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38 articles
Article
No sorrow like unto my sorrow: Philip the Bold, the Great Cross at Champmol and the Battle of Nicopolis
10/2024 | 1459 | 166
Pages: 997–1027
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. David and Jeremiah on the Well of Moses (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone with traces of gilding and polychromy, height approx.5 m. from ground level. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
10. Detail of the Well of Moses, showing the scroll held by David. (Photograph the author).
Attributed works:
11. Detail of the Well of Moses, showing the scroll held by Jeremiah. (Photograph the author).
Attributed works:
12. Detail of the Well of Moses, showing the angel over the left shoulder of Jeremiah. (Photograph the author).
Attributed works:
13. Mourner from the tomb of Philip the Bold. Completed by 1411. Alabaster, height 41 cm. (Musée des Beaux-Arts, Dijon; photograph the author).
Attributed works:
14a–d. Details of the Well of Moses showing the scrolls held by (a) Zechariah, (b) Isaiah, (c) Daniel and (d) Moses. (Photographs the author).
Attributed works:
15. Crucifixion, fol.17 of the Biblia Pauperum. Northern Netherlands, c.1395–1400. Illumination on parchment. (British Library, London, Kings MS 5; Alamy Stock Photo).
Attributed works:
16. Ring with a portrait of John the Fearless. Paris, c.1410. Gold, agate(?), jet, emerald and ruby, 2.3 by 1.5 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; Jean-Gilles Berizzi).
Attributed works:
17. Detail of the Well of Moses, showing the angel between Daniel and Isaiah.
Attributed works:
19. Jeremiah and Peter, fol.2r of the Petites Heures of Jean de Berry. Paris, c.1375–90. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Lat.18014; photograph BnF).
Attributed works:
2. Daniel and Isaiah on the Well of Moses (base of the Great Cross). (Photograph the author).
Attributed works:
20. Prophet Micah, fol.29v of the Psalter of Jean de Berry by André Beauneveu. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.13091; photograph BnF).
Attributed works:
22a–c. Details of the Well of Moses, showing (a) David’s robe and tassels; (b) Daniel’s sleeves, robe and belt; and (c) Isaiah’s bag, belt and robe. (Photographs the author).
Attributed works:
23 a–c. Details of the Well of Moses, showing (a) Daniel, (b) Isaiah and (c) Jeremiah’s shoes. (Photograph the author).
Attributed works:
24. Detail of the Well of Moses, showing the pocket and hem on David’s robe. (Photograph the author).
Attributed works:
25. Detail of the Well of Moses, showing the pattern of Isaiah’s robe. (Photograph the author).
Attributed works:
27. Detail of the Well of Moses, showing the pseudo-Arabic script on edge of Jeremiah’s robe. (Photograph the author).
Attributed works:
28. Virgin and Child with Butterflies, attributed to Jean Malouel. c.1410. Oil on cloth, 107.5 by 80.9 cm. (Gemäldegalerie, Berlin).
Attributed works:
29. Portal of Chartreuse de Champmol, by Claus Sluter and workshop. 1389–98. Asnières stone. (Chartreuse de Champmol, Dijon).
Attributed works:
3. Reconstruction of two views of the Great Cross. (Drawings by Matilde Grimaldi; © the author).
Attributed works:
30. Detail of Fig.29, showing prophets on corbels below St John the Baptist.
Attributed works:
31. Detail of Fig.29, showing prophets on corbels below St Catherine.
Attributed works:
32 a–c. Details of the Well of Moses, showing the ermine on the robes of (a) David, (b) Jeremiah and (c) Zechariah. (Photograph the author).
Attributed works:
33. Trinity with the last communion and martyrdom of St Denis, by Jean Malouel and Henry Bellechose. Begun 1398, completed 1416. Oil on panel transferred to canvas, 162 by 211 cm. (Musée du Louvre, Paris; photograph RMN-Louvre; Tony Querrec).
Attributed works:
34. The crosses or ‘Montjoies’ of St Denis. French, 17th century. Ink on paper. (BnF Cabinet d’Estamps, Paris, Est. coll. Lallement de Betz, Vx 16 fol.115).
Attributed works:
35. Fol.64 of the Grandes Heures of Philip the Bold. 1370s. (Bibliothèque Royale de Belgique, Brussels, MS 11035–37).
Attributed works:
36. Fols.226v–227r of the Grandes Heures of Philip the Bold. 1370s. (Fitzwilliam Museum, Cambridge, MS 3-1954).
Attributed works:
37. Detail of the Well of Moses, showing the text in Jeremiah’s open book. (Photograph the author).
Attributed works:
38. Detail of the Well of Moses, showing the sunburst motif in tin relief moulding behind the angel between David and Moses. (Photograph the author).
Attributed works:
39. Detail of the Well of Moses, showing the remains of painted sunbursts around circular coats of arms on the pillar. (Photograph the author)
Attributed works:
4. View of the Chartreuse de Champmol, by Aimé Piron. 1686. (Portfueille de la Chartreuse; Bibliotheque Municipale, Dijon).
Attributed works:
40. The Well of Moses, by Emile Sagot. 1839. Engraving, 42 by 36 cm. (BnF Cabinet d’Estamps, Paris, Est.H 117 558 Va21 topographie).
Attributed works:
41. Oak, hawthorn and hops forming the vault in tower of Jean sans Peur, Hôtel d’Artois, Paris. 1408–11. (Photograph the author).
Attributed works:
42. Detail of the Well of Moses, showing the thistle on the corbel below Jeremiah. (Photograph the author).
Attributed works:
43. Votive reliquary of Charles the Bold, by Gerard Loyet. 1467–71. Gold and enamel, 53 by 32 by 17.5 cm. (Cathedral Treasury, Liège).
Attributed works:
44. Detail of the Well of Moses, showing showing the span of the well; the original viewing distance would be outside the brick walls. (Photograph the author).
Attributed works:
5. View of building constructed in 1638 around the Well of Moses. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
6. Massacre of the prisoners after the battle of Nicopolis, fol.607v of Chroniques de Froissart, Bruges, c.1460. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.2646).
Attributed works:
7. Payment of the ransom to Bayezid, fol.267v of the Passages oultremer de Sébastien Mamerot by Jean Colombe. c.1474–75. Illumination on parchment. (Bibliothèque nationale de France, Paris, S Fr.5594).
Attributed works:
8. Detail of the Well of Moses, showing the book and scroll held by Jeremiah. (Photograph the author).
Attributed works:
9. Pietà, by Enguerrand Quarton. c.1450. Oil on panel, 163 by 219 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; René-Gabriel Ojeda).
Western art unattributed:
18. Tile showing sheep sheltering under a tree. Burgundian, c.1385–90. Glazed terracotta with engobe decoration, 13 by 13 cm. (Germolles Chateau; photograph the author).
Western art unattributed:
21. Detail of the Calvary of Philip the Bold showing Christ at the column with prophets. Paris, 1403. Gold, enamel and precious stones. (Cathedral Treasury, Esztergom; photograph Attila Mudrák).
Article
Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance
07/2021 | 1420 | 163
Pages: 604-606
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Richard II.
Attributed works:
2. Detail of Fig.3, showing the flowers linking the broomcods in Richard II’s collar, here identified as pimpernels.
Attributed works:
3. The Wilton Diptych. Left wing: Richard II with St Edmund, St Edward the Confessor and St John the Baptist. Right wing: the Virgin and Child with angels. French or English, c.1397–99. Tempera on oak panel, each panel 53 by 37 cm. (National Gallery, London).
Attributed works:
4. Exterior of Fig.3. Left: the royal arms of England and France impaled with the arms of Edward the Confessor with a helmet, cap of maintenance and lion passant guardant; right: the white hart lying on branches of rosemary and fern. (National Gallery, London).
Book Review
Vesperbilder in Bayern von 1380 bis 1430 zwischen Import und einheimischer Produktion. By Ludmila Kvapilová
08/2019 | 1397 | 161
Pages: 689-691
related names
Reviewer:
Weniger, Matthias (Weniger, Matthias)
Subjects
dates:
media:
places:
Reviewed Items
subjects:
Vesperbilder in Bayern von 1380 bis 1430 zwischen Import und einheimischer Produktion By Ludmila Kvapilová. 400 pp. incl. 294 col. + 85 b. & w. ills. (Michael Imhof Verlag, Petersberg, 2017), | :
Illustrations
Western art unattributed:
2. Pietà at Pfettrach near Freising, Prague. c.1390. Limestone, 76 by 79 cm. (Photograph Matthias Weniger).
Exhibition Review
Johan Maelwael. Amsterdam
01/2018 | 1378 | 160
Pages: 38-39
related names
Reviewer:
Kemperdick, Stephan (Kemperdick, Stephan; Kemperdinck, Stephan)
Subjects
dates:
places:
Reviewed Items
subjects:
Johan Maelwael at the Rijksmuseum, Amsterdam | :
Illustrations
Attributed works:
1. Departing on a pilgrimage, by the Limbourg Brothers, from the Petites Heures of Jean, Duc de Berry. c.1412. (Bibliothèque nationale de France, Paris; MS lat. 18014, fol.288v).
Attributed works:
2. The Large round pietà, by Johan Maelwael. c.1400. (Musée du Louvre, Paris).
Attributed works:
3. Crucifixion with the three Maries, St John and a Carthusian monk, by Jean de Beaumetz and workshop. c.1389–95. (Musée du Louvre, Paris).
Article
Reconstructing Taddeo di Bartolo’s Perugia altarpiece
01/2018 | 1378 | 160
Pages: 10-21
related names
Author:
Solberg, Gail E. (Solberg, Gail E.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the St Francis (choir) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Herculanus, Anthony of Padua, Peter, Francis, Paul, Costantius and Louis of Toulouse. (Drawing by Dóra Sallay and Gergely Buzás).
Attributed works:
10. Annunciation (fragment), by Taddeo di Bartolo. c.1400–05. (Musée du Petit Palais, Avignon).
Attributed works:
11. Schematic diagram of the panel for Taddeo di Bartolo's St Mary Magdalene and a narrative scene below with indications of the equidistant dowel holes. The diagram reconstructs the arched top of the picture field and the unevenly trimmed sides.
Attributed works:
12. Hypothetical reconstruction of the narrative sequences for both sides of Taddeo di Bartolo's Perugia heptaptych. Top, nave or Virgin side: (a and b) two missing scenes (the Renunciation of worldly goods? and the Death of the Knight of Celano?); (c) the Preaching to the birds; (d) missing central scene; (e) the Miraculous mass at Greccio; (f) the Miracle of the source; (g) missing final scene. Bottom, choir or St Francis side: (g’) missing scene (the Crucifix of S. Damiano or the Dream of Innocent III?); (f’) the Approval of the rule; (e’) the Vision of the fiery chariot; (d’) missing central scene; (c’) the Trial by fire; (b’) the Miracle at Arles; (a’) missing final scene (the Verification of the Stigmata?).
Attributed works:
13. St Francis preaching to the birds, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
14. Miraculous mass at Greccio by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
15. Trial by fire, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).
Attributed works:
16. Crucifix with St Francis at Christ’s feet, by the Master of St Francis. 1272. (Galleria Nazionale, Perugia).
Attributed works:
17. Assumption of the Virgin triptych by Taddeo di Bartolo. 1401. (Cathedral, Montepulciano).
Attributed works:
18. The reverses of the panels from the nave side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. (Galleria Nazionale, Perugia).
Attributed works:
19. St Sebastian, by Taddeo di Bartolo. 1403? (Museo di Capodimonte, Naples).
Attributed works:
2. Reconstruction of the Virgin and Child (nave) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Clare, John the Baptist, Mary Magdalene, the Virgin, Catherine of Alexandria, John the Evangelist and Elizabeth of Hungary. (Drawing by Dóra Sallay and Gergely Buzás).
Attributed works:
3. St Francis in glory, by Taddeo di Bartolo. 1403. (Galleria Nazionale, Perugia).
Attributed works:
4. St Elizabeth of Hungary, by Taddeo di Bartolo. 1403. (Museo del Tesoro, Perkins Collection, Assisi).
Attributed works:
5. St Clare, by Taddeo di Bartolo. 1403. (Museo diocesano, Gubbio).
Attributed works:
6. Christ blessing by Taddeo di Bartolo.1403. (Yale University Art Gallery, New Haven CT).
Attributed works:
7. Christ displaying his wounds, by Taddeo di Bartolo. 1403. (Galleria Nazionale dell’Umbria, Perugia).
Attributed works:
8. St Stephen, by Taddeo di Bartolo. c.1400–05. (Private collection, Germany).
Attributed works:
9. Detail of the bottom edge of Fig.8.
Publication Received
Figure & Lettering: Sepulchral Sculpture of the Jagiellonian Period in Bohemia. By Jan Chlíbec and Jiří Rohácěk
06/2017 | 1371 | 159
Pages: 486
related names
Reviewer:
Gajdošova, Jana (Gajdošova, Jana)
Subjects
dates:
places:
Article
An admonitory wall painting at the Tower of London
12/2016 | 1365 | 158
Pages: 940-949
related names
Author:
Spooner, Jane (Spooner, Jane)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
3. A True and Exact Draught of the Tower Liberties, survey'd 1597, by Gulielmus Haiward and J. Gascoyne, by George Vertue. 1742. Engraving, for Vetusta monumenta, I (1747), pl.63
Attributed works:
9. Detail of Richard II, by Thomas Glazier. c.1396-97 (Winchester College Chapel, Winchester)
Western art unattributed:
1. West elevation of the Byward Tower at the Tower of London. Late 1370s
Western art unattributed:
10. St John the Baptist, detail of Fig.2
Western art unattributed:
11. St Michael, detail of Fig.2
Western art unattributed:
12. St Michael, from a Book of Hours, fol.24. c.1390s (Bibliothèque Municipale, Boulogne-sur-Mer, MS.93)
Western art unattributed:
13. Devils, detail of Fig.2
Western art unattributed:
2. Crucifixion with saints. c.1390s (Byward Tower, Tower of London)
Western art unattributed:
4. Interior of the Byward Tower, looking south
Western art unattributed:
5. Detail of an angel with hurdy-gurdy. c.1390s (Westminster Abbey Chapter House)
Western art unattributed:
6. Detail of a painted ceiling beam. c.1280s-1390s (Byward Tower, Tower of London)
Western art unattributed:
7. Detail of a lady, c.1397. Formerly in St Osyth's Priory (Colchester Castle Museum)
Western art unattributed:
8. The Wilton Diptych. c.1397? (National Gallery, London)
Book Review
The Wilton Diptych, D. Gordon, with an essay by C. Barron and contributions by A. Roy, R. Billinge and M. Wyld
04/2016 | 1357 | 158
Pages: 291
Book Review
Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392–1910, H. Woo, ed. Pathways to Korean Culture: Paintings of the Joseon Dynasty, 1392–1910, B. Jungmann
03/2016 | 1356 | 158
Pages: 208
Article
A possible French source for the left wing of the Wilton Diptych
12/2015 | 1353 | 157
Pages: 821-826
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
Illustrations
Western art unattributed:
1. The Wilton Diptych. c.1397(?). Left wing: Richard II with Sts John the Baptist, Edward the Confessor and Edmund; right wing: The Virgin and Child with angels (National Gallery, London)
Western art unattributed:
2. Watercolour copy of parts of a late fourteenth-century embroidery once in Chartres Cathedral. Left panel: King Charles V of France with his sons, the future Charles VI and Louis d'Orléans, and Sts John the Baptist, Charlemagne and Louis of Toulouse; right panel: Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Reserve, OA 13, fols.16 and 17, Gagnières 444 and 445)
Western art unattributed:
3. Jean de Berry being presented to the Virgin and Child enthroned by Sts John the Baptist and Andrew in the Très Belles Heures, fols.10 and 11. c.1390, certainly before 1403 (Bibliothèque Royale, Brussels, MS.11060-1)
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