By using this website you agree to our Cookie policy

Search

2 articles
Exhibition Review
Theatres of the body
09/2014 | 1338 | 156
Pages: 615-617
related names
Reviewer:
White, Celia (White, Celia)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
46. Installation view of The Human Factor, Hayward Gallery, London, 2014, showing 4 women, by Thomas Hirschhorn. 2008. Perspex, wood, cardboard, polyurethane foam, paint, neons, printed matter, tape, transparencies, felt pen, dummies and wigs, 223 by 306 by 81 cm. (Migros Museum für Gegenwartskunst, Zürich).
Attributed works:
47. Installation view of The Human Factor, Hayward Gallery, LOondon, 2014, showing Foto (photo), by Martin Honert. 1993. Epoxy resin, wood and paint, figure height 100 cm., table 79 by 73 by 123 cm. (Museum für Moderne Kunst, Frankfurt am Main).
Attributed works:
48. Still from Ribbons, by Ed Atkins. 2014. Three-channel HD video, 13 mins. 19 secs. (CABINET, London, and Galerie Isabella Bortolozzi, Berlin; exh. Serpentine Sackler Gallery, London).
Attributed works:
49. Portrait of Marina Abramovic conducting a rehearsal for Boléro at l'Opéra national de Paris, 2013. (Photograph Rahi Rezvani, Paris, 2013).
Exhibition Review
Marina Abramovic. New York
07/2010 | 1288 | 152
Pages: 502-503
related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Marina Abramovic: The Artist is Present | institution: Museum of Modern Art
Illustrations
Attributed works:
67. Imponderabilia, by Marina Abramovic and Ulay. Originally performed in 1977 for 90 min., Galleria Comunale d’Arte Moderna, Bologna. Still from 16 mm. film transferred to video, 52.16 min. (Courtesy of the artist and Sean Kelly Gallery, New York; exh. Mus­eum of Modern Art, New York).
Attributed works:
68. Installation view of Marina Abramovic’s performance The artist is present at the Museum of Modern Art, New York, 2010.