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7 articles
Article
Early arrivals in America: paintings attributed to Peter Paul Rubens and Anthony van Dyck
02/2016 | 1355 | 158
Pages: 110-112
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Author:
Weller, Dennis P. (Weller, Dennis P.)
Subjects
artists:
Rubens, Peter Paul / attributed to / Dyck, Anthony van / attributed to
dates:
1600-1649
museums and institutions:
North Carolina Museum of Art, Raleigh, United States
subjects:
Flemish painting / Collections, Private / Collections, Public / Collectors / American (United States of America) / Provenance
Illustrations
Attributed works:
37. Romulus and Remus, from the workshop of Peter Paul Rubens. 1610s (Private collection, on loan to the North Carolina Museum of Art, Raleigh)
Attributed works:
38. Madonna and Child with five saints, from the workshop or circle of Anthony van Dyck. c.1627-30 (North Carolina Museum of Art, Raleigh)
Exhibition Review
Rembrandt in America. Raleigh, Cleveland and Minneapolis
02/2012 | 1307 | 154
Pages: 150-151
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Reviewer:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Subjects
artists:
Rembrandt van Rijn
dates:
2010-2019
museums and institutions:
Cleveland Museum of Art, Cleveland, United States / Minneapolis Institute of Arts, Minneapolis, United States / North Carolina Museum of Art, Raleigh, United States
places:
United States / Raleigh (North Carolina) / Minneapolis / Cleveland
print:
Rembrandt van Rijn
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Rembrandt in America: Collecting and Connoisseurship | institution: Cleveland Museum of Art , institution: Minneapolis Institute of Arts , institution: North Carolina Museum of Art
Illustrations
Attributed works:
78. Young man in a black beret, by Rembrandt. 1666. Canvas, 81.6 by 64.5 cm. (Nelson-Atkins Museum of Art, Kansas City; exh. Cleveland Museum of Art).
Attributed works:
79. Portrait of Anthonie Coopal, by Rembrandt. 1635. Panel, 83.7 by 67 cm. (Private collection, New York; exh. Cleveland Museum of Art).
Attributed works:
80. St Bartholomew, by Rembrandt. 1657. Canvas, 122.7 by 99.7 cm. (Putnam Foundation Collection, Timken Museum of Art, San Diego; exh. Cleveland Museum of Art).
Article
Eglon van der Neer's 'Portrait of Aernout van Overbeke': the frame makes the man
02/2009 | 1271 | 151
Pages: 98-101
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Author:
Weller, Dennis P. (Weller, Dennis P.)
Subjects
artists:
Neer, Eglon van der
dates:
1650-1699
museums and institutions:
North Carolina Museum of Art, Raleigh, United States
places:
Raleigh (North Carolina)
print:
Neer, Eglon van der
subjects:
Portraits / Frames
subjects:
Collections, Public
subjects:
Dutch painting
Illustrations
Attributed works:
25. Portrait of Aernout van Overbeke, here attributed to Eglon van der Neer. Late 1650s–early 1660s. Canvas, 33.9 by 29.6 cm. (North Carolina Museum of Art, Raleigh)
Attributed works:
27. Aernout van Overbeke, by Jan Maurits Quinkhard. c.1750–75. Copper, oval 11 by 9.5 cm. (Rijksmuseum, Amsterdam)
Attributed works:
28. Portrait of a young lady seated reading a letter, by Eglon van der Neer. c.1658–59. Canvas, 23.8 by 17.5 cm. (Private Collection, Monte Carlo).
Attributed works:
29. 'Pessima placent plurbus', by Claes Jansz Visscher. From Roemer Visscher: Sinne-poppen, Amsterdam 1614. This image from the 1678 edition. (National Gallery of Art).
Western art unattributed:
26. Aernout van Overbeke, by an unknown printmaker. From De Geestige Werken van Aernout van Overbeke, Amsterdam, 1678, opposite p.1
Exhibition Review
Monet in Normandy. San Francisco, Raleigh and Cleveland
02/2007 | 1247 | 149
Pages: 132-134
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Reviewer:
Kendall, Richard (Kendall, Richard)
Subjects
artists:
Monet, Claude
dates:
2000-2009
museums and institutions:
Fine Arts Museums of San Francisco, San Francisco, United States / North Carolina Museum of Art, Raleigh, United States / Cleveland Museum of Art, Cleveland, United States
places:
United States / San Francisco / Raleigh (North Carolina) / Cleveland
print:
Monet, Claude
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Monet in Normandy | institution: Cleveland Museum of Art , institution: Fine Arts Museums of San Francisco , institution: North Carolina Museum of Art
Illustrations
Attributed works:
66. By the sea at Fécamp, by Claude Monet. 1881. Canvas, 66.2 by 80 cm. (Musée Malraux, Le Havre; exh. Cleveland Museum of Art).
Attributed works:
67. Waves at the Manneporte, by Claude Monet. 1883 or 1885. Canvas, 73.6 by 92 cm. (Private collection; exh. Cleveland Museum of Art).
Short Notice
A topical reference to urban controversy in Pieter Aertsen's 'Meat stall'
03/2001 | 1176 | 143
Pages: 158-160
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Author:
Houghton, Charlotte M. (Houghton, Charlotte M.)
Subjects
artists:
Aertsen, Pieter
dates:
1500-1599
museums and institutions:
North Carolina Museum of Art, Raleigh, United States
places:
Netherlands
subjects:
Flemish painting / Social history
Illustrations
Attributed works:
32. 'A meat stall with the holy family giving alms', by Pieter Aertsen. 1551. Panel, 115.5 by 169 cm. (North Carolina Museum of Art, Raleigh; purchased with funds from Wendell and Linda Murphy and various donors, by exchange).
Attributed works:
33. Detail of Fig. 32 showing the sign.
Attributed works:
34. Detail of Fig. 32 showing the Virgin Mary giving alms.
Exhibition Review
Arnulf Rainer: The Self-Portraits. Raleigh, North Carolina Museum of Art
01/1987 | 1006 | 129
Pages: 55
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Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
Rainer, Arnulf
dates:
1980-1989
museums and institutions:
North Carolina Museum of Art, Raleigh, United States
places:
United States
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
58. The Birth of an Artist, by Arnulf Rainer. 1972. Oil Crayon on Photograph, 60 by 50 cm. (Exh. Grey Art Gallery, New York).
Exhibition Review
Baroque Paintings from Bob Jones University. Raleigh and New York
12/1984 | 981 | 126
Pages: 808-809
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Author:
Spike, John T. (Spike, John T.; Spike, John; Spike, John I.)
Subjects
dates:
1980-1989
museums and institutions:
North Carolina Museum of Art, Raleigh, United States
places:
United States / New York
private galleries:
Colnaghi Gallery, New York, United States
subjects:
Exhibitions / Reviews
subjects:
Baroque
Illustrations
Attributed works:
86. St Andrew Led to Martyrdom, by Carlo Maratti. 120.6 by 157.6 cm. (Bob Jones University Collection; Exh. North Carolina Museum of Art).
Attributed works:
87. Christ before Pilate, Here Attributed to Constantijn von Renesse. 118.7 by 96.5 cm. (Bob Jones University Collection; Exh. North Carolina Museum of Art).
Attributed works:
88. The Magdalen Turning Away from the World to Christ, by Jan van Bylert. 114.9 by 110.8 cm. (Bob Jones University Collection; Exh. North Carolina Museum of Art).