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5 articles
Exhibition Review
Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In
06/2024 | 1455 | 166
Pages: 641–644
related names
Reviewer:
Stein, Lisa (Stein, Lisa)
Subjects
dates:
Reviewed Items
subjects:
Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In National Portrait Gallery, London 21st March–16th June | :
Illustrations
Attributed works:
24. Self-portrait at thirteen, by Francesca Woodman. c.1972. Gelatin silver print, 17.1 by 17 cm. (Woodman Family Foundation; DACS, London; exh. National Portrait Gallery, London).
Attributed works:
25. Annie, my first success, by Julia Margaret Cameron. 1864. Albumen print, 18 by 14.3 cm. (National Science and Media Museum; Science and Society Picture Library; exh. National Portrait Gallery, London).
Attributed works:
from the series Caryatid, by Francesca Woodman. 1980. Diazotype, 201.9 by 92.1 cm. (Woodman Family Foundation; DACS, London; exh. National Portrait Gallery, London).
Exhibition Review
Saul Leiter: An Unfinished World
05/2024 | 1454 | 166
Pages: 504–507
related names
Reviewer:
Stein, Lisa (Stein, Lisa)
Subjects
artists:
dates:
Reviewed Items
subjects:
Saul Leiter: An Unfinished World MK Gallery, Milton Keynes 17th February–2nd JuneSaul Leiter: An Unfinished World MK Gallery, Milton Keynes 17th February–2nd June | :
Illustrations
Attributed works:
10. Canopy, by Saul Leiter. 1958. Cibachrome print, 35.6 by 27.9 cm. (Saul Leiter Foundation; exh. MK Gallery, Milton Keynes).
Attributed works:
11. Mirrors, by Saul Leiter. c.1962. Chromogenic print, 35.6 by 27.9 cm. (Saul Leiter Foundation; exh. MK Gallery, Milton Keynes).
Attributed works:
12. Jay, by Saul Leiter. c.1958, printed 1970s. Gelatin silver print, 25 by 20 cm. (Saul Leiter Foundation; exh. MK Gallery, Milton Keynes).
Attributed works:
13. Through boards, by Saul Leiter. 1957. Cibachrome print, 35.6 by 27.9 cm. (Saul Leiter Foundation; exh. MK Gallery, Milton Keynes).
Article
Landscape as grid in Stephen Shore’s ‘American surfaces’
05/2023 | 1442 | 165
Pages: 522-529
related names
Author:
Cornelius, Thomas (Cornelius, Thomas)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Paraphernalia Opening. Rene Ricard, Susan Bottomly, Eric Emerson, Mary Woronov, Andy Warhol, Ronnie Cutrone, Paul Morrissey, Pepper Davis, by Stephen Shore. 1965–67. Gelatin silver print, 32.4 by 48.3 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
10. Detail from Variable piece #70: 1971 (in process) global 633, by Douglas Huebler. 1978. Gelatin silver prints and chromogenic prints. (J. Paul Getty Museum, Los Angeles; © DACS, London).
Attributed works:
11. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
2. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
3. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. 2nd July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
4. Oklahoma City, Oklahoma, from the series American surfaces (1972–73), by Stephen Shore. 9th July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
5. Ed Ruscha holding his book ‘Every Building on the Sunset Strip’ (1966), by Jerry McMillan. 1967. (© Ed Ruscha and Jerry McMillan; courtesy Craig Krull Gallery, Santa Monica).
Attributed works:
6. Installation view of Stephen Shore at the Museum of Modern Art, New York, 2017–18, showing the series American surfaces (1972–73). (Courtesy Museum of Modern Art, New York; photograph Robert Gerhardt).
Attributed works:
7. Dallas, Texas, from the series American surfaces (1972–73), by Stephen Shore. June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
8. Stone, by Agnes Martin. 1964. Ink on paper, 27.7 by 27.7 cm. (Museum of Modern Art, New York; © DACS, London).
Attributed works:
9. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Article
One short trip to New York: Bill Jay and Tony Ray-Jones
05/2023 | 1442 | 165
Pages: 513-521
related names
Author:
Scott, Grant (Scott, Grant)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Untitled (Street parade, New York), by Bill Jay. 1968. Scan from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
10. Photographs by Tony Ray-Jones in a spread from Creative Camera (April 1969), pp.140–41.
Attributed works:
2. Bill Jay, photographed in c.1966. (Bill Jay Estate, Tempe).
Attributed works:
3. Tony Ray-Jones, by Bill Jay. 1968. Scan from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
4. Weegee, by Bill Jay. 1968. Gelatin silver print, 27.9 by 19.1 cm. (Bill Jay Estate, Tempe; Museum of Fine Arts, Houston).
Attributed works:
5. Contact sheet of photographs taken in New York, including frames showing Weegee in his New York apartment, by Bill Jay. 1968. Vintage contact sheet, 20.3 by 25.4 cm. (Bill Jay Estate, Tempe).
Attributed works:
6. Weegee in his New York apartment, by Bill Jay. 1968. Scan from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
7. Robert Frank’s ‘Letter from New York’, in a spread from Creative Camera (July 1969), pp.234–35.
Attributed works:
8. Contact sheet of photographs taken in New York, showing a street parade, by Bill Jay. 1968. Vintage contact sheet, 20.3 by 25.4 cm. (Bill Jay Estate, Tempe).
Attributed works:
9. Lee Friedlander’s ‘Five portraits’ in a spread from Creative Camera (May 1969), pp.178–81.
Short Notice
Rrose Sélavy as house painter
05/2023 | 1442 | 165
Pages: 533-535
related names
Shorter Notice by:
Naumann, Francis M. (Naumann, Francis M.; Nauman, Francis M.)
Subjects
dates:
media:
Illustrations
Attributed works:
10. Fresh widow, by Marcel Duchamp. 1920. Miniature French window, painted wood frame, and panes of glass covered with black leather, 77.5 by 44.8 cm., on wood sill, 1.9 by 53.4 by 10.2 cm. (Museum of Modern Art, New York; © Association Marcel Duchamp and DACS, London).
Attributed works:
11. Advertisement for the Sherwin-Williams Paints and Varnishes, 1912.
Attributed works:
12. Apolinère enameled, by Marcel Duchamp. 1916–17. Gouache and graphite on painted tin, mounted on cardboard, 24.4 by 34 cm. (Philadelphia Museum of Art; © Association Marcel Duchamp and DACS, London).
Attributed works:
5. Marcel Duchamp as Rose Sélavy, by Man Ray. 1921. Scan from a vintage negative, 12 by 9 cm. (Centre Pompidou, Paris; © Man Ray Trust and DACS, London; RMN-Grand Palais).
Attributed works:
6. Marcel Duchamp as Rrose Sélavy, by Man Ray. 1921. Gelatin silver print, 21.6 by 17.3 cm. (Philadelphia Museum of Art; © Man Ray Trust and DACS, London).
Attributed works:
7. Marcel Duchamp as Rrose Sélavy, by Man Ray. 1923. Vintage gelatin silver print, 8.5 by 6 cm. (Private collection; © Man Ray Trust and DACS, London).
Attributed works:
8. Studio interior still life, by Man Ray. c.1923. Scan from a vintage negative, 9.3 by 11.7 cm. (Centre Pompidou, Paris; © Man Ray Trust and DACS, London).
Attributed works:
9. Detail of Fig.8.