L’immagine sovrana: Urbano VIII e i Barberini, Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome, 18th May–30th
July 2023. |
:
Illustrations
Attributed works:
1. Maffeo Barberini, by Caravaggio. c.1595. Oil on canvas, 124 by
90 cm. (Private collection; exh. Galleria Nazionale d’Arte Antica,
Palazzo Barberini, Rome).
Attributed works:
2. Urban VIII visits the Gesù, Rome, to celebrate the hundredth
anniversary of the founding of the Jesuit order, by Andrea Sacchi
with Filippo Gagliardi and Jan Miel. 1642. Oil on canvas, 321 by 248 cm.
(Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome; courtesy
the Ministero Beni e Attività Culturali e del Turismo; Scala Archives).
Attributed works:
3. Carlo Barberini, by Francesco Mochi. c.1630. Bronze, height 58
cm. (Private collection; exh. Galleria Nazionale d’Arte Antica, Palazzo
Barberini, Rome).
Attributed works:
4. St Sebastian thrown into the Cloaca Maxima, by Ludovico Carracci.
1612. Oil on canvas, 163.5 by 232.4 cm. (J. Paul Getty Museum, Los
Angeles; exh. Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
5. Installation view of L’immagine sovrana: Urbano VIII e I Barberini
at Palazzo Barberini, Rome, 2023, showing the tapestries hung in the
Salone. (Photograph Alberto Novelli).
Attributed works:
6. Installation view of L’immagine sovrana: Urbano VIII e I Barberini
at Palazzo Barberini, Rome, showing Urban VIII, by Gianlorenzo
Bernini. 1632–33. Marble, height 103 cm. with pedestal. (Galleria
Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
7. Marc’Antonio Pasqualini crowned by Apollo, by Andrea Sacchi.
1642. Oil on canvas, 243.8 by 194.3 cm. (Metropolitan Museum
of Art, New York, exh. Galleria Nazionale d’Arte Antica, Palazzo
Barberini, Rome).
Book Review
Disegni, argenti e argentieri dall’Archivio Barberini (Studi e Testi, 542–543)
1. The Barberini Venus, attributed to Giulio Mazzoni, shortly after
1550 (?) with additions by Carlo Maratti, 1693. Mural in oil with tempera,
163 by 190 cm. Photographed before the restoration of 1999–2000.
(Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph
Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
2. Fig.1, photographed after the restoration of 1999–2000. (Gallerie
Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro
Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
3. Schematic reconstruction of the painting shown in Fig.1. From P.
Iazurlo: ‘La Venere Barberini: un dipinto di Giulio Mazzoni da Palazzo
Capodiferro’, Storia dell’arte 22–23 (2009), p.82.
Attributed works:
4. Detail of Fig.1, showing the face of Venus.
Attributed works:
5. Detail of Fig.2, showing the face of Venus.
Attributed works:
6. Fig.1, photographed during the restoration of 1999–2000. (Gallerie
Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro
Coen; courtesy Ministero della Cultura, Rome).
1. The north wall of the studiolo in the
Palazzo Ducale, Urbino, showing the
beginning of the series of Learned Men
by Justus of Ghent and ‘Petrus Hispanus’,
as briefly reunited in an exhibition in 2015.
(Photograph Amanda Lillie).
Attributed works:
2. Federico da Montefeltro, Duke of
Urbino, and his son Guidobaldo, by ‘Petrus
Hispanus’. c.1476. Oil on fir panel. 138.5 by
82.5 cm. (Galleria Nazionale delle Marche,
Urbino; su concessione del Ministero dei
beni e delle attività culturali e del turismo;
Archivio fotografico).
Attributed works:
3. Reconstruction of the entrance from
the Sala delle Udienze to the studiolo
in the Palazzo Ducale, Urbino, as it would
have appeared c.1476, showing the painting
illustrated at Fig.2 above the door.
(Photograph Scala; montage the author).
Article
New evidence for the ‘Barberini Apostles’ by Andrea Sacchi and Carlo Maratti
1. St Peter, by Andrea Sacchi. 1631/44. Canvas, 223 by 151 cm. (Galleria
Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero
per i Beni e le Attività Culturali, Rome).
Attributed works:
2. St Matthew, by Carlo Maratti. 1660/61. Canvas, 223 by 151 cm.
(Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy
Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
3. St Matthias, by Carlo Maratti. 1696. Canvas, 221 by 152 cm. (Galleria
Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero
per i Beni e le Attività Culturali, Rome).
Book Review
L’arte del dissenso: Pittura e libertinismi nell’Italia del Seicento. By Dalma Frascarelli
L’arte del dissenso: Pittura e
libertinismi nell’Italia del Seicento
By Dalma Frascarelli. 280 pp. incl. 50 col.
ills. (Giulio Einaudi Editore, Turin, 2016), |
:
Illustrations
Attributed works:
1. Flight into Egypt, by Adam Elsheimer. 1609.
Copper, 31 by 41 cm. (Alte Pinakothek, Munich;
Bridgeman Images).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
1. Reliquary, by Giovanni Francesco Arrighi. 1722. Silver, height 120 cm. (S. Maria di Monserrato, Rome).
Attributed works:
2. Reliquary, by Giovanni Francesco Arrighi. 1727/28. Silver, height 77 cm. (Museo Diocesano, Jesi).
Attributed works:
3. Above Detail of Fig.4.
Attributed works:
4. Right Crucifix, by Giovanni Giardini. c.1706. Bronze, ebony and ivory, height 230 cm. (Notre-Dame, Paris).
Attributed works:
5. Detail of Pietà, by Giovanni Giardini. 1688–1702. Gilt bronze on velvet, 54.5 by 33.5 cm. (Private collection; photograph Sotheby’s, London).
Attributed works:
6. The Agony in the garden, after Angelo de Rossi, attributed to Giovanni Francesco Arrighi. c.1700. Copper, 53 by 46.5 cm. (National Gallery of Art, Washington).
Book Review
Artemisia Gentileschi in a Changing Light. Edited by Sheila Barker.