A-Orphrey. Opus Anglicanum. About 1300. Height, 108.5 cm. (The Victoria & Albert Museum) B, C-Christ Bearing the Cross; And the Flagellation. Details of A. Shorter Notices: An Unknown English Medieval Orphrey
Plate I. Chasuble, English, Fourteenth Century; Front and Back. (Metropolitan Museum of Art, New York). An Unknown English Medieval Chasuble
Western art unattributed:
Plate II. A-The Coronation of the Virgin; B-The Adoration of the Magi; C-The Annunciation. Details of the Subject on the Back of the Chasuble Shown on Plate I. An Unknown English Medieval Chasuble
Fig. 3. [embroidery scheme with geometrical elements]
Western art unattributed:
Plate I. Two Dalmatics Composed of Fragments of Thirteenth-Century Work. (Anagni Cathedral Treasury). A Reconstructed Embroidered Cope at Anagni
Western art unattributed:
Plate II. Cope Reconstructed from Photographs of the Fragments Composing the Dalmatics in Anagni Cathedral Treasury. A Reconstructed Embroidered Cope at Anagni
Western art unattributed:
Plate III. A-St. Margaret and the Dragon. Detail from Dalmatic. A Reconstructed Embroidered Cope at Anagni
Western art unattributed:
Plate III. B-Martyrdom of St. Thomas à Becket. Detail from Dalmatic. A Reconstructed Embroidered Cope at Anagni
Plate I. A-Cope, Embroidered in Gold, Silver and Silk. Opus Anglicanum, 13th Century. (Uppsala Cathedral, Sweden). The Uppsala Cope
Western art unattributed:
Plate I. B-St. James the Greater and St. Andrew. Roundels on the Uppsala Cope. The Uppsala Cope
Western art unattributed:
Plate II. Roundels on the Uppsala Cope. C-The Coronation of the Virgin. D-St. George. E-St. John the Baptist. F-St. Martin and the Beggar. The Uppsala Cope
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A New Early English Embroidery at the Victoria and Albert Museum