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11 articles
Article
The tomb of the marquis d’Ennery by Dominique Fossati in Port-au-Prince
05/2021 | 1418 | 163
Pages: 416-427
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
Illustrations
Attributed works:
1. The east face of the tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse, Dominique Fossati, Claude Condamin and V. Marinelly. 1777–78. Carrara marble and Provençal stone, bronze and iron, 175 by 211 by 267 cm. (Churchyard of Saint-Anne du Morne- -Tuf, Port-au-Prince).
Attributed works:
10. Detail of the Fontaine Fossati (Fontaine Jacques-Necker), Place des Capucins, Marseille, by Dominique Fossati. Begun 1778. Carrara marble and Provençal stone.
Attributed works:
11. High altar in the Roman style, by Dominique Fossati and Christophe Fossati. 1767–71. Polychrome marble and gilt bronze. (Vannes Cathedral).
Attributed works:
12. High altar in the Roman style. Installed c.1776. Polychrome Italian marble and gilt bronze. (Church of Saint-Jacques, Le Carbet).
Attributed works:
13. ‘Mausolée de coeur’ for Victor-Thérèse Charpentier, comte de Saint- Empire and marquis d’Ennery, by Jean-Antoine Houdon. 1781. Marble, 225 by 232 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
14. Revenge taken by the Black army for the cruelties practised on them by the French, by J. Barlow. Engraving, 20.6 by 17.9 cm. (From M. Rainsford: An Historical Account of the Black Empire of Hayti, London 1805; courtesy J. Carter Brown Library, Providence RI).
Attributed works:
2. Detail of Fig.1, showing the south face of the tomb and inscription panel.
Attributed works:
3. Detail of Fig.1, showing the death’s head from the tympanum.
Attributed works:
4. Detail of Fig.1, showing the arms of the marquis d’Ennery.
Attributed works:
5. Detail of Fig.6, showing the east face of the tomb.
Attributed works:
6. Design for the Tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse. 1776. Ink and coloured wash on paper, 55 by 45 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
7. Detail of one of the two fountains on the façade of the Promenade Publique, Port-au-Prince, by Antoine-François Sorel des Rivières. 1787–88.
Attributed works:
8. Elevation of one of the two fountains attached to the wall of the Promenade Publique on the Place de l’Intendance of the City of Port-au-Prince, by Antoine-François Sorrel des Rivières. 1788. Ink and colours on paper, sheet 61 by 46.5 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
9. Plan and Profile to Serve for [. . .] the Construction of the General Reservoir (detail), by Charles-François Hesse and Mathias-Henri Demoulceau. 1774. Ink and colours on paper, sheet 38 by 65 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Exhibition Review
Art in Marseille in the eighteenth century
11/2016 | 1364 | 158
Pages: 921-923
related names
Reviewer:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
64. View of the Cours during the plague of 1720 and 1721, by Michel Serre (Musée des Beaux-Arts, Marseille)
Attributed works:
65. Académie of a man seated on a plinth, by Pierre Puget. c.1680 (Musée des Beaux-Arts, Marseille)
Attributed works:
66. The tea-seller, by Françoise Duparc. c.1760-70 (Musée des Beaux-Arts, Marseille)
Exhibition Review
Painting and the stage. Rovereto
05/2010 | 1286 | 152
Pages: 347-349
related names
Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
dates:
print:
Reviewed Items
subjects:
Dalla scena al dipinto. La magia del teatro nella pittura dell’Ottocento | institution: MART
Illustrations
Attributed works:
60. Lear banishing Cordelia, by Johann Heinrich Fuseli. 1784–90. Canvas, 267.3 by 364.5 cm. (Art Gallery of Ontario, Toronto; exh. MART, Rovereto).
Attributed works:
61. St John Chrysostom and the Empress Eudoxia, by Jean-Paul Laurens. 1893. Canvas, 131 by 163.5 cm. (Musée des Augustins, Toulouse; exh. MART, Rovereto).
Attributed works:
62. The princes in the Tower, by Paul Delaroche. After 1831. Canvas, 88.9 by 106.7 cm. (Stair Sainty Gallery, London; exh. MART, Rovereto).
Exhibition Review
Landscape in Provence. Marseille and Montreal
09/2005 | 1230 | 147
Pages: 632-634
related names
Reviewer:
Conisbee, Philip (Conisbee, Philip)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
Right under the Sun: Landscape in Provence from Classicism to Modernism (1750-1920) | institution: Centre de la Vieille Charité , institution: Montreal Museum of Fine Arts
Illustrations
Attributed works:
63. Montagne Sainte-Victoire seen from the courtyard of a farm in Malvalat, by François-Marius Granet. 32.5 by 41 cm. (Musée Granet, Aix-en-Provence; exh. Museum of Fine Arts, Montreal).
Attributed works:
64. View of the aqueduct and Mont Ventoux, by Jean-Joseph-Xavier Bidauld. 58.5 by 78.5 cm. (Musée Duplessis, Carpentras; exh. Museum of Fine Arts, Montreal).
Attributed works:
65. Marseille seen from the Aygalades on market day, by Emile Loubon. 1853. 140 by 240 cm. (Musée des Beaux-Arts, Marseille; exh. Museum of Fine Arts, Montreal).
Attributed works:
66. Montagne Sainte-Victoire, by Paul Cézanne. c.1887-90. 65 by 92 cm. (Musée d'Orsay, Paris; exh. Museum of Fine Arts, Montreal).
Exhibition Review
Juan Gris. Marseille
01/1999 | 1150 | 141
Pages: 56-57
related names
Reviewer:
McCully, Marilyn (McCully, Marilyn)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
77. Tabac, Journal et bouteille de vin rosé, by Juan Gris. 1914. Papier collé, Oil and Charcoal on Canvas. 44.5 by 26 cm. (Private Collection; Exh. Musée Cantini, Marseille).
Attributed works:
78. Portrait de Madame Lipchitz, by Juan Gris. 1918. Pencil and Coloured Pencils on Paper, 47.5 by 30.5 cm. (Musée national d'Art moderne, Paris; Exh. Musée Cantini, Marseille).
Attributed works:
79. Nature morte sur une table, by Juan Gris. 1916. Panel, 55 by 45.8 cm. (Private Collection, Belp; Exh. Musée Cantini, Marseille).
Exhibition Review
Pierre Puget. Marseille and Genoa
05/1995 | 1106 | 137
Pages: 336-338
related names
Reviewer:
Baker, Malcolm (Baker, Malcolm)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
53. Ships in the Harbour of Marseille, by Pierre Puget. Pen and Grey Ink on Vellum, 37 by 51 cm. (Musée des Beaux-Arts, Marseille).
Attributed works:
54. Alessandro Sauli, by Pierre Puget. Terracotta, 48 by 24 by 18.5 cm. (Musée Granet, Aix-en-Provence; Exh. Centre de la Vieille Charité, Marseille).
Attributed works:
55. Marsyas, by Christophe Veyrier. White Marble, 104.2 by 43 by 50.8 cm. (Metropolitan Museum of Art, New York; Exh. Centre de la Vieille Charité, Marseille).
Attributed works:
56. Hercules Gaulois, by Pierre Puget. Carrara Marble, 160 by 146 by 81 cm. (Louvre, Paris; Exh. Centre de la Vieille Charité, Marseille).
Attributed works:
57. Cato, by Pierre Puget. Marble, 50.5 by 26 by 27 cm. (Académie des sciences, belles-lettres et arts, Lyon; Exh. Palazzo Ducale, Genoa).
Book Review
Le Paysage Provencal et l'Ecole de Marseille avant l'Impressionnisme, 1845-1874
10/1993 | 1087 | 135
Pages: 706-707
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
places:
Reviewed Items
subjects:
Le Paysage Provencal et l'Ecole de Marseille avant l'Impressionnisme, 1845-1874 | author: Soubiran, Jean-Roger
Exhibition Review
Italian Baroque Paintings. Marseille
01/1989 | 1030 | 131
Pages: 57-59
related names
Reviewer:
Habert, Jean (Habert, Jean)
Subjects
dates:
places:
Illustrations
Attributed works:
75. Return from the Flight into Egypt, by Gregorio de Ferrari. c. 1690. 147 by 220 cm. (Musée Fesch, Ajaccio; Exh. Centre de la Vieille Charité, Marseille).
Attributed works:
76. Jacob and the Angel, by Pietro Ricchi. c. 1672/75? 171 by 166 cm. (Musée Calvet, Avignon; Exh. Centre de la Vieille Charité, Marseille).
Attributed works:
77. Venus and Adonis, by Onofrio Palumbo. c. 1650. 205 by 264 cm. (Musée Granet, Aix-En-Provence; Exh. Centre de la Vieille Charité, Marseille).
Exhibition Review
Swiss drawings and Garneray. Geneva, Dijon and Marseille
11/1984 | 980 | 126
Pages: 726-728
related names
Reviewer:
Roland Michel, Marianne (Roland Michel, Marianne; Michel, Marianne Roland; Michei, Marianne Roland)
Subjects
artists:
dates:
museums and institutions:
places:
places:
subjects:
Illustrations
Attributed works:
59. Torrent à Rosenlaui, by Alexandre Calame. Signed. Pencil, Charcoal, Black and Brown Crayons and Brown and Grey Washes, Heightened with White Gouache, on Cream Paper, 82.8 by 64.4 cm. (Cabinet des dessins, Musée d'art et d'histoire, Geneva).
Attributed works:
60. La douleur du Lévite, by Jean-Pierre Saint-Ours. c.1806. Black Chalk, Pen and Sepia, with Sepia Wash, on Light Green Paper. (Cabinet des dessins, Musée d'art et d'histoire, Geneva).
Attributed works:
61. Saint-Malo, by Louis Garneray. Signed. Aquatint, 32.4 by 45.2 cm. (Bibliothèque municipale de Marseille; Exh. Musée de la Marine de Marseille).
Exhibition Review
Current and Forthcoming Exhibitions: Provençal Painting at Marseilles
11/1978 | 908 | 120
Pages: 778+780-781
related names
Reviewer:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
68. The Holy Family, by Reynaud Levieux. 165 by 132 cm. (Notre-Dame, Villeneuve-lès-Avignon; Exh. Marseilles).
Attributed works:
69. The Death of St William of Aquitaine, by Reynaud Levieux. 213 by 162 cm. (Chapelle des Pénitents Noirs, Avignon; Exh. Marseilles).
Attributed works:
70. St Salvator of Horta Curing the Possessed, by Pierre Daret. 240 by 190 cm. (La Madeleine, Aix-en-Provence; Exh. Marseilles).
Attributed works:
71. The Rest on the Flight, by Nicolas Pinson. 59 by 74 cm. (Musée Calvet, Avignon; Exh. Marseilles).
Attributed works:
72. Detail from The Plague at Marseilles, by Michel Serre. (Musée des Beaux-Arts, Marseilles: Exh. Marseilles).
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