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9 articles
Article
Denis Wirth-Miller’s studio collection
09/2023 | 1446 | 165
Pages: 976-87
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
places:
Illustrations
Attributed works:
1 and 2. Denis Wirth-Miller’s studio, Wivenhoe. 2014. (Photographs Ben Harrison).
Attributed works:
10. Study for ‘Dog in movement’, by Denis Wirth-Miller. c.1953. Oil on canvas. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
11. Dog; walking; mastiff. Dread, by Eadweard Muybridge. (From E. Muybridge: Animal Locomotion, Philadelphia 1887, plate 704).
Attributed works:
12. Dog, by Francis Bacon. 1952. Oil on canvas, 198.1 by 137.2 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Tate Britain, London).
Attributed works:
13. Part of the floor of Francis Bacon’s studio at 7 Reece Mews, London. 1998. Photograph by Perry Ogden. (© The Estate of Francis Bacon. All rights reserved, DACS / Artimage 2023).
Attributed works:
14. Francis Bacon working material, torn-out page, folded, attached to support and inserted in plastic bag, of ‘Pugilist. Striking a blow’ from E. Muybridge: The Human Figure in Motion, London 1901 (possibly), plate 63. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Dublin City Gallery The Hugh Lane).
Attributed works:
15. Detail of Fig.14, showing the folded page and two merged frames.
Attributed works:
16. Study from the Human Body (Man Turning on Light), 1973, by Francis Bacon. 1973. Oil and alkyd paint on canvas, 200.6 by 148.4 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; private collection).
Attributed works:
3. Denis Wirth-Miller, working material, page from Maxick (Max Sick): Muscle Control or Body Development by Will-Power, London 1949, pp.93– 94, Wivenhoe 112, 22 by 13.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
4. Denis Wirth-Miller, working material, cut and mounted blackand- white photographic reproduction showing two United Nations soldiers in a trench, from S. Simmons: ‘Pusan Beach–Head’, Picture Post (5th August 1950), p.15, no.724v. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
5. Denis Wirth-Miller, working material, fragment of a page, mounted on carboard, showing a single frame from the series ‘The Walk’, ‘Some phases in the Walk of a Dog from series 14’, from E. Muybridge: Animals in Motion, London 1899, p.63, Wivenhoe 49, 15.5 by 15.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco) .
Attributed works:
6. Denis Wirth-Miller, working material, cut-out image mounted on cardboard, from ‘The Defense of Europe’, TIME: The Weekly Newsmagazine, Atlantic Overseas Edition 55:2 (April 1950), p.15, Wivenhoe 106, 25 by 18 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
7. Walking man, by Denis Wirth-Miller. c.1954. Oil on canvas, 130 by 99 cm. (© The Estate of Denis Wirth-Miller; private collection).
Attributed works:
8. Denis Wirth-Miller, working material, fragment of a page mounted on cardboard, from TIME: The Weekly Newspaper Atlantic Overseas Edition (13th June 1949), p.16, Wivenhoe 174, 25.5 by 20.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
9. Reconstitution of Francis Bacon’s studio at 7 Reece Mews, London, at Dublin City Gallery The Hugh Lane. (Photograph © Leonard de Selva; Bridgeman Images).
Article
One short trip to New York: Bill Jay and Tony Ray-Jones
05/2023 | 1442 | 165
Pages: 513-521
related names
Author:
Scott, Grant (Scott, Grant)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Untitled (Street parade, New York), by Bill Jay. 1968. Scan from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
10. Photographs by Tony Ray-Jones in a spread from Creative Camera (April 1969), pp.140–41.
Attributed works:
2. Bill Jay, photographed in c.1966. (Bill Jay Estate, Tempe).
Attributed works:
3. Tony Ray-Jones, by Bill Jay. 1968. Scan from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
4. Weegee, by Bill Jay. 1968. Gelatin silver print, 27.9 by 19.1 cm. (Bill Jay Estate, Tempe; Museum of Fine Arts, Houston).
Attributed works:
5. Contact sheet of photographs taken in New York, including frames showing Weegee in his New York apartment, by Bill Jay. 1968. Vintage contact sheet, 20.3 by 25.4 cm. (Bill Jay Estate, Tempe).
Attributed works:
6. Weegee in his New York apartment, by Bill Jay. 1968. Scan from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
7. Robert Frank’s ‘Letter from New York’, in a spread from Creative Camera (July 1969), pp.234–35.
Attributed works:
8. Contact sheet of photographs taken in New York, showing a street parade, by Bill Jay. 1968. Vintage contact sheet, 20.3 by 25.4 cm. (Bill Jay Estate, Tempe).
Attributed works:
9. Lee Friedlander’s ‘Five portraits’ in a spread from Creative Camera (May 1969), pp.178–81.
Article
The nude male form in Chen Yanqiao’s woodblock prints and cartoons, 1934–35
10/2021 | 1423 | 163
Pages: 898-907
related names
Author:
Emrich-Rougé, Elizabeth (Emrich-Rougé, Elizabeth)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Pull, by Chen Yanqiao. 1934. Woodblock print, 25.1 by 19.1 cm. (Courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
10. Beautiful illustrations of the body, by Wan Laiming. 1933. (From The Young Companion, no.78, July 1933; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
2. Title page from Cartoons and Life no.2 (December 1935), featuring Struggle, by Chen Yanqiao. 1935. Ink drawing. (From online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
3. China, roar!, by Li Hua. 1935. Woodblock print, 23 by 16.5 cm. (From Modern Prints 1, no.14, December 1935, reproduced in Progress in Prints: Chinese Modern Woodblock Prints in Lu Xun’s Collection, Shanghai 1991, I, p.251; courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
4. The despairing (top) and Forced to wander as a refugee (below), by Chen Yanqiao. 1934–35. Woodblock prints. (From Cartoon Life, no.5, January 1935, p.30; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
5. Sun chariot, by Zhu Yingpeng and Xu Suling. (From Vanguard Monthly 1, no.3, December 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
6. A beautifully brave and strong body. 1929. Photograph. (From Modern Miscellany 1, no.3, p.2; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
7. Health and beauty. 1930. Photograph. (From Athletic China, no.1, October 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
8. Guerilla forces, by Chen Yanqiao. 1935. Woodblock print. (From Collected Wood Shavings, no.1, 20th April 1935, p.7; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
9. Figures in the palm of his hand, by Wan Laiming. 1935. Ink drawing. (From Phenomenon Cartoon, no.2, May 1935; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
Subjects
dates:
styles:
Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Exhibition Review
Life Magazine and the Power of Photography
12/2020 | 1413 | 162
Pages: 1101-1103
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Reviewed Items
subjects:
Life Magazine and the Power of Photography Edited by Katherine A. Bussard and Kristen Gresh. 336 pp. incl. 250 col. + b. & w. ills. (Princeton University Art Museum, Princeton NJ, and Yale University Press, New Haven and London, 2020), $60. ISBN 978–0–300–25088–6. | :
Illustrations
Attributed works:
21. Cover of Life showing Fort Peck Dam, Montana, 23rd November 1936. Photograph by Margaret Bourke-White. (LIFE Picture Collection; © 1936 The Picture Collection Inc.).
Attributed works:
22. Detail of a contact sheet of photographs by Alfred Eisenstaedt, 15th August 1945. Gelatin silver print. (LIFE Picture Collection; image by Alfred Eisenstaedt; © 1945 The Picture Collection Inc).
Attributed works:
23. Flame burner Ann Zarik, by Margaret Bourke-White. 1943. Gelatin silver print, printed c.2000, 40.6 by 50.8 cm. (Princeton University Art Museum, Princeton NJ; © 1943 The Picture Collection Inc.).
Article
Herkomer’s ‘Drawing and engraving on wood’ and Van Gogh
07/2020 | 1408 | 162
Pages: 584-591
related names
Author:
Alessi, Vincent (Alessi, Vincent)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Sunday at Chelsea Hospital, by Hubert von Herkomer. Unknown engraver. Wood engraving. (Published in the Graphic, 18th February 1871; Bridgeman Images).
Attributed works:
2. A gipsy encampment on Putney Common, by Hubert von Herkomer. Unknown engraver. Wood engraving. (Published in the Graphic, 18th June 1870; Bridgeman Images).
Attributed works:
3. The East London Hospital for Children, by Matthew White Ridley. Engraved by Joseph Swain. Wood engraving. (Published in the Illustrated London News, 27th April 1872; Bridgeman Images).
Attributed works:
4. Miner, by Matthew White Ridley. Unknown engraver. Wood engraving. (Published in The Graphic, 15th April 1876; Bridgeman Images).
Attributed works:
5. Old man with a stick, by Vincent van Gogh. 1882. Lithograph, 48.1 by 25.2 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
6. At eternity’s gate, by Vincent van Gogh. 1882. Lithograph, 50 by 34 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
7. Sorrow, by Vincent van Gogh. 1882. Lithograph, 38.9 by 29.2 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation; Bridgeman Images).
Exhibition Review
Charles White: A Retrospective. Museum of Modern Art, New York
11/2018 | 1388 | 160
Pages: 968-970
related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
dates:
Illustrations
Attributed works:
22. Paul Robeson (Study for Contribution of the negro to democracy in America), by Charles White. 1942–43. Carbon pencil over charcoal, with additions and corrections in white gouache, border in Wolff crayon, on cream drawing board, 63.2 by 48.4 cm. (Princeton University Art Museum, Princeton NJ; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
23. Awaken from the unknowing, by Charles White. 1961. Compressed brown and grey vine charcoal with scratching out, blending and erasing on cold-pressed illustration board, 78.7 by 142.2 cm. (Blanton Museum of Art, The University of Texas at Austin; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
24. Wanted poster series #17, by Charles White. 1971. Oil wash and pencil on poster board, 152.4 by 76.2 cm. (Flint Institute of Arts, Flint MI; © The Charles White Archives; exh. Museum of Modern Art, New York).
Exhibition Review
Shape of Light: 100 Years of Photography and Abstract Art. Tate Modern, London
10/2018 | 1387 | 160
Pages: 865-867
related names
Reviewer:
Cork, Richard (Cork, Richard)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).