46. Installation view of The Human Factor, Hayward Gallery, London, 2014, showing 4 women, by Thomas Hirschhorn. 2008. Perspex, wood, cardboard, polyurethane foam, paint, neons, printed matter, tape, transparencies, felt pen, dummies and wigs, 223 by 306 by 81 cm. (Migros Museum für Gegenwartskunst, Zürich).
Attributed works:
47. Installation view of The Human Factor, Hayward Gallery, LOondon, 2014, showing Foto (photo), by Martin Honert. 1993. Epoxy resin, wood and paint, figure height 100 cm., table 79 by 73 by 123 cm. (Museum für Moderne Kunst, Frankfurt am Main).
Attributed works:
48. Still from Ribbons, by Ed Atkins. 2014. Three-channel HD video, 13 mins. 19 secs. (CABINET, London, and Galerie Isabella Bortolozzi, Berlin; exh. Serpentine Sackler Gallery, London).
Attributed works:
49. Portrait of Marina Abramovic conducting a rehearsal for Boléro at l'Opéra national de Paris, 2013. (Photograph Rahi Rezvani, Paris, 2013).
67. Imponderabilia, by Marina Abramovic and Ulay. Originally performed in 1977 for 90 min., Galleria Comunale d’Arte Moderna, Bologna. Still from 16 mm. film transferred to video, 52.16 min. (Courtesy of the artist and Sean Kelly Gallery, New York; exh. Museum of Modern Art, New York).
Attributed works:
68. Installation view of Marina Abramovic’s performance The artist is present at the Museum of Modern Art, New York, 2010.