Alexander von Humboldt
and the United States: Art,
Nature, and Culture
By Eleanor Jones Harvey. 448 pp. incl.
215 col. + 22 b. & w. ills. (Smithsonian
American Art Museum, Washington,
and Princeton University Press,
Princeton NJ and Oxford, 2020),
£62. ISBN 978–0–691–20080–4. |
:
Illustrations
Attributed works:
13. Alexander
von Humboldt, by
Friedrich Georg
Weitsch. 1806.
Oil on canvas,
126 by 92.5 cm.
(Nationalgalerie,
Berlin; exh.
Smithsonian
American
Art Museum,
Washington).
Attributed works:
14. Géographie
des plantes
équinoxiales, by
Alexander von
Humboldt and
Aimé Bonpland.
1805. Handcoloured
print,
61 by 91.4 cm.
(Royal Botanic
Gardens, Kew;
exh. Smithsonian,
American
Art Museum,
Washington).
Attributed works:
15. Heart of
the Andes, by
Frederic Edwin
Church. 1859.
Oil on canvas,
168 by 302.9 cm.
(Metropolitan
Museum of Art,
New York; exh.
Smithsonian
American
Art Museum,
Washington).
Exhibition Review
Fashioned from Nature. Victoria and Albert Museum, London
12. Green carpet challenge dress, by Calvin Klein. 2016. Recycled plastic bottles. (Photograph Dimitrios Kambouris/ Getty Images; exh. Victoria and Albert Museum, London).
Western art unattributed:
11. Court mantua. France, 1760s. Silk, silver and gilded silver thread, silver bobbin lace and ermine, width at hem 195 cm. (Victoria and Albert Museum, London).
Article
The Art of Conservation II: Sir Charles Eastlake and conservation at the National Gallery, London
36. Sir Charles Eastlake, by Francis Grant. 1853 (National Gallery, London)
Attributed works:
38. Ralph Nicholson Wornum, Keeper at the National Gallery during Eastlake's directorship. Portrait photograph taken in the studio of William Green, Northumberland, 1873 (National Gallery, London)
Attributed works:
39. Page from Wornum's Diary: the entry for 17th October 1859 condemns the use of patent parchment to cover the backs of Gallery pictures (National Gallery archive: NGA2/3/2/13. National Gallery, London)
Attributed works:
40. Photograph of An Allegory with Venus and Cupid, by Agnolo Bronzino, showing Raffaele Pinti's overpainting of Venus's tongue and nipple and adding draperies, after the picture's acquisition in 1860. Pinti's changes were removed in 1958 (National Gallery, London)
Attributed works:
41. Eastlake's 'Manuscript Catalogue', showing his entry for Sebastiano del Piombo's Raising of Lazarus (NG1). Under the heading 'On what material painted', Eastlake notes that the picture had been 'Transferred to canvas by Hacquin in 1771' and under 'When repaired', he notes that the picture had been retouched by Benjamin West (National Gallery archive: NG10/1. National Gallery, London)
Western art unattributed:
37. A gallery in the Barry Rooms complex showing National Gallery pictures protected by glass before being put on display. 1876 (National Gallery, London)