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56 articles
Article
New documents for Vincenzo Foppa and Ludovico Brea in Liguria
09/2024 | 1458 | 166
Pages: 921-27
related names
Author:
Zurla, Michela (Zurla, Michela)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna and Child enthroned, with saints and the donor Giuliano Della Rovere (Della Rovere Altarpiece), by Vincenzo Foppa and Ludovico Brea. 1487–90. Tempera and oil on wood. (Oratory of S. Maria di Castello, Savona).
Attributed works:
2. Madonna and Child enthroned, with saints and the donor Manfredo Fornari (Polyptych of the Madonna del Libro), by Vincenzo Foppa. 1489, Tempera on wood, 210 by 181 cm. (Pinacoteca Civica, Savona; Bridgeman Images).
Attributed works:
3. Martyrdom of St Sebastian, by Vincenzo Foppa. 1485–90. Detached fresco on canvas, 265 by 170 cm. (Pinacoteca di Brera, Milan; courtesy Italian Ministry of Culture; Bridgeman Images).
Attributed works:
4. Madonna and Child enthroned with angels playing music, by Ludovico Brea. 1510–20. Oil on wood, 110 by 70 cm. (Museo Poldi Pezzoli, Milan; Photo Scala, Florence).
Attributed works:
5. Detail of Fig.1, showing Giuliano della Rovere as well as some of the sculpted elements of the polyptych.
Attributed works:
6. St Stephen, by Vincenzo Foppa. 1460–62. Tempera on wood, 89 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
7. Archangel Michael, by Vincenzo Foppa. 1460–62. Tempera on wood, 91 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. Detail of Fig.1, showing the Virgin and Child.
Article
Four wooden ceilings from the Torrijos Palace, Toledo
12/2023 | 1449 | 165
Pages: 1272–1289
related names
Author:
McSweeney, Anna (McSweeney, Anna)
Author:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Tile panel possibly from the Torrijos Palace. Attributed to Hernando de Loaysa, Talavera de la Reina, c.1600. Tin-glazed earthenware. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Attributed works:
19. Groundplan of the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 [1894], p.104; Biblioteca Nacional de España , Madrid).
Attributed works:
2. Opening page of the 1902 article on the Torrijos Palace, showing a plaster lintel above a door in the palace. (From ‘El Palacio de Torrijos’, Por Esos Mundos (April 1902), p.342; Victoria and Albert Museum, London).
Attributed works:
20. Exterior façade of the Torrijos Palace, showing the portal and one of the windows with a balcony. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.102; Biblioteca Nacional de España , Madrid).
Attributed works:
22. Staircase in the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.103; Biblioteca Nacional de España , Madrid).
Attributed works:
23. The groundplan shown in Fig.19, overlaid to show the location of the four ceilings, the main portal and the patio. (© Mariam Rosser-Owen). A. Ceiling from a room on the south-west side of Torrijos Palace, now in château de Villandry, Loire (Fig.12) B. Ceiling from a room on the north-west side of Torrijos Palace, now in the V&A (Fig.1) C. Staircase on the north-east side of Torrijos Palace (Fig.22) D. Ceiling from a room on the north-east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retamar (Fig.15) E. Ceiling from a room on the north-east side of Torrijos Palace, now in MAN (Fig.8) F. Portal on the east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retama (Fig.13) G. Courtyard of Torrijos Palace (Fig.4) H. Ceiling from a room on the south-east ceiling side of Torrijos Palace, now in Fine Arts Museums, San Francisco (Fig.5)
Attributed works:
25. The ceiling in Fig.8 shown in situ in the Torrijos Palace. Photograph, 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.344).
Attributed works:
27. The ceiling in Fig.12 shown in situ in the Torrijos Palace. Photograph. 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.346; Victoria and Albert Museum, London).
Attributed works:
29. Diagram of an interlace panel on a strapwork carpentry ceiling, by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
3. The ceiling shown in Fig.1 in situ in the Torrijos Palace. Photograph, 1905. (Victoria and Albert Museum, London, Archive, Central Inventory Register, 1905, MA/30/233).
Attributed works:
30. Diagram of cartabones by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
6. Plaster cast of the frieze originally below the ceiling shown in Fig.1, c.1910. Plaster, each section approx. 150 by 110 cm. (Victoria and Albert Museum, London).
Western art unattributed:
1. A ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; with modern plaster of Paris panels, width 6 m. (Victoria and Albert Museum, London).
Western art unattributed:
11. Friezes from the Torrijos Palace. c.1490. Plaster, 133 by 312 by 8 cm. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
12. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding, width approx. 5.5 m. (château de Villandry, Loire; photograph Frédéric Paillet).
Western art unattributed:
13. Portal from the Torrijos Palace. c.1490. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
14. Plinth for a statue of the Virgin on the altar of the chapel at Finca El Alamín, Santa Cruz del Retamar, made from part of the ceiling shown in Fig.15. Early sixteenth century, carved wood. (Photograph Peter Kelleher 2022).
Western art unattributed:
15. Ceiling from the Torrijos Palace. Early sixteenth century. Carved wood. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
16. Ceiling in the grandest room of the palace at Ocaña. 1475–80. Wood, probably pine, with painting and gilding. (Photograph Peter Kelleher 2022).
Western art unattributed:
17. Ceiling in the Throne Hall of the Comares Palace, Alhambra, Granada. 1350. Wood, including pine and cedar, with painting, 11.3 by 11.3 m. (Photograph Simon Lane).
Western art unattributed:
18. Portal of the Colegiata del Santísimo Sacramento, Torrijos. 1509–18. (Photograph Peter Kelleher 2022).
Western art unattributed:
21. Staircase in the palace at Ocaña. 1475–80. (Photograph Peter Kelleher 2022).
Western art unattributed:
24. Panel from a frieze in the Torrijos Palace. c.1490. Plaster, 38 by 55 by 4 cm. (Museo Santa Cruz, Toledo; photograph Mariam Rosser-Owen).
Western art unattributed:
26. Section of the frieze from the ceiling shown in Fig.8. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Western art unattributed:
28. Exterior of the ceiling shown in Fig.8. (Photograph Peter Kelleher 2022).
Western art unattributed:
4. Courtyard of the Torrijos Palace. Photograph, c.1904. (Instituto del Patrimonio Cultural de España, Ministerio de Cultura y Deporte, VN-10440).
Western art unattributed:
5. Ceiling from the Torrijos Palace. c.1490. Wood, including pine and walnut, with painting and gilding, width 5.72 m. (Museum of the Legion of Honor, San Francisco; Fine Arts Museums of San Francisco).
Western art unattributed:
7. Panel from the original frieze below the ceiling shown in Fig.1. c.1490. Plaster, 29.5 by 58 by 5.5 cm. (Victoria and Albert Museum, London).
Western art unattributed:
8. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; 5.5 by 5.5 m. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
9. Lintel and doorway from the Torrijos Palace. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Article
Newly attributed drawings by Botticelli
04/2023 | 1441 | 165
Pages: 358-365
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
Illustrations
Attributed works:
1. Study for a standing man (St Sebastian), by Sandro Botticelli. c.1473–74. Metalpoint (silver?) and white gouache on ochre prepared paper, 18.4 by 9.3 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.12, showing the face of the third onlooker on the right.
Attributed works:
11. Head of a man in near profile looking left, here attributed to Sandro Botticelli. c.1468–70. Traces of black chalk, metalpoint (lead?) heightened with white and grey wash, on yellow-ochre prepared paper, 13.2 by 11 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
12. Adoration of the Magi, by Sandro Botticelli, showing the face of an onlooker. c.1470–75. Tempera and oil on poplar panel, 68 by 102 cm. (National Gallery of Art, Washington).
Attributed works:
13. Head of a veiled woman, by Fra Filippo Lippi. c.1452. Silverpoint and white gouache, retouched with pen and brown ink and red chalk, on ochre-prepared paper, 30 by 20.5 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
2. Study of two standing figures and a right hand, by Sandro Botticelli. c.1475. Silverpoint and white gouache on mauve-lilac prepared paper, 16.5 by 10 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
3. Two partial studies of a profile, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellowochre prepared paper, 18.9 by 7.1 cm. (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
4. Detail of the Cestello Annunciation, by Sandro Botticelli, showing the face of the Archangel Gabriel. 1489. Tempera on panel, 150 by 156 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Standing man turned to the right, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellow-ochre prepared paper, 18.9 by 7.1 cm. (recto of Fig.3). (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
6. Study for a standing draped figure turned to the left, by Sandro Botticelli. Metalpoint (lead?) and white gouache on ochre prepared paper, 18.3 by 8.3 cm. (© RMN-Grand Palais; Musée du Louvre; Stéphane Maréchalle).
Attributed works:
7. Virgin and Child with the young St John the Baptist, by Sandro Botticelli. c.1468–70. Tempera and gold on poplar panel, 90.7 by 67 cm. (Musée du Louvre, Paris; Tarker; Bridgeman Images).
Attributed works:
8. Head of a woman looking down to the left, here attributed to Sandro Botticelli. c.1468–70. Metalpoint (lead?) heightened with white and light grey wash on yellow-ochre prepared paper, 13.4 by 10.7 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
9. Detail of Fig.7, showing the face of the Virgin.
Article
The ‘Weston Altarpiece’ in the Museum of the Order of St John, Clerkenwell
02/2022 | 1427 | 164
Pages: 130-144
related names
Author:
West, Richard (West, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Holy Trinity, here identified as the inner left exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
11. Altarpiece of the Virgin (Strängnäs III) (opened), wings by Colyn de Coter. c.1500–20. Wood and oil on panel, c.125 by 490 cm. (Strängnäs Cathedral).
Attributed works:
12. St Barbara, by the Master of the View of St Gudula. c.1490–1500. Oil on panel. 147 by 64 cm. (St Dymphna’s Church, Geel).
Attributed works:
13. Infancy Altarpiece open, by the Master of the Rieden Altarpiece. c.1440. Wood and oil on panel, c.136 by 354 cm. (Württembergisches Landesmuseum, Stuttgart).
Attributed works:
14. Reconstruction of the Weston Altarpiece open. (Photograph the author).
Attributed works:
15. Reconstruction of the Weston Altarpiece closed. (Photograph the author).
Attributed works:
16. The Meeting at the Golden Gate, by a follower of Rogier van der Weyden. c.1480. Oil on panel. 71 by 33 cm. (Pinacoteca dell’Accademia dei Concordi, Rovigo).
Attributed works:
2. St John the Baptist, here identified as the outer right exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
3. Photograph of the panel in Fig.4. 1932. (The Museum of the Order of St John, London).
Attributed works:
4. Presentation of the Virgin in the Temple, here identified as the outer left interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
5. Presentation of Christ in the Temple, here identified as the inner right interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
6. Detail of Fig.5, showing the family arms of John Weston.
Attributed works:
7. Detail of Fig.5, showing the shield of office of John Weston.
Attributed works:
8. Detail of Fig.2, showing a heavily restored shield, here identified as the shield of office of John Weston.
Attributed works:
9. Edelheere Triptych, exterior wings, by a follower of Rogier van der Weyden. c.1443. Oil on panel, 99 by 47 cm. (St Peter’s church, Louvain).
Western art unattributed:
10. Altarpiece of the Passion of Christ (closed), by unknown Brabantine painter. c.1500–20. Oil on panel, c.140 by 490 cm. (Bro church, Uppland).
Western art unattributed:
17. Cast of original of a seal of John Weston. c.19th century. Wax and plaster, diameter 3.7 cm. (The Museum of the Order of St John, London).
Western art unattributed:
18. Detail from the tomb of John Tregonwell, showing the inscription. c.1565. (Milton Abbey Church). (Photograph the author).
Article
Turbans in the Strozzi Chapel: Filippino Lippi and the Mamluk embassies to Florence
10/2020 | 1411 | 162
Pages: 860-864
related names
Author:
Cevizli Gatward, Antonia (Cevizli Gatward, Antonia)
Subjects
dates:
media:
places:
subjects:
Illustrations
Attributed works:
1. Detail of The Assumption, by Filippino Lippi. 1488–93. Fresco. (Carafa Chapel, S. Maria Sopra Minerva, Rome).
Attributed works:
2. Detail of St Philip’s expulsion of the dragon, by Filippino Lippi. 1487–1502. Fresco. (Strozzi Chapel, S. Maria Novella, Florence).
Attributed works:
4. The arrest and trial of St Mark, by Giovanni Mansueti. 1499. Oil on panel, 164 by 146 cm. (Fürstlich Gemäldegalerie, Liechtenstein Museum).
Attributed works:
5. St George baptising the pagans, by Vittore Carpaccio. 1507–08. Oil and tempera on canvas, 141 by 285 cm. (Scuola di San Giorgio degli Schiavoni, Venice).
Non-western art unattributed:
3. Ottomans besieging the Mamluks from Damascus. Ottoman, c.1521– 24. (From Selimname, Topkapı Sarayı Museum, Istanbul, MS. H. 1597-98, fol.235r; T.C. Cumhurbaşkanlığı Milli Saraylar İdaresi Başkanlığı).
Exhibition Review
Andrea del Verrocchio in Florence and Washington
01/2020 | 1402 | 162
Pages: 4-13
related names
Author:
Röstel, Alexander (Röstel, Alexander )
Subjects
places:
Reviewed Items
subjects:
Palazzo Strozzi, Verrocchio: Master of Leonardo (8th March– 14th July 2019) | :
subjects:
Verrocchio: Sculptor and Painter of Renaissance Florence at the National Gallery of Art, Washington (15th September 2019–12th January 2020) | :
Illustrations
Attributed works:
1. Putto with a dolphin, by Andrea del Verrocchio. c.1465–80. Bronze, 70.3 by 50.5 by 35 cm. (Palazzo Vecchio, Florence; exh. Palazzo Strozzi, Florence, and National Gallery of Art, Washington).
Attributed works:
10. Ginevra de’ Benci, by Leonardo da Vinci. c.1474–78. Oil on panel, 38.1 by 37 cm. (National Gallery of Art, Washington).
Attributed works:
11. Bust of a young woman, by Andrea del Verrocchio. c.1465–70. Marble, 47.3 by 48.7 by 23.8 cm. (Frick Collection, New York; exh. Palazzo Strozzi, Florence, and National Gallery of Art, Washington; photograph by Clarence Kennedy. 1930. Gelatin silver print. The National Gallery of Art Library, Washington; exh. Study Center, National Gallery of Art, Washington).
Attributed works:
12. Installation view of Verrocchio: Sculptor and Painter of Renaissance Florence at the National Gallery of Art, Washington, 2019–20, showing in the foreground (left) Putto with a dolphin, by Verrocchio and (right) Putto posed on globe, attributed to Verrocchio. (Courtesy National Gallery of Art, Washington).
Attributed works:
13. Lorenzo de’ Medici, probably after a model by Andrea del Verrocchio and Orsino Benintendi. Possibly 1513–20. Polychrome terracotta, 65.8 by 59.1 by 32.7 cm. (National Gallery of Art, Washington).
Attributed works:
2. Installation view of Verrocchio, Master of Leonardo, at Palazzo Strozzi, Florence, 2019, showing (left to right) Bust of a young woman, by Desiderio da Settignano and Verrocchio’s Lady with flowers and Bust of a young woman. (Courtesy Palazzo Strozzi, Florence).
Attributed works:
3. An ancient heroine, possibly Olympias, by Andrea del Verrocchio. c.1460–65. Marble, 46 by 31 by 6.5 cm. (Castello Sforzesco, Milan; exh. Palazzo Strozzi, Florence).
Attributed works:
4. Diagram of the incised lines evident on the painted surface and in the X-radiograph of the Virgin Adoring the Christ Child (The Ruskin Madonna), by Andrea del Verrocchio, possibly with Domenico Ghirlandaio. c.1470–80. Tempera and oil on panel transferred to canvas, 106.7 by 76.3 cm. (National Galleries of Scotland, Edinburgh; diagram © Elizabeth Walmsley, 2019).
Attributed works:
5. Giuliano de’ Medici, by Andrea del Verrocchio. c.1475/78. Terracotta with traces of polychromy, 61 by 66 by 28.3 cm. (National Gallery of Art, Washington; exh. Palazzo Strozzi, Florence).
Attributed works:
6. Death of Francesca Pitti Tornabuoni, by Francesco di Simone Ferrucci. c.1480. Marble, 45 by 170.5 by 13 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence).
Attributed works:
7. Young woman, by Andrea del Verrocchio. c.1470–75. Black chalk with pen and brown ink and brush with brown ink and grey ash on paper, outlines pricked for transfer, 40.8 by 32.7 cm. (Christ Church Picture Gallery, Oxford; exh. Palazzo Strozzi, Florence).
Attributed works:
8. St Jerome, by Andrea del Verrocchio. c.1465–70. Tempera on paper applied to panel, 40 by 26 cm. (Palazzo Pitti, Florence; exh. Palazzo Strozzi, Florence, and National Gallery of Art, Washington).
Attributed works:
9. Virgin with the laughing Child, attributed to Leonardo da Vinci. c.1472. Terracotta, 49 by 27 by 24.5 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence).
Article
Hans Memling’s Nájera altarpiece: new documentary evidence
02/2018 | 1379 | 160
Pages: 101-105
related names
Author:
Fransen, Bart (Fransen, Bart)
Subjects
artists:
dates:
media:
places:
places:
Illustrations
Attributed works:
1. God the Father surrounded b singing and musician angels (central panel), by Hans Memling. 1483–94. Panel, 169.7 by 212.7 cm. (Royal Museum of Fine Arts Antwerp).
Attributed works:
2. God the Father surrounded b singing and musician angels (left flanking panel), by Hans Memling. 1483–94. Panel, 170 by 231.5 cm. (Royal Museum of Fine Arts Antwerp).
Attributed works:
3. God the Father surrounded b singing and musician angels (right flanking panel), by Hans Memling. 1483–94. Panel, 170 by 231 cm. (Royal Museum of Fine Arts Antwerp).
Book Review
Le delizie ritrovate: Poggioreale e la villa del Rinascimento nella Napoli aragonese, by P. Modesti
05/2016 | 1358 | 158
Pages: 370
related names
Reviewer:
Scholfield, Richard (Scholfield, Richard)
Subjects
dates:
places:
Book Review
Da ‘Universitas’ ad ‘Academia’. La corporazione dei Pittori nella chiesa di San Luca a Roma. 1474–1588, I. Salvagni
03/2016 | 1356 | 158
Pages: 207-208
related names
Reviewer:
Sparti, Donatella Livia (Sparti, Donatella Livia; Sparti, Donatella L.)
Subjects
places:
subjects:
Book Review
Bramante’s Tempietto, the Roman Renaissance and the Spanish Crown, J. Freiburg
11/2015 | 1352 | 157
Pages: 788-789
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