1. The proclamation of Philip V in front of the Alcázar, Madrid,
by Filippo Palotta. 1700. Pen, ink and wash, 47.3 by 135 cm. (Museo
de Historia de Madrid).
Attributed works:
2. Plan of the first floor of the Alcázar, Madrid, by Juan Gómez de
Mora. 1626. Pen, ink and watercolour on paper, 49 by 62 cm. (Library
of Congress, Washington).
5. Reconstruction of the plan of a proposed royal palace, Naples, by
Domenico Fontana. c.1600. (From P.C. Verde: Domenico Fontana a
Napoli. 1592–1607, Naples 2007, p.78).
Attributed works:
6 and 7. Plans of the ground and first floor of the viceregal palace,
Mexico City. c.1771. Ink and red gouache on paper, 42.5 by 49 cm; and 40
by 48 cm. (Archivo General de Indias, Mexico City, MP-MEXICO,105).
Attributed works:
8. Detail of a map of Lima, showing the viceregal palace between the
fountain and the river. Engraving, 38 by 53 cm. (From J. Mulder: Lima,
Ciudad de los Reyes, 1688; photograph National Library of Spain, Madrid).
Attributed works:
9. Plan of the top floor of the viceregal palace, Bogotá, by Juan Jimenez
Donoso. 1781. Coloured manuscript on paper, 54 by 54 cm. (Archivo
General Militar, Madrid).
Exhibition Review
Alexander von Humboldt and the United States: Art, Nature, and Culture
Alexander von Humboldt
and the United States: Art,
Nature, and Culture
By Eleanor Jones Harvey. 448 pp. incl.
215 col. + 22 b. & w. ills. (Smithsonian
American Art Museum, Washington,
and Princeton University Press,
Princeton NJ and Oxford, 2020),
£62. ISBN 978–0–691–20080–4. |
:
Illustrations
Attributed works:
13. Alexander
von Humboldt, by
Friedrich Georg
Weitsch. 1806.
Oil on canvas,
126 by 92.5 cm.
(Nationalgalerie,
Berlin; exh.
Smithsonian
American
Art Museum,
Washington).
Attributed works:
14. Géographie
des plantes
équinoxiales, by
Alexander von
Humboldt and
Aimé Bonpland.
1805. Handcoloured
print,
61 by 91.4 cm.
(Royal Botanic
Gardens, Kew;
exh. Smithsonian,
American
Art Museum,
Washington).
Attributed works:
15. Heart of
the Andes, by
Frederic Edwin
Church. 1859.
Oil on canvas,
168 by 302.9 cm.
(Metropolitan
Museum of Art,
New York; exh.
Smithsonian
American
Art Museum,
Washington).
Publication Received
Agents of Faith: Votive Objects in Time and Place. Edited by Ittai Weinryb
Agents of Faith: Votive Objects in Time
and Place
Edited by Ittai Weinryb. 352 pp. incl. numerous
col. ills. (Bard Graduate Center Gallery, New
York, and Yale University Press, New Haven and
London, 2018), $65. ISBN 978–0–300–22296–8. |
:
Book Review
The New World in Early Modern Italy, 1492–1750, E. Horodowich and L. Markey, eds.
38. Interior of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Before 1759-1773
Attributed works:
41. Detail of the façade of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Completed 1773
Attributed works:
42. Altarpiece model from series 49, by Franz Xaver Habermann and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
43. Confessional model from series 37, by Ignaz Carl Junck and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
44. Altar of the Virgin Immaculate (high altar), here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
45. Pulpit, here attributed to Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
46. Altar of Christ the Nazarene, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
47. Epitaph model from series 115, by Jeremias Wachsmuth and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Staatliche Graphische Sammlung, Munich)
Attributed works:
48. Altar of Our Lady of the Rosary, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
49. Calvary altar, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
50. Altarpiece model from series 78, by Emanuel Eichel the Elder and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Victoria and Albert Museum, London)
Western art unattributed:
39. Altar of Our Lady of the Remedies and the Guardian Angel. 1786-98 (Church of La Merced, Lima)
Western art unattributed:
40. Altar of the Infant Jesus. c.1759-1773 (Church of the Carmen, Trujillo)
Article
Two German sculptors who transformed the arts of colonial Chile: Johannes Bitterich and Jacob Kelner