Here dated c.1615. Oil on panel, 64.3 by 51.4 cm. (Museum Mayer van den Bergh, Antwerp).
Attributed works:
5. Adoration of the shepherds, by Jacques Jordaens. Here dated c.1615. Red and black chalk, brush in brown ink and watercolour, some white body-colour on paper, 16.7 by 20.2 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
6. Holy Family with St Anne, by Jacques Jordaens. Here dated c.1617–18. Oil on panel, 63.7 by 48.5 cm. (City Hall, Municipality of Saint-Gilles, Brussels; on long-term loan to the Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
7. Allegory on the Peace of Münster, by Jacques Jordaens. 1654. Oil on canvas, 184 by 139.5 cm. (National Gallery, Oslo).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Holy Family with St Elizabeth, by Jacques Jordaens and workshop. c.1620–23. Oil on panel, 122.6 by 145 cm. (Alte Pinakothek, Munich).
Article
Newly attributed drawings by Botticelli
04/2023 | 1441 | 165
Pages: 358-365
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Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
Botticelli, Sandro
dates:
1470-1479 / 1480-1489 / 1480-1519
media:
Silverpoints / Gouaches
subjects:
Italian art / Renaissance art / Florentine art / Drawings / Attributions / Figure studies / Studies (visual works) / Life drawings / Workshops (Organisations)
Illustrations
Attributed works:
1. Study for a standing man (St Sebastian), by Sandro Botticelli. c.1473–74. Metalpoint (silver?) and white gouache on ochre prepared paper, 18.4 by 9.3 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.12, showing the face of the third onlooker on the right.
Attributed works:
11. Head of a man in near profile looking left, here attributed to Sandro Botticelli. c.1468–70. Traces of black chalk, metalpoint (lead?) heightened with white and grey wash, on yellow-ochre prepared paper, 13.2 by 11 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
12. Adoration of the Magi, by Sandro Botticelli, showing the face of an onlooker. c.1470–75. Tempera and oil on poplar panel, 68 by 102 cm. (National Gallery of Art, Washington).
Attributed works:
13. Head of a veiled woman, by Fra Filippo Lippi. c.1452. Silverpoint and white gouache, retouched with pen and brown ink and red chalk, on ochre-prepared paper, 30 by 20.5 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
2. Study of two standing figures and a right hand, by Sandro Botticelli. c.1475. Silverpoint and white gouache on mauve-lilac prepared paper, 16.5 by 10 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
3. Two partial studies of a profile, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellowochre prepared paper, 18.9 by 7.1 cm. (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
4. Detail of the Cestello Annunciation, by Sandro Botticelli, showing the face of the Archangel Gabriel. 1489. Tempera on panel, 150 by 156 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Standing man turned to the right, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellow-ochre prepared paper, 18.9 by 7.1 cm. (recto of Fig.3). (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
6. Study for a standing draped figure turned to the left, by Sandro Botticelli. Metalpoint (lead?) and white gouache on ochre prepared paper, 18.3 by 8.3 cm. (© RMN-Grand Palais; Musée du Louvre; Stéphane Maréchalle).
Attributed works:
7. Virgin and Child with the young St John the Baptist, by Sandro Botticelli. c.1468–70. Tempera and gold on poplar panel, 90.7 by 67 cm. (Musée du Louvre, Paris; Tarker; Bridgeman Images).
Attributed works:
8. Head of a woman looking down to the left, here attributed to Sandro Botticelli. c.1468–70. Metalpoint (lead?) heightened with white and light grey wash on yellow-ochre prepared paper, 13.4 by 10.7 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
9. Detail of Fig.7, showing the face of the Virgin.
Article
Looking at Masaccio: a rediscovered drawing by the young Michelangelo
06/2022 | 1431 | 164
Pages: 536-545
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Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
Michelangelo / Masaccio / Giotto
buildings:
Cappella Brancacci, Santa Maria del Carmine, Florence, Italy
collectors and dealers:
Christie's, Paris, France
collectors and dealers:
Genevosio, Modesto Ignazio Bonaventura
dates:
1490-1499
media:
Drawings
sources:
Vasari, Giorgio
subjects:
Copies / Italian art / Attributions / Provenance / Collections, Private / Workshops (Organisations)
Illustrations
Attributed works:
1. Detail of Baptism of the neophytes, by Masaccio. c.1424–25. Fresco. (Brancacci Chapel, S. Maria del Carmine, Florence).
Attributed works:
10. Study of a nude figure, after Masaccio, here attributed to Alonso Berruguete. c.1510. Red chalk on paper, sheet 26.7 by 12.9 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
11. Studies of figures, by Michelangelo. c.1496–1501.Pen and two shades of brown ink, 26.1 by 38.6 cm. (Musée Condé, Chantilly).
Attributed works:
12. Detail of Three men in conversation?, by Michelangelo. c.1500. Pen and brown ink on paper, sheet 37.7 by 25 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
13. Detail of Fig.2, showing the figure on the left of the sheet.
Attributed works:
16. Detail of the Crucifixion of St Peter, by Michelangelo. 1545–50. Fresco. (Pauline Chapel, Rome; Bridgeman Images).
Attributed works:
17. Fig.1 showing the Genevosio mount.
Attributed works:
18. Study of two women conversing, by Domenico Ghirlandaio after Filippo Lippi. c.1489. Pen and brown ink, heightened with white gouache, on blue paper, 24.6 by 15.5 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
2. Three standing figures, one after Masaccio’s ‘Baptism of the neophytes’, here attributed to Michelangelo. c.1492–96. Pen and two types of brown ink, brown wash on paper, 33 by 20 cm. (Private collection).
Attributed works:
3. Studies after two figures in the ‘Ascension of St John the Evangelist’ by Giotto, by Michelangelo. c.1492. Pen and two types of brown ink on paper, 31.7 by 20.4 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
4. St Peter after Masaccio’s ‘Tribute money’ and study of an arm, by Michelangelo. c.1492. Pen, brown ink and red chalk on paper, 31.7 by 19.7 cm. (Staatliche Graphische Sammlung, Munich; bpk).
Attributed works:
5. Crucifixion with the Virgin, St John and Mary Magdalen, by Michelangelo. c.1560–64. Black chalk on paper, 40.5 by 21.8 cm. (Royal Collection; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Three standing men in cloaks, after Masaccio’s lost fresco of the Sagra, by Michelangelo. c.1492–96. Pen and brown ink on paper, 29.2 by 20 cm. (Albertina, Vienna).
Attributed works:
6. Kneeling man seen from behind after Masaccio’s lost fresco of the Sagra (verso of Fig.5), by Michelangelo. c.1492–96. Pen and brown ink on paper, 29.2 by 20 cm. (Albertina, Vienna).
Attributed works:
7. Detail of Brutus, by Michelangelo, with later reworking by Tiberio Calcagni. c.1545–48. Marble, height 74 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
8. Three figures, possibly after Masaccio’s lost fresco of the Sagra, by Michelangelo. c.1492–96. Pen and ink on paper, sheet 26.9 by 19.4 cm. (Teylers Museum, Haarlem).
Attributed works:
9. Two figures in profile, possibly after Masaccio’s lost fresco of the Sagra (verso of Fig.8), by Michelangelo. c.1492–96. Pen and ink on paper, sheet 26.9 by 19.4 cm. (Teylers Museum, Haarlem).
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
02/2022 | 1427 | 164
Pages: 120-129
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Author:
De Meester, Toon ( De Meester, Toon)
Author:
Dumolyn, Jan (Dumolyn, Jan)
Author:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Author:
Leloup, Ward (Leloup, Ward)
Author:
Speecke, Mathijs (Speecke, Mathijs)
Subjects
artists:
Eyck, Jan van / Eyck, Lambert van / Eyck, Margaret van / Christus, Petrus
dates:
1430-1440 / 1440-1450
places:
Bruges
subjects:
Early Netherlandish art / Netherlandish School / Flemish School / Workshops (Organisations) / and assistants / Attributions / Account books / Artists' houses
Illustrations
Attributed works:
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos, by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite, transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
Attributed works:
2. St Jerome in his study, by the workshop of Jan van Eyck. c.1442. Oil on linen paper on panel, unframed 20.6 by 13.3 cm. (Detroit Institute of Arts; © KIK-IRPA, Brussels).
Attributed works:
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers. North is towards the lower left. 1562. Modern coloured offset of a copper engraving assembled from ten sheets, 177 by 100 cm. (www. kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint Gillisnieuwstraat, now called the Gouden-Handstraat.
Attributed works:
7. Margaret van Eyck, by Jan van Eyck. 1439. Oil on oak panel, including the frame 41.3 by 34.5 cm. (Groeningemuseum, Bruges; © KIK-IRPA, Brussels).
Attributed works:
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks the Wijngaard.
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