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53 articles
Publication Received
Real Western Wear: Beaded Gauntlets from the William P. Healey Collection
06/2008 | 1263 | 150
Pages: 421
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
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collectors and dealers:
dates:
print:
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Reviewed Items
subjects:
Real Western Wear: Beaded Gauntlets from the William P. Healey Collection | editor: Laufer, Marilyn
Letter
The Vienna "Gösser Ornat"
05/1939 | 434 | 74
Pages: 243-244
related names
Author:
Wingfield Digby, George (Wingfield Digby, George; D., G. F. W.; Digby, G. F. Wingfield; Digby, George Wingfield; Digby, G. W.; Digby, G. Wingfield)
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Article
Some Embroidered Vestments at Danzig
03/1937 | 408 | 70
Pages: 122-123+126-129
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Author:
Burke, J. T. A. (Burke, J. T. A.)
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Illustrations
Western art unattributed:
Plate I. A-Cope. Embroidery, Late Fourteenth Century. Possibly Westphalian. (All in the Marienkirche, Danzig). Some Embroidered Vestments at Danzig
Western art unattributed:
Plate I. B-Cope, with Applied Strips of Embroidery. Attribution Uncertain. Early Fifteenth Century; C-Strip of Embroidery on the Front of the Chasuble on Plate II, B. D-Chasuble. Back View. Embroidery, Early Fifteenth Century. Probably North German under English Influence (All in the Marienkirche, Danzig). Some Embroidered Vestments at Danzig
Western art unattributed:
Plate II. A-Detail of Plate II, B. Some Embroidered Vestments at Danzig
Western art unattributed:
Plate II. B-Chasuble. Back View. Embroidery, Early Fifteenth Century. Probably Westphalian. (Marienkirche, Danzig). Some Embroidered Vestments at Danzig
Western art unattributed:
Plate II. C-Chasuble. Back View. Westphalian. Early Fifteenth Century. (Victoria and Albert Museum). Some Embroidered Vestments at Danzig
Western art unattributed:
Plate III. Embroidered Cope. English. First Half of the Sixteenth Century. The Embroidered Border Is German of a Later Date (Stadtmuseum, Danzig). Some Embroidered Vestments at Danzig
Short Notice
Early Figured Silks.-The Effect of the Use of the Scale Harness on Early Islamic Silks
03/1936 | 396 | 68
Pages: 145-147
related names
Author:
Flanagan, J. F. (Flanagan, J. F.)
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Illustrations
Non-western art unattributed:
Plate II. A, B-The Middle and Lowest Roundels in Their Present Condition. Two Early Figured Silks ("Clavi"), from Egypt. A-Woven without the Use of a Scale-Harness; B-Woven with the Use of a Scale-Harness. (Victoria and Albert Museum). Shorter Notices: Early Figured Silks
Article
Notes on the Syon Cope
12/1932 | 357 | 61
Pages: 252+256-259
related names
Author:
Christie, Grace (Christie, Grace; Christie, Archibald H., Mrs.; C., A. G. I.; Christie, Anna Grace Ida)
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Illustrations
Western art unattributed:
Fig. 1 [pieces of inscribed scroll]
Western art unattributed:
Fig. 2 [suggested reconstruction of cope, as plate I, B]
Western art unattributed:
Plate I. A-The Syon Cope in Its Present Form (The Victoria and Albert Museum). Notes on the Syon Cope
Western art unattributed:
Plate I. B-The Syon Cope. A Suggested Reconstruction (The Victoria and Albert Museum). Notes on the Syon Cope
Western art unattributed:
Plate II. Doubting Thomas. The Syon Cope. Detail (The Victoria and Albert Museum). Notes on the Syon Cope
Article
The Melk Chasuble, an Opus Anglicanum
08/1932 | 353 | 61
Pages: 68-69+71
related names
Author:
Kronberger-Frentzen, Hanna (Kronberger-Frentzen, Hanna; Kronberger, Hanna Frentzen)
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Western art unattributed:
A (Front). B (Back). Chasuble, Representing the Crucifixion, Embroidered in Coloured Silks and Metal Thread. English. Early Fourteenth Century. (Melk Cathedral, Austria). The Melk Chasuble, an Opus Anglicanum
Book Review
Vestments and Vesture. A Manual of Liturgical Art
10/1931 | 343 | 59
Pages: 200-201
related names
Reviewer:
Beck, Egerton (Beck, Egerton; B., E.; Beck, E.)
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Reviewed Items
subjects:
Vestments and Vesture. A Manual of Liturgical Art | author: Roulin, E. A.
Article
The Italian Exhibition: I - Bronzes; II - Textiles; III - Maiolica; IV - Glass.
01/1930 | 322 | 56
Pages: 9-11+14-17+20-23+26-27+30-31
related names
Author:
Buckley, Wilfred (Buckley, Wilfred)
Author:
Kendrick, A. F. (Kendrick, A. F.; K., A. F.; K., A.; Kendrick, Albert Frank)
Author:
Longhurst, Margaret H. (Longhurst, Margaret H.; Longhurst, M. H.; Longhurst, M.; Longhurst, Margaret)
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
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Illustrations
Attributed works:
Plate I. A-Hercules and Cacus, by Pollaiuolo. Bronze. (Museo Nazionale, Florence). The Italian Exhibition
Attributed works:
Plate I. B-Youth Playing a Fiddle, by Bertoldo. Bronze. (Museo Nazionale, Florence). The Italian Exhibition
Attributed works:
Plate II. A.-Cope, One of a Set of Vestments Made for the Opening of Henry VII's Chapel, Westminster Abbey. (Stonyhurst College). The Italian Exhibition [Design tentatively attributed to Pietro Torrigiano]
Attributed works:
Plate II. B-Asia, One of a Set of Tapestries of the Continents, Designed by Leonardo Bernini and Worked by Vittorio Demignot (Uffizi, Florence). The Italian Exhibition
Attributed works:
Plate III. A-Maiolica Roundel, Painted with the Holy Family, after Dürer; Caffaggiolo Factory; Circa 1510. (Mr. Henry Oppenheimer). The Italian Exhibition
Attributed works:
Plate V. Triptych by Francesco del Cossa. St. Peter (Brera Gallery, Milan); St. Vincent Ferrer, 1.52 by 0.9 m. (National Gallery); St. John the Baptist (Brera Gallery, Milan); Miracles of S. Giacinto (Vatican). The Italian Exhibition
Attributed works:
Plate VI. A-The Death of Lucretia, by Ercole Roberti. (Pinacoteca, Modena). The Italian Exhibition
Attributed works:
Plate VI. B-Virgin and Child, by Piero della Francesca. (Marchesa di Villamarina, Rome). The Italian Exhibition
Attributed works:
Plate VII. A-Portrait of a Man, by Antonello da Messina. (Malaspina Collection, Pavia). The Italian Exhibition
Attributed works:
Plate VII. B-The Bishop Lorenzo Roverella and SS. Paul and Maurelius, by Cosimo Tura. (Prince Colonna, Rome). The Italian Exhibition
Attributed works:
Plate VII. The Story of the Holy Girdle, by Bernardo Daddi. (Prato Museum). The Italian Exhibition
Attributed works:
Plate VIII. The Magdalen, by Piero di Cosimo. (Corsini Gallery, Rome). The Italian Exhibition
Western art unattributed:
Plate III. B-Maiolica Dish; Faenza; Circa 1520. (Sir Otto Beit, Bart). The Italian Exhibition
Western art unattributed:
Plate IV. A-Diamond-engraved dish, with the arms of Pius IV; crica 1560; B-Pilgrim's bottle, with the arms of Sforza and Bentivogolio, circa 1500; C-Enamelled goblet, with dummy foot; second half of fifteenth century; D-Goblet with filigree ornament; sixteenth century; E-Canister of "schmelz" glass; late sixteenth or early seventeenth century. (A, B, D and E in the possession of Mr. Wilfred Buckley; C in the possession of Mr. George Eumorfopoulos). The Italian Exhibition
Book Review
From Nudity to Raiment, An Introduction to the Study of Costume
01/1930 | 322 | 56
Pages: 51
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Reviewed Items
subjects:
From Nudity to Raiment, An Introduction to the Study of Costume | author: Hiler, Hilaire
Article
English Primitives: The Ascoli Cope and London Artists
06/1929 | 315 | 54
Pages: 304+307-308
related names
Author:
Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)
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Illustrations
Western art unattributed:
Figure 1. A-Spandrel Filling from an Illumination by W. de Brailes. B-Spandrel Filling from Wall Painting at St. Albans
Western art unattributed:
Figure 2. A-Scroll from Hood of Cope. B-Foliage Filling the Spandrels on the Cope
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