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19 articles
Article
The discovery of James Gibbs’s designs for the façade of Burlington House
04/2025 | 1465 | 167
Pages: 354-367
related names
Author:
Aslet, William (Aslet, William)
Subjects
dates:
Illustrations
Attributed works:
1. RA lecture illustration of the colonnade at Burlington House, produced by the Soane Office. c.1806–17. Pen, pencil, wash and coloured washes on wove paper, 71.9 by 67.1 cm. (Sir John Soane’s Museum, London).
Attributed works:
10. Detail of Fig.4, showing the coat of arms.
Attributed works:
11. Detail of Fig.5, showing the coat of arms.
Attributed works:
12. The south front of Cannons, Middlesex, by Henry Hulsbergh after John Price the Elder. 1720. Engraving, 38.4 by 64.8 cm. (British Library, London).
Attributed works:
13. The east front of Cannons, Middlesex, by Henry Hulsbergh after John Price the Elder. 1720. Engraving, 37.1 by 63 cm. (Royal Academy of Arts, London).
Attributed works:
14. Richard Boyle, 3rd Earl of Burlington, by John Faber after Godfrey Kneller. 1734. Mezzotint, 41.5 by 28.7 cm. (National Portrait Gallery, London).
Attributed works:
15. Elevation of old Burlington House, attributed to Henry Hulsbergh after Colen Campbell. 1715. (From C. Campbell: Vitruvius Britannicus, or The British Architect, London 1715–25, III, p.24).
Attributed works:
16. The plan of old Burlington House, attributed to Henry Hulsbergh after Colen Campbell. 1715. (From C. Campbell: Vitruvius Britannicus, or The British Architect, London 1715–25, I, p.32).
Attributed works:
17. Executed scheme for refacing Burlington House, by Henry Hulsbergh after Colen Campbell. 1717–19. Engraving, 25.1 by 50.3 cm. (Royal Academy of Arts, London).
Attributed works:
18. Wing, originally stable wing, at Burlington House, by Stephen Ayling. c.1860s. Albumen print mounted on card, 16.5 by 25.9 cm. (Royal Academy of Arts, London).
Attributed works:
19. Conjectural illustration showing Burlington House faced with this design by Gibbs, by Francis Terry. 2025. Black pen over pencil with watercolour, 36 by 24.5 cm. (Courtesy the artist).
Attributed works:
2. Burlington House in Piccadilly, by Johannes Kip and Leonard Knyff. Early 18th century. Engraving, 36 by 50 cm. (London Metropolitan Archives; Bridgeman Images).
Attributed works:
20. The publick building at Cambridge in perspective, by James Gibbs. 1728. (From J. Gibbs: A Book of Architecure: Containing Designs of Buildings and Ornaments, London 1728, p.108.
Attributed works:
3. Elevation here identified as being for Burlington House (drawing C), by James Gibbs. 1727–28. Black pen over graphite on paper, 32 by 18 cm. (Ashmolean Museum, Oxford).
Attributed works:
4. Elevation here identified as being for Burlington House (drawing A), by James Gibbs. 1716. Black pen and grey wash over graphite on paper, 51.5 by 31.1 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elevation here identified as being for Burlington House (drawing B), by James Gibbs. 1727–28. Black pen over graphite on paper, 32.5 by 19.1 cm. (Ashmolean Museum, Oxford).
Attributed works:
6. Detail of Fig.4, showing the energetic draughtsmanship.
Attributed works:
7. R.A. lecture illustration of the courtyard at Burlington House, produced by the Soane Office. c.1806-17. Pen, pencil, wash and coloured washes on wove paper, 71.9 by 67/1 cm (Sir John Soane's Museum, London)
Attributed works:
9. Detail of Fig.8, showing details that compare closely to those in Fig.6.
Western art unattributed:
8. Sketch of the interior of Sudbrook Lodge, Petersham, Surrey, by James Gibbs. c.1716. Black pen with grey wash over graphite on paper, 27.3 by 23 cm. (Ashmolean Museum, Oxford).
Exhibition Review
Florence and its Painters: From Giotto to Leonardo da Vinci. Alte Pinakothek, Munich
01/2019 | 1390 | 161
Pages: 63-65
related names
Reviewer:
Joustra, Joost (Joustra, Joost)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Seated boy wearing a cap, by Maso Finiguerra. Pen and brown ink and wash over traces of underdrawing in black chalk on paper, 18 by 33 cm. (Galleria degli Uffizi, Florence; exh. Alte Pinakothek, Munich).
Attributed works:
8. Sts Cosmas and Damian and their brothers surviving the stake, by Fra Angelico. Tempera on panel, 37.8 by 46.4 cm. (National Gallery of Ireland, Dublin; exh. Alte Pinakothek, Munich).
Attributed works:
9. Annunciation, from Lucrezia de’ Medici’s Book of Hours, by Francesco Rosselli and Gherardo di Giovanni. c.1485. Illuminated manuscript on parchment, 19.7 by 10.9 cm. (fol.13v; Bayerische Staatsbibliothek, Munich; exh. Alte Pinakothek, Munich).
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).
Exhibition Review
Gothic: Paderborn Cathedral and 13th-Century Architecture in Europe. Diözesanmuseum, Paderborn
12/2018 | 1389 | 160
Pages: 1047-1049
related names
Reviewer:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
12. Three-tower reliquary. c.1350–1400. Silver gilt, precious stones and enamels, 93.5 by 74.3 by 38.2 cm. (Domschatzkammer, Aachen; exh. Diözesanmuseum, Paderborn).
Western art unattributed:
13. Bust of an angel. c.1250–1300. Limestone, 43.2 by 41.6 by 26 cm. (Musée du Louvre, Paris; exh. Diözesanmuseum, Paderborn).
Western art unattributed:
14. Bishop crowned by angels with a mitre, from the south façade of the eastern transept of Paderborn Cathedral. Sandstone. (Photograph Ansgar Hoffmann).
Book Review
Die textilen Geschenke Papst Bonifaz’ VIII. (1294–1303) an die Kathedrale von Anagni: Päpstliche Paramente des späten Mittelalters als Medien der Repräsentation, Gaben und Erinnerungsträger. By Christiane Elster
07/2018 | 1384 | 160
Pages: 603-604
related names
Reviewer:
Monnas, Lisa (Monnas, Lisa)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
2. Detail of a cope given by Boniface VIII to Anagni Cathedral. Thirteenth century. Gold embroidery (opus cyprense) on red samite. (Museo della Cattedrale di Anagni).
Article
Claus Sluter’s ‘Well of Moses’ for the Chartreuse de Champmol reconsidered: part III
11/2008 | 1268 | 150
Pages: 724-741
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
1. Reconstruction drawing of the Great Cross, by the author.
Attributed works:
10. Angel between Daniel and Isaiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
11. Angel between Zachariah and Daniel, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
12. St Dominic in prayer to the Crucifix, frescos from four of the novice’s cells (nos. 17, 18, 19 and 21), by an assistant of Fra Angelico. c.1450. (S. Marco, Florence).
Attributed works:
13. Zachariah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
14. Daniel and Isaiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
15. Moses holding the tablets of the Law, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
16. Detail of book of Jeremiah, photographed from above, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
17. Jeremiah, detail of surface of face showing underdrawing, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
18. Philip the Bold, profile, by Claus Sluter and workshop, c.1392–93. Detail of portal of the Chartreuse de Champmol, Dijon.
Attributed works:
19. Jeremiah, detail from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
2. The ‘Well of Moses’ (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone, with traces of gilding and polychromy. (Chartreuse de Champmol, Dijon). View with David and Jeremiah.
Attributed works:
21. Philip the Bold, detail (rotated 90 degrees) from a drawing of the tomb of Philip the Bold, by Jacques-Philippe Gilquin. 1736. Pen and watercolour, 74.5 by 52.5 cm. (Bibliothèque Nationale, Paris).
Attributed works:
22. Angels behind Philip the Bold, detail of tomb of Philip the Bold, by Claus Sluter and Claus de Werve. c.1404–10. Alabaster. (Musée des Beaux-Arts, Dijon).
Attributed works:
24. Jeremiah, by Barthélemy d’Eyck(?). Panel, 152 by 86 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
25. The Magdalene, detail of the left-hand panel of a Noli me tangere, by Barthélemy d’Eyck(?). Panel, 101 by 68 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
3. Crucifixion, by Simone Martini. c.1336–40?. Tempera on panel, 29 by 20 cm. (Musée royaux des Beaux-Arts, Antwerp).
Attributed works:
5. (Above). Detail from Descent from the Cross, by the Limbourg brothers, from the Très Riches Heures. 1414–16. (Musée Condé, Chantilly).
Attributed works:
6. Arms of the Magdalene, surviving fragment of the figure on the terrace of the ‘Well of Moses’ shown in Fig.1, by Claus Sluter and Jan van Prindale. 1398–99. Asnières stone, 17 by 36 cm. (Musée archéologique, Dijon).
Attributed works:
7. Calvary with a Carthusian monk, by Jean de Beaumetz and workshop. c.1389–95. Panel, 56.5 by 45.5 cm. (Cleveland Museum of Art).
Attributed works:
8. Angel with crossed arms between David and Jeremiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
9. Angel between Moses and David, from the ‘Well of Moses’ shown in Fig.1.
Western art unattributed:
20. Philip the Bold, anonymous sixteenth-century copy after original of c.1400. Panel, 42 by 28 ?cm. (Musée des Beaux-Arts, Dijon).
Western art unattributed:
23. Jeremiah, detail from the Belle Croix, Dijon. 1508. Asnières stone. (Hôpital Saint-Espirit, Dijon).
Western art unattributed:
4. (Left). Holy water stoup. Late fifteenth century. Stone, c.400 cm. high. (Church of St Martin, Cluses).
Book Review
Storia di una cattedrale. Il Duomo di San Donnino a Fidenza: il cantiere medievale, le trasformazioni, i restauri
10/2008 | 1267 | 50
Pages: 689
related names
Reviewer:
Donkin, Lucy (Donkin, Lucy)
Subjects
dates:
places:
places:
Reviewed Items
subjects:
Storia di una cattedrale. Il Duomo di San Donnino a Fidenza: il cantiere medievale, le trasformazioni, i restauri | author: Kojima, Yoshie
Illustrations
Attributed works:
43. The prophet Ezekiel, on the façade of S. Donnino, Fidenza, by Benedetto Antelami? c.1175–85? Limestone, 178 cm. high.
Article
Claus Sluter's 'Well of Moses' for the Chartreuse de Champmol reconsidered: part I
12/2005 | 1233 | 147
Pages: 798-809
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
11. Scale drawing showing the 'Well of Moses', by Bernard Collette. 1990. The walkway shown here at the height of the figures has now been repositioned to ground level.
Attributed works:
12. Detail of angel's wings on the 'Well of Moses' shown in Fig.9.
Attributed works:
13. The terrace on top of the 'Well of Moses' shown in Fig.9. 1398-99. Is-sur-Tille stone. View over Isaiah, Daniel and Zacariah.
Attributed works:
14. The terrace on top of the 'Well of Moses' shown in Fig.9. 1398-99. Is-sur-Tille stone. View over Moses, David and Jeremiah.
Attributed works:
15. Model of the 'Well of Moses' shown in Fig.9, by Joseph Moreau under the direction of Charles Balthazar Julian Févret de Saint-Mémin. c.1840. Plaster, 340 by 140 cm. (Musée des Beaux-Arts, Dijon). Photograph showing the figures around the cross as they were originally arranged.
Attributed works:
16. Model shown in Fig.15 as displayed in 2004-2005 in the exhibition Art from the Court of Burgundy 1364-1419 at the Musée des Beaux-Arts, Dijon, and the Cleveland Museum of Art.
Attributed works:
17. 'Well of Moses', by Julien Vallou de Villeneuve. Lithograph in C.H. Maillard de Chambure and C. Peignot et al.: Voyage pittoresque en Bourgogne, Dijon 1833, showing its state prior to the 1842 restoration by François Jouffroy.
Attributed works:
18. Detail of the angel between Moses and David on the 'Well of Moses' shown in Fig.9, by Claus Sluter, Claus de Werve and Rogier de Westerhan. 1300-1401. Asnières stone, with traces of polychromy. Hands restored in 1842.
Attributed works:
19. Arms of the Magdalene, surviving fragment of the figure on the terrace of the 'Well of Moses' shown in Fig.9, by Claus Sluter and Jan van Prindale. 1398-99. Asnières stone, 17 by 36 cm. (Musée archéologique, Dijon).
Attributed works:
21. View of inner side of the arms of the Magdalene shown in Fig.19.
Attributed works:
22. Detail of inner side of the arms of the Magdalene shown in Fig.19, showing section that has been worked to fit the arms to the curve of the cross.
Attributed works:
23. Correct angle of view for the arms of the Magdalene shown in Fig.19.
Attributed works:
24. Altarpiece of the Crucufixion (detail of the robe of the Magdalene), by Jacques de Baerze and Melchior Broederlam. 1393-99. Wood, gilded and polychromed, 167 by 252 cm. (Musée des Beaux-Arts, Dijon).
Attributed works:
26. The Belle Croix, by Maurice Bauthélier. c.1760. Pen and wash. (Archives Départementales de la Côte-d'Or, Dijon; I J 2476/3).
Attributed works:
27. Detail of Fig.26 showing kneeling figure of the Magdalene at the foot of the cross.
Attributed works:
9. 'Well of Moses', by Claus Sluter and workshop. 1395-1404. Asnières stone, with traces of gilding and polychromy. (Chartreuse de Champmol, Dijon).
Western art unattributed:
10. View of the seventeenth-century building surrounding the 'Well of Moses' in the courtyard of the Chartreuse de Champmol, Dijon.
Western art unattributed:
20. The Virgin Burgundian, c.1430. Stone. (Abbey of Baumeles Messieurs, Jura).
Western art unattributed:
25. The Belle Croix. Dijon, 1508. Asnières stone. (Hôpital Général, Dijon).
Publication Received
Rediscovering Fra Angelico: a Fragmentary History
01/2002 | 1186 | 144
Pages: 37
related names
Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
artists:
dates:
dates:
places:
print:
Reviewed Items
works:
Rediscovering Fra Angelico: a Fragmentary History | essay by: Kanter, Laurence B. , essay by: Strehlke, Carl Brandon
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