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336 articles
Article
Turner’s ‘Staffa, Fingal’s Cave’: exporting ‘indistinctness’
04/2025 | 1465 | 167
Pages: 330-341
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related names
Author:
Warrell, Ian (Warrell, Ian)
Subjects
dates:
1830-1849
museums and institutions:
New York Public Library, New York, United States / Yale Center for British Art, New Haven, United States
subjects:
Turner, Joseph Mallord William / Lenox, James / Leslie, Charles Robert / Cultural tourism / Mendelssohn-Bartholdy, Felix / Travel / Critical Reception / Lenox, James / Stanfield, Clarkson
Illustrations
Attributed works:
1. James Lenox, by Francis Grant. 1848. Oil on canvas. (New York Public Library)
Attributed works:
10. Cotopaxi, by Frederic Edwin Church. 1862. Oil on canvas, 121.9 by 215.9 cm. (Detroit Museum of Arts; Bridgeman Images).
Attributed works:
11. Bally-burgh Ness, by J.M.W Turner. c.1835. Watercolour and gouache, with scratching-out, on cream wove paper, 8.3 by 13.5 cm. (© President and Fellows of Harvard College; Fogg Museum, Harvard Art Museums).
Attributed works:
2. Staffa, Fingals' Cave, by J.M.W. Turner. 1832. Oil on canvas, 90.8 x 121.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
3. Van Tromp's Shallop, at the Entrance of the Scheldt (previously mistitled Van Tromp Returning after the Battle off the Dogger Bank) by J.M.W. Turner. 1832 (previously misdated 1833). Oil on canvas, 90.5 x 120.8 cm. (Tate).
Attributed works:
4. Fingal's Cave, by J.M.W. Turner, c.1832. Pencil and watercolour, heightened with white, 29.2 x 21.6 cm. (Private collection).
Attributed works:
5. North wall of the Lenox Library Picture Gallery, Showing Turner's Staffa, Fingal's Cave in its original frame/ c.1882. Photograph. (New York Public Library Archives).
Attributed works:
6. Turner's Watteau Study by Fresnoy's rules (1831) in its original frame. Photograph. (Tate).
Attributed works:
7. The New York and London packet ship 'Victoria'. 1000 tons (entering New York Harbour), by Thomas Goldsworth Dutton. 1843. Hand-coloured lithograph, 26.2 by 40.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
8. Lenox Library, from the west, designed by Richard Morris Hunt, by H.N. Tuimann & Co. 1909. Gelatin silver print. 35.5 x 27.8 cm. (Museum of the City of New York).
Attributed works:
9. Detail of the Lenox Library Picture Gallery Digital Recreation, showing the north and west walls. (From S. Webster and D. Schwittek, eds: ‘A digital recreation of the Lenox Library Picture Gallery: a contribution to the early history of public art museums in the United States’, Nineteenth-Century Art Worldwide 17, no.2 (2018)).
Editorial
Turner 250
09/2024 | 1458 | 166
Pages: 891
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Subjects
artists:
Turner, Joseph Mallord William / Constable, John
subjects:
Anniversaries / Exhibitions
Advertisements
Advertisements (front)
01/2024 | 1450 | 166
Pages: i-xx
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Subjects
advertisements:
Giquello, Paris, France / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Brimo de Laroussilhe, Paris, France / BRAFA Art Fair, Brussels, Belgium / Finch & Co., London, Great Britain / Christie's, London / Master Drawings New York / Christopher Bishop Fine Art, Milford, CT, United States / Abbott & Holder, London, Great Britain / Salon du Dessin de Collection, Paris / Sam Fogg (dealer), London, Great Britain / Harvey Miller Publishers, London, Great Britain / Print Quarterly, London / The Art News Press, London, Great Britain / Sloane Street Auctions, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / French and Company Art, New York, United States / Daniel Katz Ltd (dealers), London, Great Britain / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Burlington Contemporary / Spanish Gallery, Bishop Auckland, Great Britain
advertisements:
Mearini Fine Art, Perugia, Italy
artists:
Borman, Jan, I, d. bef. 1498 / Gentileschi, Artemisia / Delvaux, Paul / Heyden, Pieter van der / Chirico, Giorgio de / Alsloot, Denys van / Rietveld, Gerrit Thomas / Utrecht, Adriaen van / Langetti, Giovanni Battista / Ernst, Max / Giambologna / Tiepolo, Lorenzo / Klimt, Gustav / Turner, Joseph Mallord William / Picasso, Pablo / Ferri, Ciro / Burne-Jones, Edward / Veronese, Paolo / circle of / Prouvost, Laure, b. 1978
artists:
Vanni, Lippo / Blomstedt, Väinö
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Exhibition Review
Between the Sheets: Turner’s Nudes
10/2022 | 1435 | 164
Pages: 1018-1020
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related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
Turner, Joseph Mallord William
dates:
2020-2030
museums and institutions:
Turner's House, Twickenham, Great Britain
subjects:
Eroticism / Drawings / Sketchbooks / Nudes
Reviewed Items
subjects:
Between the Sheets: Turner’s Nudes Turner’s House, London 9th July–30th October | :
Illustrations
Attributed works:
13. Reclining nude woman with her legs drawn up, by J.M.W. Turner. c.1833. Chalk, gouache and watercolour on paper, 10 by 14.2 cm. (Tate; exh. Turner’s House, London).
Attributed works:
14. Nude Swiss girl and a companion on a bed, by J.M.W. Turner. 1802. Graphite and watercolour on paper, 16.3 by 19.8 cm. (Tate; exh. Turner’s House, London).
Attributed works:
15. A curtained bed, with a naked couple engaged in sexual activity, from the Colour Studies Sketchbook, by J.M.W. Turner. c.1834–36. Watercolour and graphite on paper, 7.7 by 10.1 cm. (Tate; exh. Turner’s House, London).
Article
Turner, Ossian and the Royal Academy
07/2022 | 1432 | 164
Pages: 658-663
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related names
Author:
MacDonald, Murdo (MacDonald, Murdo)
Subjects
artists:
Turner, Joseph Mallord William
dates:
1800-1809
museums and institutions:
Royal Academy of Arts, London, Great Britain / Fitzwilliam Museum, Cambridge, Great Britain
places:
Scotland
subjects:
British art / Ossianic / Landscapes (visual works)
subjects:
Exhibitions
Illustrations
Attributed works:
1. Ben Lomond Mountains, Scotland: The Traveller – Vide Ossian’s War of Caros, by J.M.W. Turner. 1802. Oil on canvas, 64.1 by 98.8 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
2. Detail of Fig.1, showing Hidallan and Lamor.
Attributed works:
3. Rubha Mor with Ben Lomond in the background (formerly A wooded bay with mountains beyond; perhaps Loch Lomond at Inveruglas), by J.M.W. Turner. 1801. Chalk, graphite and watercolour on paper, 29.5 by 43 cm. (Tate; DO3426; Turner Bequest LVIII 47).
Attributed works:
4. Dolbadern Castle, North Wales, by J.M.W. Turner. 1800. Oil on canvas, 119.4 by 90.2 cm. (Royal Academy of Arts, London).
Attributed works:
5. Thomson’s Aeolian Harp, by J.M.W. Turner. 1809. Oil on canvas. 166.7 by 306 cm. (Manchester Art Gallery).
Attributed works:
6. Staffa, Fingal’s Cave, by J.M.W. Turner. 1831 to 1832. Oil on canvas, 95.1 by 122 cm. (Yale Center for British Art, Paul Mellon Collection).
Attributed works:
7. Glencoe, by J.M.W. Turner. c.1833. Watercolour, 9.4 by 14.3 cm. (Museum of Art, Rhode Island School of Design).
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Advertisements (front)
07/2022 | 1432 | 164
Pages: i-viii
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Subjects
advertisements:
London Art Week / Stephen Ongpin Fine Art, London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Charles Beddington Ltd., London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Brun Fine Art, London / Minerva Magazine / Trinity Fine Art Ltd, London, Great Britain / Agnew's, London, Great Britain / Sam Fogg (dealer), London, Great Britain / Lowell Libson, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / The British Art Journal, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / Day and Faber, London, Great Britain / The-saleroom.com / Paul Mellon Centre for Studies in British Art, London, Great Britain
advertisements:
Miles Wynn Cato (art dealer)
artists:
Tiepolo, Giovanni Domenico / Turner, Joseph Mallord William / Nicholson, William, 1872-1949 / Dantan, Jean-Pierre / Jones, Thomas, 1742-1803 / Caroselli, Pseudo / Hamilton, Hugh Douglas / Susini, Giovanni Francesco / Piazzetta, Giovanni Battista
artists:
Marmitta, Francesco / Giorgetti, Antonio
Illustrations
Attributed works:
A boy playing a lute, by Giovanni Battista Piazzetta (1682/83– 1754). Black chalk heightened with white on brown paper, 35 by 24 cm. [STEPHEN ONGPIN FINE ART, W1K, LAW]
Attributed works:
A capriccio on the river Wye with the Pont du Gard, by Thomas Jones (1742–1803). c.1775. Oil on panel, 34.3 by 47 cm. [MILES WYNN CATO, SW7, LAW]
Attributed works:
A young woman playing a tambourine, by Pseudo-Caroselli (active 1600–25). Oil on canvas, 99.1 by 74.3 cm. [AGNEWS, W1S, LAW]
Attributed works:
Carved walnut wood frame with glass mirror, Italian, 16th century, by Isabel Agnes Cowper. c.1891. (Victoria and Albert Museum, London). [Burlington Magazine call for paper photography]
Attributed works:
George Clavering Cowper, 3rd Earl Cowper, by Hugh Douglas Hamilton (c.1740–1808). 1785. Pastel on paper, 94 by 69 cm. [LOWELL LIBSON AND JONNY YARKER LTD, W1S, LAW]
Attributed works:
GIOVANNI DOMENICO TIEPOLO (1727-1804) The Carpenter’s Shop Pen and brown ink and wash, over an underdrawing in black chalk. Signed Domo. Tiepolo f at the lower left and numbered 56 in the upper left margin. 350 x 468 mm. (133⁄4 x 183⁄6 in.) [Ongpin LAW]
Attributed works:
Head of an angel, by Antonio Giorgetti (1635–69). c.1663. Terracotta, height 40 cm. [TRINITY FINE ART AND WALTER PADOVANI, W1S, LAW]
Attributed works:
La Loge Anglais, by Jean-Pierre Dantan (1800–69). 1834. Patinated plaster, 23.5 by 35 by 15.5 cm. [DANIEL KATZ, W1J, LAW]
Attributed works:
Nesting swans, Chartwell, by William Nicholson (1872–1949). 1934. Oil on board, 56 by 63.5 cm. [CHARLES BEDDINGTON LTD, W1S, LAW]
Attributed works:
St Mary’s Church and the Radcliffe Camera from Oriel Lane, Oxford, by J.M.W. Turner (1775–1851). Watercolour, pencil and body colour on paper, 27 by 21.5 cm. [GUY PEPPIATT, SW1Y, LAW]
Attributed works:
Virgin and Child with a bishop saint, by Francesco Marmitta (c.1464–1505). 1500–05. Oil on panel, 187 by 106 cm. [BRUN FINE ART, W1S, LAW]
Attributed works:
Wild boar after the antique, by Giovanni Francesco Susini (1585– c.1653). c.1600–50. Bronze, 17.8 by 20.3 cm. [TOMASSO, SW1Y, LAW]
Western art unattributed:
Two leaves from an Italian choirbook depicting birds. Late 15th century. Ink and gold on vellum, 51.5 by 37 cm. [SAM FOGG, W1S, LAW]
Exhibition Review
Turner’s Modern World
06/2021 | 1419 | 163
Pages: 541-544
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related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
Turner, Joseph Mallord William
dates:
2020-2030
museums and institutions:
Tate Britain, London, Great Britain
subjects:
British art / Industrial revolution (1740-1900) / Politics / Slavery
Reviewed Items
subjects:
Turner’s Modern World Tate Britain, London 28th October 2020– 12th September 2021 | :
Illustrations
Attributed works:
7. Slave ship (slavers throwing overboard the dead and dying – typhoon coming on), by J.M.W. Turner. 1840. Oil on canvas, 90.8 by 122.6 cm. (Museum of Fine Arts, Boston).
Attributed works:
8. Northampton Election, 6th December 1830, by J.M.W. Turner. c.1830–31. Watercolour, gouache and ink on paper, 292 by 438 cm. (Tate, London).
Attributed works:
9. The Thames above Waterloo Bridge, by J.M.W. Turner. c.1835– 40. Oil on canvas, 90.5 by 121 cm. (Tate, London).
Exhibition Review
Im Herzen wild: Die Romantik in der Schweiz
04/2021 | 1417 | 163
Pages: 361-364
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related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
art literature:
Exhibition catalogues
artists:
Fuseli, Henry / Fuseli, Henry / Calame, Alexandre / Wolf, Caspar / Koch, Joseph Anton / Blechen, Carl / Turner, Joseph Mallord William / Friedrich, Caspar David / Carus, Carl Gustav / Oehme, Ernst Ferdinand
museums and institutions:
Kunsthaus Zürich, Zürich, Switzerland
places:
Switzerland
styles:
Romanticism
subjects:
Swiss School / German art / British art / Austrian School
subjects:
Mountains
Reviewed Items
subjects:
Im Herzen wild: Die Romantik in der Schweiz Edited by Jonas Beyer and Esther Braun-Kalberer. 288 pp. incl. 200 col. ills. (Zürcher Kunstgesellschaft / Kunsthaus Zürich and Prestel, Munich, London and New York, 2020), €49. ISBN 978–3– 7913–5988–5. | :
Illustrations
Attributed works:
12. Passage of Mount St Gotthard from the centre of Teufels Broch (Devil’s Bridge), by J.M.W. Turner. 1804. Watercolour on paper, 101 by 68 cm. (Abbot Hall Art Gallery, Lakeland Arts; The Morse Bequest, 1972; exh. Kunsthaus Zürich).
Attributed works:
13. Summit in the clouds, by Alexandre Calame. 1861. Charcoal and graphite, heightened with white chalk and gouache on blue paper, 15.9 by 23.7 cm. (Musées d’art et d’histoire, Geneva; exh. Kunsthaus Zürich).
Attributed works:
14. The three witches, by Henry Fuseli. 1783. Oil on canvas, 65 by 91.5 cm. (Kunsthaus Zürich).
Article
Charles Holmes and the restoration of paintings at the National Gallery, London
09/2019 | 1398 | 161
Pages: 737-743
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related names
Author:
Simon, Jacob (Simon, Jacob)
Subjects
artists:
Turner, Joseph Mallord William / Lorrain, Claude / Fabritius, Carel / Palma, Jacopo, il vecchio, ca. 1479-1528
dates:
1900-1929
museums and institutions:
National Gallery, London, Great Britain / Royal Academy of Arts, London, Great Britain
subjects:
Holmes, Charles John / Buttery, Horace / W. Holder and Sons (restorers), London, Great Britain / Restoration (process) / Conservation / Damage to works of art / Scientific analysis / Lindsay, David, Earl of Crawford, 1871-1940 / Boards of trustees
subjects:
Morrill, George
Illustrations
Attributed works:
1. Sir Charles Holmes, by Elliott & Fry. 1920s. Bromide print, 19.6 by 15 cm. (National Portrait Gallery, London).
Attributed works:
2. Portrait of a poet, by Palma Vecchio. c.1516. Oil on canvas mounted on panel, 83.8 by 63.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
3. Dido directing the equipment of the fleet, or the morning of the Carthaginian Empire, by J.M.W. Turner. Exhibited 1828. Oil on plywood, transferred from canvas, 147.3 by 226.1 cm. (Tate, London; reproduced from E. Poynter: The National Gallery, London 1900, III, p.317).
Attributed works:
4. Seaport with the Embarkation of St Ursula, by Claude Lorrain. 1641. Canvas, 112.9 by 149 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Young man in a fur cap, by Carel Fabritius. 1654. Canvas, 70.5 by 61.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. David Alexander Edward Lindsay, 27th Earl of Crawford and 10th Earl of Balcarres, by Walter Stoneman. 1921. Bromide print, 14.2 by 10 cm. (National Portrait Gallery, London).
Exhibition Review
John Ruskin: The Power of Seeing
04/2019 | 1393 | 161
Pages: 333-336
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related names
Author:
Hall, Michael (Hall, Michael)
Subjects
artists:
Ruskin, John / Turner, Joseph Mallord William
buildings:
2 Temple Place, London, Great Britain / Gothic Revival
dates:
2010-2019
media:
Drawings / Watercolours / Manuscripts
museums and institutions:
2 Temple Place, London, Great Britain / Ruskin Gallery, Sheffield, Great Britain
patrons:
Bulldog Trust
subjects:
Guild of St George / Design / Landscapes (visual works) / Arts and Crafts movement
Illustrations
Attributed works:
17. ‘The gates of the hills: detail from ‘The Pass of St Gothard’, near Faido, Switzerland, by John Ruskin after J.M.W.Turner. 1855. Watercolour, 32 by 33.6 cm. (Guild of St George and Museums Sheffield; exh. Two Temple Place, London).
Attributed works:
18. John Ruskin, by Benjamin Creswick. 1887. Terracotta, height 30.5 cm. (Guild of St George and Museums Sheffield; exh. Two Temple Place, London).
Attributed works:
19. View of the east end of Saint- Pierre, Chartres, from the River Eure, France, by Thomas Matthew Rooke. 1885. Watercolour, 42.5 by 42.8 cm. (Guild of St George and Museums Sheffield; exh. Two Temple Place, London).
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