78. Young man in a black beret, by Rembrandt. 1666. Canvas, 81.6 by 64.5 cm. (Nelson-Atkins Museum of Art, Kansas City; exh. Cleveland Museum of Art).
Attributed works:
79. Portrait of Anthonie Coopal, by Rembrandt. 1635. Panel, 83.7 by 67 cm. (Private collection, New York; exh. Cleveland Museum of Art).
Attributed works:
80. St Bartholomew, by Rembrandt. 1657. Canvas, 122.7 by 99.7 cm. (Putnam Foundation Collection, Timken Museum of Art, San Diego; exh. Cleveland Museum of Art).
Article
Eglon van der Neer's 'Portrait of Aernout van Overbeke': the frame makes the man
25. Portrait of Aernout van Overbeke, here attributed to Eglon van der Neer. Late 1650s–early 1660s. Canvas, 33.9 by 29.6 cm. (North Carolina Museum of Art, Raleigh)
Attributed works:
27. Aernout van Overbeke, by Jan Maurits Quinkhard. c.1750–75. Copper, oval 11 by 9.5 cm. (Rijksmuseum, Amsterdam)
Attributed works:
28. Portrait of a young lady seated reading a letter, by Eglon van der Neer. c.1658–59. Canvas, 23.8 by 17.5 cm. (Private Collection, Monte Carlo).
Attributed works:
29. 'Pessima placent plurbus', by Claes Jansz Visscher. From Roemer Visscher: Sinne-poppen, Amsterdam 1614. This image from the 1678 edition. (National Gallery of Art).
Western art unattributed:
26. Aernout van Overbeke, by an unknown printmaker. From De Geestige Werken van Aernout van Overbeke, Amsterdam, 1678, opposite p.1
Exhibition Review
Monet in Normandy. San Francisco, Raleigh and Cleveland