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5 articles
Exhibition Review
The Vivarini. Conegliano
07/2016 | 1360 | 158
Pages: 580-582
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Reviewer:
Hilliam, Amanda (Hilliam, Amanda)
Subjects
artists:
Vivarini, Alvise / Vivarini, Antonio / Vivarini, Bartolomeo
dates:
2010-2019
museums and institutions:
Palazzo Sarcinelli, Conegliano, Italy
places:
Conegliano / Italy
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
65. Virgin and Child enthroned with Sts Augustine, Roch, Louis of Toulouse, Nicholas, Dominic, Catherine of Alexandria, Peter Martyr and Mary Magdalene, by Bartolomeo Vivarini. 1465 (Gallerie di Capodimonte, Naples; exh. Palazzo Sarcinelli, Conegliano)
Attributed works:
66. Virgin and Child enthroned, with Sts Nicholas of Bari, Simon the Prophet, Francis of Assisi, James the Great, Mary Magdalene, Christopher, Anthony Abbot, Catherine of Alexandria and the Man of Sorrows (The Parenzo polyptych), by Antonio Vivarini. 1440 (The Euphrasian Basilica Museum, Poreč; exh. Palazzo Sarcinelli, Conegliano)
Attributed works:
67. St Apollonia's teeth are pulled out, by Giovanni d'Alemagna (formerly attributed to Antonio Vivarini). c.1440-1445 (Accademia Carrara, Bergamo; exh. Palazzo Sarcinelli, Conegliano)
Letter
A Fra Angelico drawing in the Fitzwilliam Museum
09/2009 | 1278 | 151
Pages: 616
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Author:
Scrase, David (Scrase, David)
Subjects
artists:
Angelico, Fra
dates:
1390-1399 / 1400-1449 / 1450-1469
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain
print:
Angelico, Fra
subjects:
Collections, Public / Correspondence / Attributions / Attribution / Jesus Christ: Deposition / Drawings / Italian
Illustrations
Attributed works:
40. Dead Christ, here attributed to Fra Angelico. c.1395/1400–55. Pen, brown ink and brown and red washes, heightened with white on paper, 35.5 by 27.4 cm. (Fitzwilliam Mus­eum, Cambridge, accession no.PD.25–2003).
Short Notice
A Drawing by Francesco Menzocchi Acquired by the Fitzwilliam Museum
11/1991 | 1064 | 133
Pages: 773-776
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Author:
Scrase, David (Scrase, David)
Subjects
artists:
Menzocchi, Francesco
dates:
1500-1599
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain
places:
Italy / England / Cambridge
subjects:
Art museums / Acquisitions
subjects:
Italian painting / Drawings
subjects:
Holy Family
Illustrations
Attributed works:
30. Holy Family with St John the Baptist and Putti, by Francesco Menzocchi. Pen, Ink, Brush and Wash, 26.7 by 23.3 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
31. Virgin and Child with St Elizabeth and St John the Baptist, by Francesco Menzocchi. Pen, Brown Ink and Wash over Black Chalk, 18.9 by 13.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
32. Putto Holding up a Curtain Revealing Angels with a Whip and a Sword, by Francesco Menzocchi. Brush, Brown Wash, Heightened with White over Red Chalk, 16.7 by 19.3 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
33. Holy Family with St John the Baptist and Putti, by Francesco Menzocchi. Panel, 163.8 by 120.7 cm. (Bob Jones University Collection, Greenville, South Carolina).
Attributed works:
34. God the Father Surrounded by Putti, by Francesco Menzocchi. Pen and Grey-Brown Wash over Black Chalk, Heightened with White, 20.6 by 19.7 cm. (British Museum, London).
Attributed works:
35. Coronation of the Virgin with Saints, by Francesco Menzocchi. Pen, Brown Ink and Wash, 25.2 by 18.2 cm. (British Museum, London).
Short Notice
St Andrew in the Church of S. Angelo in Pescheria, Rome
11/1985 | 992 | 127
Pages: 789-790+792-793
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Author:
Scrase, David (Scrase, David)
Subjects
artists:
Montagna, Marco Tullio
buildings:
Sant'Angelo in Pescheria, Rome, Italy
dates:
1500-1599
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain
places:
Italy / Rome
subjects:
Italian painting / Drawings / Preliminary drawings
Illustrations
Attributed works:
80. Preparatory Study for Scenes from the Life of St Joseph, by Marco Tullio Montagna. Pen and Brown Ink with Brown Wash over Black Chalk, 26.1 by 53.5 cm. (Museum of Art, Rhodes Island School of Design).
Attributed works:
81. Probably a Study for St Andrew, Attributed to Marco Tullio Montagna. Pen and Brown Ink with Brown Wash Heightened with White on Faded carta azzurra, Squared for Transfer in Graphite and Gone over with Stylus, 26.3 by 15.5. cm. (Fitzwilliam Museum).
Attributed works:
82. St Andrew, Attributed to Marco Tullio Montagna. (S. Angelo in Pescheria, Rome).
Attributed works:
83. Standing Figure in a Niche, Attributed to Marco Tullio Montagna. Brush with Brown Wash Heightened with White, 17.4 by 7 cm. (Devonshire Collection, Chatsworth. Reproduced by Permission of the Chatsworth Settlement Trustees).
Short Notice
A Theoretical Letter from Ivon Hitchens to Maynard Keynes
07/1983 | 964 | 125
Pages: 420-423
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Author:
Scrase, David (Scrase, David)
Subjects
artists:
Hitchens, Ivon
collectors and dealers:
Maynard Keynes, John
dates:
1900-1949
places:
England
subjects:
British painting / Documents / Correspondence
Illustrations
Attributed works:
36. Rhododendron Glade (Spring), by Ivon Hitchens. c.1939. 50 by 103.5 cm. (Keynes Collection, King's College, Cambridge).
Attributed works:
37. Woodland Landscape, by Ivon Hitchens. 52.1 by 104.2 cm. (Ferens Art Gallery, Kingston upon Hull).
Attributed works:
38. Letter from Ivon Hitchens to Maynard Keynes, Dated 27th November 1940. Page 5, Headed 'E'.
Attributed works:
39. Letter from Ivon Hitchens to Maynard Keynes, Dated 27th November 1940. Page 6, Headed 'F'.
Attributed works:
40. Letter from Ivon Hitchens to Maynard Keynes, Dated 27th November 1940. Page 7, Headed 'G'.
Attributed works:
41. Detail from a Letter from Ivon Hitchens to Maynard Keynes, Dated 27th November 1940. Page 2, Headed 'B'.
Attributed works:
42. Detail from a Letter from Ivon Hitchens to Maynard Keynes, Dated 27th November 1940. Page 4, Headed 'D'.