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2 articles
Article
The tomb of the marquis d’Ennery by Dominique Fossati in Port-au-Prince
05/2021 | 1418 | 163
Pages: 416-427
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
Illustrations
Attributed works:
1. The east face of the tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse, Dominique Fossati, Claude Condamin and V. Marinelly. 1777–78. Carrara marble and Provençal stone, bronze and iron, 175 by 211 by 267 cm. (Churchyard of Saint-Anne du Morne- -Tuf, Port-au-Prince).
Attributed works:
10. Detail of the Fontaine Fossati (Fontaine Jacques-Necker), Place des Capucins, Marseille, by Dominique Fossati. Begun 1778. Carrara marble and Provençal stone.
Attributed works:
11. High altar in the Roman style, by Dominique Fossati and Christophe Fossati. 1767–71. Polychrome marble and gilt bronze. (Vannes Cathedral).
Attributed works:
12. High altar in the Roman style. Installed c.1776. Polychrome Italian marble and gilt bronze. (Church of Saint-Jacques, Le Carbet).
Attributed works:
13. ‘Mausolée de coeur’ for Victor-Thérèse Charpentier, comte de Saint- Empire and marquis d’Ennery, by Jean-Antoine Houdon. 1781. Marble, 225 by 232 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
14. Revenge taken by the Black army for the cruelties practised on them by the French, by J. Barlow. Engraving, 20.6 by 17.9 cm. (From M. Rainsford: An Historical Account of the Black Empire of Hayti, London 1805; courtesy J. Carter Brown Library, Providence RI).
Attributed works:
2. Detail of Fig.1, showing the south face of the tomb and inscription panel.
Attributed works:
3. Detail of Fig.1, showing the death’s head from the tympanum.
Attributed works:
4. Detail of Fig.1, showing the arms of the marquis d’Ennery.
Attributed works:
5. Detail of Fig.6, showing the east face of the tomb.
Attributed works:
6. Design for the Tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse. 1776. Ink and coloured wash on paper, 55 by 45 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
7. Detail of one of the two fountains on the façade of the Promenade Publique, Port-au-Prince, by Antoine-François Sorel des Rivières. 1787–88.
Attributed works:
8. Elevation of one of the two fountains attached to the wall of the Promenade Publique on the Place de l’Intendance of the City of Port-au-Prince, by Antoine-François Sorrel des Rivières. 1788. Ink and colours on paper, sheet 61 by 46.5 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
9. Plan and Profile to Serve for [. . .] the Construction of the General Reservoir (detail), by Charles-François Hesse and Mathias-Henri Demoulceau. 1774. Ink and colours on paper, sheet 38 by 65 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Article
Mignard, the Marquise and Martinique: a West Indian setting for a masterpiece of ‘Grand Epoque’ portraiture
07/2010 | 1288 | 152
Pages: 448-451
related names
Author:
Longstaffe-Gowan, Todd (Longstaffe-Gowan, Todd; Gowan, Todd Longstaffe-)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
2. The Marquise de Seignelay and two of her sons, by Pierre Mignard. 1691. Canvas, 194.5 by 154.5 cm. (National Gallery, London).
Attributed works:
3. Jean-Baptiste-Antoine Colbert, Marquis de Seignelay, by Marc Nattier. 1676. Canvas, 113 by 108 cm. (Château de Versailles).
Attributed works:
5. L’Isle de la Martinique, by A. Peyrounin. Published by Pierre Mariette in Paris, c.1650. Engraving, 31.8 by 42.5 cm. (British Library, London; Map Collection, K.Top 82420[3]).
Western art unattributed:
1. View of St-Pierre, looking north from le Carbet toward Fort St-Pierre and Mont Pelée. Photograph, 2006.
Western art unattributed:
4. Title-page of Code Noir. (1743 edition).