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17 articles
Short Notice
A portrait of Frances Walsingham: identification and future research
06/2023 | 1443 | 165
Pages: 622-626
related names
Author:
Clifford, Elise Effmann (Clifford, Elise Effmann)
Subjects
dates:
subjects:
Illustrations
Attributed works:
3. Robert Devereux, Earl of Essex, by William Segar. c.1590. Oil on panel, 112 by 86 cm. (National Gallery of Ireland, Dublin).
Western art unattributed:
2. Portrait of a woman, here identified as Frances Walsingham, Lady Sidney. c.1585[?]. Oil on panel, 85.1 by 74 cm. (Fine Arts Museums of San Francisco).
Western art unattributed:
4. Reconstruction in Photoshop of the original inscription on the cartellino in Fig.3. (Courtesy Fine Arts Museums of San Francisco; photograph Randy Dodson).
Western art unattributed:
5. Macro detail of Fig.4, showing the craquelure and vanished letters. (Courtesy Fine Arts Museums of San Francisco; photograph Randy Dodson).
Western art unattributed:
6. Portrait of a woman, here identified as Frances Walsingham, Lady Sidney. c.1585[?]. Oil on panel, 91 by 76 cm. (Parham House, West Sussex; photograph Parham Park Ltd).
Article
Pastels in the pandemic
08/2022 | 1433 | 164
Pages: 780-787
related names
Author:
Jeffares, Neil (Jeffares, Neil)
Subjects
Reviewed Items
subjects:
The Life and Work of Rosalba Carriera (1673–1757): The Queen of Pastel. By Angela Oberer. 324 pp. incl. 8 col. + 32 b. & w. ills. (Amsterdam University Press, Amsterdam, 2020), £108. ISBN 978–94–6298–899–6. | :
subjects:
Color into Line: Pastels from the Renaissance to the Present at the Fine Arts Museums of San Francisco (9th October 2021–13th February 2022) | :
subjects:
Color into Line: Pastels from the Renaissance to the Present at the Fine Arts Museums of San Francisco (9th October 2021–13th February 2022) | :
Illustrations
Attributed works:
1. Diana the huntress, by Rosalba Carriera. c.1720–25. Pastel on blue paper, laid down on canvas, 61.5 by 48.5 cm. (Collection of Phoebe Cowles; photograph Gary Sexton).
Attributed works:
2. Portrait of a man and his dog, attributed to Jean-Étienne Liotard. c.1746–50. Pastel over graphite on five joined sheets of parchment, laid down on canvas, 114 by 86 cm. (Fine Arts Museums of San Francisco; photograph Gary Sexton).
Attributed works:
3. Details of eyes in pastels by Vivien, Carriera, Liotard and La Tour from the Bayerischen Staatsgemäldesammlungen in raking light (left column) and in normal light (right column). (Photograph Ulrike Fischer).
Attributed works:
4. Self-portrait with fur hat, by Joseph Vivien. 1730. Pastel on two sheets of blue laid down on red-brown primed canvas, 80.1 by 64.2 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
5. Mademoiselle Ferrand meditates on Newton, by Maurice-Quentin de La Tour. 1752. Pastel on blue paper, laid down on canvas, 74.2 by 60.7 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
6. Self-portrait, by Rosalba Carriera. c.1739. Pastel on paper, 31 by 25 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. The breakfast, by Jean-Étienne Liotard. c.1752. Pastel on parchment, 67.3 by 54 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
8. Nymph from Apollo’s retinue, by Rosalba Carriera. 1721. Pastel on blue paper laid down on canvas, 62.9 by 56.3 cm. (Musée du Louvre, Paris).
Supplement
Recent acquisitions at the Fine Arts Museums of San Francisco
12/2021 | 1425 | 163
Pages: 1221-1236
related names
Compiler:
Campbell, Thomas P. (Campbell, Thomas P.)
Subjects
subjects:
Illustrations
Attributed works:
1. Penumbra, by Frank Bowling (British, b.Guyana, 1934). 1970. Acrylic and spray paint on canvas, 227 by 697.9 cm. © 2021 Artists Rights Society (ARS), New York / DACS, London. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2019.72.
Attributed works:
12. Moritz-Wilhelm, Duke of Saxe-Zeitz, by Willem van Mieris (Dutch, 1662–1747). 1705. Oil on copper panel, 10.8 by 8.3 cm. Bequest of Margaret Kaplan; inv. no.2020.32.2.
Attributed works:
13. Madame de Narbonne, by François-Hubert Drouais (French, 1727–75). 1769. Oil on canvas, 71.1 by 55.9 cm. Gift of Lady Alexander of Weedon in honour of Martin Chapman; inv. no.2020.2.
Attributed works:
14. An evening landscape, by Samuel Palmer (British, 1805–81). c.1880. Transparent and opaque watercolour over graphite on paper, 21 by 44.1 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2020.3.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
16. The birthday, by William Holman Hunt (English, 1827–1910). 1868. Oil on canvas, 102.9 by 72.7 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund and Grover A. Magnin Endowment Bequest Income Fund; inv. no.2019.33.
Attributed works:
17. Baluster vase and cover with AR monogram, attributed to Johann Caspar Ripp (1681–1726). Meissen Factory (est.1710), Meissen, c.1725–30. Hard-paste porcelain with underglaze blue decoration, 41.3 by 21.5 cm. Gift of Malcolm D. Gutter; inv. no.2015.66a–b.
Attributed works:
20. Figure. Luba artist, Democratic Republic of Congo, 19th century. Wood, metal and fibre, 26 by 5.1 by 4.8 cm. Gift of Richard Schelle; inv. no.2019.1.
Attributed works:
21. Rêve au coin du feu (Dreaming by the fireside), model by Camille Claudel (French, 1864–1943), executed by François Pompon (French, 1855–1933). 1899. Marble, 22.2 by 31.8 by 24.8 cm. Gift of Marie-Joséphe de Touzalin Dunaway; inv. no.2018.88.
Attributed works:
23 22 24 22. in pursuit of Venus [infected], by Lisa Reihana (New Zealander, b.1964). 2015–17. Ultra HD video, colour, 7.1 sound, duration 64 minutes, 250 by 400 cm. Fine Arts Museums of San Francisco and Los Angeles County Museum of Art, acquired jointly with funds provided by the Phyllis C. Wattis Fund for Major Accessions, the Fine Arts Museums Foundation and the Los Angeles County Museum of Art Collectors Committee; inv. no.2019.21. Image courtesy the artist, New Zealand at Venice and Artprojects.
Attributed works:
23. Jar, by Maria Martinez (American, San Ildefonso, 1887–1980) and Julian Martinez (American, San Ildefonso, 1879–1943). c.1930–39. Earthenware, 17.8 by 22.9 by 22.9 cm. Gift of Ardelle Southworth; inv. no. 2017.11. Courtesy www.antiqueamericanindianart.com.
Attributed works:
24. Basket, by Elizabeth Hickox (American and Karuk / Wiyot, 1872–1947). c.1915. Wild grape root, myrtle shoots, maidenhair fern and porcupine quills, 15.9 by 18.7 cm. Purchased with funds from the friends of AOA, the AOA Docent Fund and in memory of Leroy C. Cleal; inv. no.2019.65a–b.
Attributed works:
25. Sky cathedral’s presence I, by Louise Nevelson (American, 1899–1988). 1959–62. Painted wood and found objects, 271.8 by 305.1 by 54.6 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2017.50. © Estate of Louise Nevelson / Artists Rights Society (ARS), New York.
Attributed works:
26. Black and white one-stroke waterfall, by Pat Steir (American, b.1940). 1992. Oil on canvas, 440.7 by 230.5 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2018.30. Courtesy the artist.
Attributed works:
27. Katsura, by Kay Sekimachi (American, b.1926). 1971. Dyed nylon monofilament; 4-layer and tubular weaves on an 8-harness loom, 109.2 by 38.1 by 33 cm. Foundation purchase, George and Dorothy Saxe Endowment Fund; inv. no.2016.7. Courtesy the artist.
Attributed works:
28. Untitled (Compass series), by Jay DeFeo (American, 1929–89). 1979. Charcoal and oil pastel on paper, 35.6 by 27.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2016.6.1. © Jay DeFeo Foundation / Artists Rights Society (ARS), New York.
Attributed works:
29. Him and her hold the root, by Lonnie Holley (American, b.1950). 1994. Rocking chairs, pillow and root, 115.6 by 185.4 by 77.5 cm. Museum purchase, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.27. © Lonnie Holley / Artists Rights Society (ARS), New York.
Attributed works:
30. Blood and meat: survival for the world, by Thornton Dial (American, 1928–2016). 1992. Braided carpet rope, metal, electrical wire, screen, textile, enamel paint and Splash Zone compound on plywood, 165.1 by 241.3 by 27.9 cm. Museum purchase, American Art Trust Fund, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.7. © 2021 Estate of Thornton Dial / Artists Rights Society (ARS), New York.
Attributed works:
31. Carolina interior, by Romare Bearden (American, 1911–88). 1970. Collage of various papers, fabric, paint, ink and graphite on paperboard, 33 by 40 cm. Museum purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no. 2019.4. © Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), New York.
Attributed works:
32. Quilt, by Rosie Lee Tompkins (American, 1936–2006) and Irene Bankhead (American, b.1925). 1996. Velvet, velveteen, velour, faux fur, panne velvet, backed with cotton gauze; pieced, quilted, 188 by 148.6 cm. Museum Purchase, Textile Arts Council Endowment Fund; inv. no.2019.53.1. Courtesy the Estate of Rosie Lee Tompkins (Effie Mae Howard).
Attributed works:
33. Lincoln, Lonnie, and me – a story in 5 parts, by Carrie Mae Weems (American, b.1953). 2012. Video installation and mixed media, 335.3 by 457.2 by 1066.8 cm. Museum purchase, in honour of the Friends of New Art; inv. no.2017.49. © Carrie Mae Weems; courtesy the artist and Jack Shainman Gallery, New York.
Attributed works:
34. Birth hood, by Judy Chicago (American, b.1939). 1965–2011. Sprayed automotive lacquer on car hood, 109 by 109 by 10.9 cm. Foundation purchase, Wattis Endowment Income Fund; inv. no.2020.26.2. © Judy Chicago / Artists Rights Society (ARS), New York.
Attributed works:
35. Jacket, by Junya Watanabe (Japanese, b.1961) for Comme des Garçons (Japanese, est.1973). Fall 2015, Ready-to-wear. Polyester knit (jersey). Gift of Norah and Norman Stone; inv. no.2020.18.8.
Attributed works:
36. Woman’s evening jacket, by Vivienne Westwood (British, b.1941). Spring / Summer 2007. Cotton, metallic thread, sequins, rhinestones, onyx, coral; complex weave, embroidery (chain, buttonhole, and couched stitches) and stones. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.17. Woman’s evening gown and belt, by Vivienne Westwood (British, b.1941). Spring / Summer 2013. Silk, cotton; satin, printed plain-weave lining. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.16a–b.
Attributed works:
37. Exomind (Deep water), by Pierre Huyghe (French, b.1962). 2017/2020. Concrete cast with wax hive and bee colony, 72 by 60 by 79 cm. Foundation purchase, Wattis Acquisition Endowment Fund. Courtesy the artist and Marian Goodman Gallery.
Attributed works:
38. Outstretched, by Wangechi Mutu (Kenyan, b.1972). 2019. Paper pulp, wood glue, charcoal, pigment and feathers, 91 by 162 by 75 cm. Museum purchase, Jay D. and Clare C. McEvoy Endowment Income Fund; inv. no.2021.32. © Wangechi Mutu.
Attributed works:
39. White guise, by Alison Saar (American, b.1956). 2018–19. Colour woodcut, relief printing and paint on shellac-stained mulberry paper, 139.7 by 69.9 cm. Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund; inv. no.2019.60.Courtesy the artist and LA Louver; photograph Jorge Bachmann.
Attributed works:
6. Frame depicting the Five Senses and the Doria coat-of-arms, by Balthasar Martines (active Genoa, 16th century). c.1565–1575. Embossed silver, silver gilt and enamelled gold with modern mirror, 33.5 by 25.5 cm. Museum purchase, European Decorative Arts Trust Fund, Gift of Bank of America by exchange; inv. no.2020.25.
Attributed works:
7. Vanitas, by Andrés Deleito (Spanish, active 1656–63). c.1660. Oil on canvas, 107 by 155.5 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; inv. no.2018.3.
Attributed works:
8. St Matthew with two angels (design for a lunette), by Bernardino di Betto di Biagio, called Pintoricchio (Italian, c.1456–1513). c.1485–90. Pen and brown ink and brown wash over traces of black chalk, ruling and compass work on laid paper, 24.9 by 28.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2021.1.
Attributed works:
9. Lansdowne vase, by Giovanni Battista Piranesi (Italian, 1720–78). Rome, c.1770. Marble with ancient fragments, 49.5 by 39.4 by 28.1 cm. Gift of Joseph and Deborah Goldyne; inv. no.2020.39.1a–b.
Non-western art unattributed:
10. Charger. Iranian, Safavid period, possibly Mashhad, 17th century. Stone paste with underglaze blue decoration, diameter 39.4 cm. Gift of Phoebe Cowles; inv. no.2014.61.
Non-western art unattributed:
18. Man’s haori (jacket). Japan, c.1931. Stencil-printed silk (kata yuzen), 109.2 by 127 cm. Gift of Erik Jacobsen; inv. no.2015.84.15.
Non-western art unattributed:
19. Ritual vessel (aduno koro). Dogon artist, Mali, early 20th century. Wood, 41.9 by 132.7 by 23.5 cm. Gift of the Robert T. Wall Family; inv. no.2019.98.Photograph © Don Tuttle Photography 2010.
Non-western art unattributed:
2. Statuette of Seneb. Egyptian, Middle Kingdom, mid-Dynasty 12, c.1897–1839 BC. Painted wood (probably sycamore), height 27.6 cm. Estate of Virginia B. Landensohn; Ms Lisa Sardegna and Mr David A. Carrillo; Martin I. and Margaret J. Zankel and Herbert and Jan West; The Chickering Endowment; Friends of Ian White; The Michael Taylor Trust; Volunteer Council Acquisition Fund; Diane B. Wilsey; Charlotte and Rolf Scherman; Ancient Art Council; Dr and Mrs Bernard von Bothmer; Teresa Keller Tilden and Douglas Tilden; Sheila Wishek, in memory of Cathleen A. Keller; Ancient Art Trust Fund; Richard Benefield and John Kunowski; Gretchen Turner; Colin B. Bailey and Alan P. Wintermute; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; Rajnikant and Helen Desai, Eunice Baek and Thomas Garrity; Tim and Peggy Brown; Phoebe Cowles; Mrs George Hopper Fitch; Maurice W. Gregg; Anthony and Susan Hardy; Skot Jonz; Peter and Lindsay Joost; Arielle Kozloff in honour of Renée Dreyfus; Millicent and Megan Rutherford, John Klopacz and Richard Wilson, and Donald and Louise Heyneman in memory of John Rutherford; Françoise and Andrew Skurman; and additional donors; inv. no.2014.45.
Non-western art unattributed:
3. Relief with Ptolemy I Soter making an offering. Egyptian, Ptolemaic period, reign of Ptolemy I Soter, 305–282 BC, Limestone, height 33 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; Chickering Endowment Income Fund; You Lan Tang through the Ancient Art Council in honour of Dr Renée Dreyfus; Friends of Ian White Unrestricted Endowment Income Fund; Vivien Grey Gift for Unrestricted Acquisitions; Docent Council Commemorative Fund, Docent Training Class of 2018 and memorial funds from various Docents in memory of Ellen Harden, Clara Morrissey and Pauline Schwartz; Anthony and Susan Hardy; Volunteer Council Art Acquisition Fund; Diane B. Wilsey; Francesca Deering Howe and Thomas Carr Howe Endowment Income Fund; Lindsay and Peter Joost; Koret Foundation; Dr and Mrs Bernard von Bothmer in honour of Dr Dietrich von Bothmer; Berkeley Greek Club in memory of Professors Frederic Amory, J.K. Anderson, Gary Holland and Louis A. MacKay; Ancient Art Acquisition Fund; Mrs William Hamilton; Teresa Keller Tilden and Douglas Tilden; Gretchen Turner; Sheila Wishek; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; John Klopacz and Richard Wilson; Ellen Werner in memory of Klaus Werner; Laura Abbott in memory of J.K. Anderson; Eunice Baek and Thomas Garrity; Kathryn A. Burg; Phoebe Cowles and Robert Girard; Charlotte Scherman in memory of Dr Rolf Scherman; Jerry Wehage and Murray Storton in memory of Allen Branco; and additional donors and tribute funds; inv. no.2019.70.
Non-western art unattributed:
4. Codex-style plate with K’awiil, serpent, and other figures. Maya artist, Petén, Northern Guatemala, 680–750. Earthenware, diameter 30.5 cm. Gift of Gail and J. Alec Merriam; inv. no.2014.95.3.
Non-western art unattributed:
5. Architectural panel in the shape of a mihrab. Timurid, western Central Asia, second half of 14th century. Carved and glazed terracotta, height 55.5 cm. Museum purchase, Vivian Grey Fund for Unrestricted Acquisitions, and Friends of Ian White Restricted Endowment Income Fund; inv. no.2018.61.
Western art unattributed:
11. Talleyrand State Bed. France, probably Paris, c.1805. Carved and gilded wood with modern silk damask and passementerie, and an iron support, 356 by 208 by 163 cm. Museum purchase, Art Trust Fund in memory of Xavier Bonnet; inv. no.2019.61.
Article
Pintoricchio in Rome: a design for Domenico della Rovere
09/2021 | 1422 | 163
Pages: 792-797
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
media:
places:
Illustrations
Attributed works:
1. The Evangelist St Matthew with two angels (design for a lunette), by Pintoricchio. c.1485–90. Pen and brown ink and brown wash over traces of black chalk, ruling and compass work on laid paper, lower right corner made up, 24.9 by 28.9 cm. (Fine Arts Museums of San Francisco).
Attributed works:
2. Four designs for grotesques and a head of Medusa, by Pintoricchio. c.1483. Pen and two hues of brown ink over metalpoint (silver), on grey prepared paper, 27.2 by 17.8 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett).
Attributed works:
3. The Virgin and the blessing Child, by Pintoricchio. c.1480. Pen and brown ink and brown wash over traces of black chalk, 21.4 by 14.7 cm. (Private collection).
Attributed works:
4. Detail of Fig.1, showing the coat of arms of Cardinal Domenico della Rovere.
Attributed works:
5. Coat of arms of Cardinal Domenico della Rovere, by Pintoricchio and workshop. c.1490. Fresco. (Sala degli Apostoli e Profeti, Palazzo dei Penitenzieri, Rome).
Attributed works:
6. Apostle, by the workshop of Pintoricchio. c.1490. Fresco. (Sala degli Apostoli e Profeti, Palazzo dei Penitenzieri, Rome).
Attributed works:
7. St Matthew, by Bendetto da Maiano. c.1490. Glazed terracotta, overall dimensions 108 by 217 cm., glazed lunette 66 by 133 cm. (Sacristy of St Matthew, Basilica of S. Maria, Loreto).
Exhibition Review
Early Monet. Fort Worth and San Francisco
01/2017 | 1366 | 159
Pages: 77-78
related names
Reviewer:
Brettell, Richard R. (Brettell, Richard R.; Brettell, Richard)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
83. Meditation, Madame Monet sitting on a sofa, by Claude Monet. 1870-71 (Musée d'Orsay, Paris; exh. Kimbell Art Museum, Fort Worth)
Attributed works:
84. The Pointe de la Hève at low tide, by Claude Monet. 1865 (Kimbell Art Museum, Fort Worth)
Attributed works:
85. The magpie, by Claude Monet. 1869 (Musée d'Orsay, Paris; exh. Kimbell Art Museum, Fort Worth)
Exhibition Review
Pierre Bonnard. Paris
08/2015 | 1349 | 157
Pages: 564-565
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
47. La Cueillette de pommes, by Pierre Bonnard. c.1899 (Pola Museum of Art, Kanagawa; exh. Musée d'Orsay, Paris)
Attributed works:
48. Baignore, by Pierre Bonnard. 1925 (Tate, London; exh. Musée d'Orsay, Paris)
Attributed works:
49. L'Homme et la femme, by Pierre Bonnard. 1900 (Musée d'Orsay, Paris)
Attributed works:
50. L'Atelier au mimosa, by Pierre Bonnard. 1939-46 (Centre Pompidou, Paris; exh. Musée d'Orsay, Paris)
Exhibition Review
Late Turner
12/2014 | 1341 | 156
Pages: 829-830
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
subjects:
Illustrations
Attributed works:
33. The Burning of the Houses of Lords and Commons, 16th October, 1834, by Joseph Mallord William Turner (Philadelphia Museum of Art; exh. Tate Britain, London)
Attributed works:
34. The lake of Zug, by Joseph Mallord William Turner (Metropolitan Museum of Art, New York; exh. Tate Britain, London)
Attributed works:
35. Peace - burial at sea, by Joseph Mallord William Turner (Tate Britain, London)
Supplement
Recent acquisitions (2005-14) at the Fine Arts Museums of San Francisco
04/2014 | 1333 | 156
Pages: 277-288
Subjects
dates:
Illustrations
Attributed works:
II. (Upper left). Saint Julian, by Carlo Dolci (Fine Arts Museums of San Francisco)
Attributed works:
III. (Lower left). Ruins with Sybil, by Giovanni Paolo Panini (Fine Arts Museums of San Francisco)
Attributed works:
IV. (Below). Sunflowers along the Seine, by Gustave Caillebotte (Fine Arts Museums of San Francisco)
Attributed works:
IX. Second Theme #272, by Burgoyne Diller (Fine Arts Museums of San Francisco)
Attributed works:
V. (Right). The Absinthe Drinkers (Les déclassés), by Jean-François Raffaëlli (Fine Arts Museums of San Francisco)
Attributed works:
VI. (Below). Sewing Party at Loctudy, by Edouard Vuillard (Fine Arts Museums of San Francisco)
Attributed works:
VII. Migration, by Jacob Lawrence (Fine Arts Museums of San Francisco)
Attributed works:
VIII. The Last Civil War Veteran, by Larry Rivers (Fine Arts Museums of San Francisco)
Attributed works:
X. Lettre sur les aveugles II, by Frank Stella (Fine Arts Museums of San Francisco)
Attributed works:
XIX. Déjeuner chinois réticulé (tea and coffee service). France, Sèvres Manufactory, marks for 1839 and 1842. Pierre Huard, decorator; Jacinthe Régnier, designer (Fine Arts Museums of San Francisco)
Attributed works:
XVII. House altar. Germany, Munich, c.1760. Workshop of Jacob and Alois Wolfgang Gerstens. Crucifixion group. Germany, Nymphenburg, c.1756-61. Nymphenburg Porcelain Manufactory; Franz Anton Bustelli, modeller. Skull impressed with initials: FB (Fine Arts Museums of San Francisco)
Attributed works:
XVIII. Coventry secrétaire à abattant (fall-front writing desk). France, Paris, 1763. Bernard II Vanrisamburgh (known as B.V.R.B.). Stamped B.V.R.B. and JME (Fine Arts Museums of San Francisco)
Attributed works:
XX. Salt Flats at Le Croisic, by Lambert Doomer (Fine Arts Museums of San Francisco)
Attributed works:
XXI. Laundry Room Interior, by Hubert Robert (Fine Arts Museums of San Francisco)
Attributed works:
XXII. (Above). Gottardo Piazzoni in His Studio, by Ansel Adams (Fine Arts Museums of San Francisco)
Attributed works:
XXIII. (Opposite page, upper left). Two Ladies at the Automat N.Y.C., by Diane Arbus (Fine Arts Museums of San Francisco)
Attributed works:
XXIV. (Opposite page, upper right). Evening dress, designed by Yves Saint Laurent (Fine Arts Museums of San Francisco)
Attributed works:
XXV. (Opposite page, lower left). Untitled (seated woman wearing polka-dot blouse), by Richard Diebenkorn (Fine Arts Museums of San Francisco)
Attributed works:
XXVI. (Opposite page, lower right). Litho #1 (Waves #1), by Willem de Kooning (Fine Arts Museums of San Francisco)
Non-western art unattributed:
I. Relief of a gift bearer. Persian, Achaemenid Empire, Persepolis, Palace of Darius or Xerxes, c.490-470 BC (Fine Arts Museums of San Francisco)
Non-western art unattributed:
XI. (Left). Akonkromfi (royal chair). Ghana, Akan people, nineteenth/early twentieth century (Fine Arts Museums of San Francisco)
Non-western art unattributed:
XII. (Lower left). Lidded vessel in the form of a turtle shell. Mexico or Guatemala, Central Lowlands, Maya, 350-450 AD (Fine Arts Museums of San Francisco)
Non-western art unattributed:
XIII. (Below). Vessel. Mimbres (New Mexico, United States), c.1000-1150 (Fine Arts Museums of San Francisco)
Non-western art unattributed:
XIV. (Left). Figure. Old Bering Sea I (Alaska), Siberian Yupik, Okvik period, third century BC-second century AD (Fine Arts Museums of San Francisco)
Non-western art unattributed:
XV. (Centre). Male figure. New Guinea, East Sepik Province, lower Sepik River, middle Yuat River, Biwat village, Biwat people, fifteenth century or later (Fine Arts Museums of San Francisco)
Non-western art unattributed:
XVI. (Right). Efomba (commemorative figure). Congo, Nkundu (formerly Ngata) people, early twentieth century
Non-western art unattributed:
XXVII. Aba or abaya (man's robe). Syria, possibly Aleppo region, nineteenth century
Non-western art unattributed:
XXVIII. Wearing blanket (first-phase chief's blanket). Navajo (Southwestern United States), c.1830 (Fine Arts Museums of San Francisco)
Exhibition Review
Monet in Normandy. San Francisco, Raleigh and Cleveland
02/2007 | 1247 | 149
Pages: 132-134
related names
Reviewer:
Kendall, Richard (Kendall, Richard)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Monet in Normandy | institution: Cleveland Museum of Art , institution: Fine Arts Museums of San Francisco , institution: North Carolina Museum of Art
Illustrations
Attributed works:
66. By the sea at Fécamp, by Claude Monet. 1881. Canvas, 66.2 by 80 cm. (Musée Malraux, Le Havre; exh. Cleveland Museum of Art).
Attributed works:
67. Waves at the Manneporte, by Claude Monet. 1883 or 1885. Canvas, 73.6 by 92 cm. (Private collection; exh. Cleveland Museum of Art).
Exhibition Review
Arts and Crafts. London and Milwaukee
06/2005 | 1227 | 147
Pages: 416-418
related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
dates:
Reviewed Items
subjects:
The Arts and Crafts Movement in Europe and America: Design for the Modern World and International Arts and Crafts | institution: Milwaukee Art Museum , institution: Victoria and Albert Museum
Illustrations
Attributed works:
64. One of four panels from The progress of a soul, by Phoebe Anna Traquair. 1895-1902. Linen emroidered with silks and gold thread, 188.2 by 74.2 cm. (National Gallery of Scotland, Edinburgh; exh. Victoria and Albert Museum, London).
Attributed works:
65. Tea and coffee service, by Josef Hoffmann, made by the Wiener Werkstätte. 1904. Silver, ebony and natural fibre, tray: 57.5 cm. high; coffee pot: 22 cm. high. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
66. Design for an alphabet for London Transport, by Edward Johnston. 1916. Ink, 21.7 by 31.5 cm. (Victoria and Albert Museum, London).
Attributed works:
67. High-backed armchair, by Charles Rennie Mackintosh (plaque by Margaret Macdonald Mackintosh). c.1899. Oak, 137 by 52.1 by 48.4 cm. (Danish Museum of Design and Art, Copenhagen; exh. Milwaukee Art Museum).
Attributed works:
68. Table lamp, by Frank Lloyd Wright, made by Linden Glass Co., Chicago, for the Susan Lawrence Dana House, Springfield IL. 1902-05. Leaded glass, bronze, brass and zinc, 52 by 30.5 by 22.5 cm. (Los Angeles County Museum of Art; exh. Milwaukee Art Museum).
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