• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
69 articles
Book Review
Réinventer l’art sacré: Le Groupe de Saint-Luc (1919–1945)
05/2025 | 1466 | 167
Pages: 522–24
Buy / subscribe
related names
Reviewer:
Deltour, Louis (Deltour, Louis)
Subjects
museums and institutions:
Groupe de Saint-Luc
styles:
Swiss architecture / Churches / Chapels
Reviewed Items
styles:
Réinventer l’art sacré: Le Groupe de Saint-Luc (1919–1945) By Camille Noverraz. 502 pp. incl. 156 col. ills. (De Gruyter, Berlin, and Vitrocentre, Romont, 2024), €82. ISBN 978–3–11–138370–5. | :
Illustrations
Attributed works:
5. Christ in Majesty, by Alexandre Cingria and Chiara workshop. 1941. Stained glass, diameter 225 cm. (Notre-Dame-del’Assomption, Lausanne).
Article
Hippolyte and Paul Flandrin at Saint-Séverin, Paris
12/2022 | 1437 | 164
Pages: 1178-1189
Buy / subscribe
related names
Author:
Marchetti, Elena (Marchetti, Elena)
Author:
Paccoud, Stéphane (Paccoud, Stéphane)
Subjects
artists:
Flandrin, Hippolyte-Jean / Flandrin, Jean-Paul / Orsel, André Jacques Victor / Ingres, Jean-Auguste-Dominique
buildings:
Saint-Severin, Paris, France
dates:
1840-1849 / 1830-1839
subjects:
Commissions / Church decoration / Murals / John the Baptist, Saint / John the Evangelist, Saint / Chapels / Restoration (process) / French painting / Techniques / Critical Reception
Illustrations
Attributed works:
1. The chapel of St John the Evangelist, Saint-Séverin, Paris, after restoration, 2022. (© Ville de Paris, COARC/Jean-Marc Moser)
Attributed works:
10. Composition study for the Baptism of Christ, by Paul Flandrin. c.1844. Graphite, black chalk and wash on paper, 63.3 by 30 cm. (Musée du Petit Palais, Paris).
Attributed works:
11. The Ollioules gorges, by Paul Flandrin. 1843. Oil on paper mounted on canvas, 25.5 by 35 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / Gérard Blot).
Attributed works:
12. The Ollioules gorges, by Paul Flandrin. 1843. Graphite and white chalk on brown paper, 31.3 by 23.4 cm. (Musée des Beaux-Arts de Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
13. Christ and the little children, by Hippolyte Flandrin. 1836–38. Oil on canvas, 313 by 441 cm. (Musée d’Art et d’Histoire, Lisieux; © Lyon MBA / Photo Martial Couderette).
Attributed works:
14. The Gulf of Gaeta, by Hippolyte Flandrin. 1838. Graphite and watercolour on paper, 6.9 by 18.6 cm. (Fondation Custodia, Collection Frits Lugt, Paris).
Attributed works:
15. Archangel Raphael, cartoon for a stained-glass window for the Chapel Saint-Ferdinand, Neuilly-sur-Seine, by Jean Auguste Dominique Ingres, 1842. Oil on canvas, 210 by 92 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / René-Gabriel Ojeda).
Attributed works:
16. Head of St John, by Hippolyte Flandrin. 1842. Oil on paper mounted on canvas, 21.9 by 17.6 cm. (Galerie La Nouvelle Athènes, Paris).
Attributed works:
2. Calling of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
3. St John on the Isle of Patmos, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
4. Last Supper, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
5. Martyrdom of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
6. Study of Hippolyte Flandrin’s arms for the Last Supper, by Paul Flandrin. 1840. Graphite on squared-up paper, 19.7 by 24.1 cm. (Sterling and Francine Clark Art Institute, Williamstown MA).
Attributed works:
7. Cartoon for the Martyrdom of St John, by Hippolyte Flandrin. 1840. Graphite and stump on squared-up paper, 99 by 90.8 cm. (Musée des Beaux-Arts, Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
8. Preaching of St John the Baptist, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Church of Saint-Séverin, Paris; © Ville de Paris, COARC/Emmanuel Michot).
Attributed works:
9. Baptism of Christ, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Saint-Séverin, Paris; © Ville de Paris, COARC / Emmanuel Michot).
Article
Soldani’s ‘Lamentation’ in Córdoba
11/2022 | 1436 | 164
Pages: 1118-1122
Buy / subscribe
related names
Author:
Loffredo, Fernando (Loffredo, Fernando)
Subjects
artists:
Soldani-Benzi, Massimiliano (1656-1740)
buildings:
Córdoba Cathedral, Córdoba, Spain
dates:
1660-1719
patrons:
Salazar (1630–1706), Pedro, Cardinal
places:
Córdoba
subjects:
Italian sculpture / Bronzes / Reliefs / Chapels / Versions / Jesus Christ: Lamentation
Illustrations
Attributed works:
1. Lamentation over the dead Christ, by Massimiliano Soldani Benzi. Wax, 57 by 38 cm. (Museo Richard-Ginori della Manifattura di Doccia, Sesto Fiorentino; courtesy Ministero della Cultura – Direzione regionale Musei della Toscana – Firenze and Kunsthistorisches Institut in Florenz – Max-Planck-Institut; photograph Luigi Artini).
Attributed works:
2. Lamentation over the dead Christ, by Massimiliano Soldani Benzi. c.1714. Bronze, 57 by 37 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
3. Lamentation over the dead Christ, by Massimiliano Soldani Benzi. 1690–92(?). Gilded bronze, 57 by 40 cm. (Córdoba Cathedral).
Attributed works:
4. Chapel of St Teresa of Ávila, also known as the Chapel of the Cardinal, Córdoba Cathedral. (Alamy Stock Photo).
Attributed works:
5. Cardinal Pedro Salazar, by Jacques Blondeau after Carlo Maratti. c.1686. Engraving, 21.1 by 15.5 cm. (British Museum, London).
Attributed works:
6. The Agony in the Garden, by Massimiliano Soldani Benzi. c.1695 Terracotta, 60.3 by 40.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. The death of St Joseph, by Massimiliano Soldani Benzi. 1727. Bronze, 65 by 44 cm. (Museo Nazionale del Bargello, Florence).
Book Review
The Reredos of All Souls College Oxford
07/2022 | 1432 | 164
Pages: 720-722
Buy / subscribe
related names
Reviewer:
Goodall, John A. (Goodall, John A.)
Subjects
buildings:
All Souls' College, Oxford, Great Britain
subjects:
Chapels / Reredoses / British architecture / British sculpture / Religious architecture
Reviewed Items
subjects:
The Reredos of All Souls College Oxford Edited by Peregrine Horden. 304 pp. incl. 140 col. + b. & w. ills. (Ad Illisvm, London, 2021), £80. ISBN 978–1–912168–18–7. | :
Illustrations
Attributed works:
2. The reredos in the chapel, All Souls College, Oxford. (Courtesy All Souls College, Oxford, the Warden and Fellows).
Book Review
Das Berner Münster. Das erste Jahrhundert: Von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421–1517/1528)
06/2021 | 1419 | 163
Pages: 552-554
Buy / subscribe
related names
Reviewer:
Rüffer, Jens (Rüffer, Jens)
Subjects
buildings:
Bern Minster, Bern, Switzerland
subjects:
Religious architecture / Stained glass / Chapels / Naves / Stonemasons / Medieval architecture / Architectural history
Reviewed Items
subjects:
Das Berner Münster. Das erste Jahrhundert: Von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421–1517/1528) Edited by Bernd Nicolai and Jürg Schweizer. 648 pp. incl. 670 col. + 67 b. & w. ills. (Schnell & Steiner, Regensburg, 2019) €79. ISBN 978–3–7954–3428–1. | :
Illustrations
Attributed works:
2. View from the nave into the choir, Bern Minster. (Archiv BMS, Bern; photograph Beat Schweizer).
Article
The tomb of the marquis d’Ennery by Dominique Fossati in Port-au-Prince
05/2021 | 1418 | 163
Pages: 416-427
Buy / subscribe
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Fossati (1710–92), Dominique-Honoré / Hesse (1748–1801), Charles-François / Houdon, Jean-Antoine
media:
Marbles
places:
Port-au-Prince, Haiti / Marseille / Vannes / Martinique
subjects:
French sculpture / Funerary structures / Mausoleums / Commemorative monuments / Cemeteries / Chapels / Altars / Slavery / Colonialism
subjects:
Ennery, Victor-Thérèse
Illustrations
Attributed works:
1. The east face of the tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse, Dominique Fossati, Claude Condamin and V. Marinelly. 1777–78. Carrara marble and Provençal stone, bronze and iron, 175 by 211 by 267 cm. (Churchyard of Saint-Anne du Morne- -Tuf, Port-au-Prince).
Attributed works:
10. Detail of the Fontaine Fossati (Fontaine Jacques-Necker), Place des Capucins, Marseille, by Dominique Fossati. Begun 1778. Carrara marble and Provençal stone.
Attributed works:
11. High altar in the Roman style, by Dominique Fossati and Christophe Fossati. 1767–71. Polychrome marble and gilt bronze. (Vannes Cathedral).
Attributed works:
12. High altar in the Roman style. Installed c.1776. Polychrome Italian marble and gilt bronze. (Church of Saint-Jacques, Le Carbet).
Attributed works:
13. ‘Mausolée de coeur’ for Victor-Thérèse Charpentier, comte de Saint- Empire and marquis d’Ennery, by Jean-Antoine Houdon. 1781. Marble, 225 by 232 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
14. Revenge taken by the Black army for the cruelties practised on them by the French, by J. Barlow. Engraving, 20.6 by 17.9 cm. (From M. Rainsford: An Historical Account of the Black Empire of Hayti, London 1805; courtesy J. Carter Brown Library, Providence RI).
Attributed works:
2. Detail of Fig.1, showing the south face of the tomb and inscription panel.
Attributed works:
3. Detail of Fig.1, showing the death’s head from the tympanum.
Attributed works:
4. Detail of Fig.1, showing the arms of the marquis d’Ennery.
Attributed works:
5. Detail of Fig.6, showing the east face of the tomb.
Attributed works:
6. Design for the Tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse. 1776. Ink and coloured wash on paper, 55 by 45 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
7. Detail of one of the two fountains on the façade of the Promenade Publique, Port-au-Prince, by Antoine-François Sorel des Rivières. 1787–88.
Attributed works:
8. Elevation of one of the two fountains attached to the wall of the Promenade Publique on the Place de l’Intendance of the City of Port-au-Prince, by Antoine-François Sorrel des Rivières. 1788. Ink and colours on paper, sheet 61 by 46.5 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
9. Plan and Profile to Serve for [. . .] the Construction of the General Reservoir (detail), by Charles-François Hesse and Mathias-Henri Demoulceau. 1774. Ink and colours on paper, sheet 38 by 65 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Article
Architecture and liturgy in the east end of Saint-Urbain, Troyes
04/2021 | 1417 | 163
Pages: 332-343
Buy / subscribe
related names
Author:
Olympios, Michalis (Olympios, Michalis)
Subjects
buildings:
Saint-Urbain, collegiate church, Troyes, France / Regensburg Cathedral, Regensburg, Germany
styles:
Gothic architecture
subjects:
Religious architecture / French architecture / Liturgy / Chapels / Altars / Pulpits / Choir screens / Apses / Staircases / Stained glass
Illustrations
Attributed works:
2. Plan of Saint-Urbain, Troyes, annotated with the major interior partitions and identification of spaces mentioned in the text. The red rectangles frame the walls and staircase turrets between the apses. Drawing by the author, after F. Salet: ‘Saint-Urbain de Troyes’, Congr s arch ologique de France 113 (1955), p.101; and M.T. Davis and L.E. Neagley: ‘Mechanics and meaning: plan design at Saint-Urbain, Troyes and Saint-Ouen, Rouen’, Gesta 39 (2000), p.163, fig.2.
Attributed works:
7 and 8. Plans of Regensburg Cathedral: (top) wall passage level; and (bottom) ground-floor level. (Repr. A. Hubel and M. Schuller, eds: Der Dom zu Regensburg, Regensburg 2010–16, V, pl.72).
Western art unattributed:
1. The central apse of Saint-Urbain, Troyes (photograph Pierre- Louis Laget).
Western art unattributed:
10. The south apse of Regensburg Cathedral, showing the wall passage between central and south apses (photograph the author).
Western art unattributed:
11. View of the choir of Regensburg Cathedral during the general synod of 1650, by Melchior Küssel. 1650. Engraving, 60.2 by 52.7 cm. (Bisch fliches Zentralarchiv Regensburg, Collectio imaginum).
Western art unattributed:
12. Detail of windows on the north side of the north apse at Saint- Urbain, Troyes (photograph the author).
Western art unattributed:
13. The clerestorey in the central apse of Saint-Urbain, Troyes, as seen from the south apse through the wall passage opening (photograph the author).
Western art unattributed:
3. The central apse of Saint-Urbain, Troyes, looking southeast (photograph the author).
Western art unattributed:
4. The chapel of the Virgin Mary in the south apse at Saint-Urbain, Troyes (photograph the author).
Western art unattributed:
5. The south side of the turning bays in the north apse at Saint-Urbain, Troyes. The ground floor doorway of the staircase turret and the access to the passage between the north and central apses are both visible (photograph the author).
Western art unattributed:
6. The central apse of Regensburg Cathedral (photograph the author).
Western art unattributed:
9. The access from the south apse of Regensburg Cathedral to the adjacent staircase turret, showing (a) the doorway leading to the turret from the central apse; and (b) the turret’s ground floor entrance (photograph the author).
Article
Spatial rhetoric: echoes of Madrid’s Alcázar in palaces overseas
03/2021 | 1416 | 163
Pages: 236-243
Buy / subscribe
related names
Author:
Luengo, Pedro (Luengo, Pedro)
Subjects
buildings:
Alcázar, Madrid, Spain / Alcazar, Seville, Spain / Viceregal Palace (National Palace), Mexico City , Mexico
places:
South America
places:
Lima
places:
Bogotá, Colombia
subjects:
Spanish architecture / South America / Palaces / Monarchy / Staircases / Chapels / Galleries (display spaces) / Courts (social groups)
Illustrations
Attributed works:
1. The proclamation of Philip V in front of the Alcázar, Madrid, by Filippo Palotta. 1700. Pen, ink and wash, 47.3 by 135 cm. (Museo de Historia de Madrid).
Attributed works:
2. Plan of the first floor of the Alcázar, Madrid, by Juan Gómez de Mora. 1626. Pen, ink and watercolour on paper, 49 by 62 cm. (Library of Congress, Washington).
Attributed works:
3. The tribune in the transept of the chapel, El Escorial, Spain. (Photograph © Patrimonio Nacional, Madrid).
Attributed works:
4. Plan of the chapel in the Alcázar, Madrid, by Juan Gómez de Mora. c.1660. Pen and ink on paper, 19.5 by 28.6 cm. (Madrid, Archivo General de Palacio, Sección Histórica, caja 51 (1), fol.186r; © Patrimonio Nacional, Madrid).
Attributed works:
5. Reconstruction of the plan of a proposed royal palace, Naples, by Domenico Fontana. c.1600. (From P.C. Verde: Domenico Fontana a Napoli. 1592–1607, Naples 2007, p.78).
Attributed works:
6 and 7. Plans of the ground and first floor of the viceregal palace, Mexico City. c.1771. Ink and red gouache on paper, 42.5 by 49 cm; and 40 by 48 cm. (Archivo General de Indias, Mexico City, MP-MEXICO,105).
Attributed works:
8. Detail of a map of Lima, showing the viceregal palace between the fountain and the river. Engraving, 38 by 53 cm. (From J. Mulder: Lima, Ciudad de los Reyes, 1688; photograph National Library of Spain, Madrid).
Attributed works:
9. Plan of the top floor of the viceregal palace, Bogotá, by Juan Jimenez Donoso. 1781. Coloured manuscript on paper, 54 by 54 cm. (Archivo General Militar, Madrid).
Article
A Bavarian pilgrimage shrine in seventeenth-century Paraguay
02/2020 | 1403 | 162
Pages: 115-125
Buy / subscribe
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
1660-1719
media:
Wooden / Sculpture / Engravings
patrons:
Sepp von Reinegg, Anton
places:
Paraguay / Bavaria / Altötting
styles:
German sculpture
subjects:
Jesuits / Missionaries / Pilgrimages / Chapels / Octagon / Germans / Mary, Virgin: and Child / Statues / Miracles / Shrines (structures)
works:
Gnadenfigur
Illustrations
Attributed works:
10. Likeness of the statue of the miraculous Blessed Virgin Mary at Oettingen, by Libia Loth. Frontispiece from the patronage book of the Munich Archconfraternity of Our Blessed Lady of Altötting. 1650. Watercolours and gold on parchment, 13 by 20 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
11. Copy of the Virgin of Altötting. Seventeenth century. Polychrome and gilded limewood, height 67cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
13. Mission church of San Miguel, Brazil (formerly Paraguay), by Giovanni Battista Primoli. 1735–45. (Photograph the author).
Attributed works:
14. Double chapel combining small-scale replicas of the Gnadenkapelle of Altötting with the Church of the Sepulchre, Jerusalem, Innichen, South Tyrol. 1653. (Photograph Wilfried Wirth / Alamy Stock Photo).
Attributed works:
2. Gnadenkapelle, Altötting, Bavaria. Begun c.770–77; nave and ambulatory begun c.1518–19. (Photograph the author).
Attributed works:
4. The Virgin of Altötting standing between the Gnadenkapelle and the original Jesuit residence, from J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
5. The Gnadenkapelle at Altötting during the Hungarian invasion of AD 910, frontispiece to J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
6. Alten Oetingen, by Matthäus Merian. 1644. Etching, 22.8 by 31.2 cm. (British Museum, London).
Attributed works:
8. The Virgin of Altötting, by the Master of Mühldorf. 1518. Pen and black ink, heightened with white bodycolour on brown paper, 22.3 by 17.8 cm. (British Museum, London).
Attributed works:
9. A true likeness of the statue of the Blessed Virgin Mary in the ancient shrine of Altötting, by Raphael Sadeler. 1601. Engraving, 25.2 by 18.2 cm. (Staatliche Graphische Sammlung, Munich).
Western art unattributed:
1. The village of San Juan [. . .] on the Uruguay [River]. c.1753. Ink and watercolours on paper, 118 by 105 cm. (Archivo General, Simancas).
Western art unattributed:
12. Copy of the Virgin of Altötting. German, fifteenth or sixteenth century. Limewood with traces of polychromy, height 42 cm. (Bayerisches Nationalmuseum, Munich).
Western art unattributed:
15. Copy of the Virgin of Altötting (?). Seventeenth or eighteenth century. Cedar with traces of polychromy, height 50 cm. (Museu de São Miguel, Brazil).
Western art unattributed:
3. Bavarian infantry colour showing the Virgin of Altötting, the Gnadenkapelle and the holy linden tree. 1624–31. Silk, 233 by 290 cm. (Armémuseum, Stockholm).
Western art unattributed:
7. The Virgin of Altötting. Early fourteenth century. Limewood, height 64 cm. (Gnadenkapelle, Altötting).
Article
The Nobili altarpiece from S. Maria degli Angeli, Florence
01/2020 | 1402 | 162
Pages: 14-25
Buy / subscribe
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
artists:
Gaddi, Agnolo / Monaco, Lorenzo
buildings:
Santa Maria degli Angeli, (destroyed), Florence, Italy
collectors and dealers:
Richard L Feigen / Alana Collection, Newark, DE, United States / Clowes Collection, Indianapolis Museum of Art, Indianapolis, United States
dates:
1350-1399
museums and institutions:
Musée du Louvre, Paris, France / Gemäldegalerie, Berlin, Germany / Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
patrons:
Bartolini Benvenuti de’ Nobili., Bernardo di Cino
places:
Florence / Paris
subjects:
Altarpieces / Fragments / Reconstructions / Predellas / Charles V, le Sage, King of France, 1338-1380 / Chapels / Coats of arms / Christian iconography / Saints / Family portraits / Donors
Illustrations
Attributed works:
1. Hypothetical reconstruction of the Nobili altarpiece, S. Maria degli Angeli, Florence, by Agnolo Gaddi and Lorenzo Monaco. 1387–88. Tempera on wood. Reconstruction by the author with Rachel Billinge. Main tier: Virgin and Child enthroned with Sts John the Evangelist, John the Baptist, James and Bartholomew, each panel: 186 by 70 cm. (Gemäldegalerie, Berlin). Predella: left to right Bernardo di Cino Bartolini de’ Nobili and his sons (see Fig.6); Feast of Herod, Crucifixion and St James and the sorcerer Hermogenes, each panel 43 by 67 cm. (Musée du Louvre, Paris); Piera degli Albizzi and her daughters (see Fig.7). Pinnacles: Angel Gabriel; Blessing Redeemer; Annunciate Virgin, each panel 67.3 by 30.5 cm. (Collezione Fondazione Francesco Federico Cerruti, on permanent loan to Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino). Pilasters: Outer left side, top to bottom Deacon saint (see Fig.9); Mary Magdalene (see Fig.8); and Baptism of Christ (see Fig.3). Inner left side, top to bottom St Peter (see Fig.9); and St Benedict (see Fig.8). Inner right side St Paul (see Fig.9); and St Bernard (see Fig.8). Outer right side Bishop saint (see Fig.9); St Catherine (see Fig.8); and Hermogenes throwing books on sorcery into a river (see Fig.4).
Attributed works:
10. Virgin and Child with Sts Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels, by Agnolo Gaddi. c.1387. Tempera on poplar panel, left panel 197 by 80 cm.; middle panel 204 by 80 cm.; right panel 194.6 by 80 cm. (National Gallery of Art, Washington).
Attributed works:
2. Nobili arms as granted to Bernardo di Cino by Charles V of France in 1379 (repr. R. Ciabani: Le famiglie di Firenze, Florence 1992, III, p.806).
Attributed works:
3. Baptism of Christ, by Lorenzo Monaco. 1387–88. Tempera on panel, 38.4 by 28.7cm. (National Gallery, London).
Attributed works:
4. Hermogenes throwing books on sorcery into a river, by Lorenzo Monaco. 1387–88. Tempera on panel, 30.00 by 21.6 cm. (Alana Collection, Newark DE).
Attributed works:
5. Detail of Fig.6.
Attributed works:
6. Bernardo di Cino Bartolini de’ Nobili and his sons, by Lorenzo Monaco. 1387–88. Tempera on wood, 38.1 by 28.9 cm. (Richard L. Feigen Collection, New York).
Attributed works:
7. Piera degli Albizzi and her daughters, by Lorenzo Monaco. 1387–88. Tempera on wood, 27.4 by 21.7 cm. (Alana Collection, Newark DE).
Attributed works:
8. St Mary Magdalene (73.5 by 19cm.); St Benedict (73.7 by 19.4 cm.); St Bernard of Clairvaux (73.7 by 20 cm.), by Agnolo Gaddi. St Catherine of Alexandria (73.6 by 19.4 cm.), by Agnolo Gaddi and Lorenzo Monaco. 1387. Tempera on wood; all now framed together as a single unit. (Clowes Collection, Indianapolis/Newfields Museum of Art).
Attributed works:
9. Bishop saint, St Peter, St Paul and Deacon saint, by Lorenzo Monaco. 1387–88. Now framed together as a single unit, 55.8 by 75 cm. (Gemäldegalerie, Berlin; formerly in Göttingen Universitätsmuseum).
Western art unattributed:
11. Charles V of France and his sons, the future Charles VI, and Louis d’Orléans, with Sts John the Baptist, Charlemagne and Louis of Toulouse; Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.16, Gaignières 444).
Western art unattributed:
12. Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France. c.1374. Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.17, Gaignières 445).
next
load more