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18 articles
Exhibition Review
Théodore Rousseau, 1812–1867: La voix de la forêt
07/2024 | 1456 | 166
Pages: 732–5
related names
Reviewer:
Marchetti, Elena (Marchetti, Elena)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Théodore Rousseau, 1812–1867: La voix de la forêt Petit Palais, Paris 5th March–7th July | :
Illustrations
Attributed works:
10. Le Mont Blanc, vu du col de la Faucille, effet de tempête, by Théodore Rousseau. Begun 1834. Oil on canvas, 146.5 by 242 cm. (Ny Carlsberg Glyptotek, Copenhagen; exh. Petit Palais, Paris).
Attributed works:
11. La Mare aux fées, forêt de Fontainebleau, by Théodore Rousseau. c.1848. Oil on canvas, 60.9 by 114.3 cm. (Private collection; exh. Petit Palais, Paris).
Attributed works:
9. Entrée de la vieille futaie de la Reine-Blanche, by Théodore Rousseau. c.1860. Brown ink on grey-blue paper, 13.3 by 20.7 cm. (Musée des Beaux-Arts de Dijon; exh. Petit Palais, Paris).
Article
Landscape as grid in Stephen Shore’s ‘American surfaces’
05/2023 | 1442 | 165
Pages: 522-529
related names
Author:
Cornelius, Thomas (Cornelius, Thomas)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Paraphernalia Opening. Rene Ricard, Susan Bottomly, Eric Emerson, Mary Woronov, Andy Warhol, Ronnie Cutrone, Paul Morrissey, Pepper Davis, by Stephen Shore. 1965–67. Gelatin silver print, 32.4 by 48.3 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
10. Detail from Variable piece #70: 1971 (in process) global 633, by Douglas Huebler. 1978. Gelatin silver prints and chromogenic prints. (J. Paul Getty Museum, Los Angeles; © DACS, London).
Attributed works:
11. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
2. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
3. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. 2nd July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
4. Oklahoma City, Oklahoma, from the series American surfaces (1972–73), by Stephen Shore. 9th July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
5. Ed Ruscha holding his book ‘Every Building on the Sunset Strip’ (1966), by Jerry McMillan. 1967. (© Ed Ruscha and Jerry McMillan; courtesy Craig Krull Gallery, Santa Monica).
Attributed works:
6. Installation view of Stephen Shore at the Museum of Modern Art, New York, 2017–18, showing the series American surfaces (1972–73). (Courtesy Museum of Modern Art, New York; photograph Robert Gerhardt).
Attributed works:
7. Dallas, Texas, from the series American surfaces (1972–73), by Stephen Shore. June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
8. Stone, by Agnes Martin. 1964. Ink on paper, 27.7 by 27.7 cm. (Museum of Modern Art, New York; © DACS, London).
Attributed works:
9. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Exhibition Review
Sussex Landscape: Chalk, Wood and Water
03/2023 | 1440 | 165
Pages: 325-327
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
places:
Reviewed Items
subjects:
Sussex Landscape: Chalk, Wood and Water Pallant House Gallery, Chichester 12th November 2022–23rd April 2023 | :
Illustrations
Attributed works:
23. End of land I, by Wolfgang Tillmans. 2002. Chromogenic print, 199.4 by 134.2 cm. (Towner Eastbourne; courtesy Maureen Paley Gallery, London; exh. Pallant House Gallery, Chichester).
Attributed works:
24. Peggy Angus’s house, Furlongs, near Firle, East Sussex, by Edwin Smith. 1961. Gelatin silver print, 25 by 20 cm. (Edwin Smith and RIBA Collections; exh. Pallant House Gallery, Chichester).
Attributed works:
25. The Rye Marshes, East Sussex, by Paul Nash. 1932. Oil on canvas, 58.8 by 100.3 cm. (Ferens Art Gallery, Hull Museums; exh. Pallant House Gallery, Chichester; Bridgeman Images).
Book Review
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700
10/2021 | 1423 | 163
Pages: 971-972
related names
Reviewer:
Hähnle, Mirjam (Hähnle, Mirjam)
Subjects
dates:
Reviewed Items
subjects:
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700 By Annette Kranen. 384 pp. incl. 13 col. + 173 b. & w. ills. (Brill, Leiden, and Wilhelm Fink Verlag, Paderborn, 2020), €89. ISBN 978–3–7705–6502–3. | :
Illustrations
Attributed works:
4. Frontispiece from J. Spon: Voyagie door Italien, Dalmatien, Grieckenland, en de Levant, Amsterdam 1689, by Jan Luyken. Etching, 18.9 by 14.9 cm. (Abteilung Historische Drucke, Staatsbibliothek zu Berlin, Preußischer Kulturbesitz).
Book Review
The High Line, James Corner Field ­Operations and Diller Scofidio + Renfro
01/2016 | 1354 | 158
Pages: 044
Exhibition Review
Unsettled landscapes
12/2014 | 1341 | 156
Pages: 849-850
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
68. The United States vs. Tim DeChristopher, by Andrea Bowers (Courtesy of the artist and Susanne Vielmetter Projects; exh. SITE Sante Fe)
Attributed works:
69. Perímeters (botanical species: Andean Walnut), by Johanna Calle (Courtesy of the artist; exh. SITE Santa Fe)
Book Review
Landscapes of London: the City, the Country and the Suburbs, 1660–1840, E. McKellar
07/2014 | 1336 | 156
Pages: 467-468
Subjects
places:
Illustrations
Attributed works:
58. Plan of Marybone Park Farm, by John Nash. From J. White Jr: Some Account of the Proposed Improvements of the Western Part of London, London 1814
Book Review
Uvedale Price (1747–1829): Decoding the Picturesque
04/2013 | 1321 | 155
Pages: 264-265
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
art literature:
collectors and dealers:
dates:
Illustrations
Attributed works:
59. Study of a dragon pierced by a lance, by Guercino. c.1637-39. Pen and brown ink, 19.4 by 18.6 cm. (Jean-Luc Baroni Ltd., London).
Book Review
Visual Planning and the Picturesque
04/2011 | 1297 | 153
Pages: 265
related names
Reviewer:
Woodward, Christopher H. (Woodward, Christopher H.)
Subjects
art literature:
dates:
dates:
places:
subjects:
Reviewed Items
subjects:
Visual Planning and the Picturesque | editor: Aitchison, Mathew , author: Pevsner, Nikolaus
Exhibition Review
Chiswick House. London
10/2010 | 1291 | 152
Pages: 692-693
related names
Reviewer:
Amery, Colin (Amery, Colin)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Chiswick House | institution: Chiswick House
Illustrations
Attributed works:
38. The exedra at Chiswick House with Roman statues from Hadrian’s Villa, designed by William Kent. Photograph 2010.
Attributed works:
39. The restored doric column at Chiswick House, designed by William Kent, with a copy of the statue of the Medici Venus. Photograph 2010.
Attributed works:
40. The new restaurant pavilion at Chiswick House, designed by architects Caruso St John. Photograph 2010.
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