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Article
The tomb of the marquis d’Ennery by Dominique Fossati in Port-au-Prince
05/2021 | 1418 | 163
Pages: 416-427
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
Illustrations
Attributed works:
1. The east face of the tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse, Dominique Fossati, Claude Condamin and V. Marinelly. 1777–78. Carrara marble and Provençal stone, bronze and iron, 175 by 211 by 267 cm. (Churchyard of Saint-Anne du Morne- -Tuf, Port-au-Prince).
Attributed works:
10. Detail of the Fontaine Fossati (Fontaine Jacques-Necker), Place des Capucins, Marseille, by Dominique Fossati. Begun 1778. Carrara marble and Provençal stone.
Attributed works:
11. High altar in the Roman style, by Dominique Fossati and Christophe Fossati. 1767–71. Polychrome marble and gilt bronze. (Vannes Cathedral).
Attributed works:
12. High altar in the Roman style. Installed c.1776. Polychrome Italian marble and gilt bronze. (Church of Saint-Jacques, Le Carbet).
Attributed works:
13. ‘Mausolée de coeur’ for Victor-Thérèse Charpentier, comte de Saint- Empire and marquis d’Ennery, by Jean-Antoine Houdon. 1781. Marble, 225 by 232 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
14. Revenge taken by the Black army for the cruelties practised on them by the French, by J. Barlow. Engraving, 20.6 by 17.9 cm. (From M. Rainsford: An Historical Account of the Black Empire of Hayti, London 1805; courtesy J. Carter Brown Library, Providence RI).
Attributed works:
2. Detail of Fig.1, showing the south face of the tomb and inscription panel.
Attributed works:
3. Detail of Fig.1, showing the death’s head from the tympanum.
Attributed works:
4. Detail of Fig.1, showing the arms of the marquis d’Ennery.
Attributed works:
5. Detail of Fig.6, showing the east face of the tomb.
Attributed works:
6. Design for the Tomb of Victor-Thérèse Charpentier, comte de Saint-Empire and marquis d’Ennery, by Charles-François Hesse. 1776. Ink and coloured wash on paper, 55 by 45 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
7. Detail of one of the two fountains on the façade of the Promenade Publique, Port-au-Prince, by Antoine-François Sorel des Rivières. 1787–88.
Attributed works:
8. Elevation of one of the two fountains attached to the wall of the Promenade Publique on the Place de l’Intendance of the City of Port-au-Prince, by Antoine-François Sorrel des Rivières. 1788. Ink and colours on paper, sheet 61 by 46.5 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
9. Plan and Profile to Serve for [. . .] the Construction of the General Reservoir (detail), by Charles-François Hesse and Mathias-Henri Demoulceau. 1774. Ink and colours on paper, sheet 38 by 65 cm. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Advertisements
Advertisements May 2017 (back)
05/2017 | 1370 | 159
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Chanel. 173 New Bond Street. London. Coco Crush. Rings and bracelets in diamonds, white and yellow gold]
Attributed works:
[Tomasso Brothers. Jean-Antoine Houdon (1741-1828). Portrait bust of Christine Boyer, (1771-1800). White marble. 67.5 cm (26 1/2 in.) High.]
Book Review
Houdon 1741–1828. Statues, portraits sculptés
12/2007 | 1257 | 149
Pages: 865-866
related names
Reviewer:
Poulet, Anne L. (Poulet, Anne L.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Houdon 1741–1828. Statues, portraits sculptés | author: Scherf, Guilhem
Advertisements
Advertisements January 2005 (Front)
01/2005 | 1222 | 147
Pages: i-xiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. August Lucas (1803-1863). Washwomen in Subiaco 1850. Watercolour over pencil, 32 x 47 cm, annotated, dated and signed with the artist's monogram at lower right.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Landscape near Plauen, c. 1830, by Ernst Ferdinand Oehme (Dresden 1797-1855). Watercolour, 130 x 215 mm.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The Abandoning of Moses, by Giovanni Benedetto Castiglione, Il Grechetto (1609/16-1664/79). Quill pen, brush and brown oily wash, the corners up, 256 x 387 mm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Pensionate di Saraceni. Flourished in Rome, 1610-1620's St. Jerome in an interior (detail) oil on canvas. 67 3/4 x 48 3/8 in. (172 x 123 cm.)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Filippino Lippi (Prato c. 1457-1504 Florence) The Penitent Magdalen (detail). Tempera grassa on panel, arched top. 28 x 15 in. (71 x 38 cm.) Estimate: $800,000-1,200,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Giovanni Francesco Barbieri, il Guercino. A picture of the Nativity supported by two angels holding a crown. Pen and brown ink. 9 3/4 x 7 3/4 in. (248 x 197 mm.) Estimate: $60,000-80,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Judgement of Paris, by Alessandro Turchi, called l'Orbetto (Verona 1578-1649 Rome). Oil on canvas, 968 x 1346 mm. The property of a Family Trust. Sale: Old Master Painting.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Temptetion of Adam, by Batholomaus Spranger (Antwerp 1546-1611 Prague). Black chalk, pen and brown ink, brown and grey wash heightened with white, 240 x 178 mm. Sale: Old Master and 19th Century Drawing.]
Attributed works:
[Di Robilant – Voena. 38 Dover Street, London W1S 4LN. Gaspar van Wittel, called Vanvitelli (Amersfoort ca. 1652 - 1736 Rome). Dell'Aniene Cascade, Tivoli and Porta Galliera, Bologna. Both Oil on Canvas, 50 x 100 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Seascape in Normandy, c 1880, by Ernest-Ange Duez (1843-1896). Signed and dedicated lower right, à Dagnan/E Duez. Pastel, 490 x 605 mm. Exhibition: Works on Paper Recent, on view through 4th February 2005.]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. ADOLF von MENZEL. View of Verona. 1881. Black chalk. 207 x 126 mm (8 1/8 x 5 inches).]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ducan Grant. 1885-1978. The Modeling Stand, circa 1914. Oil and collage on board. 29 3/4 x 24 3/4 inches; 75,6 x 61 cm.]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. Annibale Carracci. Studies for the Hand of an Angel Holding a Violin Bow, a study for the painting The Baptism of Christ (detail), 1585.]
Attributed works:
[Marcello Aldega/Margot Gordon. New York. Flying Angel, by Cristofano Roncalli, called Il Pomarancio (1551/52-1626). Red Chalk, 213 x 251 mm. Exhibition: Disegni Italiani, 1493-1930.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jacopo del Sellaio (Florence, 1442-1493) The Madonna and Child with St. John. Tempera, d. 92 cm.]
Attributed works:
[Otto Naumann, Ltd. New York. A night scene with an old lady holding a basket and candle, a young boy at her side about to light his candle from hers, 1615-1618, by Peter Paul Rubens (Siegen 1577-Antwerp 1640). Oil on panel, 790 x 641 mm. Exhibition: Kunst-und Wunderkammer.]
Attributed works:
[Robert Simon, Fine Art, New York. Minerva with a Putto, by Giovanni Antonio Pellegrini. (Vence 1675-1741) Oil on canvas, 699 by 460 mm.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. Jacopo Palma, Called Palma Giovane (Venetian, 1544-c. 1628). Susanna before Daniel. Oil on canvas, 57 1/2 x 77 3/8 inches (146,1 x 196,5 cm.)]
Attributed works:
[Shepherd & Derom Galleries. 58 East 79 Street, New York City. ANDREA APPIANI. Milan, 1754-1817. Elias and the Angel. Pen and Grey ink, over preliminary study in black chalk. 15 1/16 x 14 7/8 inches (637 x 378 mm)]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Portrait of a young man, circle of Bellini, Bears inscription in pen and brown ink, lower right: Palma. Black chalk, 291 by 272 mm. Sale: Old Master Drawings.]
Attributed works:
[Stiebel. New York, Upper Eastside. Francesco Solimena. "Judith with the Head of Holofernes."]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jean-Antoine Houdon. Versailles 1741-1828 Paris. Jean-Jacuqes Rousseau (Geneva 1712-1778 Ermenonville), 1780. Signed and dated on the edge of the right shoulder, houdon 1780. Patinated bronze on a grey Sainte-Anne marble socle, height 22 13/16 inches (58 inches). Provenance: Julien Potin, France; Edmond Courty, Chatillon-sous-Bagneux, Seine, France.]
Attributed works:
[W. M. Brady & Co. New York. Bust-lenght study of a man with outstretched arms, circa 1736, by Michel-François Dandré-Bardon (Aix-en-Provence 1700-1783 Paris.). Inscribed, lower left, Dandré-Bardon. Red chalk on beige on beige paper, 145 x 250 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Attributed works:
[W. M. Brady & Co. New York. Reposo, by John Hamilton Mortimer. (Eastbourne 1741-1779 London). Inscribed on the mount, lower left, J. Mortimer Delt. Pen and black ink, 280 x 210 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Western art unattributed:
[Dirk Kennis. Lange Gasthuisstraat 13, Antwerp. Strap-End, 9th century AD, English.]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Since Rosemberg & Stiebel moved from a 57th Street gallery to an East Side Townhouse as Stiebel, Ltd. we have been able to present Old Master paintings, drawings, sculpture, and decorative arts in a home setting. The atmosphere is far more conductive to private appreciation and informal discussion of works of art.]
Advertisements
Advertisements November 2003 (Front)
11/2003 | 1208 | 145
Pages: i-x
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Chelminski Gallery. 616 King’s Road, London SW6 2DU. Hindu Girl by Sir Richard Westmacott RA. Exhibited at the Royal Academy 1821. Ht. 39in. (99cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. NICOLAS POUSSIN (Normandy 1594-1665 Rome). The Holy Family with the Infant Saint John the Baptist. Oil on canvas. 51x67.5cm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Giovanni Battisti Gaulli, called Il Baciccio. Genoa, 1639 - Rome, 1709. The Baptism of Christ. Oil on canvas, 93x47.2cm]
Attributed works:
[Hall & Knight Ltd. 21 East 67th Street. New York, NY 20021. 43 New Bond Street, London. W1S 2SA. JEAN-ANTOINE HOUDON (Versailles 1741-1828 Rome) Portrait Bust of Voltaire (1691-1778). Signed and dated under the right shoulder under the cut of the bust: houdon f.1778. 60cm high (23 5/8 inches) including socle.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Jean-Baptiste Greuze (1725-1805) Tete de jeune garçon. Red chalk, 48.5x31.5 cm (29 2/8 x 12 3/8 in)]
Attributed works:
[Hill-Stone, Inc., Box 273, Gracie Station, New York. Nicola Monti. Pistoia 1780-1864 Cortona. A Scene from Classical History. Oil sketch in brown pen and wash over black chalk, heightened with white and glazed. Signed by the artist and dedicated to Francesco Tolomei, the author of the Guida di Pistoia, 1821. 360x440 mm. (14 1/4x17 1/4 inches)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Paulus Moreelse. 1571 - Ultrecht - 1638. Portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a draped table. Oil on canvas. 49x38 1/2ins. 124.5x97cm. Signed and dated 1621 and inscribed: Eta Sua 29]
Attributed works:
[Katrin Bellinger, Possartstrasse 35, 81679 Munich, Germany, at Colnaghi, 15 Old Bond Street, London. W1S 4AX. FRANCESCO GUARDI (1712-1793). The Fondamenta Nuove, Venice, with the Island of San Michele. Pen and brown ink and wash over black chalk, 236x453mm (9 1/4x17 7/8 in.). Provenance: The Marquis de Chennevières (Lugt 2073); Private collection, England.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. PSUEDO-HIEPES act. c. 1650-1675. A Still Life of Flowers in a Glass Vase with a Cheese and a Honeycomb in Bowl and Two Partridge on a Stone Ledge. Oil on canvas: 54x86.5cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Girolamo Mazzola Bedoli, The Madonna and Child with Saint Joseph, circa 1535. Oil on panel, 24.7 by 29 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605 Hamburg. JORIS (GEORG) HOEFNAGEL. 1542 Antwerp - Vienna 1601. Vanitas (Still-Lifewith Skull, Fruits, Flowers and Insects). Gouache and watercolour on parchment. Inscribed in gold on a blue cartouche: Contuere hoc quio sit genio tantumque vacato, Qam lubet: huicfiec tu similisqe. semel. Verso inscribed with pen: Joris Hoefnagel pingebat. 169x115 mm]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. W1S 1SR. A fine George II gilt gesso and later decorated Console Table, in the manner of William Kent.]
Exhibition Review
Houdon
09/2003 | 1206 | 145
Pages: 685-687
related names
Reviewer:
Baker, Malcolm (Baker, Malcolm)
Institution:
J. Paul Getty Museum (J. Paul Getty Museum; Getty Museum; The Getty Center)
Institution:
Musée National des Châteaux de Versailles et de Trianon (Musée National des Châteaux de Versailles et de Trianon)
Institution:
National Gallery of Art (National Gallery of Art; NGA)
Subjects
dates:
dates:
subjects:
Reviewed Items
subjects:
Jean-Antoine Houdon, Sculptor of the Enlightenment | :
Illustrations
Attributed works:
Apollo, by Jean-Antoine Houdon. 1788. Bronze, 213 by 89 by 93 cm. (Calouste Gulbenkian Museum, Lisbon; exh. National Gallery of Art, Washington).
Attributed works:
Denis Diderot, by Jean-Antoine Houdon. 1771. Terracotta on wood base, 46 by 26.9 by 22.2 cm. (Musée du Louvre, Paris; exh. National Gallery of Art, Washington).
Attributed works:
Houdon in his studio, by Louis-Léopold Boilly. After 1803. 85 by 105 cm. (Musée d'art Thomas Henry, Cherbourg-Octeville; exh. National Gallery of Art, Washington).
Attributed works:
Jean-Marie Maudit, called Larive, by Jean-Antoine Houdon. 1784. 67.5 by 62 by 31 cm. (Comédie-Française, Paris; exh. National Gallery of Art, Washington).
Attributed works:
Lawrence Sterne, by Joseph Nollekens. c.1766. Marble, 39.4 cm. high. (National Portrait Gallery, London).
Attributed works:
Sophie Arnould, by Jean-Antoine Houdon. 1775. Plaster, 69 cm. high. (Goethe-Nationalmuseum, Weimar; exh. National Gallery of Art, Washington).
Article
Diderot, Guiard and Houdon: projects for a funerary monument at Gotha II
08/2002 | 1193 | 144
Pages: 475-484
related names
Author:
Frank, Christoph (Frank, Christoph)
Author:
Mathies, Ulrike D. (Mathies, Ulrike D.)
Author:
Poulet, Anne L. (Poulet, Anne L.)
Subjects
artists:
dates:
media:
places:
places:
subjects:
subjects:
Illustrations
Attributed works:
15. Friedrich III, Duke of Saxe-Gotha, by Jean-Antoine Houdon. Plaster, Diameter 48.8 cm. (Schloßmuseum, Gotha).
Attributed works:
16. Ernst II, Duke of Saxe-Gotha, by Jean-Antoine Houdon. Dated 1773. Plaster, Diameter 48.8 cm. (Schloßmuseum, Gotha).
Attributed works:
17. Drawing of Houdon's Final Design for the Mausoleum of Duke Friedrich III and Duchess Louise Dorothea of Saxe-Gotha, by F. W. Doell. c.1772-73. Pen and Grey Wash, 47.5 by 32.7 cm. (Kupferstichkabinett, Gotha).
Attributed works:
18. Elevation and Section of the Chapel Related to Houdon's Final Design for the Gotha Mausoleum. c.1773. Pen with Brown and Pink Wash, 22 by 31.5 cm. (Thüringisches Staatsarchiv, Gotha).
Attributed works:
19. Ground Plan of the Chapel Related to Houdon's Third Design of the Mausoleum. c.1773. Pencil and Pen with Grey and Red Wash, 31.5 by 23.7 cm. (Thüringisches Staatsarchiv, Gotha).
Attributed works:
21. Drawing of an Alternative Design for the Gotha Mausoleum, by F. W. Doell. December 1774. Pen and Grey Wash, 21 by 16 cm. (Thüringisches Staatsarchiv, Gotha).
Attributed works:
22. Drawing of an Alternative Design for the Mausoleum, by F. W. Doell. July 1776. Pen and Grey Wash, 27.4 by 19 cm. (Thüringisches Staatsarchiv, Gotha).
Western art unattributed:
20. Detail of the Ground Plan of the Church of St Margaret in Gotha, Showing the East End and the Proposed Chapel.
Article
Diderot, Guiard and Houdon: projects for a funerary monument at Gotha I
04/2002 | 1189 | 144
Pages: 213-221
related names
Author:
Frank, Christoph (Frank, Christoph)
Author:
Mathies, Ulrike D. (Mathies, Ulrike D.)
Author:
Poulet, Anne L. (Poulet, Anne L.)
Subjects
artists:
dates:
places:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. Tomb of the Dauphin Louis de Bourbon and Dauphine Marie-Josèphe de Saxe, by Guillaume II Coustou. 1766-77. Marble. (Sens Cathedral; Photo: Conway Library, Courtauld Institute, London).
Attributed works:
11. The Other Side of Fig.10. (Photo: Conway Library, Courtauld Institute, London).
Attributed works:
12. Allegory of the Death of the Dauphin of France, by Louis-Jean-François Lagrenée. 1767. 129 by 97 cm. (Musée du Château, Fontainebleau).
Attributed works:
13. Contract Drawing for the Mausoleum of Duchess Louise Dorothea of Saxe-Gotha, by Laurent Guiard. 1770. Pen and Black Ink, 35.2 by 24.4 cm. (Minutier Central, Archives Nationales, Paris).
Attributed works:
14. Verso of Fig.13 with the Signatures of Frédéric-Melchior Grimm and Laurent Guiard. 1770. Pen and Black Ink. (Minutier Central, Archives Nationales, Paris).
Attributed works:
16. Model for the Mausoleum of Duchess Louise Dorothea of Saxe-Gotha, by Laurent Guiard. 1768. Terracotta. (Formerly Schloßmuseum, Gotha; Whereabouts Unknown).
Attributed works:
17. Another View of Fig.16.
Attributed works:
18. Drawing for the mausoleum of duchess Louise Dorothea of Saxe-Gotha, by Laurent Guiard. c.1770. Pencil, pen and black ink with grey, green, purple and yellow washes, 106.2 by 65 cm. The drawing was enlarged by the same hand at a later stage. The central drawing was laid down on the larger sheet and measures 53.3 by 40 cm. (Kupferstichkabinett, Gotha).
Attributed works:
19. Academic Study of a Male Nude, by Laurent Guiard. 1772. Plaster. (Istituto d'Arte Paolo Toschi, Parma).
Western art unattributed:
15. First Page of the Contract for the Mausoleum, 9th March 1770. (Minutier Central, Archives Nationales, Paris).
Advertisements
Advertisements December 1995 (front)
12/1995 | 1113 | 137
Pages: i-xx
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] A Neapolitan Ebony and Painted Glass Cabinet-On-Stand, late 17th century, 81 in. (206 cm.) High, 68½in. (174 cm.)Wide, 181 in. (46 cm.) Deep. Estimate: $50,000-70,000. A Bronze Oil Lamp in the form of a Sphinx, Workshop of Andrea Riccio, Paduan, early 16th century, $4frac{7}{8}$in. (12.5 cm.) High. Estimate: $30,000-40,000
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Marcantonio Franceschini (1648-1729). The Last Communion of Saint Mary of Egypt. Oil on Copper $16frac{3}{4}times 21frac{3}{8}$ in. (42.6 × 54.3 cm.) Estimate: $100,000-150,000. Domenico Beccafumi, Il Mecarino (1486-1551). View of Pisa: Design for the Stage. 7¼ × 15¼ in. (183 × 385 mm.). Estimate: $100,000-150,000
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] François Quesnel (1543-1619). Portrait of a Lady. Oil on Canvas, $33frac{5}{8}$ × $23frac{5}{8}$ Inches (88.5 × 60.5 cm). Born in Edinburgh, Quesnel Moved to France Where He Prospered as a Portrait Painter at the Valois Court. This Rare Full-Scale Portrait May be Compared to a Signed Portrait of Mary Ann Waltham in the Spencer Collection, Althrop, Dated 1572.
Attributed works:
[ Cover ] Alexander Pope, by L. F. Roubiliac. Marble, 63 cm. High (Yale Center for British Art, New Haven; Gift of Paul Mellon in Memory of Basil Taylor)
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] A Marble Bust of Medusa. By Harriet Hosmer (Watertown Massachusetts 1830-1908 Rome). Signed Harriet Hosmer me fecit Romae. American c.1853. Height: 72cm
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Gillis Claesz. de Hondecoeter. Antwerp c. 1578-1638 Amsterdam. A Wooded Landscape with Christ on the Road to Emmaus. Oil on Panel, 13 × 24 Inches (33 × 61 cm)
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Hendrick Goltzlus. Mühlbracht 1558-1617 Haarlem. Adoration of the Shepherds. Black, Red and Yellow Chalk, Heightened with White. 8 × 8½ Inches (202 × 215 mm) Signed with Monogram: HGf
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Francesco Monti. Bologna 1685 $sim $ 1768 Bergamo. Study of a Man Holding a Pole. Black Chalk and Grey Wash. 417 × 292 mm
Attributed works:
[ Galerie Coatalem, 93 Faubourg Saint Honoré, Paris ] Carl VAN Loo (Nice 1705 - Paris 1765). The Blindness of the Sodomites. Oil on Canvas, 96 × 129 cm
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] School of Donatello di Betto Bardi (1386 - 1466). The Castelvecchio Madonna. Terracotta, 57 × 38 cm, ca. 1450
Attributed works:
[ Hill-Stone, New York ] Gabriel Salmon Active c. 1525-1550. Hercules Opening the Channel between Mt. Abyla and Mt. Calpe and Hercules and Cerberus. Pair of Woodcuts Printed on a Single Sheet; c. 1528. From the Labours of Hercules. Inventaire du fonds français 16e siècle, tome 2, p. 94, no. 9.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Jean-Jacques Rousseau (1712-1778) by Jean-Antoine Houdon. (Versailles 1741 - Paris 1828). Plaster H. 68cm. Signed and Dated: Houdon 1778
Attributed works:
[ Maria-Luise Hopp-Gantner, Würmstrasse 7, Starnberg, Germany ] Hubert Gerhard (s'Hertogenbosch 1540/50 - 1621 Munich). Two Angels 1580/90, in Former Times Perhaps Sitting on Top of an Organ and Playing Stringed Instruments. H. 115 cm and 118 cm.
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Samuel Linley by Thomas Gainsborough (Detail). Circa 1777, by Permission of the Governors of the Dulwich Picture Gallery.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] One of Two Florentine Painted Terracotta Bozzetti of the Angel of the Annunciation and God the Father by Benedetto da Maiano. Circa 1489. Height 32 in. (81.3 cm). Estimate: $120,000-180,000 (£75,000-120,000).
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Johann Heinrich Fuseli; R. A. 1741 Zurich - London 1825. Portrait of the Artist's Wife, Sophia Rawlins. Oil on Paper. 220 × 185 mm.
Attributed works:
[ Waddington Galleries, 11 Cork Street, London ] Edgar Degas, Dancer at Rest, Hands behind Her Back, Right Leg Forward, 1882-95. 18 × 9¼ × 5¼ ins/46.8 × 23.5 × 13.3 cms, Bronze, Edition of 22
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