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2 articles
Exhibition Review
Venice Biennale. Various locations, Venice
07/2019 | 1396 | 161
Pages: 600-603
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
25. Double Elvis, by George Condo. 2019. Acrylic, gesso, metallic paint and pigment stick on linen. Installation view. (Courtesy La Biennale di Venezia; photograph Andrea Avezzù).
Attributed works:
26. Morning studio, by Nicole Eisenman. 2016. Canvas, 167.6 by 210.8 cm. (Courtesy the artist and Anton Kern Gallery, New York; exh. La Biennale di Venezia).
Attributed works:
27. Comfort break, by Jesse Darling. (Courtesy La Biennale di Venezia; photograph Italo Rondinella).
Attributed works:
28. Muro Ciudad Juárez, by Teresa Margolles. 2010. Concrete blocks. Installation view (Courtesy La Biennale di Venezia; photograph Francesco Galli).
Exhibition Review
Theatres of the body
09/2014 | 1338 | 156
Pages: 615-617
related names
Reviewer:
White, Celia (White, Celia)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
46. Installation view of The Human Factor, Hayward Gallery, London, 2014, showing 4 women, by Thomas Hirschhorn. 2008. Perspex, wood, cardboard, polyurethane foam, paint, neons, printed matter, tape, transparencies, felt pen, dummies and wigs, 223 by 306 by 81 cm. (Migros Museum für Gegenwartskunst, Zürich).
Attributed works:
47. Installation view of The Human Factor, Hayward Gallery, LOondon, 2014, showing Foto (photo), by Martin Honert. 1993. Epoxy resin, wood and paint, figure height 100 cm., table 79 by 73 by 123 cm. (Museum für Moderne Kunst, Frankfurt am Main).
Attributed works:
48. Still from Ribbons, by Ed Atkins. 2014. Three-channel HD video, 13 mins. 19 secs. (CABINET, London, and Galerie Isabella Bortolozzi, Berlin; exh. Serpentine Sackler Gallery, London).
Attributed works:
49. Portrait of Marina Abramovic conducting a rehearsal for Boléro at l'Opéra national de Paris, 2013. (Photograph Rahi Rezvani, Paris, 2013).