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84 articles
Book Review
Memoria in Stein: Das römische Wandgrabmal der Frührenaissance
01/2025 | 1462 | 167
Pages: 64-5
related names
Reviewer:
Muijtjens, Philip (Muijtjens, Philip)
Subjects
places:
Reviewed Items
subjects:
Memoria in Stein: Das römische Wandgrabmal der Frührenaissance By Michael Kühlenthal. 2 vols, 894 pp. incl. 907 col. + b. & w. ills. (Hirmer Verlag, Munich, 2024), €285. ISBN 978–3–7774–3054–6. | :
Illustrations
Attributed works:
2. Tomb of Cardinal Antonio Martinez de Chávez, by Antonio Filarete and Isaia da Pisa, with later alterations by Francesco Borromini. After 1447. Marble. (S. Giovanni in Laterano, Rome).
Article
The tomb of the marquis d’Ennery by Dominique Fossati in Port-au-Prince
05/2021 | 1418 | 163
Pages: 416-427
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
Illustrations
Attributed works:
1. The east face of the tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse, Dominique Fossati, Claude Condamin and V. Marinelly. 1777–78. Carrara marble and Provençal stone, bronze and iron, 175 by 211 by 267 cm. (Churchyard of Saint-Anne du Morne- -Tuf, Port-au-Prince).
Attributed works:
10. Detail of the Fontaine Fossati (Fontaine Jacques-Necker), Place des Capucins, Marseille, by Dominique Fossati. Begun 1778. Carrara marble and Provençal stone.
Attributed works:
11. High altar in the Roman style, by Dominique Fossati and Christophe Fossati. 1767–71. Polychrome marble and gilt bronze. (Vannes Cathedral).
Attributed works:
12. High altar in the Roman style. Installed c.1776. Polychrome Italian marble and gilt bronze. (Church of Saint-Jacques, Le Carbet).
Attributed works:
13. ‘Mausolée de coeur’ for Victor-Thérèse Charpentier, comte de Saint- Empire and marquis d’Ennery, by Jean-Antoine Houdon. 1781. Marble, 225 by 232 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
14. Revenge taken by the Black army for the cruelties practised on them by the French, by J. Barlow. Engraving, 20.6 by 17.9 cm. (From M. Rainsford: An Historical Account of the Black Empire of Hayti, London 1805; courtesy J. Carter Brown Library, Providence RI).
Attributed works:
2. Detail of Fig.1, showing the south face of the tomb and inscription panel.
Attributed works:
3. Detail of Fig.1, showing the death’s head from the tympanum.
Attributed works:
4. Detail of Fig.1, showing the arms of the marquis d’Ennery.
Attributed works:
5. Detail of Fig.6, showing the east face of the tomb.
Attributed works:
6. Design for the Tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse. 1776. Ink and coloured wash on paper, 55 by 45 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
7. Detail of one of the two fountains on the façade of the Promenade Publique, Port-au-Prince, by Antoine-François Sorel des Rivières. 1787–88.
Attributed works:
8. Elevation of one of the two fountains attached to the wall of the Promenade Publique on the Place de l’Intendance of the City of Port-au-Prince, by Antoine-François Sorrel des Rivières. 1788. Ink and colours on paper, sheet 61 by 46.5 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
9. Plan and Profile to Serve for [. . .] the Construction of the General Reservoir (detail), by Charles-François Hesse and Mathias-Henri Demoulceau. 1774. Ink and colours on paper, sheet 38 by 65 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Article
Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome
08/2018 | 1385 | 160
Pages: 646-653
related names
Author:
Spila, Alessandro (Spila, Alessandro)
Subjects
places:
Illustrations
Attributed works:
1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).
Attributed works:
10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).
Attributed works:
11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).
Attributed works:
2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).
Attributed works:
3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).
Attributed works:
4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.
Attributed works:
5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.
Attributed works:
6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.
Attributed works:
7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).
Book Review
The Tombs of the Doges of Venice from the Beginning of the Serenissima to 1907. Edited by Benjamin Paul
04/2018 | 1381 | 160
Pages: 347-348
related names
Reviewer:
Howard, Deborah (Howard, Deborah)
Subjects
art literature:
artists:
places:
Illustrations
Attributed works:
3. Monument to Doge Nicolò Tron, by Antonio Rizzo. 1476–80. Istrian stone, polychromatic marbles and gold, 15 by 7.35 m. (S. Maria Gloriosa dei Frari, Venice; photograph Apollonio Tottoli).
Article
A Renaissance Spanish knight in the Museum of Fine Arts, Boston
11/2016 | 1364 | 158
Pages: 864-869
related names
Author:
Pérez-Martin, Sergio (Pérez-Martin, Sergio)
Author:
Vasallo-Toranzo, Luis (Vasallo-Toranzo, Luis)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Funerary statue of Alonso de Mera, by Juan de Montejo. 1594 (Museum of Fine Arts, Boston)
Attributed works:
3. Reconstruction of the monument to Alonso de Mera, by Antonio Falcote and Juan de Montejo (Drawing by M.A.M. Bailón)
Attributed works:
4. Detail from the tomb of Simón de Galarza and Antonia Rodríguez, by Juan de Montejo. c.1583 (Convent of Discalced Carmelites, Alba de Tormes)
Attributed works:
5. Detail of St Joseph from the Nativity of Christ, by Juan de Montejo. c.1598 (Chapel of Cardinal Mella, Zamora Cathedral)
Attributed works:
6. Detail of Fig.1
Attributed works:
7. Pediment of the tomb with two cherubs holding an oval shield bearing the arms of Alonso de Mera, by Juan de Montejo. 1594 (Whereabouts unknown; photograph courtesy of J. Navarro)
Western art unattributed:
2. Collection card N4831 for the funerary statue of Alonso de Mera, from the records of the Brummer Gallery, New York. Before 28th November 1940 (Digital copy in the Metropolitan Museum of Art, New York, Thomas J. Watson Library)
Article
New sources for Melchiorre Cafà’s 1665 sculpture of Rose of Lima
05/2016 | 1358 | 158
Pages: 345–348
related names
Author:
Kinew, Shawon (Kinew, Shawon)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
16. Rose of Lima with an angel, by Melchiorre Cafà. 1665 (Convent of Santo Domingo, Lima)
Attributed works:
17. Tomb of Giovan Battista Gisleni, by Giovan Battista Gisleni, portrait by Jacob Ferdinand Voet, with epitaph by Orazio Quaranta. 1672 (Church of Santa Maria del Popolo, Rome)
Attributed works:
18. Detail of Fig.16
Article
Antonello (and Domenico) Gagini at Pietraperzìa
11/2015 | 1352 | 157
Pages: 744-748
related names
Author:
Rossi, Francesco (Rossi, Francesco)
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dates:
places:
subjects:
Illustrations
Attributed works:
1. Portrait medallion of Matteo Barresi, by Antonello Gagini. 1531 (Private collection, Milan)
Attributed works:
2. Tomb of Laura Barresi, by Antonello Gagini. 1527 (S. Maria, Pietraperzìa)
Attributed works:
3. Portal of the Cappella di S. Antonio Abate, originally in the Castello Pietraperzìa, by the workshop of Antonello Gagini. c.1520 (Villa Lanza di Trabia, Palermo)
Attributed works:
4. Portrait of Giovan Antonio Barresi, here attributed to Domenico Gagini. c.1490 (Formerly Wildenstein Gallery, New York; now Croatian Institute of Restoration, Zagreb)
Attributed works:
5. Niche for the bust of Giovan Antonio Barresi, originally in the Castello Pietraperzìa, From Domenico Gagini's workshop. c.1490 (Villa Lanza di Scalea, Palermo)
Attributed works:
6. Window frame, by Antonello Gagini. 1527 (S. Maria, Pietraperzìa)
Attributed works:
7. Portrait of a member of the Barresi family, here attributed to Antonello Gagini(?). c.1520 (National Museum, Stockholm)
Attributed works:
8. Detail of the tomb effigy of Giovanni Cardenas, originally in S. Domenico, Syracuse, by Antonello Gagini. 1506 (Museo di Palazzo Bellomo, Syracuse)
Attributed works:
9. Spinario, by Antonello Gagini after the Hellenistic bronze in the Palazzo dei Conservatori, Rome. (1500?) (Metropolitan Museum of Art, New York)
Book Review
The Badia of Florence: Art and Observance in a Renaissance Monastery, A. Leader
07/2014 | 1336 | 156
Pages: 465
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
Illustrations
Western art unattributed:
55. The cloister of the Badia, Florence, towards the west, showing fresco scenes 8-10
Book Review
Römische Grabmäler der Hochrenaissance. Typologie – Ikonographie – Stil
08/2012 | 1313 | 154
Pages: 581
related names
Reviewer:
Jong, Jan de (Jong, Jan de)
Subjects
dates:
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Reviewed Items
subjects:
Römische Grabmäler der Hochrenaissance. Typologie – Ikonographie – Stil | author: Götzmann, Jutta
Book Review
The Vatican Necropoles: Rome’s City of the Dead
07/2012 | 1312 | 154
Pages: 492
related names
Reviewer:
Elsner, Jas (Elsner, Jas)
Subjects
places:
Reviewed Items
subjects:
The Vatican Necropoles: Rome’s City of the Dead | author: Liverani, Paolo , author: Spinola, Giandomenico
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