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Book Review

The Bologna Cope: Patronage, Iconography, History and Conservation

03/2024 | 1452 | 166

Pages: 325–326

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related names

Reviewer:

Edwards, Emma (Edwards, Emma)

Subjects

dates:

1300-1349

places:

Bologna

subjects:

Copes / Opus Anglicanum (English Medieval Needlework) / Iconography / Patronage / Conservation

Reviewed Items

subjects:

3. Bologna Cope. England, before 1304. Silver-gilt and silver thread and coloured silks on two layers of linen. (Museo Civico Medievale, Bologna) | :

Illustrations

Western art unattributed:

3. Bologna Cope. England, before 1304. Silver-gilt and silver thread and coloured silks on two layers of linen. (Museo Civico Medievale, Bologna)

Short Notice

New Documents for the Vestments of Henry VII at Stonyhurst College

05/1989 | 1034 | 131

Pages: 345-349

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related names

Author:

Monnas, Lisa (Monnas, Lisa)

Subjects

dates:

1450-1499

patrons:

Henry VII, King of England, 1457-1509

places:

England

subjects:

Textiles / Costume / Copes

subjects:

Documents

Illustrations

Western art unattributed:

31. Cope Commissioned by Henry VII. Cloth of Gold with Orphrey Hood and Morse of Applied Embroidery; Warp Direction Left to Right. 148.5 by 314.9 cm. (Stonyhurst College, Lancashire).

Western art unattributed:

32. Chasuble Commissioned by Henry VII, Front View. Cloth of Gold with Applied Orphrey Cross Made up of Embroidery together with Fragments of Woven Material from Part of the Same Set of Vestments. 112 by 69.2 cm. (Stonyhurst College, Lancashire).

Western art unattributed:

33. Rear View of Fig. 32. [Chasuble Commissioned by Henry VII, Front View. Cloth of Gold with Applied Orphrey Cross Made up of Embroidery together with Fragments of Woven Material from Part of the Same Set of Vestments. 112 by 69.2 cm. (Stonyhurst College, Lancashire).]

Western art unattributed:

34. Detail of the Cope Shown in Fig.31, Showing a Section of the Portcullis. Two Colours of Silver Boucle Wefts, Outlined in Crimson Cut Silk Pile on a Ground Brocaded with Gold Thread. (Stonyhurst College, Lancashire).

Article

The St William of York Mural in St Albans Abbey and Opus Anglicanum

05/1968 | 782 | 110

Pages: 236-241

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related names

Author:

Roberts, Eileen (Roberts, Eileen)

Subjects

buildings:

Cathedral and Abbey Church of Saint Alban, St Albans, Great Britain

dates:

1350-1399

patrons:

Clinton, William de, d. 1354

places:

England / Saint Albans

subjects:

Textiles / Opus Anglicanum (English Medieval Needlework)

subjects:

Ecclesiastical vestments / Copes

subjects:

Christian iconography / Bishops

subjects:

Offa, King of the Mercians, d. 796

subjects:

Nicholas of Myra, Saint

subjects:

Orphreys / Patronage

subjects:

British painting / Wall paintings

Illustrations

Western art unattributed:

2. Butler-Bowdon Cope. (Victoria and Albert Museum.)

Western art unattributed:

3. A Bishop from the Orphrey of the Butler-Bowdon Cope.

Western art unattributed:

4. St William of York Mural. (Saint's Chapel, St Albans Abbey.)

Western art unattributed:

5. A Pope from the Catworth Fragments. (Victoria and Albert Museum.)

Western art unattributed:

A. Diagram of the Arcaded Type of Cope. a. A King - Offa? b. A (Reconstructed) Bishop - St Nicholas? c. A (Mutilated) Bishop.

Article

Some Embroidered Vestments at Danzig

03/1937 | 408 | 70

Pages: 122-123+126-129

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related names

Author:

Burke, J. T. A. (Burke, J. T. A.)

Subjects

dates:

1400-1599

museums and institutions:

Marienkirche, Gdansk, Poland

places:

Germany / Poland / Gdańsk

subjects:

Copes / Christian iconography / Chasubles

subjects:

Ecclesiastical / Costume / Garments / Embroidery / Westphalian / German

subjects:

Textiles

Illustrations

Western art unattributed:

Plate I. A-Cope. Embroidery, Late Fourteenth Century. Possibly Westphalian. (All in the Marienkirche, Danzig). Some Embroidered Vestments at Danzig

Western art unattributed:

Plate I. B-Cope, with Applied Strips of Embroidery. Attribution Uncertain. Early Fifteenth Century; C-Strip of Embroidery on the Front of the Chasuble on Plate II, B. D-Chasuble. Back View. Embroidery, Early Fifteenth Century. Probably North German under English Influence (All in the Marienkirche, Danzig). Some Embroidered Vestments at Danzig

Western art unattributed:

Plate II. A-Detail of Plate II, B. Some Embroidered Vestments at Danzig

Western art unattributed:

Plate II. B-Chasuble. Back View. Embroidery, Early Fifteenth Century. Probably Westphalian. (Marienkirche, Danzig). Some Embroidered Vestments at Danzig

Western art unattributed:

Plate II. C-Chasuble. Back View. Westphalian. Early Fifteenth Century. (Victoria and Albert Museum). Some Embroidered Vestments at Danzig

Western art unattributed:

Plate III. Embroidered Cope. English. First Half of the Sixteenth Century. The Embroidered Border Is German of a Later Date (Stadtmuseum, Danzig). Some Embroidered Vestments at Danzig

Article

Notes on the Syon Cope

12/1932 | 357 | 61

Pages: 252+256-259

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related names

Author:

Christie, Grace (Christie, Grace; Christie, Archibald H., Mrs.; C., A. G. I.; Christie, Anna Grace Ida)

Subjects

dates:

1300-1399

museums and institutions:

Victoria and Albert Museum, London, Great Britain

places:

England

subjects:

Ecclesiastical / Dress / Garments

subjects:

Copes / Embroidery / Opus Anglicanum (English Medieval Needlework)

subjects:

Needlework

subjects:

Reconstructions

subjects:

Syon Cope (Victoria and Albert Museum, London)

subjects:

Ecclesiastical vestments

Illustrations

Western art unattributed:

Fig. 1 [pieces of inscribed scroll]

Western art unattributed:

Fig. 2 [suggested reconstruction of cope, as plate I, B]

Western art unattributed:

Plate I. A-The Syon Cope in Its Present Form (The Victoria and Albert Museum). Notes on the Syon Cope

Western art unattributed:

Plate I. B-The Syon Cope. A Suggested Reconstruction (The Victoria and Albert Museum). Notes on the Syon Cope

Western art unattributed:

Plate II. Doubting Thomas. The Syon Cope. Detail (The Victoria and Albert Museum). Notes on the Syon Cope

Article

The Italian Exhibition: I - Bronzes; II - Textiles; III - Maiolica; IV - Glass.

01/1930 | 322 | 56

Pages: 9-11+14-17+20-23+26-27+30-31

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related names

Author:

Buckley, Wilfred (Buckley, Wilfred)

Author:

Kendrick, A. F. (Kendrick, A. F.; K., A. F.; K., A.; Kendrick, Albert Frank)

Author:

Longhurst, Margaret H. (Longhurst, Margaret H.; Longhurst, M. H.; Longhurst, M.; Longhurst, Margaret)

Author:

Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)

Subjects

artists:

Torrigiano, Pietro

artists:

Pellipario, Nicola

artists:

Vasaro, Giovanni Maria

artists:

Bertoldo di Giovanni

artists:

Benedetto di Giorgio

artists:

Riccio, Andrea

artists:

Adriano Fiorentino

artists:

Pollaiolo, Antonio del

artists:

Antico

artists:

Leonardo da Vinci

dates:

1930-1939

dates:

1400-1599

museums and institutions:

Royal Academy of Arts, London, Great Britain

places:

Urbino / Faenza

places:

Venice

places:

Italy / Florence

places:

Ferrara

places:

England / London

subjects:

Netherlandish painting / Tapestries / Influence

subjects:

Ecclesiastical / Garments / Copes

subjects:

Ceremonial vessels / Pilgrim bottles

subjects:

Iconography / Classical mythology

subjects:

Casa Pirota, Faenza pottery workshop

subjects:

Cafaggiolo Ceramic Manufactory

subjects:

Deruta maiolica

subjects:

Italian painting / Maiolica

subjects:

Exhibitions

subjects:

Glass / Glassware

subjects:

Italian sculpture / Bronzes / Statuettes

subjects:

Patronage / Royalty / Papacy

subjects:

Cut glass / Diamond-point engraving

subjects:

Verre églomisé

subjects:

Italian / Ceramics / Textiles

Illustrations

Attributed works:

Plate I. A-Hercules and Cacus, by Pollaiuolo. Bronze. (Museo Nazionale, Florence). The Italian Exhibition

Attributed works:

Plate I. B-Youth Playing a Fiddle, by Bertoldo. Bronze. (Museo Nazionale, Florence). The Italian Exhibition

Attributed works:

Plate II. A.-Cope, One of a Set of Vestments Made for the Opening of Henry VII's Chapel, Westminster Abbey. (Stonyhurst College). The Italian Exhibition [Design tentatively attributed to Pietro Torrigiano]

Attributed works:

Plate II. B-Asia, One of a Set of Tapestries of the Continents, Designed by Leonardo Bernini and Worked by Vittorio Demignot (Uffizi, Florence). The Italian Exhibition

Attributed works:

Plate III. A-Maiolica Roundel, Painted with the Holy Family, after Dürer; Caffaggiolo Factory; Circa 1510. (Mr. Henry Oppenheimer). The Italian Exhibition

Attributed works:

Plate V. Triptych by Francesco del Cossa. St. Peter (Brera Gallery, Milan); St. Vincent Ferrer, 1.52 by 0.9 m. (National Gallery); St. John the Baptist (Brera Gallery, Milan); Miracles of S. Giacinto (Vatican). The Italian Exhibition

Attributed works:

Plate VI. A-The Death of Lucretia, by Ercole Roberti. (Pinacoteca, Modena). The Italian Exhibition

Attributed works:

Plate VI. B-Virgin and Child, by Piero della Francesca. (Marchesa di Villamarina, Rome). The Italian Exhibition

Attributed works:

Plate VII. A-Portrait of a Man, by Antonello da Messina. (Malaspina Collection, Pavia). The Italian Exhibition

Attributed works:

Plate VII. B-The Bishop Lorenzo Roverella and SS. Paul and Maurelius, by Cosimo Tura. (Prince Colonna, Rome). The Italian Exhibition

Attributed works:

Plate VII. The Story of the Holy Girdle, by Bernardo Daddi. (Prato Museum). The Italian Exhibition

Attributed works:

Plate VIII. The Magdalen, by Piero di Cosimo. (Corsini Gallery, Rome). The Italian Exhibition

Western art unattributed:

Plate III. B-Maiolica Dish; Faenza; Circa 1520. (Sir Otto Beit, Bart). The Italian Exhibition

Western art unattributed:

Plate IV. A-Diamond-engraved dish, with the arms of Pius IV; crica 1560; B-Pilgrim's bottle, with the arms of Sforza and Bentivogolio, circa 1500; C-Enamelled goblet, with dummy foot; second half of fifteenth century; D-Goblet with filigree ornament; sixteenth century; E-Canister of "schmelz" glass; late sixteenth or early seventeenth century. (A, B, D and E in the possession of Mr. Wilfred Buckley; C in the possession of Mr. George Eumorfopoulos). The Italian Exhibition

Article

A Reconstructed Embroidered Cope at Anagni

02/1926 | 275 | 48

Pages: 65-66+68-69+71-73+77

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related names

Author:

Christie, Grace (Christie, Grace; Christie, Archibald H., Mrs.; C., A. G. I.; Christie, Anna Grace Ida)

Subjects

buildings:

Cattedrale di Santa Maria, Anagni, Italy

dates:

1200-1299

places:

Italy / Anagni

places:

England

subjects:

Textiles / Ecclesiastical / Copes

subjects:

Garments / Costume

subjects:

Embroidery / Needlework

subjects:

Ornament / Pattern

subjects:

Dalmatics

subjects:

Christian iconography / Saints / Martyrs

subjects:

Thomas Becket, Saint

subjects:

Opus Anglicanum (English Medieval Needlework)

subjects:

Early English / Needlework

subjects:

Ecclesiastical vestments

Illustrations

Western art unattributed:

Fig. 1.[embroidery scheme with radiating lines]

Western art unattributed:

Fig. 2. [embroidery scheme with scrolling stems]

Western art unattributed:

Fig. 3. [embroidery scheme with geometrical elements]

Western art unattributed:

Plate I. Two Dalmatics Composed of Fragments of Thirteenth-Century Work. (Anagni Cathedral Treasury). A Reconstructed Embroidered Cope at Anagni

Western art unattributed:

Plate II. Cope Reconstructed from Photographs of the Fragments Composing the Dalmatics in Anagni Cathedral Treasury. A Reconstructed Embroidered Cope at Anagni

Western art unattributed:

Plate III. A-St. Margaret and the Dragon. Detail from Dalmatic. A Reconstructed Embroidered Cope at Anagni

Western art unattributed:

Plate III. B-Martyrdom of St. Thomas à Becket. Detail from Dalmatic. A Reconstructed Embroidered Cope at Anagni

Article

The Uppsala Cope

12/1924 | 261 | 45

Pages: 273-275+278-280

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related names

Author:

Christie, Grace (Christie, Grace; Christie, Archibald H., Mrs.; C., A. G. I.; Christie, Anna Grace Ida)

Subjects

dates:

1250-1299 / 1300-1349

places:

England / Sweden / Uppsala

subjects:

Opus Anglicanum (English Medieval Needlework) / Christian iconography / Mary, Virgin / Saints

subjects:

Textiles / Ecclesiastical / Copes / Garments / Medieval

subjects:

Embroidery / Needlework / Techniques

subjects:

Ecclesiastical vestments

Illustrations

Western art unattributed:

Plate I. A-Cope, Embroidered in Gold, Silver and Silk. Opus Anglicanum, 13th Century. (Uppsala Cathedral, Sweden). The Uppsala Cope

Western art unattributed:

Plate I. B-St. James the Greater and St. Andrew. Roundels on the Uppsala Cope. The Uppsala Cope

Western art unattributed:

Plate II. Roundels on the Uppsala Cope. C-The Coronation of the Virgin. D-St. George. E-St. John the Baptist. F-St. Martin and the Beggar. The Uppsala Cope

Article

Textiles in Cologne Museum

12/1923 | 249 | 43

Pages: 298-299+302-303

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related names

Author:

Seligman, George Saville (Seligman, George Saville; Seligman, G. Saville; Seligman, Georges Saville)

Subjects

collectors and dealers:

Schnütgen, Alexander, 1843-1914

dates:

1920-1929

dates:

1200-1499

museums and institutions:

Schnütgen-Museum, Cologne, Germany

places:

Germany / Cologne

subjects:

Art museums / Collections / Textiles

subjects:

Ecclesiastical / Dress / Costume / Copes / Chasubles

Illustrations

Western art unattributed:

Plate I. A, B, C-Tissés de Cologne, 13th Century, 14th Century and Early 16th Century Respectively. D-Fragment Woven in Point natte and Interwoven with Gold Thread; German, 12th Century. E-Net Reliquary Cover, 13th Century. F-Chasuble; German, about 1450. G-Stole, 13th Century, from Göss Cathedral. (Cologne Museum). Textiles in Cologne Museum

Western art unattributed:

Plate II. H-Cope; English, Late 15th Century. (Cologne Museum). Textiles in Cologne Museum

Article

Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

08/1922 | 233 | 41

Pages: 74-77

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related names

Author:

Seligman, George Saville (Seligman, George Saville; Seligman, G. Saville; Seligman, Georges Saville)

Subjects

collectors and dealers:

Errera, Isabella

dates:

1200-1499

museums and institutions:

Musée du Cinquantenaire, Brussels, Belgium

places:

England / Belgium

subjects:

Textiles / Embroidery / Needlework / British

subjects:

Ecclesiastical / Garments / Copes

subjects:

Opus Anglicanum (English Medieval Needlework)

subjects:

Ecclesiastical vestments

Illustrations

Western art unattributed:

Plate I. A-St. Agatha, English, Early 14th Century. Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

Western art unattributed:

Plate I. B-SS. Barbara, Jerome, Catherine, Eloy and Veronica. English, Third Quarter of the 14th Century. (No. 20). Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

Western art unattributed:

Plate II. C-Martyrdom of the Apostles, from Cope, Here Identified As English, Late 13th Century. (No. 9). Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

Western art unattributed:

Plate II. D-St. Jacques and St. John the Baptist. English, Early 14th Century. (No. 10). Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

Western art unattributed:

Plate II. E-Martyrdom of the Apostles, from Cope, Here Identified as English, Late 13th Century. (No. 9). Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

Western art unattributed:

Plate II. F-Cope, English, Late 15th or Early 16th Century. (No. 25). Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

Western art unattributed:

Plate II. G-Scenes from the Life of St. John. English, Early 14th Century. (No. 16). Unidentified English Embroideries in the Museum Cinquantenaire in Brussels

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