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43 articles
Exhibition Review
Siah Armajani: Follow This Line. Walker Art Center, Minneapolis
12/2018 | 1389 | 160
Pages: 1055-1058
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Ashbery, John / Heidegger, Martin, 1889-1976
artists:
Armajani, Siah
dates:
2010-2019
media:
Architecture / Sculpture / Installations (visual works) / Drawings
museums and institutions:
Walker Art Center, Minneapolis, United States / Metropolitan Museum of Art, New York, United States
places:
United States / Minneapolis / New York
subjects:
Iranian / Conceptual art / Constructivist / Digital technology / Computers / Public sculpture / Design / Bridges / Space (form and composition concept) / Perception / Politics / Philosophy / Poetry / Mathematics / Immigration / Sports / Ceremonies
Illustrations
Attributed works:
21. Seven rooms of hospitality: Room for deportees, by Siah Armajani. 2017. Metal, wood, barbed wire, mailbox, hat and handbag, 243.8 by 305.4 by 111.1 cm. (Courtesy the artist and Rossi & Rossi; exh. Walker Art Center, Minneapolis).
Attributed works:
22. Dictionary for building: The garden gate, by Siah Armajani. 1982–1983. Wood, paint and book, 241.6 by 81.9 by 188 cm. (Walker Art Center, Minneapolis).
Attributed works:
23. Irene Hixon Whitney Bridge, Minneapolis. Designed by Siah Armajani. 1988. (Photograph Barbara Economon; courtesy Walker Art Center, Minneapolis).
Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
11/2018 | 1388 | 160
Pages: 963-965
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Friedman, Martin
artists:
Sheeler, Charles / O'Keeffe, Georgia / Demuth, Charles / Murphy, Gerald / Duchamp, Marcel / Schamberg, Morton Livingston / Picabia, Francis / Ault, George / Frankl, Paul / Carter, Clarence Holbrook / Gursky, Andreas / Struth, Thomas / Bourke-White, Margaret
artists:
Driggs, Elsie / Storrs, John Bradley
dates:
2010-2019
media:
Paintings / Drawings / Prints / Photographs / Videos / Industrial design / Furniture / Art objects
museums and institutions:
Dallas Museum of Art, Dallas, United States / Walker Art Center, Minneapolis, United States
places:
United States / Dallas / Minneapolis
subjects:
American painting (United States of America) / Precisionism / Machine aesthetic / Digital technology / Cities / Popular culture / Abstract art / Modernism / Surrealism / Landscapes (visual works) / Geometry / Automobiles / Design / Workers
Illustrations
Attributed works:
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).
Exhibition Review
Jason Moran. Walker Art Center, Minneapolis
08/2018 | 1385 | 160
Pages: 694-695
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related names
Reviewer:
Mullin, Diane (Mullin, Diane)
Subjects
artists:
Moran, Jason / Jonas, Joan / Gates, Theaster / Simpson, Lorna / Walker, Kara / Weems, Carrie Mae / Mehretu, Julie / Pendleton, Adam / Douglas, Stan / Ligon, Glenn
dates:
2010-2019
media:
Installations (visual works) / Videos / Documents / Drawings / Sculpture / Performance art
museums and institutions:
Walker Art Center, Minneapolis, United States
places:
United States / Minneapolis
subjects:
Music / Musicians / Jazz / Popular culture / Reconstructions
Illustrations
Attributed works:
39. STAGED: Savoy Ballroom 1, by Jason Moran. 2015. Mixed media, sound, 304.8 by 548.6 by 304.8 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Attributed works:
40. STAGED: Three Deuces, by Jason Moran. 2015. Mixed media, sound, 243.8 by 304.8 by 396.2 cm. (Courtesy of the artist and Luhring Augustine, New York; photograph Farzad Owrang; exh. Walker Art Center, Minneapolis).
Exhibition Review
Luther and the art of the Reformation. Atlanta, New York and Minneapolis
03/2017 | 1368 | 159
Pages: 249-250
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related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
artists:
Cranach, Lucas, the Elder, 1472-1553
dates:
2010-2019
museums and institutions:
Pitts Theology Library at Emory University, Atlanta, United States / Morgan Library and Museum, New York, United States / Minneapolis Institute of Arts, Minneapolis, United States
places:
United States / New York / Minneapolis / Atlanta
subjects:
Reviews / Exhibitions / Reformation / Luther, Martin, 1483-1546
Illustrations
Attributed works:
82. Adam and Eve, by Conrad Meit. c.1510 (Schlossmuseum Friedenstein, Gotha; exh. The Morgan Library & Museum, New York)
Attributed works:
83. Detail from The siege of the city of Alesia, by Melchior Feselen. 1533 (Bayerische Staatsgemäldesammlungen, Alte Pinakothek, Munich; exh. Los Angeles County Museum of Art)
Western art unattributed:
81. Pulpit in which Luther gave his last sermon. Central German workshop. 1518 (with later additions). (Evangelische Kirchengemeinde St Andreas-Petri-Nicolai, Lutherstade Eisleben; exh. Minneapolis Institute of Art)
Exhibition Review
Delacroix and the Rise of Modern Art. Minneapolis and London
05/2016 | 1358 | 158
Pages: 376–78
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related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
artists:
Delacroix, Eugène
dates:
2010-2019
museums and institutions:
National Gallery, London, Great Britain / Minneapolis Institute of Arts, Minneapolis, United States
places:
United States / Minneapolis / London / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
42. A Basket of fruit in a flower garden, by Eugène Delacroix. 1848-49 (Philadelphia Museum of Art; exh. National Gallery, London)
Attributed works:
43. Convulsionists of Tangier, by Eugène Delacroix. 1838 (Minneapolis Institute of Art; exh. National Gallery, London)
Attributed works:
44. Pietà (after Delacroix), by Vincent van Gogh. 1889 (Van Gogh Museum, Amsterdam; exh. National Gallery, London)
Exhibition Review
International Pop; The World Goes Pop. Dallas, Minneapolis and Philadelphia; London
05/2016 | 1358 | 158
Pages: 400–402
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related names
Reviewer:
Crow, Thomas (Crow, Thomas)
Subjects
dates:
2010-2019
museums and institutions:
Philadelphia Museum of Art, Philadelphia, United States / Tate Modern, London, Great Britain / Walker Art Center, Minneapolis, United States / Dallas Museum of Art, Dallas, United States
places:
United States / Philadelphia / Minneapolis / London / England / Dallas
subjects:
Reviews / Exhibitions / Pop art
Illustrations
Attributed works:
75. seja marginal, sera herói, by Hélio Oiticica. 1967 (Philadelphia Museum of Art)
Attributed works:
76. Youth on the building yard, by Cornel Brudașcu. 1970 (Museum of Art Cluj-Napoca, Romania; exh. Tate Modern, London)
Attributed works:
77. Zone, by James Rosenquist. 1960-61 (Philadelphia Museum of Art)
Exhibition Review
Art Expanded: 1958–1978
03/2015 | 1344 | 157
Pages: 217-218
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
2010-2019 / 1950-1959 / 1960-1979
museums and institutions:
Walker Art Center, Minneapolis, United States
places:
United States / Minneapolis
subjects:
Reviews / Exhibitions
subjects:
Collections, Public / Art history / Modern Art / Modernism
Illustrations
Attributed works:
84. Trio A, by Yvonne Rainer (Walker Art Center Archives, Minneapolis)
Attributed works:
85. (Left). Ben's window, by Ben Vautier (Walker Art Center Minneapolis)
Attributed works:
86. (Right). TV cello, by Nam June Paik (Walker Art Center, Minneapolis)
Exhibition Review
Hopper Drawing
04/2014 | 1333 | 156
Pages: 266-267
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
Hopper, Edward
dates:
2010-2019
museums and institutions:
Walker Art Center, Minneapolis, United States / Whitney Museum of American Art, New York, United States / Dallas Museum of Art, Dallas, United States
places:
United States / New York / Minneapolis / Dallas
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
75. Study for Office at night, by Edward Hopper (Whitney Museum of American Art, New York; exh. Walker Art Center, Minneapolis)
Attributed works:
76. Study for Office at night, by Edward Hopper (Whitney Museum of American Art, New York; exh. Walker Art Center, Minneapolis)
Attributed works:
77. Study for Office at night, by Edward Hopper (Whitney Museum of American Art, New York; exh. Walker Art Center, Minneapolis)
Attributed works:
78. Office at night, by Edward Hopper (Walker Art Center, Minneapolis)
Exhibition Review
Cindy Sherman. New York, San Francisco, Minneapolis and Dallas
07/2012 | 1312 | 154
Pages: 516-517
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related names
Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
artists:
Sherman, Cindy
dates:
2010-2019
museums and institutions:
Museum of Modern Art, New York, United States / San Francisco Museum of Modern Art, San Francisco, United States / Walker Art Center, Minneapolis, United States / Dallas Museum of Art, Dallas, United States
places:
United States / San Francisco / New York / Minneapolis / Dallas
print:
Sherman, Cindy
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Cindy Sherman | institution: Dallas Museum of Art , institution: Museum of Modern Art , institution: San Francisco Museum of Modern Art , institution: Walker Art Center
Illustrations
Attributed works:
60. Untitled #466, by Cindy Sherman. 2008. Chromogenic colour print, 259.1 by 177.8 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
61. Untitled film still #21, by Cindy Sherman. 1978. Gelatin silver print, 19.1 by 24.1 cm. (Museum of Modern Art, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
62. Untitled #213, by Cindy Sherman. 1989. Chromogenic colour print, 105.4 by 83.8 cm. (Courtesy of the artist and Metro Pictures, New York; exh. San Francisco Museum of Modern Art).
Exhibition Review
Art, love and politics in the 1980s. Chicago, Minneapolis and Boston
07/2012 | 1312 | 154
Pages: 517-518
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related names
Reviewer:
Quiles, Daniel R. (Quiles, Daniel R.)
Subjects
dates:
2010-2019
dates:
1980-1989
museums and institutions:
Walker Art Center, Minneapolis, United States / Museum of Contemporary Art, Chicago, United States / Institute of Contemporary Art, Boston, United States
places:
United States / Minneapolis / Chicago / Boston
print:
Contemporary art
subjects:
Reviews / Exhibitions / Politics / Art / Love
subjects:
Installations (visual works) / Conceptual art
Reviewed Items
subjects:
This Will Have Been: Art, Love & Politics in the 1980s | institution: Institute of Contemporary Art , institution: Museum of Contemporary Art , institution: Walker Art Center
Illustrations
Attributed works:
64. Untitled (cowboy), by Richard Prince. 1987. Photograph, 50.8 by 61 cm. (Rubell Family Collection; exh. Walker Art Center, Minneapolis).
Attributed works:
65. ‘Untitled’ (Perfect lovers), by Félix González-Torres. 1987–90. Two wall clocks, 34.3 by 68.6 by 3.2 cm. each. (Wadsworth Atheneum Museum of Art, Hartford; exh. Walker Art Center, Minneapolis).
Western art unattributed:
63. Installation view of This Will Have Been: Art, Love & Politics in the 1980s at the Museum of Contemporary Art, Chicago, 2012.
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