A-Design for a Tomb, Here Identified as by Verrocchio. Drawing, 27.2 by 17.5 cm. (Victoria And Albert Museum). Shorter Notices: Verrocchio's Last Drawing
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B-Design for a Tomb. Drawing, 30 by 22 cm. (Louvre, Paris). Shorter Notices: Verrocchio's Last Drawing
Plate I. Madonna with the Yarn Winder, Here Identified as by Leonardo da Vinci. Panel, 48.3 cm. by 36.8 cm. (The Duke of Buccleuch). Leonardo's Madonna with the Yarn Winder
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Plate II. A-Madonna with the Yarn Winder, Here Described as a Copy, by a Pupil of Leonardo, of the Picture Shown on Plate I. Canvas, 48.3 cm. by 35.5 cm. (Formerly in the Collection of Lord Battersea). Leonardo's Madonna with the Yarn Winder
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Plate II. B-Detail of Plate I, Showing Rock to the Right of the Picture. Leonardo's Madonna with the Yarn Winder
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Plate III. A-Study for the Madonna with the Yarn Winder, by Leonardo. Red Chalk on Tinted Paper, 22 cm. By 15.5 cm. (Windsor Castle). Leonardo's Madonna with the Yarn Winder
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Plate III. B-Copy, of Study Shown above, by Gianpetrino. (Accademia, Venice). Leonardo's Madonna with the Yarn Winder
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Plate III. C-Study for the Madonna with the Yarn Winder. Copy by a Pupil of Leonardo. Red Chalk on White Paper, 20 cm. by 15.4 cm. (Windsor Castle). Leonardo's Madonna with the Yarn Winder
Plate II. B-Detail (Enlarged) from the Drawing Shown on the Frontispiece. An Unpublished Leonardo Drawing
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Plate II. C-Detail from the Adoration of the Magi, by Leonardo da Vinci. (Uffizi, Florence). An Unpublished Leonardo Drawing
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Plate II. D-Detail from the Tapestry of Herod Meeting St. John the Baptist, Designed by Pollajuolo. (Duomo, Florence). An Unpublished Leonardo Drawing
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Study for a portion of The Adoration of the Magi (1481), here identified as by Leonardo da Vinci. Silver-point and pen-and-ink; 12.8 cm. by 14.2 cm. (The Hon. A. Holland-Hibbert)