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Advertisements January 1985 (Front)
01/1985 | 982 | 127
Pages: i-xxxiv
Subjects
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Illustrations
Attributed works:
Detail from Las Meninas, by Velázquez. (Museo del Prado, Madrid).
Attributed works:
[A.D.C. Heritage Limited, 2 Old Bond Street, London] A rare George II Chamber Pot by the Huguenot silversmith David Willaume, London 1744. The Arms are those of George Boothe, 2nd Earl of Warrington. The Pot is referred to in his personal inventory: "The particular of my Plate and it's weight" in folio 15, No. 2 of 10. Provenance: Formerly in the collection of Sir John Foley-Grey, sold at Christies' in 1921.
Attributed works:
[Asprey & Company Plc, 165-169 New Bond Street, London] A Rare Charles II Silver Inkstand, 6¼″ × 4¼″, Maker's Mark Only for John Ruslen, Circa 1677. Engraved with the Arms of Pullen of Scotton, co. York, Impaling Sherwood.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Bessie Macnicol (1869-1904)
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Francois Xavier Fabre 1766-1837. Lord Holland Dated 1795. Canvas: 40¾ × 31¼ Inches
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger Signed Panel, 21 × 16 cm
Attributed works:
[De Havilland (antiques) Ltd, 48 Sloane Street, London] An Unusual Set of 4 Silver Gilt Candlesticks 4¾″ (14½ cm) High. 1881. Maker J. E. B. The Arms Are Those of Fitzpatrick (Baron Castletown)
Attributed works:
[Galerie Joseph Hahn, 36 rue de Berri, Paris] Adam Camerarius, Signé. Toile 118 × 93 cm. "Apollon".
Attributed works:
[Gallery Lingard, 250 King's Office, Chelsea] Office of Sir Charles Barry (fl. 1829-1860) Competition Design for Birmingham Town Hall, 1830. Pen & Ink with Brown & Grey Wash. 14⅜ times 23⅛ Inches (36.6 × 58.8 cms)
Attributed works:
[Hancocks & Co, 1 Burlington Gardens, London] An Unusual 18th Century Punchbead Creamboat Made in Chester in 1775. James Dixon or James Duke (Jackson Page 390).
Attributed works:
[Hoogsteder-Naumann Ltd, 4 East 74th Street, New York] Adriaen van de Venne. Winter Scene with Ice Boats. c. 1610. Panel 52 × 100cm.
Attributed works:
[I.J. Mazure & Co Ltd, 53 Chancery Lane, London] Cigarette Case by Fabergé, Made of Coloured and Ribbed Gold with Cabochon Sapphires. Made before 1899 by Workmaster Erik Kollin, St. Petersburg.
Attributed works:
[J. Kugel, 279 rue Saint-Honoré, Paris] Swedish Gilt Lead Mirror by Precht, Circa 1720. 120 × 69 cm.
Attributed works:
[J.H, Bourdon-Smith Ltd, 24 Mason's Yard, Duke Street, London] 'An Attractive, Parcel-Gilt, Aesthetic Movement Teaset. Made in London in 1879 by Stephen Smith. It Weighs 19 Ounces and the Teapot Stands 3.75 Inches High.'
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Gabriel de Saint-Aubin, (Paris 1724-1780) Black and White Chalk on Brown Paper, 254 × 213 mm. Verso: Study with 7 Figures. Authentified by A. Ananoff.
Attributed works:
[JPL Fine Arts, 24 Davies Street, London] Autoportrait, c. 1888-9 Oil on Canvas. 26 × 20.2 cm. Stamped with Signature lower Left
Attributed works:
[Mallory of Bath, 1-4 Bridge Street & 5 Old Bond Street, Bath] Silver Tankard. Wm III London 1700 by Francis Singleton Wt. 32 ozs 7 dwt (1005 gms) Ht. 8¼ ins (20.5 cms)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Les Desmoiselles de Marseilles, 1984, Cardboard, Glue & Collage, 27 × 15¾ × 32⅛ in/68.6 × 40 × 81.6 cm.
Attributed works:
[Maurice Asprey Ltd, 41 Duke Street, London] A Pair of George III Shell Dishes, Each on Three Small Shell Feet and Engraved with Coat of Arms, Made by William Burwash and Richard Sibley, 1810. Weight 12.8 Ounces.
Attributed works:
[Mia Weiner, 36 East 64th Street, New York] Francesco Salviati. Study of a Seated Nude Man. Red Chalk; 9½ × 6⅝″
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Max Ernst, "Figure Humaine", 1932. Oil on Canvas, 100.5 by 81.4 cm. Signed, lower Right: "Max Ernst". Signed and Inscribed on Reverse: "Max Ernst/Figure Humaine". Literature: Spies, no. 1693
Attributed works:
[S.J. Shrubsole, 43 Museum Street, London] A Fine George I Tazza of Britannia Standard Silver. Made in London in 1721 by Humphrey Payne Whose Workshop Was at the Hen and Chickens, Cheapside. Weight 9ozs 2 dwts. Width 7½″
Attributed works:
[Sotheby's 34-35 New Bond Street London] Six Lion Sejant Spoons, John Parnell, Truro, c. 1630.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Joseph Mallord William Turner, R. A., The Lake of Thun, Watercolour, 28 × 39.4 cm. (£16,500-210,000) $200,000-250,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Parcel-Gilt Coffee Service, Roberto Tombesi, Rome, 1811, Diameter of Tray 34 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] David Teniers the Younger, The Temptation of St. Anthony, Oil on Canvas, Signed, 83.5 by 120.5 cm. £80,000-100,000.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69th Street, New York] Giuseppe de Nittis 1846-1884. The Serpentine, Kensington Palace Gardens, London. Oil in Panel, 10½ × 13¾ Inches
Attributed works:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A George III Oval Silver Salver, with Gadrooned Border on Four Claw Feet by Hannan and Crouch, London 1773.
Attributed works:
[Thomas Le Claire, Adickstrasse 40, Hamburg] Donato Creti (1671 Cremona-Bologna 1749) Oil on Paper, Laid down on Canvas 298 × 178 mm.
Attributed works:
[Wartski, 14 Grafton Street, London] An English Gold Box the Lid and Base Decorated with Arcadian Scenes within Rococo Cartouches. c.1740. A Fabergé Carved Flecked Bowenite Pig the Eyes Set with Rubies. A Blue Enamel and Composition Pendant Depicting an Amorino and the Legend 'Je Pense à tol' within a Frame of Rose Diamonds. Probably French c. 1780. A Fabergé Carved Orange Chalcedony Fo dog; From the Collection of Prince Felix Youssoupoff. An Italian Mid Sixteenth Century Enamelled Gold Jewel Depicting the Nativity. The Holy Family Shown Against a Background of Classical Ruins. The Panle Held within a Seventeenth Century Locket Frame of Rubies and an Outer Pierced Border of Shaded Black and White Enamel. The Captured Heart; The Red Enamelled Brooch with a Diamond Set Magnet. A Plique à Jour Enamelled Gold Peacock Brooch Set with Diamonds and With an Opal Drop by Gautrait. Paris 1900. All Shown Actual Size.
Western art unattributed:
[Antiquaria Limited, 40 Bury Street, London] Florentine "Famiglia Gotica" Two-Handled Drug Jar. Third Quarter of the XVth Century
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, London] A fine Louis XIV centre and corner frame second half 17 century.
Western art unattributed:
[E & C.T. Koopman & Son Ltd, Chancery Lane, London] A Magnificent George II Chinoisserie Epergne on Stand by William Cripps, London 1757.
Western art unattributed:
[Frederick P. Victoria & Son, Inc, 154 East 55th Street, New York] A Large and Exceptional Queen Anne Period Pier Mirror Having a Shaped and Engraved Glass Cresting Centered by Plumes; The Borders of Diamonded Glass Divided and Framed by Gilded Lead Mouldings. 93″ × 38″
Western art unattributed:
[Jack Ogden Limited, 42 Duke Street, London] Specialists in Classical and Other Ancient Goldwork for Museums and Private Collectors Throughout the World.
Western art unattributed:
[Paul Mitchell, 99 New Bond Street, London] Florentine Sixteenth Century Cassetta Frame Sight 47 × 34ins Width 6½ins