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4 articles
Letter
Andrea del Sarto's 'St John the Baptist'
03/1983 | 960 | 125
Pages: 162
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Author:
Lavin, Marilyn Aronberg (Lavin, Marilyn Aronberg; Aronberg Lavin, Marylin; Lavin, M. A.)
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Letter
Piero's 'Flagellation'
12/1979 | 921 | 121
Pages: 801
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Author:
Lavin, Marilyn Aronberg (Lavin, Marilyn Aronberg; Aronberg Lavin, Marylin; Lavin, M. A.)
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Short Notice
Caravaggio Documents from the Barberini Archive
08/1967 | 773 | 109
Pages: 470+473
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Author:
Lavin, Marilyn Aronberg (Lavin, Marilyn Aronberg; Aronberg Lavin, Marylin; Lavin, M. A.)
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Article
Colour Study in Barocci's Drawing
12/1956 | 645 | 98
Pages: 434-439
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Author:
Lavin, Marilyn Aronberg (Lavin, Marilyn Aronberg; Aronberg Lavin, Marylin; Lavin, M. A.)
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Illustrations
Attributed works:
17. Man's Upturned Face, by Federigo Barocci, Here Identified as a Study for the Head of St Dominic Reproduced in Fig.18. Pen and Bistre, Black, White, and Pink Chalk on Bistre Washed Paper, 28 by 24.5 cm. (Louvre)
Attributed works:
18. Detail from the Madonna del Rosario, by Federigo Barocci. After 1589. (Palazzo Vescovile, Cappella Episcopio, Senigallia.)
Attributed works:
19. Two Studies for a Man in Straw Hat Digging, Here Attributed to Federigo Barocci. Bistre, Pen, and Wash, Heightened with White on Grey Paper, 20.3 by 15.6 cm. (Louvre.)
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20. Detail from the Martyrdom of San Vitale, by Federigo Barocci. Completed 1583. Canvas. (Brera, Milan.)
Attributed works:
21. Detail from the Circumcision, by Federigo Barocci. Signed and Dated 1590. Canvas. (Louvre.)
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22. Infant's Leg, Here Identified as a Study for the Leg of the Christ Child Reproduced in Fig.21. Black, White, and Red Chalk on Blue Paper, 19 by 16.4 cm. (Uffizi, Florence.)
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23. Arms and Hands, by Federigo Barocci, Here Identified as Studies for the Arm of the Magdalen Reproduced in Fig.25. Red, Black, and White Chalk on Green Paper, 27.5 by 41 cm. (Louvre.)
Attributed works:
24. Christ appearing to the Magdalen, by Federigo Barocci. Pencil. (Uffizi, Florence.)
Attributed works:
25. Detail from Christ Appearing to the Magdalen, by Federigo Barocci. Canvas. (Uffizi, Florence.)