25. Double Elvis,
by George Condo.
2019. Acrylic,
gesso, metallic
paint and pigment
stick on linen.
Installation
view. (Courtesy
La Biennale
di Venezia;
photograph
Andrea Avezzù).
Attributed works:
26. Morning
studio, by Nicole
Eisenman. 2016.
Canvas, 167.6
by 210.8 cm.
(Courtesy the
artist and Anton
Kern Gallery,
New York; exh.
La Biennale di
Venezia).
Attributed works:
27. Comfort
break, by Jesse
Darling. (Courtesy
La Biennale
di Venezia;
photograph Italo
Rondinella).
Attributed works:
28. Muro Ciudad
Juárez, by Teresa
Margolles. 2010.
Concrete blocks.
Installation
view (Courtesy
La Biennale
di Venezia;
photograph
Francesco Galli).
46. Installation view of The Human Factor, Hayward Gallery, London, 2014, showing 4 women, by Thomas Hirschhorn. 2008. Perspex, wood, cardboard, polyurethane foam, paint, neons, printed matter, tape, transparencies, felt pen, dummies and wigs, 223 by 306 by 81 cm. (Migros Museum für Gegenwartskunst, Zürich).
Attributed works:
47. Installation view of The Human Factor, Hayward Gallery, LOondon, 2014, showing Foto (photo), by Martin Honert. 1993. Epoxy resin, wood and paint, figure height 100 cm., table 79 by 73 by 123 cm. (Museum für Moderne Kunst, Frankfurt am Main).
Attributed works:
48. Still from Ribbons, by Ed Atkins. 2014. Three-channel HD video, 13 mins. 19 secs. (CABINET, London, and Galerie Isabella Bortolozzi, Berlin; exh. Serpentine Sackler Gallery, London).
Attributed works:
49. Portrait of Marina Abramovic conducting a rehearsal for Boléro at l'Opéra national de Paris, 2013. (Photograph Rahi Rezvani, Paris, 2013).